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Video of the Moment #2815: Ten Tonnes

 
By on Monday, 2nd April 2018 at 6:00 pm
 

Time moves so fast, doesn’t it? It seems like yesterday when I got to interview Ethan Ten Tonnes in Austin at SXSW 2017. Ah, the memories. Since I spoke with him, it’s like someone pressed the fast-forward button on his career. Touring with loads of folks, most recently Tom Grennan, he’s been all over the place. Luckily for us, someone on his team has been filming his travelling activities, making putting together the video for ‘Lay It on Me’ a breeze. At least it looks it. I reviewed the single back in February, and I wasn’t particularly fond of it.

The promo video, however, is a different story. As much as I complain about performance videos being copouts, I like the behind-the-scenes tour diary type, as you can see what it takes to be a touring musician. It’s fun, but it’s a lot of work, too, something we all should be reminded of. Being a musician is a tough life. ‘Lay It on Me’ is available now from Warner Brothers. For all of our past coverage on Ten Tonnes, go here.

 

Single Review: Ten Tonnes – Lay It On Me

 
By on Wednesday, 21st February 2018 at 12:00 pm
 

It’s this time of year when we here at TGTF start to get nostalgic about our times in Austin and the acts we discovered there. Ethan Barnett, stage name Ten Tonnes, has been busy since I covered him live at SXSW 2017 last year. He performed at the Twix afternoon showcase at Bar 96 on Rainey Street on Wednesday, where I interviewed him. He also appeared at the Radio 2 showcase that evening, hosted by BBC Radio In Concert presenter Jo Whiley. It was a big week for him, as his new single ‘Silver Heat’ was released while we were in Texas. An EP with a rollicking title track single, ‘Born to Lose’, followed in the summer. More music lovers were introduced to his music in a blistering array of festival appearances and UK tour support slots with Stereophonics and RAT BOY. Getting out on the road and gaining confidence is in front of audiences will no doubt come in handy as his career progresses.

Barnett now has a new single out this month, and it’s notably different from his previous bluesy efforts. The first song Barnett says he’s written with someone else, ex-Kaiser Chiefs Nick Hodgson, ‘Lay It On Me’ eschews the frenetic guitar chords of ‘Silver Heat’ and the adorable vocal twangs of 2016’s ‘Lucy’. As if to cash in on the current popularity of lo-fi, an echo effect on Barnett’s vocals makes it sound like he’s singing to us down a tunnel. Is this necessary? Not really. A driving rhythm chugs along as he shows remorse of having left behind someone he truly loves. These verses of regret lead to an instrumental crescendo, oddly just over 30 seconds into the song. The vocal punctuation of “I know it’s been a while but I’m back again / back again to face the symphony” is an elegant way of stating he’s facing the music and owning up to his mistakes.

One step further, he’s offering to be anything his partner needs, as if it’s a modern ‘Lean On Me’. The single ends with a chaotic climax of banging guitars and Barnett’s vocals fighting with the cacophony. It’s an odd way to end a song with such a positive message, like we’ve gone from being totally serious to totally silly. The acoustic version of ‘Lay It On Me’ played solely by Barnett on a guitar feels truer to who he is an artist. Maybe it’s a sign that he should go back to writing alone to stay true to the artist he wants to be?

6/10

‘Lay It On Me’ from Ten Tonnes is out now on Warner Brothers. You can compare the studio single version and an acoustic live version by Barnett alone in the embeds below. To catch all of our past coverage on Ten Tonnes on TGTF, go here.

