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Live Gig Video: Savages perform ‘Sad Person’, ‘She Will’ and ‘Hit Me’ at La Cigale in Paris

 
By on Thursday, 24th March 2016 at 4:00 pm
 

On the first of this month, London’s Savages graced the stage at La Cigale in Paris and delivered, as per typical for them, a blistering set to a crowd of adoring Parisians. We’re lucky to have been tipped off to this live footage of the post-punk group via French culture channel Arté that was filmed by Walter Films and directed by Antoine Carlier, which you can watch below. It includes the band’s punishing performances of ‘Sad Person’ from the band’s newest album out on Matador Records, ‘Adore Life’, as well as older cuts from their 2013 debut album ‘Silence Yourself’, ‘She Will’ and ‘Hit Me’. (A larger, more eye-friendly version of the piece can be viewed on Arté’s Web site.)

Grab ‘Adore Life’, Savages’ new LP, now for yourself from all reputable high street and internet music retailers. Past coverage on the band on TGTF, including Steven’s review of the new release, can be found here.

 

Album Review: Savages – Adore Life

 
By on Wednesday, 27th January 2016 at 12:00 pm
 

Savages Adore Life album coverPost-punk heirs Savages are back and sounding more vicious than ever. Their sophomore effort ‘Adore Life’, the follow up to 2013’s ‘Silence Yourself’, is another fine example of a genre that, for a while, has been hidden in the junk cupboard of musical history. The four members of Savages, led at the helm by the ferociously prowling Jehnny Beth, are bringing forth a change in attitude to both the genre they’re front-running and women in music, through their snarl and bite. And this is most evident in this second effort.

The album opens with ‘The Answer’ (reviewed previously here): a wild, ravenous track that almost runs in circles with its continuation in riff and power. A manic guitar brings us in before being joined by Beth singing, “if you don’t love me, don’t love anybody, ain’t you glad it’s you?” Once the rest of the band kicks in, it’s chaos with the greatest aplomb. The abrupt end which leads straight into second track ‘Evil’ continues the ravenousness that consumes this record, featuring a prowling bass line and guitars that sit above it, haunting it.

In terms of Beth’s voice, she manages to use her howling natural sound, whilst simultaneously calling to mind other ‘80s post-punk leading members such as David Byrne. This can be heard somewhat in the previous song, but more so within ‘Sad Person’, almost becoming a female incarnation of Byrne. Similarly, within the chorus to ‘Adore’, the band shift into a modern equivalent of The Smiths, particularly with Beth’s Morrissey-esque howls of “maybe I will die tomorrow, so I need to say”.

[youtube]https://www.youtube.com/watch?v=Y7ZpPsaMNMM[/youtube]

You can clearly hear these influences, as well as many more, throughout the record, which is both a blessing and a curse. The ferociousness Savages bring to the record is, as previously mentioned, a new spark in a genre that has sat at the back of the classroom for too long so to speak, but the idea behind post-punk initially was to do something new, something fresh that moved the world forward. Of course, this shouldn’t take away from what they have created here, but at times it seems they’ve used a cheat sheet in certain places.

The second half of the record is where things truly pick up. ‘I Need Something New’ and ‘When in Love’ are fine cuts, closely resembling the first two tracks, but ‘Surrender’ brings out experimentation with sound. The track is ruled by the bass guitar, or rather a wall of bass guitars: it’s a terrifying sound to behold in the greatest possible way. The rest of the track is mixed below this noisy behemoth to accentuate the power and force intended. ‘T.I.W.Y.G’ picks up the pace drastically, with the rhythm section reaching a point of near insanity. Beth’s warning of “this is what you get if you mess with love” carries on the message that is seen throughout the record, that of if you’re going fuck with anyone, don’t let it be Savages, because they take nothing from nobody.

