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Sam Lewis / February and March 2019 UK Tour

 
By on Wednesday, 7th November 2018 at 9:00 am
 

Nashville-based singer/songwriter Sam Lewis will make his first trip to the UK in over two years at the beginning of 2019, with a list of live headline dates announced for February and March. Ahead of those shows, Lewis is slated to play at AmericanaFest UK at the end of January, presumably featuring songs from his fantastic recent LP release ‘Loversity.’ If you haven’t listened to that album yet, I highly encourage it; you can check out its second single ‘Natural Disaster’ at the bottom of the page.

According to Lewis’ official Facebook, further headline shows may be added to the following list. Keep an eye on his Facebook listing for updated information. TGTF’s coverage of Sam Lewis from SXSW 2018 is right back this way.

Friday 1st February 2018 – Ashford Revelation
Sunday 3rd February 2018 – Kingkerswell Parish Church – St. Mary’s
Tuesday 5th February 2018 – Swansea Sin City
Thursday 7th February 2018 – Shrewsbury Henry Tudor House
Friday 8th February 2018 – Sunderland Independent
Wednesday 13th February 2018 – Norwich Waterfront Studio
Saturday 2nd March 2018 – Glasgow Glad Café

 

SXSW 2018 Interview: Sam Lewis

 
By on Thursday, 21st June 2018 at 11:00 am
 

Nashville singer/songwriter Sam Lewis seemed very much in his element at Willie Nelson’s Luck Reunion, which took place just outside Austin during SXSW 2018. The weather was sunny, the atmosphere was mellow, and the music was abundant. I heard Lewis perform at the early-by-SXSW-standards hour of 11 AM, and later in the afternoon I had a chance to chat with him about his new LP, ‘Loversity’, which was released on the 4th of May.

Sam Lewis internal(photo by Sarah Bennett)

Despite the afternoon sunshine, a strong breeze was blowing as we found seats on a quaint wooden swing set, and Lewis broke the conversational ice by asking about the windscreen on my voice recorder. “Tell me what’s on your recorder right now, because this thing looks kind of like, remember Don King, the boxing promoter? It looks like his hair.” (He wasn’t wrong; if you’re not American or have no idea who Don King is, check out photos of Don King through here.)

I asked Lewis about the Song Swap he’d played that morning with Courtney Marie Andrews, Caleb Caudle, and Kevin Kinney, and he responded with a wry smile. “With 100 percent honesty, I think all four of us were were asked to come play, and then we found out a couple of weeks ago that it was at 11 AM and it was a Song Swap, so we all kind of got a chuckle out of that.”

Lewis played three songs on that set, and I was surprised that none of them were from his new record. His explanation was disarmingly candid: “I didn’t feel like playing any of those.” But he continued, talking about the songs he chose to play instead. “I played ‘Virginia Avenue’, [which is] a song about where I’m from, and ‘In My Dreams’, which is off of my first record, and I also played a song called ‘Little Time’ which is a John Prine-inspired song I wrote with Taylor Bates in Nashville.”

Lewis released his self-titled debut album in 2012 and followed it up with ‘Waiting on You’ in 2015. His new third album, ‘Loversity’, centers around its eponymous title track, which sprang from a moment of spontaneous inspiration. “I was touring a couple of years ago, just outside of Richmond, Virginia, and I passed by this really cool, colorful building.” The sign on the building was partially obscured, and in his road weary state of mind, Lewis couldn’t quite make out what it said. “I saw this building, and all I saw was ‘-ersity’. I knew that there was missing letters or something, [but] I just blurted out ‘Loversity’. A friend of mine was with me at the time, and he looked it up real quick, and he was like, ‘That’s not a word.’ And I said, ‘Well, I really dig that, I don’t know what that means, but I’m going to find out what that means. So, I wound up writing a song called ‘Loversity’.”

‘Loversity’, the album, is an eclectic group of songs, both in terms of musical style and lyrical subject matter.”I don’t know where it’s going to wind up living as far as genre,” Lewis admitted. “Like with many things, there’s an identity crisis [in music], everything’s been cross-pollinated. It’s getting called ‘cosmic country’, it’s getting called ‘country funk’. I’ve heard all sorts of different things. It’s got a little bit of everything, because I’m not a big fan of limitations, but exercising all of your abilities.”

“I’m really proud of [this] project,” Lewis said about ‘Loversity’, which he produced, working with Brandon Bell at Southern Ground Studios in Nashville. “I’m a big fan of this project because of the people involved.” Lewis recorded the album with his former band, who now tour full time with Chris Stapleton and could only join Lewis in the studio. Despite having given a solo acoustic performance earlier in the day, Lewis said, “That’s where I’m going with everything, full band. Like, I experimented with horns on this album. There’s two songs that have horns, and I can see how you can get a little crazy with that, because it’s really fun.”

The individual songs on ‘Loversity’ are more philosophical than actually political, though some of them do touch on political ideas. “They’re getting thrown into a political realm, which I’m fine with, but they’re not political songs,” Lewis said. The common thread among them is a thematic motif of unity and sharing, and Lewis confesses that “they’re personal songs. I needed to hear those songs, too.”

I had a confession to make at that point as well, that I had only listened to the album once before meeting Lewis that day. He was undeterred, encouraging me not only to “try it again,” but to “try it at different times, try it it inebriated, try it non-caffeinated, try it in a car . . .” In the time between the interview and this publication, I’ve taken his advice, and I’ll pass it along to you. ‘Loversity’ is a perfect listen if you’re searching for an uplifting message in trying times, if you need a soundtrack for a long drive, or if you simply want a soulful groove on a hot summer night. Try it.