 

Video of the Moment #2359: Ten Tonnes

 
By on Thursday, 11th May 2017 at 6:00 pm
 

Hertford’s Ethan Barnett, aka Ten Tonnes, was one of my favourite surprising finds at SXSW 2017. He’ll be releasing an EP on the 9th of June called ‘Born to Lose’, which he previewed out in Austin. A few weeks ago, I showed you the delightfully non sequitur video for ‘Silver Heat’, which just so happened to be released when were out at SXSW. (Watch the video back here.) Now he’s got a follow-up video for title track ‘Born to Lose’, filmed in a pet shop. What exactly do fish tanks, lizards and a python have to do with the song? Probably nothing, but it’s an excellent talking point to an otherwise pleasantly bluesy tune, I suppose. Watch the video for ‘Born to Lose’ below’. A 12″ vinyl of the EP is available for preorder now from his official Web site. To enjoy the rest of TGTF’s archive on Ten Tonnes, including my coverage on his shows and an interview in Austin in March, go here.

[youtube]https://www.youtube.com/watch?v=5akv-G6ihyY[/youtube]

 

Live at Leeds 2017 Preview: editor Mary’s best band bets

 
By on Wednesday, 19th April 2017 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on Live at Leeds 2017 is current at the time of posting. We strongly encourage you to check in at the Live at Leeds 2017 official Web site closer to the start of the event to confirm venues and set times. Wristbands for the event in Leeds on Saturday the 29th of April are still available at the bargain price of £32.50 plus handling if purchased online; VIP tickets are sold out. More information on where you can purchase your tickets in person or online is available here.

SXSW 2017 alums: Here’s a list of artists we either saw last month in Austin who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at Live at Leeds in 2 Saturdays’ time. For your convenience, I’ve listed them in order of appearance on the day so you can slot them into your growing schedule. The best of the best are marked with an asterisk. (*)

LIFE (2:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents]) *
Ten Tonnes (2:00 PM, Chapel) *
Airways (3:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Jade Bird (4:30 PM, Faversham Patio)
Annabel Allum (5:00 PM, Social)
Be Charlotte (5:00 PM, Faversham)
IDLES (7:15 PM, Key Club [DORK Stage])
She Drew the Gun (8:00 PM, Wardrobe)
Temples (8:00 PM, Church)
Lewis Watson (8:15 PM, Holy Trinity Church [Clash Stage])
The Academic (9:00 PM, Lending Room [WTGR Stage]) *
Dream Wife (9:00 PM, Brudenell Social Club [DIY Stage])
Slaves (9:00 PM, Academy)
Flamingods (9:45 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Rag‘n’Bone Man (9:45 PM, Leeds University Union Refectory)
The Big Moon (10:00 PM, Brudenell Social Club [DIY Stage])
GURR (10:45 PM, Brudenell Social Club Games Room [DIY Neu Stage])
AJ Tracey (11:00 PM, Faversham)
Let’s Eat Grandma (11:00 PM, Chapel)

To add to the best 3 from above and round things out to a even 10 acts, here are an additional 7 I recommend from the fantastic Live at Leeds 2017 schedule:

The Gallery (Wakefield; 12:00 PM, Lending Room [WTGR Stage])
Wakefield is, of course, famous for being the birthplace The Cribs. But the Jarmans should probably get used to sharing the city with another band. The jangly guitars of The Gallery, reminiscent of Arctic Monkeys before they turned into Queens of the Stone Age, will take you back to the simpler times of British indie.

Wyvern Lingo (Wicklow, Ireland; 1:00 PM, Nation of Shopkeepers)
While already deemed national treasures in their country, most people outside Ireland have only heard of Wyvern Lingo from their association with Irish megastar Hozier, their members Karen and Caoimhe providing him backing vocals at live shows and the group supporting him on UK and Irish tours. Imagine the Staves if they’d gone pop and r&b.

Matt Maltese (London; 2:00 PM, Wardrobe)
It took Morrissey a while to be anointed the title ‘The Pope of Mope’. That said, given the current state of world affairs, it stands to reason that there should rightly be more artists coming out and telling it like it is without sugarcoating it. Piano playing Matt Maltese is one of them, coming out with the sweepingly beautiful ‘As the World Caves In’ to convey his despair. Seriously, close your eyes, and you could swear you’re hearing The Moz.

