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Live Review: Sirius XM Alt Nation Advanced Placement Tour 2018 featuring NoMBe, Mansionair and Mikky Ekko at Union Stage, Washington, DC – 13th April 2018

 
By on Monday, 16th April 2018 at 2:00 pm
 

The Wharf is a recently revitalised area of in Southeast Washington. So far, I’ve resisted coming to this area because I don’t agree with what’s been done to it. Not surprisingly and like other places in Washington like our club land of the U Street Corridor, it’s been grabbed hold of by developers and gentrified. As a music lover, you’re going to have to suck it up and come down here eventually. A prime reason? 9:30 Club’s promotion team IMP have moved many of the big shows to the Anthem so bands you might have seen before at 9:30 will now be down here. Groan. Last Friday night, I decided to finally check out the Wharf to see a show at the Anthem’s smaller and less ostentatious neighbour, Union Stage, owned by the same fine folks who run Jammin’ Java in Vienna in Northern Virginia. The first show at the venue for the night was the latest edition of Sirius XM’s Alt Nation Advanced Placement Tour, starring three rising acts.

Doors opened at 6 – ridiculous for workaholic Washingtonians, mind – but I was glad to see NoMBe (pronounced NOM-be) beginning his set to a reasonable-sized audience, even if it was 6:45. Originally from Heidelberg, Germany, singer/songwriter and producer Noah McBeth now calls Los Angeles home. He should be the poster boy for success off of syncs: Pharrell (yes, that Pharrell) hand-picked his song ‘Can’t Catch Me’, a upbeat rock foot-stomper, for HBO series Output. McBeth explained how grateful he was for money he earned from the sync, saying it’s paid for his touring following the release of his debut album at the start of 2017, ‘They Might’ve Even Loved Me’.

NoMBe Sirius XM Alt Nation Advanced Placement tour Washington 4

The LP is a tribute to the strong women in his life, from those he’s loved romantically and as family (notably including Chaka Khan, his godmother). As you might imagine, the spectrum of tributes is wide, going from the sweetness of falling in love in high school in hit single ‘Wait’, to the far less innocent and more obvious sultriness of ‘Sex’. The artist who oozed charisma went further back in his catalogue to deliver the slow burning r&b masterpiece ‘Miss Mirage’, while showing him and his band’s more alt-rock chops on ‘Drama’. The eclecticism of his music demonstrates he refuses to be placed in be confined in one box, a fact that was embraced by the mixed race, mixed ages crowd.

After a short break, it was now Mansionair’s turn. Like NoMBe before them, the Sydney trio were making their debut performance in Washington. In the middle of their set, they revealed that in an attempt to keep healthy in the first week of this Alt Nation tour, they’d gone for a run during the abnormally warm April day and were able enjoy our world-famous and transient spring display of cherry blossoms. It’s useful to remind everyone that Mansionair may have never happened: Jack Froggatt was a folk singer/songwriter with a guitar who got invited to top-line tracks by producer/guitarist Lachlan Bostock and drummer/producer Alex Nicholls. One of the early fruits of their combined efforts was single ‘Hold Me Down’, which proved to be a massive streaming hit. The song was performed in this set, as was their newest single ‘Violet City’, validating their continued songwriting prowess.

Mansionair Sirius XM Alt Nation Advanced Placement tour Washington 5

The secret to Mansionair’s success so far is their elegant pairing of Froggatt’s expressive vocals, sometimes soaring into falsetto, with electronic driven instrumentation that just adds to the overall emotional quotient. The sexy drawl of ‘Easier’ and their own version of ODESZA’s ‘Line of Sight’, on which Mansionair collaborated with the Seattle duo on last year, went down a treat, the DC crowd getting swept up by the band’s sonic loveliness. They finished their set strong with 2017 single ‘Astronaut (Something About Your Love)’, which I was lucky enough to hear them perform twice last year at BIGSOUND 2017 in Brisbane. It’s a perfect marriage of soulful vocals and electronic, and I really can’t wait for their debut album.

Last up was Mikky Ekko, who I admittedly entirely misjudged based on the one song of his I heard online and what I’d read about his release history. The American singer/songwriter is from the South (ah, so that’s where the soul comes from), has a big head of curly hair and beard, and is like a force of nature onstage. What sounds to me on Spotify like borderline annoying singing for hipsters comes across much more organic and genuine from him live. As advertised, his big hit ‘Smile’ elicited more than a few grins in the room.