Finale ‘Mechanics’ is the longest cut on the album, and is where the band reach into the depths of their haunting and experimental abilities. With no real riff or chord pattern per se, it’s more an acclamation of reverb drenched guitars run through processors to create sounds that wouldn’t be amiss in a haunted house. Surprisingly, it doesn’t really reach a point of climax until the final 5 seconds that sees unnatural sounding feedback, almost to the point of white noise, taking control and as abruptly as the record began it ends.

Throughout the album, Savages come across as a force of nature, with unbridled power that harnesses the absolute serendipity brought with insanity. It’s a solid sophomore record that should see Savages grow larger in strength and come back to us with a third album that will in doubt be so beautifully ostentatious, we will enter a new post-punk era.

7/10

The second Savages LP ‘Adore Life’ is out now via Matador Records. They’ll be on tour in February and March 2016 in the UK. Read other articles on Savages on TGTF here.

 

Savages / February and March 2016 UK Tour

 
By on Wednesday, 4th November 2015 at 9:00 am
 

Post-punk quartet Savages have announced a short list of February tour dates in the UK, in support of their upcoming sophomore album ‘Adore Life’, which is due for release on the 22nd of January 2016 via Matador Records.  You can read our own Nick’s review of the album’s first single ‘The Answer’ right back here.

In addition to the initial February run of dates, Savages will bring their live show to the London Roundhouse on the 17th of March.  Tickets for the following shows are available now.

Previous TGTF coverage of Savages can be found by clicking here.

Thursday 18th February 2016 – Bexhill De La Warr Pavilion
Friday 19th February 2016 – Cambridge Junction
Sunday 21st February 2016 – Glasgow Art School
Monday 22nd February 2016 – Manchester Albert Hall
Tuesday 23rd February 2016 – Leeds Irish Centre
Thursday 17th March 2016 – London Roundhouse

 

Single Review: Savages – The Answer

 
By on Friday, 23rd October 2015 at 12:00 pm
 

Words by Nick Roseblade

Comebacks are hard to do. You want to show that you’re still the same band, so you don’t lose your core fans. But at the same time, you want to show progression, so you can try and win new fans. Luckily, Savages have nailed it perfectly with their new single ‘The Answer’.

The song opens with trade mark crunching guitars and drums that hammer us into submission, while Jehnny Beth’s delicate vocals float above it all, adding an element of calm to the musical maelstrom created by Gemma Thompson, Ayse Hassan and Fay Milton. But one thing that separates this from previous Savages releases is it’s catchy as hell! The interplay of guitars and bass is hypnotic and will draw you in so much, that after listening to it on loop for an hour, it feels more like 3 minutes. TThe key change a quarter of the way through really ratchets things up nicely, especially when it drops back. The real star of the show is the solo half way through. I can’t do it justice, so you’ll have to listen to it yourself to find out how exquisite and skull-crushing it is.

There are only two downsides to ‘The Answer’. Firstly, Savages aren’t really breaking any new ground. But that’s perfectly fine, as this it’s a massive slab of drone rock and the genre doesn’t need fixing. Dirty riffs, coupled with a 4/4 beat, never goes out of style!. Secondly, we now have to wait until next year for their follow up album to their 2013 spectacular debut album ‘Silence Yourself’.

8/10

Savages’ new single ‘The Answer’ is available now. Their sophomore album ‘Adore Life’ is released on Matador Records on the 22nd of January 2016.

[youtube]https://www.youtube.com/watch?v=kvvhHT0B5ck[/youtube]

 

Mercury Prize Shortlist 2013: Is It Even Relevant Anymore?

 
By on Thursday, 12th September 2013 at 11:00 am
 

Yes, ladies and gentlemen. That time of year has crept up on us again. Yesterday evening, the nominees for the Barclaycard Mercury Prize 2013 Albums of the Year were revealed in London. Maybe this is the direction the Mercury Prize nominations will be going in from here on out, but it’s rather startling how mainstream this year’s shortlist is. In past years, there was always one or two curveballs thrown in the mix of straight-forward, famous artists and well thought of indie. Not so much in 2013…which leaves me wondering if this competition is even worth my time anymore in the years going forward.