The Wandering Hearts (London; 3:15 PM, Holy Trinity Church [Clash Stage])
A stark contrast to all the indie and pop acts at this year’s Live at Leeds are The Wandering Hearts, an Americana / alt-country group from the big smoke. Recent signees to Decca Records, the band will provide a welcome midday set different from nearly everyone else invited to this event, with their lush harmonies smartly picked guitar.

Paris Youth Foundation (Liverpool; 5:00 PM, Oporto)
The return of Ride to the record shops this year proves the washy guitar wall of sound era isn’t over. Liverpudlians Paris Youth Foundation takes this and does one better by adding synthpop to the mix, lending an anthemic feel to their tracks. Having released their debut album late last year, this is still early days for them, but I reckon now is time to get on the bandwagon.

Tender Central (Devon; 5:15 PM, Holy Trinity Church [Clash Stage])
India Bourne is a Devon-born, classically trained cellist who now goes by the stage name Tender Central. It’s a good description of her sound, which takes full advantage of her ethereal vocals and her careful crafting of an equally evocative, all-enveloping soundscape. Take a moment and consider the thought of seeing such music being performed in a church. Got it?

The Pale White (Newcastle; 5:30 PM, Church)
While Patrick Carney is busy remoulding his girlfriend Michelle Branch, now is an excellent time to discover the band who will dethrone the Black Keys when they aren’t paying attention. While we can’t be sure their successors will be Newcastle’s The Pale White, their brand of down and dirty blues rock is a suitable North East alternative to that of Southampton’s Band of Skulls.

 

(SXSW 2017 flavoured!) Video of the Moment #2343: Ten Tonnes

 
By on Tuesday, 18th April 2017 at 6:00 pm
 

Hertford singer/songwriter Ethan Barnett, known professionally as Ten Tonnes, was one of several great artists I had the pleasure to interview out in Austin during SXSW 2017. You can catch up on my chat with him here, taking place after his appearance at the Twix / Culture Collide showcase Wednesday afternoon at Bar 96.

At that afternoon show, he announced the release of single ‘Silver Heat’ would be at midnight that very night. Now ‘Silver Heat’ has its own promo video. As a keen cook, I feel quite at a loss to explain to you what this video is about, as ‘Silver Heat’ isn’t a cooking term I know. Maybe the whole point of this is to be entirely non sequitur, with Barnett performing in a cramped restaurant kitchen, bothering the staff? I do wonder, though, what the acoustics must be like in such a kitchen… Watch the Ten Tonnes video for ‘Silver Heat’ below’; the single will appear his upcoming EP ‘Born to Lose’, scheduled for a release date of the 9th of June on Warner Brothers. To catch up on all of TGTF’s coverage of his music, follow this link.

[youtube]https://www.youtube.com/watch?v=Vqhn5_CQ-o8[/youtube]

 

SXSW 2017: rap plus old friends, new friends and a pop princess at the British Music Embassy (Wednesday night, part 2) – 15th March 2017

 
By on Thursday, 30th March 2017 at 2:00 pm
 

I saw Marika Hackman enjoying the music at the British Music Embassy that afternoon. She recognised me from when I interviewed her 2 years ago at the 9:30 Club, when she was out here touring with her mates Laura Marling and Johnny Flynn. She held both of my hands excitedly. “You must come see us tonight. I have a brand new band!” How could I refuse? Again, I had thought that I’d arrive with the latest set at the BME in full swing, but that was before I saw how much gear she and her band were trying to set up on Latitude 30’s stage.


