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TGTF Guide to SXSW 2018: best bets among American artists showcasing at this year’s SXSW

 
By on Wednesday, 28th February 2018 at 12:00 pm
 

Header photo: Nathaniel Rateliff and the Night Sweats by Brantley Gutierrez

As you might expect with an American music festival, SXSW is typically heavy on American showcasing artists, and SXSW 2018 won’t be any different. This year’s music festival lineup features a load of big names that you’ve probably heard before, along with a few new ones that, if they’re not familiar already, likely will become so very soon.

Our ongoing preview coverage of SXSW 2018 has already highlighted a few up-and-coming artists on the showcase schedule, including grunge rock band Bully and alt-country singer Courtney Marie Andrews. Perhaps the most intriguing of these is elusive Los Angeles alt-rock trio Lo Moon, who made mild waves with their SXSW appearance last year. I expect them to make a bigger splash this time around, on the strength of their just released self-titled LP, which includes new track ‘Wonderful Life’.

Among the major players heading to SXSW 2018 are a handful of TGTF alums who have broken through to mainstream success. We first covered songwriter Nathaniel Rateliff way back in 2011, but the course of his career dramatically changed in 2015, when he convened a new band called the Night Sweats and released their hit self-titled album. Nathaniel Rateliff and the Night Sweats have recently announced a brand new LP called ‘Tearing at the Seams’, which is due for release just before SXSW on the 9th of March and features lead track ‘You Worry Me’.

North Carolina alt-pop duo Sylvan Esso previewed songs from their 2017 album ‘What Now’ at a surprise SXSW 2016 show; their appearance this year could once again herald new music on the horizon. Austin native David Ramirez wasn’t in top form when I saw him at SXSW 2017, but he may be in better shape this year, playing songs from his beautiful recent album ‘We’re Not Going Anywhere’, which he has toured extensively since its release. SXSW 2015 showcasing artist Natalie Prass has just announced a brand new album ‘The Future and The Past’ due out on the 1st of June; she will presumably highlight its soul-tinged single ‘Short Court Style’ on her showcases in Austin next month.

Among other past TGTF mentions on the SXSW 2018 list are Nashville singer/songwriter Liza Anne, who will release her new album ‘Fine But Dying’ on the 9th of March and Milwaukee quartet Field Report, whose new album ‘Summertime Songs’ is previewed in the stream of ‘Never Look Back’ just below. Fellow Nashville singer Tristen and Philadelphia duo Vita and the Woolf, both acts we’ve coincidentally covered in conjunction with Irish alt-rockers Bell X1, also made the showcase list for this year’s festival in Austin, along with New York’s Sunflower Bean, who showcased at SXSW 2016, and L.A. rock band Warbly Jets, who made an appearance at SXSW last year.

American artists new to TGTF include Albert Hammond, Jr. of The Strokes fame, and Buck Meek of alt-rock band Big Thief, neither of whom we’ve seen in a solo capacity before. Satellite radio listeners here in the U.S. might already be familiar with Mt. Joy and NoMBe, who have both been featured on SiriusXM Alt-Nation, while public radio devotees will no doubt have heard Portland singer/songwriter Haley Heynderickx and New Orleans funk/soul group Tank and the Bangas on NPR.

For dedicated indie fans, a pair of duo acts, Denver’s Tennis and Baltimore’s Wye Oak have made the SXSW shout list, along with the always eccentric Okkervil River. In the heavily represented Americana category, sure winners include a trio of Nashville acts: singer/songwriter Nikki Lane, country rock trio Liz Cooper and the Stampede and veteran country/bluegrass collective Old Crow Medicine Show.

Please note: all information we bring you about SXSW 2018 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook or official Web site for details of any non-official SXSW appearances.

 

Live Gig Video: The Strokes let loose live with ‘All the Time’ video

 
By on Wednesday, 20th March 2013 at 4:00 pm
 

Back in January, the Strokes surprised everyone with their ’80s sounding offering ‘One Way Trigger’. (You can listen to the track here.) Now they have a new video for their song ‘All the Time’, which is a frenetic bunch of clips behind the scenes of their touring life over the last decade or so. Watch it below.

[youtube]http://www.youtube.com/watch?v=TJC8zeu3MHk[/youtube]

 

MP3 of the Day #732: The Strokes

 
By on Tuesday, 29th January 2013 at 10:00 am
 

So the new Strokes song ‘One Way Trigger’ has itself triggered divided opinion. 6music’s Lauren Laverne yesterday compared it to the Stranglers; her programme listeners say it sounds like a-ha, which I agree with more as it’s got a definite ’80s vibe. Listen to and download the track below.

 

Leeds 2011: Day 3 (John’s Roundup)

 
By on Tuesday, 13th September 2011 at 2:00 pm
 

The final day of Leeds Festival 2011 brought with it dryness and a relative calm that I hadn’t seen all weekend, no frantic rushing to tents. Just good music. Well, for most of the day anyway… Speaking of music that just is not good in the slightest, my first port of call for the day was the Main Stage to watch Pigeon Detectives. Beginning with their set with arguably their most popular track ‘I Found Out’ was their first mistake, as they had my attention for that brief point. But from then on though, it was as I expected. A set as tragically flawed as the band themselves, riddled with album tracks that nobody cares about at home, let alone at a festival. Truly a thoroughly dour start to my final day.