Let’s examine the biggest names first. The now Josh Homme-influenced Arctic Monkeys just got in under the wire, with their new album ‘AM’ literally just made it to store shelves this past Monday. They don’t need any help selling records. (Technically, they also fall under the next category I will examine, but for the sake of argument, it’s this album people are focusing on, not one 7 years ago…which won the gong that year.) Neither does legendary artist David Bowie; his March 2013 surprise release ‘The Next Day’ also makes an appearance on the shortlist.

Then there are the repeat ‘offenders’. Dubstep wonder boy James Blake, whose self-titled debut album in 2011 garnered a Mercury nod back then, is yet another safe and predictable choice. Given their headline slot at Latitude Festival this year and continually rising star, Foals‘ nomination for ‘Holy Fire’ (review here) is not such a shock. But they were nominated for and lost in 2010 for ‘Total Life Forever’. I’m a great fan of Conor J. O’Brien’s songwriting, but this year’s ‘{Awayland}’ pales in comparison to its predecessor, Villagers‘ 2010 opus ‘Becoming a Jackal’.

While he was 1/2 of the nominated collaboration with King Creosote in 2011’s ‘Diamond Mine’, Jon Hopkins makes another appearance, this time by himself for ‘Immunity’. There is also no escaping the fact that the selection of Laura Marling‘s ‘Once I Was an Eagle’ (review here) comes across as particularly lazy: the woman’s been nominated two times already prior to this. I’m all for equality when it comes to music awards and it’s great that this year there are two female singer/songwriters on the shortlist, but surely there has got to be another woman – and in the folk genre, certainly – whose album would have been up to snuff to the Mercury voters instead of giving Marling another nomination.

Next, let’s look at the acts that are toeing the line between their indie background and their big chance at the mainstream. Having enjoyed a successful 2012 with sold out shows and his debut album selling very well, Noel Gallagher‘s sneery young protege Jake Bugg makes a not so surprising appearance on the shortlist. Popular Brum soul singer and #4 on the BBC Sound of 2013 list Laura Mvula also receives a Mercury nod this year for ‘Sing to the Moon’. Helps quite a bit that both of them are on majors (Mercury and RCA, respectively) and therefore had major label muscle to help along the promotion of their debut albums.

If there is one saving grace of this year’s shortlist, it was that instead of a truly oddball experimental jazz album getting a nomination, dance is for once decently represented with not one but two good albums: Disclosure‘s delicious brand of house in the form of ‘Settle’ and Rudimental‘s drum and bass-rich ‘Home’. But wait a minute. They’re on majors too, Island and Warner. Hmm… The one oddball nominee, if they can be called that, are post-punk girl group Savages. They might not be a household name – yet – and they’re on an indie label (Beggar Group’s Matador) but they were already firmly in our brains from their BBC Sound of 2013 longlist nomination. Yawn.

This all begs the question, just how relevant is the Mercury Prize in 2013? Also, was it ever relevant? And when did it stop being so? While it has never been a dirty little secret but rather an obvious known fact that major label backing helps with funding, which leads to promotion and visibility opportunities and therefore record sales, this is probably the year more than any other in the past in which the expensive fee to enter the Mercury competition comes through loud and clear as the reason why this year’s list is sadly predictable. In a piece by the Guardian’s Michael Hann, Kerrang! editor James McMahon said the egregious lack of metal on the shortlist year after year is a major oversight: “The thing is, within the rock music industry there’s a bit of debate about how bothered people are with an award like the Mercury. The other year we were pushing the idea of Bring Me the Horizon being nominated as an innovative, exciting British rock band who want to be seen out in the world – but they didn’t enter. If the rock industry doesn’t have any belief in its relevance, what can the Mercuries do? But if it were genuinely the 12 best records of the year, it would be blinkered to ignore metal.”

