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Live Gig Video: The Wytches chat and perform at Sheffield Corporation on Dr. Martens’ #STANDFORSOMETHING Tour

 
By on Monday, 30th November 2015 at 4:00 pm
 

Brighton band The Wytches stopped by the small and sweaty Corporation club in Sheffield 2 Saturdays ago for a show on the current Dr. Martens’ #STANDFORSOMETHING tour that has been taking place this autumn across the UK. During their visit to Steel City, they stopped long enough for a brief chat backstage at the venue with Dr. Martens in this video, which also includes clips of the trio performing for their excited fans and stage-diving (of course). Watch the video from Sheffield below.

This date in Sheffield is in the middle of the The Wytches’ massive UK tour going on now. For all of TGTF’s past coverage on the Wytches, go here.

[youtube]https://www.youtube.com/watch?v=qbV8l9LGWls[/youtube]

 

The Wytches / November and December 2015 UK Tour

 
By on Friday, 18th September 2015 at 8:30 am
 

Brighton-based psychedelic rock band The Wytches have announced a massive new UK headline tour for October and November of this year. At these dates, the band will be airing new material beyond than their 2014 Heavenly Recordings debut album ‘Annabel Dream Reader’. Tickets go on sale today, Friday the 18th of September, at 9 AM, except for previously announced shows including their participation with the Beacons Metro ongoing festival taking place at Leeds Headrow House this autumn and a Dr. Martens #standforsomething tour date in Sheffield, which is now sold out.

All of TGTF’s past coverage of The Wytches, including my review of their show at DC9 last November, is this way.

Monday 9th November 2015 – Leeds Headrow House (Beacons Metro show; already on sale)
Tuesday 10th November 2015 – Edinburgh Sneaky Pete’s
Wednesday 11th November 2015 – Hull Adelphi
Friday 13th November 2015 – Ramsgate Music Hall
Monday 16th November 2015 – Reading Face Bar
Tuesday 17th November 2015 – Southend Chinnery’s
Wednesday 18th November 2015 – Stowmarket John Peel Centre
Thursday 19th November 2015 – Bedford Esquires
Friday 20th November 2015 – York Duchess
Saturday 21th November 2015 – Sheffield Corporation (Dr. Martens #standforsomething tour; sold out)
Sunday 22th November 2015 – Wakefield Hop
Tuesday 24th November 2015 – Preston Ferret
Wednesday 25th November 2015 – St. Albans Horn
Thursday 26th November 2015 – London Garage (Heavenly Records’ 25th anniversary show)
Monday 30th November 2015 – Nottingham Bodega
Tuesday 1st December 2015 – Cardiff Clwb Ifor Bach
Wednesday 2nd December 2015 – Bristol Louisiana
Thursday 3rd December 2015 – Tunbridge Wells Forum
Saturday 5th December 2015 – Brighton Haunt

 

Top Gigs of 2014: Editor’s Picks

 
By on Tuesday, 23rd December 2014 at 11:00 am
 

2014, 2014, tsk tsk tsk. When it came to live shows, you put in some tense situations where I couldn’t understand the lead singer in his normal speaking voice (Glasvegas at DC’s Rock ‘n’ Roll Hotel in February), feared for my life because the heat was proving a bit too much (Slow Club at Sheffield Great Gatsby in May), got grossed out by other punters’ grinding (Glass Animals at DC’s U Street Music Hall in July), and needed to take a train to another town and back, all in one evening (Fatherson at Edinburgh Potterow in October). But it was in good fun, as you were always entertaining. Here are my top 5 live experiences this year:

5. The Dig at Black Cat Backstage (4th December 2014) – watching a band you’ve come to know and love evolve over time, and who just keep getting better and better, is probably one of the greatest blessings given to a music editor. The Dig, who I saw support Editors 4 years ago, are one of those bands. December gigs are hard to pull off in Washington – people are lazy to come out once the weather turns cold – but they came out in droves for this show Thursday night the first week in December for the New Yorkers. They’re ready for their close-up, folks.

Reminisce through TGTF’s back catalogue on the Dig through this link.

4. Glass Animals at Glasgow CCA (17th October 2014) – after you’ve seen a band many times, the gigs all start to blur together, especially you’re seeing them when they’ve only got their one debut album to promote. Glass Animals shows are always interesting, if only to view the wildlife on display in the audience, but the Oxford band were in fine form even on the last UK date on their tour in October. I was expecting them to be completely beat, after returning the week before from a whirlwind North American campaign and subsisting on far too little sleep. Perhaps it was the party atmosphere in Glasgow on a Friday night, the CCA stuffed to the gills with punters, that turned this gig up to 11? Vibes, man. Vibes.

Glass Animals have been a favourite at TGTF since last year, and you can read all of our coverage on them here.

