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The Great Escape 2018 Preview: editor Mary’s best band bets

 
By on Tuesday, 8th May 2018 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on The Great Escape 2018 taking place next week is current at the time of posting. We strongly encourage you to check in at the festival’s official Web site closer to the start of the event to confirm venues and set times. Three-day wristbands for the event in Brighton 17-19 May are still available at the price of £70 plus handling if purchased online; delegate passes that include both access to the daytime industry convention and all music showcases are available at the price of £275 plus handling. More information on where you can purchase your tickets in person or online is available from The Great Escape official Web site. If you’d like to read my previous, more general preview of The Great Escape, it’s through here.

As mentioned in part 1 of my Live at Leeds best bets preview, and alluded to in part 2 as well, there are quite a few acts that appeared this past weekend at Live at Leeds and/or Liverpool Sound City that will also be appearing next week at the Great Escape in Brighton.

Bad Sounds (Friday 11:15 PM, Horatio’s)
Black Futures (Thursday, 9:15 PM, Green Door Store)
Boy Azooga (Thursday, 12:00 PM, Latest Music Bar; 2:00 PM, Dr. Martens stage; 9:15 PM, Patterns upstairs)
Cassia (Friday, 12:45 AM, The Hope and Ruin)
Hollow Coves (Thursday, 12:45 PM, Komedia Studio Bar and 10:15 PM, The Old Courtroom)
Knightstown (Saturday, 12:15 PM, One Church)
Lady Bird (Friday, 2:15 PM, Dr. Martens stage and 10:15 PM, The Walrus)
Rascalton (Thursday, 1:00 PM, Horatio’s [Showcasing Scotland stage]; Friday, 10:15 PM, Green Door Store)
SHEAFS (Saturday, 8:45 PM, The Hope and Ruin)
The Ninth Wave (Thursday, 3:30 PM, Horatio’s [Showcasing Scotland stage]; Friday, 9:30 PM, The Haunt; Saturday, 10:15 PM, Marine Room [Harbour Hotel])
The Orielles (Thursday, 2:30 PM, Beach House and 9:00 PM, Horatio’s)
Tors (Friday, 6:45 PM, St. Mary’s Church)
Vistas (Saturday, 2:30 PM, The Hope and Ruin)
whenyoung (Thursday, 6:30 PM, The Haunt)
Zapatilla (Thursday, 10:15 PM, The Walrus)

SXSW 2018 (or earlier) alums: Here’s a list of artists we either saw in March in Austin (or even in previous years) who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at the Great Escape. They’re sorted by alphabetical order, as some of the acts who are bigger draws are appearing more than once, so organising the list by first appearance may not necessarily be useful to you.

All Our Exes Live in Texas (Thursday, 12:10 PM, Komedia [Aussie BBQ stage]; Thursday, 10:15 PM, Latest Music Bar)
Dermot Kennedy (Thursday, 9:00 PM, Wagner Hall; Friday, 4:00 PM, Beach Club; Friday, 10:00 PM, Sallis Benney Theatre)
Dream Wife (Thursday, 8:45 PM, Beach Club)
Her’s (Friday, 1:00 PM, Beach House; Friday, 10:15 PM, Horatio’s)
IDLES (Thursday 10:00 PM, Beach Club)
Jealous of the Birds (Thursday, 9:15 PM, Bau Wow; Friday, 2:00 PM, Jubilee Square)
Jerry Williams (Thursday, 7:45 PM, Hope and Ruin; Saturday, 12:30 PM, Komedia Studio Bar)
Joshua Burnside (Friday, 1:30 PM, Sticky Mike’s Frog Bar [Output Belfast stage]; Saturday, 12:15 PM, Latest Music Bar)
Let’s Eat Grandma (Friday, 9:15 PM, The Old Market)
Lo Moon (Friday, 8:30 PM, Coalition)
Mansionair (Thursday, 9:15 PM, Komedia)
ONR (Friday, 8:30 PM, Paganini Ballroom at the Old Ship Hotel [BBC Introducing stage])
Pale Waves (Thursday, 7:00 PM, Wagner Hall; Thursday, 11:00 PM, Horatio’s)
Rachel K Collier (Friday, 12:20 PM, Latest Music Bar [Horizons / Gorwelion showcase)
Sam Fender (Friday, 2:30 PM, Patterns upstairs; Friday, 8:00 PM, Sallis Benney Theatre; Saturday, 1:30 PM, Komedia Studio Bar)
Stella Donnelly (Thursday, 8:15 PM, Komedia; Friday, 7:45 PM, Unitarian Church; Saturday, 1:20 PM, Dr. Martens stage)
Superorganism (Friday, 10:15 PM, The Old Market)
Ten Tonnes (Friday, 6:30 PM, Coalition; Friday, 10:45 PM, Paginini Ballroom at the Old Ship Hotel [BBC Introducing stage])
The Homesick (Friday, 2:30 PM, Komedia Studio Bar; Saturday, 10:15 PM, Green Door Store)
The Spook School (Thursday, 12:15 PM, Horatio’s [Showcasing Scotland stage]; Saturday, 8:30 PM Sticky Mike’s Frog Bar)
TOUTS (Thursday, 8:15 PM, Patterns upstairs; Friday, 3:30 PM, Sticky Mike’s Frog Bar)

::gasps:: Okay, so now that we’ve gotten all those shining stars with loads of potential out of the way, I’m going to focus on five additional acts in this post. I’ve chosen those from the pool of acts appearing at The Great Escape but who did not appear at Live at Leeds last Saturday.

