Looking for previews and reviews of SXSW 2019? Right this way.

SXSW 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | Live at Leeds 2016 | 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2018 | 2015 | 2013 | 2012

Don't forget to like There Goes the Fear on Facebook and follow us on Twitter!

Video of the Moment #2867: Youngr

 
By on Tuesday, 10th July 2018 at 6:00 pm
 

Son of Kid Creole Dario Darnell, aka Youngr, was one of my favourite discoveries at SXSW 2017. The multi-instrumentalist signed to Island Records has largely spent his time on the road since, culminating in his writing of the single ‘Lost in Translation’. To make the promo video for the song, he decided to enlist members of the public to participate in a supposed social experiment to communicate with another person but without speech. Then they turned the song on and told the participants to move however the mood took them. Described as ‘pop-funk’ on the press release, ‘Lost in Translation’ is an exuberant dance number that lets the charismatic Youngr be the ringmaster of a whole lot of fun. Watch the colourful video for it below. Want to read our past pieces on the artist? Go here.

 

SXSW 2017: Sounds Australia’s Sound Gallery II and the British Music Embassy Saturday afternoon – 18th March 2017

 
By on Tuesday, 4th April 2017 at 5:00 pm
 

By the time you reach Saturday at SXSW 2017, you’re not longer the eager, bright-eyed and bushy-tailed person who arrived in Austin just days before. You can’t remember where you put your shoes last night, you’re dragging your feet and your sunglasses are no longer a fashion staple, they’re a necessary evil to hide the exhaustion that your eyes will betray.

Saturday for me at SXSW is all about taking it easy, picking up the final few bands you haven’t seen, seeing again anyone who really wowed you and hopefully getting in brunch and a Bloody Mary (me) or mimosa (Carrie) somewhere. We shalt not speak further of the fact that by the time I made it to the British Music Embassy on this day, they had completely run out of Bloody Mary mix (?!?!?), so let’s focus on the acts, shall we?


As the opening bookend to SXSW on Tuesday in part I of it that preceded it, Sound Gallery II at B.D. Riley’s on Saturday afternoon is a civilised, chill way to ease yourself into Saturday. I arrived in the middle of a set by The Coconut Kids. The one thing that Austin lacks is a tropical atmosphere, something the Adelaide ‘world folk’ group was all too happy to provide through their music. Lest you think they’re one-dimensional, one of their lead singers Julian Ferguson brought forward a tender, slower song about the Brussels terror attacks. Rather than be a buzz kill, it was nice to see there was more to this folk band than their sunny exterior.

All Our Exes Live in Texas, Sound Gallery II, B.D. Riley's, Saturday 18 March 2017

Country and folk girl group All Our Exes Live in Texas came highly recommended by many friends from Oz and beyond. Not since the Staves at my first SXSW in 2012 have I experienced such tight, female, multi-part harmonies in Austin. They also have two new, very young fans: in the audience at B.D. Riley’s were a couple with two young children, both sporting hip-looking ear defenders that you normally don’t see anywhere except outdoor music festivals. Good on them. Speaking of ear defenders, stay tuned for Carrie’s report on the free hearing tests the both of us did in Austin. (Small spoiler: my hearing is better than Carrie’s, no doubt with my longer use of proper earplugs. Smirk.)

[youtube]https://www.youtube.com/watch?v=PcaDmeSXENQ [/youtube]

Hamish Anderson, Sound Gallery II, B.D. Riley's, Saturday 18 March 2017

Hamish Anderson is no stranger to SXSW, having come out here for the first time in 2015. After pop and folk acts, this Melbourne singer/songwriter’s approach to blues rock provided a welcome contrast to the acts that came before him. Masterful is probably the best word to describe Anderson’s guitar playing ability, something I’m sure will stand him in good stead for years to come. It is sometimes easy to forget that we wouldn’t have rock ‘n’ roll if blues had not come out of the Mississippi Delta before it. He and I talked about the debt we have to the originators in this interview I had with him on 6th Street after his blazing Sound Gallery II set.

[youtube]https://www.youtube.com/watch?v=uhMi8CA8lBI[/youtube]

More so than any other afternoon, Saturday at the British Music Embassy sees more people who have not frequented the venue for the rest of the week. The weekend warriors have descended on Austin and naturally, the natives are curious to hear what our friends across the water have to show us. This afternoon was devoted to pop from Britain. In salmon-coloured crushed velvet trousers, Welsh popster Casi was ready for her second performance at Latitude 30 after an early evening appearance the night before at the BBC Introducing showcase. I previously saw the Bangor native wow the crowd at Patterns 2 years at the Gorwelion Horizons Welsh showcase at The Great Escape 2015.

