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Live at Leeds 2017 Preview: editor Mary’s best band bets

 
By on Wednesday, 19th April 2017 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on Live at Leeds 2017 is current at the time of posting. We strongly encourage you to check in at the Live at Leeds 2017 official Web site closer to the start of the event to confirm venues and set times. Wristbands for the event in Leeds on Saturday the 29th of April are still available at the bargain price of £32.50 plus handling if purchased online; VIP tickets are sold out. More information on where you can purchase your tickets in person or online is available here.

SXSW 2017 alums: Here’s a list of artists we either saw last month in Austin who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at Live at Leeds in 2 Saturdays’ time. For your convenience, I’ve listed them in order of appearance on the day so you can slot them into your growing schedule. The best of the best are marked with an asterisk. (*)

LIFE (2:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents]) *
Ten Tonnes (2:00 PM, Chapel) *
Airways (3:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Jade Bird (4:30 PM, Faversham Patio)
Annabel Allum (5:00 PM, Social)
Be Charlotte (5:00 PM, Faversham)
IDLES (7:15 PM, Key Club [DORK Stage])
She Drew the Gun (8:00 PM, Wardrobe)
Temples (8:00 PM, Church)
Lewis Watson (8:15 PM, Holy Trinity Church [Clash Stage])
The Academic (9:00 PM, Lending Room [WTGR Stage]) *
Dream Wife (9:00 PM, Brudenell Social Club [DIY Stage])
Slaves (9:00 PM, Academy)
Flamingods (9:45 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Rag‘n’Bone Man (9:45 PM, Leeds University Union Refectory)
The Big Moon (10:00 PM, Brudenell Social Club [DIY Stage])
GURR (10:45 PM, Brudenell Social Club Games Room [DIY Neu Stage])
AJ Tracey (11:00 PM, Faversham)
Let’s Eat Grandma (11:00 PM, Chapel)

To add to the best 3 from above and round things out to a even 10 acts, here are an additional 7 I recommend from the fantastic Live at Leeds 2017 schedule:

The Gallery (Wakefield; 12:00 PM, Lending Room [WTGR Stage])
Wakefield is, of course, famous for being the birthplace The Cribs. But the Jarmans should probably get used to sharing the city with another band. The jangly guitars of The Gallery, reminiscent of Arctic Monkeys before they turned into Queens of the Stone Age, will take you back to the simpler times of British indie.

Wyvern Lingo (Wicklow, Ireland; 1:00 PM, Nation of Shopkeepers)
While already deemed national treasures in their country, most people outside Ireland have only heard of Wyvern Lingo from their association with Irish megastar Hozier, their members Karen and Caoimhe providing him backing vocals at live shows and the group supporting him on UK and Irish tours. Imagine the Staves if they’d gone pop and r&b.

Matt Maltese (London; 2:00 PM, Wardrobe)
It took Morrissey a while to be anointed the title ‘The Pope of Mope’. That said, given the current state of world affairs, it stands to reason that there should rightly be more artists coming out and telling it like it is without sugarcoating it. Piano playing Matt Maltese is one of them, coming out with the sweepingly beautiful ‘As the World Caves In’ to convey his despair. Seriously, close your eyes, and you could swear you’re hearing The Moz.

The Wandering Hearts (London; 3:15 PM, Holy Trinity Church [Clash Stage])
A stark contrast to all the indie and pop acts at this year’s Live at Leeds are The Wandering Hearts, an Americana / alt-country group from the big smoke. Recent signees to Decca Records, the band will provide a welcome midday set different from nearly everyone else invited to this event, with their lush harmonies smartly picked guitar.

Paris Youth Foundation (Liverpool; 5:00 PM, Oporto)
The return of Ride to the record shops this year proves the washy guitar wall of sound era isn’t over. Liverpudlians Paris Youth Foundation takes this and does one better by adding synthpop to the mix, lending an anthemic feel to their tracks. Having released their debut album late last year, this is still early days for them, but I reckon now is time to get on the bandwagon.

Tender Central (Devon; 5:15 PM, Holy Trinity Church [Clash Stage])
India Bourne is a Devon-born, classically trained cellist who now goes by the stage name Tender Central. It’s a good description of her sound, which takes full advantage of her ethereal vocals and her careful crafting of an equally evocative, all-enveloping soundscape. Take a moment and consider the thought of seeing such music being performed in a church. Got it?