Marika Hackman, BBC Radio 2, British Music Embassy, Latitude 30, Wednesday 15 March 2017

After an emotionally graceful album like her debut ‘We Slept at Last’, ‘Boyfriend’ comes as across as a jarring, yet liberating moment. Its lo-fi drawl is further enhanced by on record and live – wait for it – London girl group The Big Moon as her backing band! Either Marika thought I knew, or she wanted it to be a surprise. If you read my interview with her 2 years ago, she explained to me her massive respect for Laura Marling and what walls she broke down for the women who came after her. Given that she had once told me how tentative she felt sharing her music, it looks like from the acres of fun she and her band have onstage, her upcoming sophomore album for Sub Pop, ‘I’m Not Your Man’ out the 2nd of June, will be showing the real Marika Hackman, warts and all. A woman who’s comfortable in her own skin is a wonderful thing indeed.

[youtube]https://www.youtube.com/watch?v=FyVBFCmTuUM[/youtube]

It’s funny that Hackman is now with Sub Pop, as the next artist I chanced across at the Swan Dive Patio is on the same label. Porter Ray (surname Sullivan) is an American up-and-coming rapper who I learned from my research is part of the underrated Seattle hip-hop scene. He came to Austin to promote his long-awaited debut album ‘Watercolor’, released the Friday before SXSW.


Porter Ray, Swan Dive Patio, Wednesday 15 March 2017

Of course with Nirvana and Pearl Jam, the Northwest city famed for its dreary, rainy days is most famous for its responsibility in kickstarting the ‘90s grunge scene. Is he the first of an upcoming rap division in Sub Pop’s otherwise indie arsenal? I couldn’t tell if his less than energetic stage presence had to do solely with his subject matter (his brother was killed by gunshot) or if he was just really, really nervous. While I’m no expert on rap, I could appreciate the higher pitch of his voice, unusual for a genre where darker, deeper, menacing voices are preferred and tend to prevail.

[youtube]https://www.youtube.com/watch?v=Qg0y8hRXyfg[/youtube]

The next act at the Swan Dive Patio should have been Mullally, who triumphantly announced on Twitter just days before SXSW that he had signed to Atlantic Records. I waited around for the Norfolk neo-soul singer, chuckling to myself and rubbing my hands like Mr. Burns in the near empty venue that I would be one of the first to hear the next big thing out of East Anglia. I waited for what seemed like forever. A DJ set up his turntables on the stage. I finally went up to chat with the stage manager who told me sorry, Mullally would not be performing because “he decided he wanted to save his voice for his performance on Saturday.” Ahem. Okay. Back to Latitude 30, then…


Kate Nash, BBC Radio 2, British Music Embassy, Latitude 30, Wednesday 15 March 2017

After negotiating the badge queue, I finally got in to find myself in the midst of Kate Nash’s coronation, practically. Maybe I shouldn’t have been surprised how mental people in the venue were going, given her debut album ‘Made of Bricks’ is celebrating its 10th anniversary this year and she’s inspired countless young girls to greater things. I stepped way back from the stage to let the uberfans get closer to their idol, churning through hits like ‘Mouthwash’ and ‘Foundations’. Even from afar, I could see sparkly stripts of things, fishnets and fuzzy pink balls all over Nash’s body. At least for that hour at the British Music Embassy, it was Kate Nash’s world.

My final act for Wednesday night would be Ten Tonnes, aka Ethan Barnett, who wowed me at the Culture Collide / Twix showcase at Bar 96 that afternoon. He would be the second to last act on the BBC Radio 2, PPL, and PRS for Music showcase. Compared to that fireball Kate Nash before him, his set was conservative, bringing things back to the music. Dressed in a plaid shirt – it was an evening show after all, right? – there was something so sweet about his set. I realised he reminded me of a dear friend, before he and his band became famous.

Here we were, presented with the two extremes in performance in music today, an industry veteran with all the bells and whistles followed by an up-and-comer with nothing but his voice and guitar. The fact that both of these can live in harmony in our industry, neither getting muscled out by the other, should give us all hope that the business can sustain not only established artists but nurture those coming up.


Ten Tonnes, BBC Radio 2, British Music Embassy, Latitude 30, Wednesday 15 March 2017

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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