Casi, British Music Embassy, Latitude 30, Saturday 18 March 2017

It’s a cliché, I know, but the girl is all grown up. Even more so than is usual for entertainers from her region of the UK, Casi is very proud of her Welsh heritage. I’m glad she’s done nothing to change her unique accent, and with the electro and r&b beats backing her, she provides a refreshing combination of new and familiar. The punters of Latitude 30 rewarded her with well-deserved cheers. Check out her performance of ‘The Beast’ at the BBC Introducing show below.

[youtube]https://www.youtube.com/watch?v=kgXIG__Cc8U[/youtube]

Youngr, British Music Embassy, Saturday 18 March 2017

Youngr, aka Dario Darnell and son of Kid Creole, would be the last act of the afternoon showcases at the British Music Embassy for the week. Either everyone was well sauced or his reputation must have preceded him, as the crowd went absolutely mental for him. I had to get out of there to get some air! Like a lion (have you seen his amazingly mad hair?) surveying his pride, he held court with his highly accessible blend of soul and electronics. Whether he was singing or going spare on his drum kit, he had a whale of a time at Latitude 30, and so did his audience.

[youtube]https://www.youtube.com/watch?v=R2f5oDL9XTg[/youtube]

 

TGTF Guide to SXSW 2017: London electronic artists and DJs showcasing at this year’s SXSW

 
By on Tuesday, 21st February 2017 at 11:00 am
 

As you might imagine, London leads the charge with the largest number of artists one city in the UK is sending to SXSW 2017. In this post, we introduce you to 11 acts from London Town specialising in electronic music and DJaying. The summaries of acts below were written by Mary Chang, Rebecca Clayton, Steven Loftin and David Wriglesworth. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

Anna Meredith
Composing isn’t usually the most orthodox starting point for someone wanting to venture into a career in pop, but that’s exactly where Anna Meredith started her foray into music, and to great success. Before releasing her debut album, Meredith spent time as composer in residence with the BBC Scottish Symphony Orchestra, composed for the Proms, and gained a Masters at the Royal College of Music, amongst many other accolades.

In 2016, Meredith released her debut album ‘Varmints’. Her music draws on her classical history, combing grand electronic sounds with synth strings. Meredith’s LP is as unusual as it is impressive, and creates an immersive musical experience for the listener. ‘Nautilus’ is a must listen. (Rebecca Clayton)

[youtube]https://www.youtube.com/watch?v=Vajhs2wBeCU[/youtube]

Aquilo
Deeply emotional and airy synthpop, fit for a darkened, heartbroken night: that’s Aquilo (pictured at top). They don’t just have their heart on their sleeve, they’re grabbing it and shoving it in your face. Starting off with a couple of Soundcloud singles in 2013 that were picked up by various outlets, they then went on to play only their fourth show ever at Glastonbury 2014. Not a bad start for the duo, not bad at all. 2017 sees them finally releasing their debut album ‘Silhouettes’ and an opportunity to make waves at SXSW. (Steven Loftin)

DJ Yoda
Duncan Beiny, better known as DJ Yoda, is a multi-award-winning hip-hop DJ and producer, who has worked with pretty much everyone, from classical composers to neuroscientists. In recent years, DJ Yoda was asked by Dr Dre to record a guest mix on his inaugural Beats 1 show for Apple Music, and he was one of the artists to perform at Banksy’s pop-up bemusement park Dismaland.

DJ Yoda pioneers new forms of audiovisual entertainment, chopping and splicing classic movies with the hands-in-the-air clubbing vibe. In 2014, DJ Yoda was commissioned to rescore classic films as part of BFI’s sonic cinema event, and he produced a mash-up of BBC Radio 4’s entire station, remixing The Archers, the shipping forecast, John Humphries and more.

In 2017, DJ Yoda is taking his ever-evolving DJ sets, which take in a diverse array of styles, genres, decades and continents, all over the world, with shows at SXSW, Snowbombing (Austria) and Hideout Festival (Croatia). (David Wriglesworth)

[youtube]https://www.youtube.com/watch?v=vfslnlx_aSE[/youtube]

Draper
Producer James Draper has been around a while: he’s already released a whole host of EPs, including his eighth, ‘Luminous’ (out now on M:UK), which Steven reviewed for us on TGTF last month. Lest you think Draper is a one-trick pony, think again. Not only is the Kent professional highly sought out producer, he has collaborated with and written pop bangers for big names like Ellie Goulding, Twin Atlantic and Rita Ora. It won’t be his first rodeo – Draper has been to SXSW before – so perhaps past experience will make his performances stand out from all the newbies? (Mary Chang)

[youtube]https://www.youtube.com/watch?v=sTR9fi0sjS0[/youtube]

Fifi Rong
Fifi Rong is London-based, but lived in China until she was 16 when she was enrolled in a boarding school in Bristol. She self-released her debut album ‘Wrong’ in 2013, and since then has worked with the likes of Skepta, featuring on his 2016 album ‘Konnichiwa’. In 2016, she released an EP, ‘Forbidden Desire’, which she funded through Pledgemusic.