The Pale White (Newcastle; 5:30 PM, Church)
While Patrick Carney is busy remoulding his girlfriend Michelle Branch, now is an excellent time to discover the band who will dethrone the Black Keys when they aren’t paying attention. While we can’t be sure their successors will be Newcastle’s The Pale White, their brand of down and dirty blues rock is a suitable North East alternative to that of Southampton’s Band of Skulls.

 

SXSW 2017: BBC 6 Music at the British Music Embassy, plus Spoon and friends at The Main (Thursday night, part 2) – 16th March 2017

 
By on Monday, 3rd April 2017 at 3:00 pm
 

Thursday night at SXSW 2017 at Latitude 30 was a showcase sponsored by BBC 6 Music and the UK Association of Independent Music (AIM). Carrie covered the first act, and I’ll let her tell you about her experience herself. I was able to catch the next three acts on the docket. Lookman Adekunle Salami, who goes by the more streetwise moniker L.A. Salami, is a singer/songwriter who has gentle and bluesy sides to his music.

LA Salami, British Music Embassy, Thursday 16 March 2017

Maybe I had missed his softer, introspective numbers because I arrived after my 5 bands in an hour test, but I was surprised by how loud he and his band was for what I did manage to catch. I realise that the British Music Embassy is the place for UK acts to be seen and to make an impression and while I did enjoy the funkiness of the performance, I felt disappointed the set sounded very similar from song to song. NPR seem to have realised this too, as they invited Salami to perform an acoustic number solo on the rooftop of the Hilton Austin, which I would have enjoyed more.

Meilyr Jones, British Music Embassy, Thursday 16 March 2017, 2

I’d been pulled left and right to see Meilyr (pronounced “MAY-leer”) Jones at SXSW, and Thursday would be the night I would finally get my chance. There are certain moments you always remember if you are covering SXSW as a music journalist: during the soundcheck, Jones waving and grinning slightly maniacally at me like I was a little kid as I was setting up my camera is one of those moments. Emcee for the evening Steve Lamacq commented that his sound reminded him of Aretha Franklin. White man from Wales, black woman from Detroit…how and why, exactly, would those worlds ever intersect?

Meilyr Jones, British Music Embassy, Thursday 16 March 2017

Listen to the big band foot-stomper ‘How to Recognise a Work of Art’, and you will understand exactly what Lammo means. The man also appears not to know – or understand – that the human body has limitations: this set was the first time I’ve seen anyone attempt the caterpillar on the Latitude 30 stage, coupled with what looked like spastic pop locking. Of any act I saw at SXSW, he was the unlikeliest (I thought anyway) to have fan boys, but there were a group of guys down the front who dance and screamed and shouted for more. He was their ‘Don Juan’, if you will. As echoed by many I spoke with, Jones was definitely an unexpected find for many in Austin for the week For sure, the British Music Embassy will never be the same again.

[youtube]https://www.youtube.com/watch?v=QlGwQYCw-5E[/youtube]

She Drew the Gun from the Wirral were up next. Louisa Roach and her band won Glastonbury’s 2016 Emerging Talent competition and they are a favourite of 6 Music’s, so their appearance on this night isn’t a surprise. After such a strange yet weirdly engaging set from Meilyr Jones, it was hard to get back into more standard indie rock mode. The socially conscious ‘Poem’ is a fragile moment deserving kudos for its content, but I felt unconvinced this was the year for them to come out to SXSW. After a handful of songs hanging out in that weird no man’s land between indie and folk but being neither fully, I left for my next adventure.

She Drew the Gun British Music Embassy, Thursday 16 March 2017

As mentioned in my review of the sexy title track single ‘Hot Thoughts’, Texan band Spoon took over The Main for a 3-night residency at this year’s SXSW. It was all in anticipation of the release of ‘Hot Thoughts’ the album on Friday. To be honest and based on how many people I guessed would want to see them, I didn’t think I had a chance to get into The Main for any of the nights they were playing. However, I had some luck that morning in getting a press pass for the final night, so that I could hear the single that had impressed me so much being played live.