Mikky Ekko Sirius XM Alt Nation Advanced Placement tour Washington 2

The energy he brought to a now-full Union Stage was undeniable, his voice going between r&b and rock, and he and his band delivered an exuberant performance. Many people were singing along to the tunes off his most recent ‘Advance Copy’ EP, and they were super excited when he jumped down into the crowd for his final song. As part of his final shoutout to the crowd, he yelled, “if you hadn’t heard of me, don’t forget me!” What an astute comment to make about all three of these acts on this Advanced Placement tour: each gave a lasting impression and a compelling argument to all present that they are ones to watch.

 

TGTF Guide to SXSW 2018: best bets among American artists showcasing at this year’s SXSW

 
By on Wednesday, 28th February 2018 at 12:00 pm
 

Header photo: Nathaniel Rateliff and the Night Sweats by Brantley Gutierrez

As you might expect with an American music festival, SXSW is typically heavy on American showcasing artists, and SXSW 2018 won’t be any different. This year’s music festival lineup features a load of big names that you’ve probably heard before, along with a few new ones that, if they’re not familiar already, likely will become so very soon.

Our ongoing preview coverage of SXSW 2018 has already highlighted a few up-and-coming artists on the showcase schedule, including grunge rock band Bully and alt-country singer Courtney Marie Andrews. Perhaps the most intriguing of these is elusive Los Angeles alt-rock trio Lo Moon, who made mild waves with their SXSW appearance last year. I expect them to make a bigger splash this time around, on the strength of their just released self-titled LP, which includes new track ‘Wonderful Life’.

Among the major players heading to SXSW 2018 are a handful of TGTF alums who have broken through to mainstream success. We first covered songwriter Nathaniel Rateliff way back in 2011, but the course of his career dramatically changed in 2015, when he convened a new band called the Night Sweats and released their hit self-titled album. Nathaniel Rateliff and the Night Sweats have recently announced a brand new LP called ‘Tearing at the Seams’, which is due for release just before SXSW on the 9th of March and features lead track ‘You Worry Me’.

North Carolina alt-pop duo Sylvan Esso previewed songs from their 2017 album ‘What Now’ at a surprise SXSW 2016 show; their appearance this year could once again herald new music on the horizon. Austin native David Ramirez wasn’t in top form when I saw him at SXSW 2017, but he may be in better shape this year, playing songs from his beautiful recent album ‘We’re Not Going Anywhere’, which he has toured extensively since its release. SXSW 2015 showcasing artist Natalie Prass has just announced a brand new album ‘The Future and The Past’ due out on the 1st of June; she will presumably highlight its soul-tinged single ‘Short Court Style’ on her showcases in Austin next month.

Among other past TGTF mentions on the SXSW 2018 list are Nashville singer/songwriter Liza Anne, who will release her new album ‘Fine But Dying’ on the 9th of March and Milwaukee quartet Field Report, whose new album ‘Summertime Songs’ is previewed in the stream of ‘Never Look Back’ just below. Fellow Nashville singer Tristen and Philadelphia duo Vita and the Woolf, both acts we’ve coincidentally covered in conjunction with Irish alt-rockers Bell X1, also made the showcase list for this year’s festival in Austin, along with New York’s Sunflower Bean, who showcased at SXSW 2016, and L.A. rock band Warbly Jets, who made an appearance at SXSW last year.

American artists new to TGTF include Albert Hammond, Jr. of The Strokes fame, and Buck Meek of alt-rock band Big Thief, neither of whom we’ve seen in a solo capacity before. Satellite radio listeners here in the U.S. might already be familiar with Mt. Joy and NoMBe, who have both been featured on SiriusXM Alt-Nation, while public radio devotees will no doubt have heard Portland singer/songwriter Haley Heynderickx and New Orleans funk/soul group Tank and the Bangas on NPR.

For dedicated indie fans, a pair of duo acts, Denver’s Tennis and Baltimore’s Wye Oak have made the SXSW shout list, along with the always eccentric Okkervil River. In the heavily represented Americana category, sure winners include a trio of Nashville acts: singer/songwriter Nikki Lane, country rock trio Liz Cooper and the Stampede and veteran country/bluegrass collective Old Crow Medicine Show.

Please note: all information we bring you about SXSW 2018 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook or official Web site for details of any non-official SXSW appearances.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

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