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Tramlines 2012: Day 3 Roundup

 
By on Tuesday, 21st August 2012 at 2:00 pm
 

After the exhaustion of last night’s Crookes set at Tramlines, Sunday had come right on cue. With an eclectic mix of acts on both of the specially erected city stages, it’s finally time to visit the main stage for local legends The Everly Pregnant Brothers. After seeing them on the busking bus last year, their step up to opening the main stage was one to celebrate as their set of ukulele based Yorkshire-ised popular hits including ‘Chav World (Mad World)’ and ode to Amy Winehouse’s ‘Rehab’ with more Yorkshire than you can shake a pasty at lightens up Devonshire Green with a brilliant atmosphere.

Leaving the main stage for now to return to the Nando’s New Music Stage, Holland (above) play a set of as or yet unknown tracks, one to keep an eye on perhaps? Either way they’re followed by the guitar-pop sounds of Let’s Buy Happiness. The sound is uplifting even if the lyrics are rooted in dark undertones of sarcasm for loves-passed-by. Neither band are in line to set fire to venues and charts, but they’re enjoyable enough for a relaxing afternoon in the sun.

Going off route a bit, its time to venture to new venue The Hop for a band who’re following in the steps of Sheffield duo Wet Nuns with their blend of hearty rock with a twist of blues and energy for good measure. The Blackbirds (below) are loud and riff heavy with some thumping drums and whilst the band have a lot to do before they achieve such levels as their local peers, the promise is undeniable even if the crowd is limited to around twenty people.

Everything in the day has been leading up to one thing though. Whilst across Sheffield, everyone’s winding up to their final headliners including a hugely notable homecoming show for 65daysofstatic on the New Music Stage; indie underdogs and all round nice guys We Are Scientists are due to close the festival on the main stage. The buzz for their support Field Music (below) is sadly nonexistent; you feel the group would have been better off surrounded by their more devoted fans inside somewhere like the Harley, but the band stick to a tight set that sounds a bit amiss in such a setting.

We Are Scientists come on stage though and Devonshire Green starts to dance. Playing a singles collection of their by now well known indie rock tracks with a few new ones added in to test the water on their upcoming fourth record the band haven’t put many notes out in years and that’s appreciated by the gathered Sheffield masses.  Sadly though, once again the stage is running late so in order to catch a few minutes of another local band on the rise, TGTF heads off up to Soyo.

Screaming Maldini are by now underground favourites. The enthusiasm with which they play their fresh breed of music that treads between the singalongs of pop and the eccentricity of math-rock on a delicate line (landing a bit more on the pop sound) makes for a highly enjoyable finish to the weekend. Of course acts continue late into the night, but it’s once again last-train home time and even with the occasional disappointment; Tramlines has once again proved that you can achieve a hugely enjoyable and bustling festival of solid acts without charging a penny to the fans. This time next year, Sheffield?

 

Tramlines 2011: Day 3 Roundup

 
By on Tuesday, 16th August 2011 at 2:00 pm
 

Fortunately, the weather once again holds out on Sunday as thousands of music fans flood into the centre of Sheffield for the last day of Tramlines 2011. By early afternoon, venue capacities become how many people will fit and still be able to get to the bar and the main stage has a steady moving queue. For this reason, I return to the New Music Stage, which today is curated by local screamo/hardcore group Rolo Tomassi. The band have great taste, as the first band I see are Brontide, proper post-rock that appears to convert those present who weren’t already fans. 65daysofstatic are amongst a group of local bands to really bring this genre to the forefront of new rock music so it’s great to see Brontide get such a good billing in the city centre.

Later, London group Three Trapped Tigers also grace this stage but I decide to go for another Tramlines speciality in the form of the Busker Bus. Created and curated by local band Bromheads, the busker bus (crowd shown above) takes punters on a trip across Sheffield (and back) with the benefit of artists playing a gig at the same time. I arrive just in time for today’s special guests, the Everly Pregnant Brothers (photo below). Playing their third set in as many days, the Yorkshire band are comprised of about 10 ukulele and other small instrument-playing middle aged men. Sounds like a recipe for disaster right? Actually, it’s brilliant and quite refreshing to hear a band play a version of Talking Heads’ ‘Psycho Killer’ with all of their own words, whilst a hundred people crammed onto public transport all “fafafafaafa”-ing along. At the stop, everyone’s off and they manage to out-Sheffield Jarvis Cocker at his own song as the group play ‘Common People’ before going into the pub to play another set whilst the bus riders get back on and back to the centre. Next up on the bus are late additions and ever popular Johnny Foreigner. Playing some quieter tracks ahead of their main stage show later today, ‘I’ll Choose my Side’ is put alongside an as of yet, unnamed track to treat those present.

Upon being returned to the city, I head straight for the main stage. After featuring a selection of pop from Olly Murs and Pixie Lott yesterday, as well as Joshua Radin and Guillemots, today’s line-up is distinctly more electric guitar-friendly. I arrive in time to catch the Phantom Band’s sound make its mark on the city and with dedications to any single-malt drinkers in the crowd (sorry security, you missed my flask), the band bring a slightly synthesized and electric folk blended set of tracks to the main stage. The second and much larger set of Johnny Foreigner’s day comes in replacement of their fallen friends: “to anyone at the back who’s confused, we’re not Frankie and the Heartstrings,” explains front man Alexei. Playing to a crowd the size of “an entire tour” the band (pictured below) play tracks that are nearest to being the ‘hits’ collection and do it well. Scatterings of fans across the crowd appreciate to start, many more are dancing, a little, by the end. Even new song ‘Electricity vs. the Dead’ leaves fans seeming quite happy with the progress the band have made.

It’s the hit makers up next though. The Futureheads bring a set list that’s been tried and tested for months in similar billings to Sheffield and get everyone doing “the bouncy bounce” which is effectively jumping in time, as well as constructing mass sing-alongs for ‘The Beginning of the Twist’ and the ever popular Kate Bush cover of ‘Hounds of Love’. It’s the kind of music festivals like Tramlines exist for.

Not that it stops there though, because this evening’s headliners have even more crowd pleasers. Ash (pictured at the top of this post) open with ‘Girl From Mars’, reminding everyone just what a tour de force they’ve been since day one and now with the added sound of Russell Lissack (Bloc Party member two of my weekend), they’re sounding even more like a band worthy of headlining such an event. Their set features all the expected hits, some recent singles from their ‘A-Z’ project and even covers of ‘Teenage Kicks’ and Weezer’s ‘Only in Dreams’ alongside set and festival closer ‘Burn Baby Burn’. What a way to close a festival!

Tramlines probably should have some sort of limits and caps, but I’m not sure there’s a way to implement that without ruining so much about what makes it incredible. Hundreds of bands playing a mass array of free live music can only be good in my eyes. Until next time, thanks Sheffield.

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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