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SXSW 2014: Full Irish Breakfast at B.D. Riley’s – 14th March 2014

 
By on Monday, 31st March 2014 at 1:00 pm
 

One of the events I was most looking forward to at SXSW 2014 was the Full Irish Breakfast at B.D. Riley’s hosted by Music From Ireland. I must admit upfront that the actual meal is not my particular cup of tea (and in the interest of full confession, I drank coffee) but it was a nice part of the general atmosphere of the event. Our editor Mary joined me for part of the day’s festivities and has already touched on the Irish Breakfast in her Friday coverage.


When we walked in to B.D. Riley’s, we were warmly greeted by Mary’s friend and event organizer, Music from Ireland’s Angela Dorgan, as well as a host of other now familiar faces including several acquaintances made at the British Music Embassy over the course of the week. We were sat at a table in the front of the room near the sound desk, which gave us easy access to photos and quick chats with the artists on the schedule, and I quickly made the decision to set up camp there for the entire day. I was over the moon, as the lineup for the day included several acts I’d been dying to see.

Music From Ireland playbill SXSW 2014

We had missed UNKNWN earlier in the week at the Creative Belfast showcase, but we didn’t have to wait long to have our curiosity satisfied at B.D. Riley’s. The Northern Irish electro duo of music producer Chris Hanna (identified singularly as Unknown) and vocalist Gemma Dunleavy provided us with our morning slow jam, even as the clock crept into afternoon territory. Hanna’s deep and dreamy bass groove combined with Dunleavy’s smooth, clear vocals created a very chill, relaxed sonic atmosphere to start off the day.

UNKNWN at BD Riley's 14 March 2014

The next band, Dublin sister act Heathers, couldn’t have been more of a stylistic contrast to UNKNWN. I had gotten a sneak peek at them at the Music From Ireland showcase on the Wednesday night, so I knew to expect a change of pace. Of course, it helped that before they went on stage, Ellie Macnamara was kind enough to grant me a cheeky photo of her set list.

Heathers set list BD Riley's 14 March 2014

Heathers’ edgy, energetic rock, interlaced with tightly woven vocal harmonies and countermelodies, was the perfect antidote to the hearty Irish breakfast we’d just consumed. After their set, I was able to set up a quick interview with the sisters Macnamara for a bit later in the day.

Heathers at BD Riley's 14 March 2014

I was especially excited to see Rams’ Pocket Radio again, after having heard his set at Creative Belfast on the Monday night. As he mentioned in my interview with him from that night, he came to SXSW with a full band of musicians, who were tightly packed onto the small stage at B.D. Riley’s. Once again, they played a set featuring several tracks from Rams’ Pocket Radio’s album, ‘Béton’, including ‘Dogs Run in Packs’, ‘1+2’, ‘Dieter Rams Has Got the Pocket Radios’, and current single ‘Love is a Bitter Thing’. (My recent review of ‘Love is a Bitter Thing’ can be found here.)

Rams' Pocket Radio at BD Riley's 14 March 2014

As I’ve previously mentioned, I found Rams’ Pocket Radio a bit difficult to photograph due to his emphatic performance style. I was able to catch a few decent photos at the Irish Breakfast, but unfortunately it distracted me a bit from listening to the music. I made a mental note to try to return for his late show that night, also at B.D. Riley’s, so I could listen unfettered by the camera.

Rams' Pocket Radio at BD Riley's 14 March 2014

After Rams’ Pocket Radio, I stepped outside and around the corner for the aforementioned interview with Heathers, which you can read here. On my way back in, I noticed that there was a passing crowd gathered outside B.D. Riley’s, listening to the music from the open air stage. The space outside the venue proved to be a popular gathering place and was almost as full as the inside bar area for most of the day.

Mary and I were both excited to hear the Wonder Villains play again after speaking with them at the British Music Embassy on the Monday night. We were once again somewhat amazed by the colorful attire of the Wonder Villains’ leading ladies, Eimear Coyle and Cheylene Murphy. But more importantly, we were also amazed by the band’s high-spirited performance. Their latest single, ‘Marshall’, had been playing on the PA system between sets, and by the time the band played it live, everyone in the bar was singing and dancing along, including our indefatigable editor.

Wonder Villains at BD Riley's 14 March 2014

Mary ducked out after the Wonder Villains played, leaving me to the saccharine-sounding garage pop charms of Dott. Their single ‘Small Pony’ is every bit as bouncy and danceable as ‘Marshall’, but Dott were, inevitably, more reserved on stage than the bright and brash Wonder Villains. Little wonder, as I discovered later that they were nearing the end of a full American tour. Their tour diary for the trip, including their time at SXSW, can be viewed here.