For all 3 nights, barring the special guests announced on the day (Tuesday’s was The New Pornographers, Wednesday’s was !!!), nearly all of the bands supporting Spoon were from the local area. A fave of Spoon’s Britt Daniel, Sweet Spirit are proud to be an Austin band; their ‘St. Mojo’ album out this Friday is being released on Austin’s Nine Mile Records. ‘Collective’ is a better word to describe them than ‘band’: they currently have nine members and somehow all of them, plus all their equipment fit on the stage.

Sweet Spirit, The Main, Thursday 16 March 2017

I’ve seen ‘country rock’ bandied around to describe them, but you’ve never heard a country rock band like this before. ‘Take Me to a Party’, they do. With that many members, theirs is a cacophonous but entertaining mélange of sound and attitude. While I don’t think I’d choose to listen to a band like theirs – there’s nothing subtle or really artful about their music – they’re definitely a band who will get folks dancing. Trouble is, we were packed in like sardines on the floor, so dancing was impossible.

With anticipation building in the Main, I was pretty sure I was the only person in the room that didn’t know who would go on next. At first, all I saw was a cowboy-looking guy pacing on stage with visible anxiety and wondered who he was. It has been a while since his band went on an extended hiatus, with many of their members going on to their own solo projects. But I will always think of Hamilton Leithauser as popular Noughties American band The Walkman’s frontman. For his last solo album, he joined forces with Rostam Batmanglij, formerly of Vampire Weekend, to come up with ‘I Had a Dream You Were Mine’. Oddly for someone who has spent most of his adult life performing to people, I never got the sense that he was 100% comfortable on stage. Maybe he felt naked with his wingman Rostam?

Hamilton Leithauser, The Main, Thursday 16 March 2017

Older and wiser than his Walkmen days, Leithauser’s new career as a solo artist has been an interesting evolution. There’s a country air to some of the songs on his latest LP (‘Peaceful Morning’), which makes sense given his preference for an acoustic in live performance. But on LP opener ‘A 1000 Times’, he goes from crooner to tortured performer in the span of 4 minutes. Which is the real Hamilton Leithauser or rather, which guise will he choose going forward? Food for thought.

[youtube]https://www.youtube.com/watch?v=K9FILAkKinQ[/youtube]

Britt Daniel had spent the evening passing in and out of the green room to periodically check on the proceedings. But now it was time for the main event, Spoon. The crowd roared to life when Daniel and co. took the stage; Daniel rewarded some fans who had probably been stood there since the venue opened that night by shaking outstretched hands and kissing ladies’ palms. ‘Do I Have to Talk You Into It’ to start the set seemed like a knowing joke to the devoted; ‘Hot Thoughts’ quickly followed it, bringing up the energy in the room that seemed to have been sapped out during Leithauser’s set.

Spoon, The Main,  Thursday 16 March 2017

But they weren’t there just to preview the new album. Spoon wowed punters with ‘Inside Out’ (with a synthesised harp?) and ‘The Beast and Dragon, Adored’ from earlier albums. I scanned the crowd and saw the look of wonderment on faces and every word to their older songs on their lips. Not only was I out of my depth, it no longer made sense for someone like me who wasn’t a massive fan of theirs to be second row from the front. At SXSW, I’m of the opinion that no-one should stay in a venue any longer than needed, and this is especially true if you’re not paying attention to who is onstage and your sole intention is to get drunk. You can do that in any bar without a band playing.

In a world when a lot of things are inherently unfair, leaving a packed venue to let the next super fan in the queue outside dying to get in is a simple act of kindness not enough people are willing to do. Bending my head down to speak into the ear of the young woman next to me, I told her I was leaving and to get ready to take my spot as soon as I made a move. She had a look of incredulity on her face, but it was clear she was grateful. In the end, this is a music festival for fans and full of fans. BE NICE. It isn’t hard to be nice.

 

(SXSW 2017 flavoured!) MP3 of the Day #900: She Drew the Gun

 
By on Friday, 10th March 2017 at 1:00 pm
 

In celebration of International Women’s Day earlier this week, predominantly-female quartet She Drew the Gun have shared a free download of their new track ‘Thank You’. You can watch the video for ‘Thank You’ just below, and grab the track for your very own (in exchange for your email address, of course) by clicking here. Listen to the track below.

She Drew the Gun are scheduled to appear next week at SXSW 2017 with songs from the reissue of their debut album ‘Memories of Another Future’ in tow. The very brief ‘Thank You’ doesn’t appear on the tracklisting for the album, which is due for release on the 17th of March via Skeleton Key Records. But you can watch the video for She Drew the Gun’s latest album single ‘No Hole in My Head’ below as well.