Hann’s article goes on to point out that Leeds buzz band Hookworms chose not to enter either, their frontman MJ explaining, “The nondescript thousands in marketing fees and physical product is even more shameful [than the entry fee]”. Even ubiquitous rock journalist Pete Paphides took to social media yesterday to bemoan the situation: “It’d be good to have a music prize where part of the sponsorship meant bands not having to pay hundreds of £s to be eligible for contention.” Quite right. There is no one obvious solution to “fixing” the Mercury Prize because let’s face it, like all award shows, it’s a business, and businesses exist to make money. But it’s a shame that what the Mercury Prize used to be known for – bringing attention to lesser known acts that otherwise might not get their time in the limelight – seems to have been all but been entirely forgotten.

 

TGTF Guide to SXSW 2013: Rock, punk and metal UK artists showcasing at this year’s SXSW

 
By on Tuesday, 15th January 2013 at 11:00 am
 

Please note: all information we bring you about SXSW 2013 is to the best of our knowledge when it posts and bands scheduled to appear may be subject to change.

Carrying on with the genre section of the exclusive TGTF Guide to SXSW 2013 to continue through January each Tuesday, today we’re bringing you the UK bands slated to perform at this year’s SXSW that play rock, punk, metal and every combination in between. (Last week, we brought you the pop and pop hybrid acts list, which you can catch up on here.) Each part of the TGTF Guide to SXSW 2013 is a handy resource if you’re wondering which acts to catch at this year’s marathon week of showcases, parties and secret shows. But I hope it’ll also introduce you to the solo artists and bands you haven’t heard of, because that’s the most exciting thing about SXSW: at any one moment, you could walk into a bar, a club, a hotel, a warehouse, wherever…and you might just discover the next big thing in music.

What do all these acts in the rock / punk / metal genre list have in common besides being from Britain? Powerful guitars, punishing bass and drums and in most cases, vocals worthy of idolatry. How they achieve this differs from act to act, as you will read and see/hear below.

Belligerence (added 10/01/13) – heavy metal from Portsmouth. I’m finding it hard to find information on them, as there’s another band – also metal – from Prague with the same name…

File next to: Biohazard, Clutch, Pantera

The Blackout – Welsh post-hardcore band who have been soldiering on since their formation in 2003. Right, that means they’ve been around a decade. How many other bands, no matter what the genre, still exist after 10 years? They must be doing something right. Their next album, ‘Start the Party’, is scheduled to be out on the 21st of January 2013. We won’t post the name of their sweary big hit, but John mentions it in his day 2 roundup of Leeds Fest 2011.

Brutality Will Prevail – This Cardiff hardcore band had been signed previously to Alex Fitzgerald’s Holy Roar label and are now with Purgatory Records (sensing a theme here?), who this year released their latest album, ‘Scatter the Ashes’. Expect something punishing.

Touring with: Cancer Bats and Empress in March 2013 (maybe now they won’t appear at some of the dates on this previous organised tour, since the middle of it is smack dab during SXSW).

China Rats – Leeds lad rock. Legend has it that thanks to the tour bus of Bat for Lashes breaking down on the way to this year’s Benicassim, the band found themselves headlining the Valencia festival. Is ‘(At Least Those) Kids are Getting Fed’ a commentary on the North East, or a wider problem across Britain?

[youtube]http://www.youtube.com/watch?v=52bv0BorhFM[/youtube]

The Crookes – The Crookes made their SXSW debut in 2011 and when I finally met them in Brighton in May 2012, they were eager to return, so I’m really pleased for them getting another SXSW nod. This time, they’ll have the good time sounds of ‘Hold Fast’ (my top album of 2012) under their belts and I’m sure there will be a gaggle of new American fans of theirs (mostly female?) following their every move. I’ll be catching them as many times as I can, so do come and say hello.

Seeing that I’ve been a fan of theirs since the ‘Dreams of Another Day’ EP in 2010, there is a boatload of Crookes coverage you can read on TGTF, starting here.

[youtube]http://www.youtube.com/watch?v=TppUoY4zpFQ[/youtube]

Crowns – Coming off of their December tour raising awareness of UK homelessness, Cornwall’s Crowns will bring their fun rock ‘n’ roll sound to Austin. I missed their show at the Cornwall Pasty Company at last year’s Great Escape (really kicking myself over this…I mean, come on, that would have been the ultimate party conversation starter, right?) but I’m determined to catch them on American soil.