Dott at BD RIley's 14 March 2014

I was practically dancing with excitement myself to hear the next band on the playbill, The Young Folk. I’d met them briefly on the Wednesday night at Maggie Mae’s Gibson Room and gotten a sneak preview of their forthcoming album, ‘The Little Battle’, and frankly, I was already hooked. Their live performance didn’t disappoint, despite the number of instruments they had to squeeze onto the tiny stage.

Young Folk at BD Riley's 14 March 2014

Young Folk at BD Riley's 14 March 2014

 

 

 

 

 

 

 

 

 

 

 

 

Songs from ‘The Little Battle’ predominated the set, but The Young Folk also included non-album tracks ‘A Song About Wolves’ and ‘Hold On To Your Hat’. I was impressed most by their ability to convey the tender lyrical moments in their songs without dampening the lively mood of the crowd. Their relaxed but animated performance style was definitely a hit among those in attendance at B.D. Riley’s

Young Folk at BD Riley's 14 March 2014

Note ‘The Little Battle’ CD taped to Anthony’s guitar.

After The Young Folk played their set, I ducked outside again for an interview with them, which you can read here if you haven’t already. They proved to be quite easy to talk to, and before I knew it, I had missed most of the next set inside the venue. When I came back in, September Girls were rocking the stage with their reverb, rhythm and vocal harmonies. I did manage to peek between the enthusiastic patrons at the front to snap a few quick photos before the band wrapped up.

September Girls at BD Riley's 14 March 2014

Mary returned from her own afternoon interview adventures with DJ Colette and Until the Ribbon Breaks and checking out some of the day’s activities at British Music Embassy in time to catch the last two bands on the schedule, WOUNDS and Kid Karate. I would never have guessed that she would be a fan of either band, but the bass player in her showed through as she headbanged along with WOUNDS.

Mary at BD Riley's 14 March 2014

Editor Mary got her groove on.

Both WOUNDS and Kid Karate required the use of earplugs, especially at the close range where we were seated. Of the two, WOUNDS were definitely the harder, heavier thrashing rock, but they managed to keep their performance confined to the stage.

WOUNDS at BD Riley's 14 March 2014

Kid Karate, on the other hand, were not inclined to that much restraint. By the end of their brazenly bluesy set, guitarist and front man Kevin Breen had completely abandoned drummer Steven Gannon to join the audience for an impromptu moshing session. It was the perfect surprise ending to what had been a showcase full of variety and high quality music.

Kid Karate at BD Riley's 14 March 2014

Kid Karate at BD Riley's 14 March 2014

 

 

 

 

 

 

 

 

 

 

 

 

Once again, I hated to leave after the end of the showcase. Part of my mind lingered at B.D. Riley’s when I dashed off to my next appointment, even as I eagerly anticipated the Communion Records showcase that was still to come at St. David’s Episcopal Church.

Thanks to Brian, Ciaran and Jim for their assistance with interviews and photos at this event. (And special thanks to Angela and the staff at B.D. Riley’s for their help in rescuing my lost voice recorder!)

 

TGTF Guide to SXSW 2014: Artists from Ireland and Northern Ireland showcasing at this year’s SXSW

 
By on Wednesday, 5th March 2014 at 1:00 pm
 

Please note: all information we bring you about SXSW 2014 is to the best of our knowledge when it posts and bands scheduled to appear may be subject to change. To learn when your favourite band is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the band’s Facebook and official Web site for details of any non-official SXSW appearances.

This installment of the TGTF Guide to SXSW 2014 explores the contingent of SXSW 2014 showcasing bands from Ireland and Northern Ireland. These acts range from traditional folk to pure electronic, with a healthy dose of plain old pop and rock falling somewhere in between.

Cian Nugent is listed on the SXSW 2014 schedule as being in the “avant/experimental” category. His expansive, virtuosic solo electric guitar compositions are backed by traditional rock instruments, including electric bass and drums, as well as more orchestral bowed strings, woodwinds, and brass. His latest LP ‘Born With the Caul’, released in November 2013, is his first recording with a fully dedicated band. Cian Nugent and The Cosmos are currently touring in America leading up to SXSW.

[youtube]http://youtu.be/ITuigRBWhlM[/youtube]

Dott are a “shiney, harmony-driven guitar pop” band hailing from Galway. Their laid back, low-fi debut album ‘Swoon’ was released on Graveface Records in December 2013; stream it here. For a quick sampling of their sound, take a listen to ‘Love You Too’.

Heathers are Dublin twin sisters Ellie and Louise Macnamara. Their mainstream guitar pop second album, ‘Kingdom’, was released in the UK in September 2012 and nominated for that year’s Meteor Choice Music Prize for Best Irish Album. It is due for release in America on the 8th of April via SonyRED, just after the band’s appearance at SXSW. The album’s first single ‘Forget Me Knots’ has already scored over 250,000 YouTube hits.