For more information on She Drew the Gun, read back on editor Mary’s SXSW 2017 preview of the band as part of Northern England bands’ roundup. Stay tuned to TGTF for live coverage next week from Austin.

[youtube]https://youtu.be/XI1PH3dsp9k[/youtube]

[youtube]https://youtu.be/PCrExpBn9cs[/youtube]

 

TGTF Guide to SXSW 2017: Northern England artists showcasing at this year’s SXSW

 
By on Wednesday, 1st March 2017 at 11:00 am
 

For so many years and continuing on to this day, the North of England has always been a hot bed for new musical talent. Today’s installment of the TGTF Guide to SXSW 2017. will introduce you to 12 acts from ‘oop norf’, some may you have already heard of or heard on the radio, some you may have not. Except where noted, the summaries below were written by our Northern Irish correspondent based in Derry, Adam McCourt, who also went to uni in Leeds. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

All We Are – pop / Liverpool
Liverpudlian trio All We Are describe themselves on Facebook as “The Bee Gees on diazepam”. The description is not far off, as they showcase similarities in vocal textures and harmonies, but with more downtempo and wavy grooves. Although they are based in Liverpool, none of the members actually hail from there. Bassist Guro Gikling is from Norway, Rich O’Flynn from Ireland is on drums and Luis Santos from Brazil plays guitar, making them probably the most multinational band to attend SXSW from this side of the Atlantic. Their self-titled debut album, released back in 2015, is available now. FFO: Warpaint, Wild Beasts, Django Django [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=_s6Sx4POl3k[/youtube]

Autobahn – punk / Leeds
Five-piece post-punk outfit from Leeds, Autobahn are Northern and proud of it. From depressing song titles to their screechy guitar tones, Autobahn’s music depicts the gloomy industrialisation of Northern England almost perfectly. Autobahn’s debut album ‘Dissemble’ was released in the summer of 2015 and contains all of the above, as well as Johnson’s honest lyrics and droning vocal melodies. [Their Facebook suggests a new album is done and dusted. We wait with baited breath. – Ed.] FFO: Joy Division, Bauhaus [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=9D7XJ5HXXQs[/youtube]

False Advertising – rock / Manchester
False Advertising (pictured at top) are a self-proclaimed “twisted power-grunge” trio from Manchester. The female-fronted band create a perfect blend of dreamy guitar melodies and equally light-hearted vocal melodies against fuzzy guitar tones and a driving rhythm section. Fronted by Jen Hingley on guitar and vocals, backed by Josh Sellers on bass and Chris Warr on drums, their self-titled debut album was released in September 2015, and an EP titled ‘Brainless’ followed in 2016. FFO: Cheatahs, Nirvana

[youtube]https://www.youtube.com/watch?v=qNIyVEXC47Y[/youtube]

Findlay – blues / pop / London via Manchester
You can take the girl out of the North, but you can’t take the North out of the girl. Case in point: Natalie Rose Findlay, who goes by her surname just like fellow Mancunian-born Morrissey, doesn’t really give a monkey’s. We’ve seen her charismatic performances at festivals before, and we imagine her rough around the edges style, in line with the ever-burgeoning lo-fi rock scene both in America and the UK, will be just the ticket in Austin. FFO: The Kills, PJ Harvey (Mary Chang)

To read our past coverage of Findlay here on TGTF, go here.

Fizzy Blood – punk / Leeds
Since forming in 2014, Heavy rock five-piece from Leeds Fizzy Blood have made major strides with their huge in-your-face riffs, melodic vocal melodies and insanely energetic live shows. They released their debut EP ‘Feast’ on 22nd of June 2015 and have since amassed under their belt a vast number of international shows and tours alongside acts such as Allusondrugs, Sun Club, The Virginmarys and punk icons The Dead Kennedys, as well as appearing at top UK festivals Download, Live at Leeds and Sound City. FFO: Queens of the Stone Age, Allusondrugs, Pulled Apart By Horses

[youtube]https://www.youtube.com/watch?v=TlhuzoMmL4s[/youtube]