Read all of our previous Crowns coverage here.

The Enemy – my guess is that the Enemy are to be the younger equivalent of and will act like Kaiser Chiefs at last year’s SXSW: pulling in a good number of fans for their perfectly good but possibly unextraordinary sets in a post-Oasis breakup world. Since they’ve been around for a while (3 albums’ worth) in the UK, they’re not likely to be high on the average UK attendees’ must-see list, but I’ve never seen them before, so if they show up at Stubb’s, I might head on over.

Read our previous Enemy coverage here.

[youtube]http://www.youtube.com/watch?v=lupg5BHzH34[/youtube]

Evans the Death – This band already has a Rolling Stone description (huh?): “This London band mixes post–Smiths jangle and early–grunge sludge, as Katherine Whitaker explores varying shades of bad romance. Her raw emotion blends with slashing, whirling guitars to inject paralysis with weird power.” When you see they’ve been signed to Slumberland Records here in America (‘Allo Darlin’ and the Pains of Being Pure at Heart‘s American home), it all seems to make sense…

Sounds like: the Libertines, if they had a female out in front

[youtube]http://www.youtube.com/watch?v=MX8VcqY8qts[/youtube]

Gallops – why do I feel the need to mention Mogwai every time I hear a proggy band? Wrexham group Gallops aren’t nearly hard enough to warrant the comparison, although with titles like ‘Astaroth’ and ‘Hongliday’ their Blood and Biscuits’ debut ‘ ‘Yours Sincerely, Dr. Hardcore’, you’d not be putting experimental band in the pop box anyhow. (Something interesting I found on the band’s Tumblr: the linked to the Kitsune Maison 11 compilation – didn’t see that coming at all.)

Gallows – they’re punks. They deliver punishing sets at festivals, such as at 2000 Trees last year. And Frank Carter left them in 2011 to start Pure Love. That’s all you really need to know, right?

Hawk Eyes – punishing hard rock from Leeds. Their 2012 album ‘Ideas’ got top marks from Kerrang! and Artrocker so you know where this is going…

[youtube]http://www.youtube.com/watch?v=1szIsuhqcUc[/youtube]

Nik Turner’s Hawkwind – the current incarnation of history’s first space rock groups.

Heaven’s Basement (added 10/01/13) – a hard rock band who has been soldiering on for quite a while (since 2008) and are releasing their debut album, ‘Filthy Empires’, this year. They’ve supported big names like Bon Jovi and Papa Roach, so is this an indicator of their hard rock prowess? We’ll see at this year’s event.

[youtube]http://www.youtube.com/watch?v=kP1u79wSdDY[/youtube]

The Joy Formidable – what can we say about Welsh rock band Joy Formidable that hasn’t already been said? When you’ve been hand-picked by Dave Grohl as the man’s own favourite band right now, calling them “a killer live band”, ’nuff said really, yeah? The other facts that they are truly some of the loveliest people we have met and are always so happy about our coverage of them? That’s just icing on the cake. I’ve seen them several times now but the only time I’ve seen them at SXSW was on a live stream in 2011, which doesn’t really count, so I’m making it a point to catch them this time around.

Read all our previous coverage of the Joy Formidable here.

[youtube]http://www.youtube.com/watch?v=Y_t4s-HX3z0[/youtube]

Kassidy – some have called them the Scottish Kings of Leon, but that’s just lazy journalism. We’ve been following the folky rock hybrid band since their early EPs in 2010, and trust us, they’re way better than the Followills.

[youtube]http://www.youtube.com/watch?v=nMiBIHqeoa4[/youtube]

Read our previous coverage of Kassidy here.

Kill It Kid – wow, I don’t have to write a piece on them, because they placed #10 on our 10 for 2013 list and Martin’s already done for me. Revivalist blues from Bath.