3. Fenech-Soler at Brooklyn Glasslands (5th April 2014) – good things come to those who wait. Or so the saying goes. Even though I had to trek up to New York for this one, Fenech-Soler was definitely worth it for me to finally hear songs from both their debut album in 2010 and 2013’s ‘Rituals’. I haven’t danced that hard in ages. (Meeting Ben and Ross Duffy and getting to chat with them for this interview was definitely a personal highlight of 2014 as well.) I waited 4 long years to see electro-pop band Fenech-Soler to do a proper show in the States, and since I saw them at this show (at a venue that sadly will no longer exist in 2015, sob), they’ve done a couple tours in our country, and I couldn’t be happier for them.

Our pretty comprehensive archive on Fenech-Soler here at TGTF is this way.

2. Maximo Park at Rock ‘n’ Roll Hotel (20th May 2014) – like Fenech-Soler, Maximo Park was a band I had missed seeing, and for even longer (beyond 6 years). It had nothing to do with them never coming to DC; I was either not here when they’d come or the show I’d had tickets to see them at had been cancelled. If you’ve never seen Paul Smith and co. perform, wow, you need to do yourself a favour and rectify that ASAP. I came to appreciate their latest album ‘Too Much Information’ much more after seeing it performed. Also, you always know the band you’ve come to see play is pulling out all the stops when the set list spills out over 2 pages. I’m looking forward to the next time they return to Washington. And to those asking, yes, Paul Smith really does give those reinforced trousers a workout.

Check out our writings on TGTF on the Geordie band here.

1. Royal Blood at DC9 (20th July 2014) – this gig can be best summed up with one word: PHWOAR. Perhaps my only prior experience with Mike Thatcher and Ben Kerr – Thursday at SXSW 2014, playing Lammo’s BBC Introducing night – didn’t sit well in my head because there is always too much background noise from other acts in Austin to really concentrate and appreciate on just one. At their first, and I might add rammed, headline show in DC, eyes and ears all glued on them with good reason. As those who waited for them to play at the John Peel stage at Glasto this year know, this duo from Brighton pack a massive punch in their successful effort to bring hard rock back. Best new British guitar band? Forget it. Best new British guitar duo’s where it’s at.

All of TGTF’s coverage on Royal Blood is right this way.

After the cut: the full list of all the gigs, in reverse chronological order, that I’ve been to in 2014. The runner-up gigs are also marked.
Continue reading Top Gigs of 2014: Editor’s Picks

 

Live Review: The Wytches at DC9, Washington DC – 20th November 2014

 
By on Monday, 24th November 2014 at 2:00 pm
 

“Hypnotic. Arabian funeral. Depression in the desert. Sepia rainbows.

“This is the psychedelic nightmare spun by The Wytches, who are spreading their subversive message across the UK in the dark guide of SOS surf riffs, desert riffs, melancholic shuffles and a kaleidoscopic stage performance that will put you under.”

This was the description on the DC9 Web site of Thursday evening’s headliner the Wytches. Quite accurate, I reckon: there is a dark and dangerous undercurrent of subversion to the music of the Brighton-based trio, which initially sounded strange to me, given that they live by the beautiful southern coastline of England. However, I learned on the night that two of their band members are originally from Peterborough; I’ll have to ask our John what the deal is with that place and if it informs the pervading doom and gloom of their sound. But that is neither here nor there: what is far more important to note is that despite my initial impression of the tracks of theirs I heard online and thinking, “is that all?”, the live performance of the Wytches is an interesting, beguiling mixture of swirly guitar and powerful bass and drum beats, delivered with animalistic, raw vocals, and money spent on a ticket to see this band will be worth every last penny.

Further, anyone who has listened to their music before knows of the muscle and raucousness of the group’s sound, but what you will find when experiencing them live is the nuances of brilliant songwriting that might not be immediately apparent to the untrained ear. That is, there is method to this madness. They can write and play a good song, as well as give good show. Isn’t it a truly sad development of popular music that these three things are all too often mutually exclusive these days?

I found myself easily and entirely willingly drawn into the Eastern-tinged melodies of the band, most always delivered alongside a punishing rhythm section. There were moments where I could not help but smile to myself, thinking about my younger years when I thought Led Zeppelin’s ‘Kashmir’ was a pretty cool tune. I’m happy to say that the kind of vibe managed by Led Zeppelin on ‘Physical Graffiti’ has not only been inspirational to a younger generation of musicians, the vibe is been continued. And stretched, modified and improved on.

Past singles ‘Wire Frame Mattress’ and ‘Burn Out the Bruise’ are noteworthy for the anguished screams of guitarist/frontman Kristian Bell and its entirely headbanging-inducing thunder well appreciated by the crowd assembled in Washington. The seductive rhythm of ‘Robe for Juda’, probably better known to most readers of TGTF for its extremely low-budget video, doesn’t fail to bring rapture to tonight’s audience, is a standout at this show too, along with debut single ‘Digsaw’. All the while, you can only be mesmerised by what is enfolding in front of your very eyes: three young men, clearly skilled with their weapon of choice, giving their all and ostensibly, if you pay close attention to the lyrics, giving life what for when it comes to the suffering of relationship-based angst.