[youtube]http://youtu.be/BTLbR80pIqY[/youtube]

Hozier is the stage name of County Wicklow’s Andrew Hozier-Byrne, a soulful singer/songwriter and multi-instrumentalist whose poignant single ‘Take Me To Church’ turns romantic love into a religious experience. Already receiving radio play in America, the track was nominated for the Meteor Choice Prize Song of the Year. March looks to be a busy month for Hozier, with the release of his EP, ‘From Eden,’ and his appearance at SXSW, along with his St. Patrick’s Day birthday.

[youtube]http://www.youtube.com/watch?v=MYSVMgRr6pw[/youtube]

Dublin rock duo Kid Karate have been compared to the likes of Jack White and The Black Keys. Their brash, bluesy brand of rock seems more sonically suited to stadiums than the small venues of SXSW, but they are sure to make their boisterous presence known in Austin next month. They have just finished recording their debut long player ‘Night Terrors’, to be released later this year. Be sure to adjust your volume settings before streaming their first single, ‘Two Times’.

Rams’ Pocket Radio is the stage moniker for Northern Irish solo artist Peter McCauley. He is categorized by SXSW organizers as pop, but based on his opening performance for Foy Vance last year (reviewed here), I’d say his keyboard-based rock is more experimental or progressive than most pop artists. Think Ben Folds without the flippancy. Despite its unwieldy title, Rams’ Pocket Radio’s eponymous tune ‘Dieter Rams Has Got The Pocket Radios’ is a surprisingly infectious earworm.

[youtube]http://www.youtube.com/watch?v=hND_DFhyQNA[/youtube]

Female garage pop band September Girls are aptly named for a Big Star song once covered by The Bangles. The fuzzy guitars and vocal harmonies on ‘Heartbeats’ are a slightly scuzzier version of The Bangles’ signature sound. The single features on September Girls’ debut album,‘Cursing the Sea,’ which was released in January on Fortuna Pop! Records.

The Strypes’ official Web site describes the band as “a 4-piece rhythm and blues band hailing from Cavan, Ireland,” and their single ‘Blue Collar Jane’ clearly pinpoints their style as reminiscent of the early Beatles R&B sound. Their first EP release ‘Young, Gifted & Blue’ is a set of four homemade recordings of classic blues songs, including a cheeky version of Bo Diddley’s ‘You Can’t Judge a Book by the Cover’. ‘Blue Collar Jane’ appears on the band’s debut LP ‘Snapshot’, released in September 2013. Their latest EP release ‘4 Track Mind’ coincided with their February tour dates in the UK, which included several sold out shows.

[youtube]http://www.youtube.com/watch?v=gZb8nEemK2k[/youtube]

Unknown is the professional name of Belfast music producer Chris Hanna, who began his career attempting to create his music anonymously and without hype. He started producing music in 2012 with a series of tracks titled simply ‘#001’ – ‘#010’. He currently performs with vocalist Gemma Dunleavy under the stage name of UNKNWN, but the official SXSW schedule lists him as “Unknown,” which might imply that he will be performing solo at the festival. Check out the groove of ‘#008’ below.

Indie pop wunderkinds the Wonder Villains hail from Derry, Northern Ireland and have already become major players on the Northern Irish music scene. They released two singles on No Dancing Records, ‘Ferrari’ and ‘Zola’, the latter of which was playlisted on BBC Radio 1 in February 2012. Their spunky forthcoming single ‘Marshall’ is due out on the 24th of March. After SXSW, the Wonder Villains are expected to return to the studio to finish their debut album, ‘Rocky’, which is scheduled for release in June.

[youtube]http://youtu.be/A-OP2FxCB6c[/youtube]

Dublin punk outfit WOUNDS released their first EP ‘Dead Dead Fucking Dead’ and began work on their debut LP before guitarist James Coogan fell from a four-story balcony and spent 3 months on life support. After Coogan’s painful recovery, Wounds licked their wounds and moved forward, releasing the LP ‘Die Young’,in January 2013. Listen to the merciless thrashing of ‘Dead Dead Fucking Dead’ below.

[youtube]http://www.youtube.com/watch?v=2lKnGvlYetU[/youtube]

The Young Folk, as you might have already guessed, are a folk quartet of a “certain youthful age”, according to the bio on the band’s Web site. Their brand of folk pop includes subtle and eclectic instrumentation, introspective lyrics, and lightly lilting vocals along with a relentlessly energetic performing style. Having recently signed with ARC Music UK, The Young Folk are set to release their debut album in the early part of 2014.

[youtube]http://www.youtube.com/watch?v=Rm8gYScu2Xw[/youtube]

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

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