Klaxons – they’ve been around a while. They won a Mercury Prize in 2007 for ‘Myths of the New Future’. Their last album ‘Surfing the Void’ released in 2010 “>has a cat in an astronaut suit on the cover. Sorry, I’m having trouble sounding knowledgeable about Klaxons because I don’t really like them all that much.

Read our previous coverage on Klaxons here.

Little Barrie – ‘powerhouse’ is a word that seems to be following this Nottingham formed, London transplanted trio. But if you’re going to call Little Barrie a powerhouse trio, then surely you mean to compare to the greats of rock ‘n’ roll.

Sounds like: a more radio-polished Cream or at least a band that came out swinging in the Sixties, not in the Noughties

[vimeo]http://vimeo.com/25333478[/vimeo]

LostAlone – Derby band who have been described as “breathtaking Queen-style harmonies and classic metal bite” and compared to Muse. How is it possible that we’ve never heard about them, then?

[youtube]http://www.youtube.com/watch?v=47rV458G-f4[/youtube]

New Ivory – according to MTV Iggy, these guys from London are the new knights of British indie rock. I am struggling to find a comparison, except maybe they sound like early Arctic Monkeys or Two Door Cinema Club, but not as catchy? (Yeah, I know. Damning with faint praise, aren’t I? Sorry.) Steve Aoki is a fan, having signed them to his Dim Mak Records. I dunno. Maybe they’ll actually sound better in person at SXSW.

[youtube]http://www.youtube.com/watch?v=BHEJaMTQJv8[/youtube]

Orange Goblin (added 10/01/13) – formerly known as Our Haunted Kingdom, on first glance you have to wonder if the new name was for a cuddlier image. So imagine my surprise that this is a heavy metal band! Having put out their first album in 1997, they’re definitely the granddaddies of the rock/metal/punk group, but having changed their sound from stoner/doom to their current more metal sound proves that they aren’t willing to stand in one place musically. A special live album for their devoted, ‘A Eulogy for the Fans’, will be released in March.

Palma Violets – I’ve refrained about writing about Palma Violets from Lambeth, South London, as what I’ve heard from them makes me think of The Vaccines, who came out of an NME promotional campaign firestorm and their #3 placing on the BBC Sound of 2011 poll with loads of fans clamouring to see them at major festivals. It’s 2013 now and look what’s happened: Palma Violets are on the BBC Sound of 2013 longlist. Overhyped band leads to foregone conclusion…appearing as a support act to headliners Django Django on the 2013 NME Awards tour next month sounds like an NME mistake then…

[youtube]http://www.youtube.com/watch?v=poFXWUTEs1k[/youtube]

PAWS – Scottish three-piece banging out tunes in a garage-y, lo-fi style. It should come as no surprise that they have a strong DIY aesthetic, as they’re great fans of bands like Dinosaur Jr and the Pixies, even having a song called ‘Kim Deal’ in their arsenal.

Sounds like: the Cribs or Peace, if they were from far north of the border.

[youtube]http://www.youtube.com/watch?v=MiDEkoPKCkk[/youtube]

Peace – We won’t waste your time here, since the band have already been tipped on the BBC Sound of 2013 poll. Read our previous Peace coverage, including their 10 for 2013 profile (they placed #5 on this last readers’ poll), here.

Peers – 6music’s Tom Robinson was an early supporter of this Reading band in 2010, the year the young band, then all under the age of 18, played the BBC Introducing stage at Reading and Leeds. The unsigned band cite Bombay Bicycle Club as a major influence, and if you squeeze your eyes real tight, you can hear Jack Steadman’s impact on singer Matt Thompson’s vocals.

Savages – dissonant post-punk via an unusual package – four women from London. Is it their anti-establishment stance that attracted the BBC Sound of 2013 tipsters? We’ll never know for sure but I guess imitating Patti Smith and looking sullen are the highest form of flattery? They could have at least smiled for the photos on their Facebook…

Sounds like: trying too hard to be a 21st century Siouxsie and the Banshees

[youtube]http://www.youtube.com/watch?v=6y-cVzbBBQ8[/youtube]

Sharks – usually punk is associated with a lo-fi, scuzzy sound, but this band from Leamington Spa sound remarkably polished, with hybrid punk/pop songs that could have easily slotted in with the music I listened here in America in high school.