‘Loversity’ is available now via Sam Lewis’ official Web site. Our thanks to Sarah for coordinating this interview.

 

SXSW 2018: Thursday at Willie Nelson’s Luck Reunion (Part 1) – 15th March 2018

 
By on Friday, 20th April 2018 at 2:00 pm
 

On the Thursday of SXSW, I had the unique opportunity to attend the celebrated Luck Reunion, hosted at the Luck, Texas ranch of legendary country songwriter Willie Nelson. The Luck Reunion’s stated mission is “to cultivate the new while showing honor to influence”, among “musicians, artisans, and chefs, who like the outlaws and outliers before them, follow their dreams without compromise.” The event is staged at Nelson’s home and working ranch, which is about a 45-minute drive from downtown Austin, and which presents a very different atmosphere from the hectic SXSW schedule of conferences and showcases.

Lilly Hiatt internal

Once arrived at the Luck Ranch, I didn’t have much time to get acquainted with the surroundings before the full day of music was set to begin. I took a quick peek into the tiny Luck Chapel to catch a couple of songs from Nashville songwriter Lilly Hiatt, whose quirky combination of folky Americana and grungy rock sounds can be heard on her recent third album ‘Trinity Lane’.

Song Swap internal

Next, I headed outside to the Revival Stage, which was hosting a “song swap”, including a pair of songwriters I was keen to hear, Arizona native singer Courtney Marie Andrews and soulful Nashville songwriter Sam Lewis, who were joined onstage by fellow songwriters Caleb Caudle and Kevin Kinney (of Drivin’ N Cryin’). I’m not sure if the song swap was intended to be more interactive among the performers, but in practice, the four artists simply took turns singing their own songs, rather than actually swapping. That said, I was especially excited to hear songs from Andrews’ excellent recent album ‘May Your Kindness Remain’, and Lewis’ upcoming LP ‘Loversity’. All four singers made a strong impression of the quality of songwriting on display at Luck.

Buck Meek internal

Immediately following on the same stage, Buck Meek (also known to TGTF readers as part of Big Thief) played a set of his solo tunes, including one, ‘Sam Bridges’, that I vaguely recognized from a Big Thief show back in 2015. I was able to catch Meek after his set for a quick chat about that song as well as the new ones on his forthcoming self-titled solo LP. Stay tuned to TGTF for that interview, which will post in the coming days.

Sam Lewis internal

After chatting with Meek, I had an appointment for another interview, this one with the aforementioned Sam Lewis. Outside the Luck Chapel, he and I took seats on an old wooden swingset, which was both novel and remarkably sturdy. (Thanks to Sarah for the photo above.) Lewis was outgoing and easy to talk to, and we chatted extensively about his upcoming LP ‘Loversity’, which is due out on the 4th of May. Be sure to check back with us for the forthcoming full interview, where he expands on the album’s unusual title as a theme for the songs it contains.

David Ramirez internal

My next stop was at the Back to the Source Stage for Austin native songwriter David Ramirez. I’d spied Ramirez and his bandmates earlier, walking around the Luck Ranch and enjoying the beautiful day ahead of their set. The informal atmosphere seemed very much to Ramirez’ liking, and he played a gorgeous show for the occasion, finding a pitch-perfect blend of old songs and new ones alike. He and his band were in top form here, showcasing themselves collectively under the newly minted moniker David Ramirez and the Hard Luck.

Jade Bird internal

I had noticed in passing that the Luck Chapel had a constant queue outside it throughout the afternoon. With a capacity of only 50 people, the intimate stage was in high demand all day long, but never more so than for British singer/songwriter Jade Bird. Disappointed that I wasn’t able to get inside to see her performance, I went around to the side of the building and spectated through an open window. The collection of punters standing outside with me were as delighted with Bird’s performance as the lucky ones who’d gotten in, and she quickly gained a reputation as “one to watch” for the remainder of SXSW. I was fortunate to hear Jade Bird sing again the following morning; keep an eye on TGTF for my Friday recap.

Hop Along internal

From there, it was a quick few steps back to the Revival Stage, where I saw a pair of rather unusual acts, Hop Along and Ezra Furman. Hop Along were unfamiliar to me, but I took an instant liking to lead singer Frances Quinlan’s voice. Their new album ‘Bark Your Head Off, Dog’ is an odd but appealing collection of songs painted with a broad sonic palette, out now via Saddle Creek. I was slightly more familiar with Ezra Furman, and the Luck Reunion seemed at first glance an odd choice of venue for his brand of angsty rock. However, if the event’s focus was indeed on “outlaws” of songwriting, Furman was in the right place, despite the oddity of seeing him perform in typically-female attire against the backdrop of a functional stable and horse pen. His recent fourth solo album ‘Transangelic Exodus’ is a brilliant and bizarre display of lyrical storytelling, out now on Bella Union.

Ezra Furman

By this point, I needed a break before hitting the World Headquarters Stage for evening sets by Lukas Nelson and the Promise of the Real, Kurt Vile, Nathaniel Rateliff and the Night Sweats, and of course, Willie Nelson and Family. Drinks at the Luck Reunion were complimentary and freely flowing at various locations throughout the day, but I took this time out to avail myself of the food choices provided by a selection of local vendors. There was no shortage of delicious options, and if you appreciate a deftly-designed culinary experience alongside your carefully-curated music, then the Luck Reunion would certainly be your cup of tea. Stay tuned to TGTF for my Thursday evening recap, which will include more from the Luck Reunion as well as two late night shows back in downtown Austin.

 
 
 

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We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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