It was only fair that after such musical torture, I was gifted with the brilliant music of Seasick Steve, doing what he does best, getting crowds to love him with his brilliant style of DIY bluegrass rock ‘n’ roll. Halfway through his set he does what anybody who is third on the Main Stage at a festival wishes they can do to get the crowd going: nothing huge, just something like bring on a member of the greatest rock ‘n’ roll band of all time, Led Zeppelin. Yes. John Paul Jones. With JPJ on bass, Steve hammering his bizarre instruments and a drummer with a longer beard than Steve himself, the trio on stage was a force. ‘Can’t Teach An Old Dog New Tricks’ sounded positively fierce and ‘Thunderbird’ was easily the highlight of the first few bands of the day.

Two Door Cinema Club strolled onstage, and within seconds girls all around me were clambering over each other to be as close to these Irish charmers. Two Door surely could not have anticipated what a success ‘Tourist History’ was going to be, so the thousands upon thousands of people mimicking every track back at them must have been quite a shock. [Editor’s note: not really to us at TGTF. We wrote about a couple of their songs in a Kitsune sampler in January 2010 and then mused on the actual album 2 months later.] Their delivery was fantastic though, and throughout the gig they had the crowd placed firmly within the palms of their hands.

To follow Two Door in the form they are in can hardly be seen as an undaunting task. So it probably helped that the guys to do it are the most seasoned pros on the bill: enter Madness. Beginning with classic ‘One Step Beyond’, the crowd were already in full swing, gone were the attempts at mosh pits and in their place, everyone doing a strange minimalistic rendition of the running man. Their set was riddled with classics: ‘Baggy Trousers’ was greeted to a huge reception and ‘House of Fun’ was literally the most ‘fun’ song of the day.

From a band centred on dancing about like there’s no tomorrow to a band who in all honesty aren’t exactly the jolliest fellows around, this of course was the pioneers of emo kids Jimmy Eat World. Their set was by far too long for the amount of material they had; while ‘Bleed America,’ ‘The Middle’ and ‘Sweetness’ were fantastic, nobody cared about ‘Coffee and Cigarettes’, let alone enough to hear it when you could be heading over to see Bombay Bicycle Club…hey, wait a minute. That sounds like a good idea! So I did!

Bombay’s crowd was, as expected, huge, as is the hype around these nervous little boys. While they may not look the most confident bunch, they still manage to capture the crowd brilliantly. Sure, it helps that they have some seriously solid tune,s but I think the nervousness plays well for them. New single ‘Shuffle’ from their new album ‘A Different Kind of Fix’ (review here) sounded note perfect live and could easily grow into one of the biggest strings on their live bow. They finished with ‘Always Like This’ to bring an end to a set which they breezed through, the crowd hooked on every word.

Next up were co-headliners the Strokes (pictured at top), who turned out to be truly awful. They are a band with such a reputation but who managed to look as uninterested from the beginning as I became halfway through their dry, unimaginative set. Julian Casablancas looked as if he wanted to be anywhere else but here and that was how I started to feel as the hits faded into plugging of the new album. The one highlight had to be ‘Juicebox’, which added some much needed energy to the proceedings. Bar that, disappointing is the only word I can use to describe their set. Devoid of any showmanship, any invention.

 

Video of the Moment #455: The Strokes

 
By on Monday, 18th April 2011 at 6:00 pm
 

Put together by Alfred Hammond Jr. of the the Strokes, here’s the video for ‘Call Me Back’, from the band’s recently released album ‘Angles’. It’s not flashy but considering the song is very chill, the visuals work quite nicely.

You can read Luke’s review of ‘Angles’ here.

[youtube]http://www.youtube.com/watch?v=H8H7b6oD7GQ[/youtube]

 

Preview: Reading and Leeds 2011

 
By on Thursday, 24th March 2011 at 11:00 am
 

One of the most highly-anticipated music festivals in the UK is returning to Richfield Avenue and Bramham Park this summer. Yep, it’s Reading and Leeds, held during the August bank holiday weekend.

Apart from the headliners, this year’s line-up looks not too different from the one from last year. The Strokes, who have just released their new album ‘Angles’ (TGTF review here), seem to be one of the biggest names this year. Elbow will be a blast as well as they will no doubt play tracks from ‘build a rocket boys!’ Other headliners include Muse (pictured above), My Chemical Romance, Thirty Seconds to Mars, Pulp and Interpol.

Let’s move on to the NME/ Radio 1 stage, the stage I’m most interested in. Metronomy and Patrick Wolf will definitely be highlights. I personally think that Reading’s second day on the NME stage line up is the best for Ilike all the bands playing; I’m particularly looking forward to Everything Everything’s performance, and Kiwis the Naked and Famous are going to be fun to watch as well. Other great acts include Noah and the Whale, White Lies, Crystal Castles, Bombay Bicycle Club, Warpaint, Chapel Club and Cage the Elephant.

The Festival takes place on the August Bank Holiday weekend – Friday 26th to Sunday 28th August 2011. The tickets are available from SeeTickets (0870 060 3775). As for purchasing in person, tickets are available at the following 3 HMV stores: Reading Oracle, Southampton (weekend tickets only) and Oxford (weekend tickets only). Tickets are £199.50 for the weekend and £89.50 per day.

The line-up as announced so far is after the cut.
Continue reading Preview: Reading and Leeds 2011

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

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