‘Weights and Ties’ provides a superb counterpoint, showing the band’s more surf pop, softer side. See, they can play their instruments without pummeling them to death. ‘Wide at Midnight’, characterised by a slower tempo than most of the Wytches’ debut album ‘Annabel Dream Reader’, is another indicator that there is far more here than just loud guitars, loud drumming and wailing. Both tell me that there is still plenty of mileage in the ethos this trio are peddling. More, please.

You might be in luck to catch the band live next week after they return from the States; all the details of their last dates in 2014 are this way.

 

Album Review: The Wytches – Annabel Dream Reader

 
By on Monday, 25th August 2014 at 12:00 pm
 

Sitting in a bizarre juxtaposition to early Black Sabbath and the Indian subcontinent are The Wytches. It’s an odd place to be, but this three-piece are relishing the company – not in the way Bombay Bicycle Club did, mind – but more in a “look, here’s a snake charmer, OK? We’re done now, let’s melt your face off” kind of way.

‘Annabel Dream Reader’ is the band’s debut album and from the start, it grabs your attention with its ambition. We’ve got a vocalist in Kristian Bell who’s a mix between Eoin Loveless at his most lyrically scathing and Steven Ansell at his most lovelorn, spinning guttural, powerful yarns about his dejected heart-broken existence. Song number two ‘Wide at Midnight’ introduces you to the underlying concept of the record, dejection. Prior to that and almost through the entire first half of the record you’re transported to a grungy Mumbai market, as a snake-charming tune underlies the melody.

‘Fragile Male for Sale’ is a plundering tub-thumper of a track with some thudding, juddering drum pelts and a booming bass line. The entire record reeks of this DIY nu-grunge revolution that seems to be gathering force under the banner of bands like Drenge, Slaves and, to a lesser extent, Royal Blood. I’m steering away from the term Great British Guitar Band Revolution, because firstly it doesn’t fucking exist and secondly because it’s a figment of NME’s imagination.

The Wytches are most definitely the new poster boys then, as they tick all the right boxes in their debut outing. I mean, even in their promo shot they look effortlessly cool, whilst still managing to pull of the faux-grunge look by having questionable hair styles. The record spins between remarkably heavy going, in both melody and prose: Dan Rumsey and Gianni Honey are an indomitable engine room behind the musings of Kell. Some of the heavier tracks almost merge into the territory of doom rock; however, the subject matter veers away from the bloody and dismembered, which I’d most certainly count as a positive development.

If you’re a guitar purist, you may be perturbed by the sheer quantity of reverb on most of the songs. But if you like your riffs unrefined and dirty as the floor of your car, then ‘Annabel Dream Reader’ is the place for you. There are hints of The Melvins and The Scientists, in their noise-punky sound, but it’s got a far more 21st century edge, the kind which will undoubtedly see them compared to Nirvana.

As frontmen of this nu-grunge revolution, this Brighton born triumvirate will be waving their tricolore abroad as they are one of the chosen few bands, alongside acts like The Wombats, Dry the River, Fenech-Soler, Hadouken, Imogen Heap and Waylayers, in receipt of a share of £1,750,000 over the next two years. Why you ask? So the UK government can encourage them to promote their music around the world as part of the Music Export Growth Scheme.

With the 47-minute belter that ‘Annabel Dream Reader’ is in The Wytches arsenal, I doubt audiences in America and afar will struggle to become as enamoured with the band as I have. The record is effortlessly powerful and manages to show a real heart in ‘Summer Again’ and ‘Weights and Ties’, showing that the boys can play it tough, but can also connect with an audience through some overwhelmingly powerful narratives.

Viva La Revolution, then?

9/10

The Wytches‘ debut album ‘Annabel Dream Reader’ is out today on Heavenly Recordings. Catch the band live as they traverse the UK in the last 3 months of 2014; all their touring plans are here.

 

Video of the Moment #1607: The Wytches

 
By on Thursday, 21st August 2014 at 6:00 pm
 

Brighton via Peterborough threesome The Wytches are getting ready to release their debut album ‘Annabel Dream Reader’ next Monday on Heavenly Recordings. If there was any questions whether or not they’d be changing their DIY, lo-fi style of music video, fear not. The promo for ‘Burn Out the Bruise’, which features on the new release, is as scuzzy as ‘Robe for Juda’ and ‘Wire Frame Mattress’ that came before. Watch it below.

Catch the band live on tour in the UK in the last quarter of 2014.

[youtube]https://www.youtube.com/watch?v=SBc0JIPkyvM[/youtube]

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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