Fifi Rong’s voice is husky and distinctive, and her tracks involve beautiful and unearthly electronic sounds, which focus on love and relationships. (Rebecca Clayton)

[youtube]https://www.youtube.com/watch?v=TBCYdRdphWM[/youtube]

Jamie Isaac
Croydon-born and bred, Jamie Isaac released his debut album ‘Couch Baby’ last year, a following two EPs released back in 2013 and 2014. Isaac attended BRIT School along with contemporary and sometime collaborator King Krule, but rather than following in the footsteps of the likes of Adele and Jessie J, Isaac is carving out a much different path.

Isaac focuses on pared-back, dreamy electronic rhythms and a gentle tempo that is both captivating and seriously chilled. ‘Couch Baby’ is an album that can only be described as easy listening, the type of album that you can put on in the background and relax to. (Rebecca Clayton)

[youtube]https://www.youtube.com/watch?v=TTfYmEwefkY[/youtube]

Reeps One
Of the many young artists coming out to SXSW 2017, few can say they’ve already been nominated for an award, let alone won one. Harry Yeff, better known under his stage name Reeps One, is thus special because he’s a prize-winning beatboxer.

Even though the only instrument he uses is his own voice box, I’ve put him under the electronic category because SXSW has and I would venture to say they consider his voice as peerless an instrument like a synthesiser. Lest you think that his musical style is reminiscent of those spitting dudes in the ‘hood back in the ‘80s, I’ve included a more melodic example of his beatboxing below. (Mary Chang)

[youtube]https://www.youtube.com/watch?v=zDXvMPWfPyo[/youtube]

Rude Kid
London-based producer and DJ Rude Kid is heavily entrenched in the grime scene, being able to cite the likes of Skepta, Wiley and Shy FX amongst his collaborators. Passionate about music, Rude Kid, who at one time was signed to Sony Music, released and experimental EP ‘One Week’ in 2012 which he created in just a week, before sharing as a free download.

He’s released a fair bit of music in his career so far, and spent much of 2016 showing his prowess as a DJ, and even started hosting his own grime radio show on Kiss FM. Rude Kid’s music features darker elements of grime, when compared to AJ Tracey mentioned in our review of the pop acts from London headed to SXSW. His 2015 EP ‘653’ in collaboration with Ghetts features the popular ‘One Take’, which has racked up millions of listens on Spotify. (Rebecca Clayton)

[youtube]https://www.youtube.com/watch?v=SY8zrzB45X8[/youtube]

SOHN
Christopher Taylor is the enigmatic producer and electronic singer/songwriter, who I suspected could be a hooded, yet groovy polar bear live in concert 3 years ago in DC. A lot had changed for Taylor following his well-received debut album ‘Tremors’ in 2014, and the extensive touring to promote the LP took its toll on him as well. Decamping temporarily to a house in sleepy Northern California to write and record follow-up ‘Rennen’ did him good: read my album review from last month for more details. How will a producer who favours dark clubs fare in sunny Austin? We’ll have to wait to find out. (Mary Chang)

SWEAT
Electronic in all the right places and all the right ways, SWEAT are one of the brightest stars in the upcoming UK music scene right now. Filled with crisp beats and youthful romantic tales, they’re onto a real winner. ‘Stay’, for example, features a beautiful composition that trundles along, disappears and then returns with even more grace and melody. (Steven Loftin)

Tender
Life-long friends Dan Cobb and James Cullen comprise electronic duo Tender. From the basement of their North London home, they’ve produced three EPs, ‘Armour’, ‘Tender EP II’ and ‘Tender EP III’. To coincide with the duo signing with Brooklyn-based label Partisan Records in July 2016, Tender released ‘Outside’, the first single to be taken from their third EP. Since its release, the single has been streamed over 4,000,000 times on Spotify.

For the year ahead, Tender look set to embark on a number of live dates, including shows at SXSW and a headline show at Oslo Hackney in London, before finishing off and releasing their debut album. (David Wriglesworth) [As of 21/2, Tender are no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=iPdJM_7CgU8[/youtube]

Youngr
Dario Darnell is no stranger to the electronic scene, having previously been in Picture Book with his brother Lorne Ashley. While Picture Book appears to be on hiatus at the moment, Darnell has struck out on his own as a one man multi-instrumentalist under the moniker Youngr. You could say that his career in music was pretty much assured: his father is none other than August Darnell, aka Kid Creole of Kid Creole and the Coconuts’ fame.

Darnell has taken a page from his father in writing and performing catchy pop tunes with a soulful r&b vocal, though in his case, he also takes advantage of a full synth setup and plenty of electronics in the absence of a backing band. He’s in the middle of a European tour at the moment and will be touring North America around his week in Austin. (Mary Chang)

[youtube]https://www.youtube.com/watch?v=MDRdikMNwi8[/youtube]

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us

Privacy Policy