Her’s – pop / Liverpool
Outsiders from outsider towns, Stephen Fitzpatrick from Barrow in Furness and Audun Laading from Kristiansand, Norway, met whilst at university in Liverpool. They instantly connected over a “love of peculiar, sardonic humour and wide eyed observations”, according to their Facebook bio. Hmm. Any way you slice it, the duo present a loveable blend of dream pop that seems to transport any listener to the seaside towns from which they individually hail from. FFO: Mac Demarco, Beach Boys

LIFE – punk / Hull
Considering all the crap that’s happening in the world today, sometimes you need a release valve. You need music you can listen to, to get your aggressions out. LIFE, hailing from the East Yorkshire riverside town whose most famous musical export has been The Housemartins, are clearly here to put Hull back on the British rock map. Incisive lyrics backed by punishing rock guitars? Yes, please. Oh, and if you needed any convincing, they also wrote a protest song unveiled on the day of that Cheeto’s inauguration. Check. FFO: The Clash, their recent tourmates Slaves (Mary Chang)

[youtube]https://www.youtube.com/watch?v=Qh62UUMBtQE[/youtube]

Menace Beach – alt-rock / Leeds
Menace Beach are an alt-rock act from Leeds, mainly made up of core members Ryan Needham and Liza Violet; the rest is somewhat of a revolving line-up. Menace Beach’s debut album ‘Ratworld’ was released in January 2015, which was followed up by the ‘Super Transporterreum’ EP in the same year and last month’s ‘Lemon Memory’, reviewed by our Rebecca here. FFO: Pulled Apart By Horses, The Jesus and Mary Chain [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

Read all of our past coverage on TGTF on Menace Beach through here.

[youtube]https://www.youtube.com/watch?v=y8wHP56Dyzo[/youtube]

She Drew the Gun – singer/songwriter / The Wirral
From the banks of the Mersey in a small peninsula called The Wirral is where fuzz pop four-piece She Drew the Gun reside. Formed and fronted by singer/songwriter Louisa Roach, the band offer dark, fuzz-filled pop topped with delightful and emotive vocals. She Drew the Gun have received continuous support from BBC Radio 6 Music after their debut album ‘Memories of the Future’ was named ‘Album of the Day’ upon its release last April 2016. FFO: Big Deal, Julia Jacklin, Lucy Rose

Trudy and the Romance – pop / Liverpool
This Liverpool trio were formerly known as simply ‘Trudy’ and ‘Trudy Sings The Blues’ before settling on the poetic Trudy and the Romance. Oliver Taylor (vocals/guitar), Lewis Rollinson (bass) and Brad Mullins (drums) together produce raucous, guitar-driven indie pop with Hollywood-tinged vocal melodies that will simultaneously tug on the heartstrings and tap on the funny bone. FFO: Mac DeMarco, Tame Impala, Beach Boys [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=YpcdhEQdWtg[/youtube]

VANT – protest rock/punk / London via Seaham
London via Seaham band VANT have been slaving away in the industry since their formation in 2014. The protest rock group, led by Mattie Vant, have garnered attention after appearing as support for Royal Blood, as well as touring with DIY Magazine’s NEU tour. They’ve already hit a dizzying array of festivals, including Dot to Dot, Reading and Leeds, Glastonbury, 2000 Trees and Fuji Rock Festival in Japan, as well as racked up plays of their numerous singles anointed as Annie Mac’s ‘Hottest Record in the World’. Their debut album ‘Dumb Blood’ is out now; you can read our Steven’s review of last year’s ‘Karma Seeker’ EP through here. FFO: Otherkin, Palma Violets

Read our past coverage on VANT here.

[youtube]https://www.youtube.com/watch?v=coeO8HWHjoc[/youtube]

The Vryll Society – rock / Liverpool
Expect the unexpected from The Vryll Society. With a sound that touches on different facets of classic, psychedelic and prog rock, the Liverpudlian quintet present a body of work sure to keep any listener on their toes. Fuzz-infused rock led mainly by the rhythm section of Lloyd Shearer on bass and Benjamin Robinson on drums with lots of decorative guitar flourishes from Ryan Ellis and Lewis McGuinness, all topped by Michael Ellis’ catchy, melodic vocals, The Vryll Society stimulate both the mind and soul with their music. FFO: Tame Impala, The Wytches, Honeyblood

Read our past coverage on TGTF on The Vyrll Society through here.

[youtube]https://www.youtube.com/watch?v=LxDXcg8rx3E[/youtube]

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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