Sound like: a grown up Blink-182, or Green Day when they weren’t so political and were still fun

Tall Ships – math rock meets indie rock in an epic way via three high-spirited lads from Brighton. John adored their 2012 opus ‘Everything Touching’ and for a Foals loving nation, it’s a wonder they aren’t bigger in the UK. Foals? Who are they?

Read our previous coverage on Tall Ships here.

[youtube]http://www.youtube.com/watch?v=4JYt3eYDQY0[/youtube]

Tango in the Attic – Scottish band from Glenrothes having Two Door Cinema Club-type guitars with reverb.

File next to: Smith Westerns

[youtube]http://www.youtube.com/watch?v=ke9eHi6Ze_A[/youtube]

Throne – there’s not a lot known about this London band, except that they’re known to ‘level rooms’ with their bad boy riffage when they appear in the Capital. You have been warned.

TOY (added 10/01/13) – psychedelic rock from a band made up of some members for the group Joe Lean and the Jing Jang Jong. I don’t feel like it’s really necessary to write about them, considering nearly every friend of mine rates them quite highly. Not really my thing, but I’m pretty sure they will do well in Austin.

[youtube]http://www.youtube.com/watch?v=dcQ2nXDvWDY[/youtube]

Frank Turner and the Sleeping Souls (added 10/01/13) – I nearly put Frank Turner’s band in the singer/songwriter category, but since his appearances at this year’s SXSW will be louder and more raucous than his solo turn last year at the Xtra Mile Recordings showcase, in the end there was no contest.

We’ve written quite about the man on TGTF, and you can read all of that through here.

Virals – vehicle for Worcester’s Shaun Hencher, who with his live band have most recently supported #5 10 for 2013 band Peace in the UK. Now Hencher’s looking to make a big splash at their American live debut at SXSW.

Sounds like: a cross between Male Bonding, Two Wounded Birds (RIP) and the Vaccines. Get yer sunnies out!

The Virginmarys – Macclesfield will soon be known for more than Ian Curtis, if this trio have anything to say about it. Their sound? Hard rocking, arse-kicking tunes.

File next to: Kasabian, Biffy Clyro

[youtube]http://www.youtube.com/watch?v=V8ehThdbXJs[/youtube]

Wet Nuns – even with quite possibly one of the silliest names for a band ever, Sheffield duo Wet Nuns had a spectacular 2012, getting attention not only for their silly name but their punk crossed with blues schizophrenic sound.

Sounds like: the evil child borne from Band of Skulls and the Black Keys

[youtube]http://www.youtube.com/watch?v=KAe5OFCuLxY[/youtube]

While She Sleeps – is heavy metal more your thing? Then I suppose you should look to Sheffield and a band like While She Sleeps for your jollies. Luke caught them last summer at day 2 of Slam Dunk South.

Young Guns – this band has been around for quite a while, but it wasn’t until summer 2012 that they had an American record deal. Radio-friendly, not too hard rock sound made by youngish, good-looking boys in leather: in short, an American label signing coup.

Read all our previous coverage of Young Guns here.

[youtube]http://www.youtube.com/watch?v=qk3vjIDuy9w[/youtube]

The Zombies – “What’s your name? / Who’s your daddy? / Is he rich like me?” All kidding aside, the Zombies have been around for over 50 years. Fifty effin’ years. They called themselves the Zombies before it was hip to like zombies. Though they’re down to only two original members – Colin Blunstone and Rod Argent – contrary to popular belief, it was they, not Friendly Fires, who put St. Albans on the musical map.

Read Braden’s interview with Colin and Rod from 2 years ago here.

Electronic bands and DJs are up next week. So catch us next Tuesday for the third chapter of the genre section of the TGTF Guide to SXSW 2013!

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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