Basement Revolver (indie rock / lo-fi; Hamilton, Canada; 2:15 PM, Green Door Store; 6:15 PM, Patterns upstairs)
One of the upshots of attending The Great Escape is that it has arguably the most international line-up of any emerging music festival in the UK. Female-fronted Basement Revolver is one of a handful of acts having travelled thousands of miles to Brighton, besides the Aussies, of course. Bringing their reverb-heavy guitar chords and the sweet voice of Chrisy Hurn, they’ll have two chances on Thursday to wow Brighton crowds.

CRIMER (synthpop / dance; Switzerland; Thursday, 10:15 PM, Bau Wow; Friday, 1:30 PM, Bau Wow)
You a fan of Depeche Mode’s beats and Dave Gahan’s sultry drawl? I’m gonna put it out there and say you’re gonna love CRIMER from the Continent. The Great Escape blurb presumably supplied by him describes his look as pure boyband, but don’t let his hair parting put you off. Seems a bit strange that they have him on early Friday afternoon (I’d suggest you see him on the Thursday night instead) but hey, maybe he can turn Bau Wow into a sweaty disco before the 2 o’clock hour. Wait and see!

Declan Welsh and the Decadent West (punk; Glasgow; Friday, 12:30 PM, One Church and 7:15 PM, Green Door Store; 9:15 PM, Marine Room [Harbour Hotel])
I think it’s come time in this list to bring in something more subversive. I guess I don’t think of Glasgow as being very punk: perhaps it’s because both times I’ve visited, everyone’s been super nice to me, including the very large man with a very large ginger beard who shared a table with me at Nice and Sleazys. But I digress. Quoting their TGE bio directly, “Donald Trump and Theresa May watch out! The Revolution will be well dressed and speaking in Glaswegian.” RAWR.

Franc Moody (funk / dance; London; Friday, 2:40 PM, Beach House)
Not a guy from France, phew! No, Franc Moody is a London collective bringing da funk and da dance to Brighton’s seaside. Apparently they have been doing this for a while, in so-called ‘infamous’ (::giggles thinking of Three Amigos:: ) warehouse parties in Tottenham. Friday afternoon at TGE is oddly full of dance acts, so I can only hope that no matter what the weather, Franc Moody (and everyone else for that matter) can manage to get bodies bumpin’ before official wine o’clock.

Saint Raymond (pop; Nottingham; Thursday, 3:30 PM, Marine Room [Harbour Hotel])
This singer/songwriter has already been out on the road with the likes of Gabrielle Aplin, Ed Sheeran and HAIM, so it shouldn’t come as much surprise that Callum Burrows’ style of music is firmly in the pop genre. Burrows blends a synth-driven ‘80s sound with feel good pop lyrics. Apparently in the early days back home in Notts, lazy journos compared him to local acts Jake Bugg and Dog is Dead. No more.

 

SXSW 2018: Friday at the BMI/AT&T Acoustic Brunch and the Austin Convention Center

 
By on Thursday, 26th April 2018 at 2:00 pm
 

My Friday morning at SXSW 2018 began early, relatively speaking, even after my late and exciting Thursday night. No rest for the weary! But the BMI / AT&T Acoustic Brunch at The Four Seasons hotel was nothing if not a pleasant way to begin the day, with a lovely spread of food and drinks in the hotel courtyard and an even finer variety of musicians on the outdoor stage.

Paul Thorn internal

The first act was blues rock artist Paul Thorn, whose fire and brimstone message might have been better suited to a Sunday morning than a Friday. His past album titles include ‘Pimps and Preachers’ (2010), ‘What the Hell is Going On’ (2012), and ‘Too Blessed to be Stressed’ (2014). Thorn’s most recent release ‘Don’t Let the Devil Ride’ follows the pattern with a vivid mix of gospel and blues, covers and original songs. Have a listen to his version of the O’Jays classic ‘Love Train’ right through here.

Young & Sick internal

Young & Sick is a combination music/visual arts project led by Los Angeles-based Dutch frontman Nick van Hofwegen. Their slick synth pop has a strongly defined rhythmic aspect, which was appropriate to the bright midday sun in downtown Austin but would find itself equally at home in a dark club setting. Their own single ‘Ojai’ was a strong choice, as was their excellent cover of Fleetwood Mac’s ‘Dreams’. You can listen to both on Young & Sick’s official Soundcloud. Astute TGTF readers may remember that we’ve covered Young & Sick once before, during SXSW 2014.

Jade Bird internal

Next in the lineup was rapidly rising British singer Jade Bird, who was flitting between shows in her very busy SXSW schedule. I had glimpsed her briefly the previous day at the Luck Reunion, but here at the Four Seasons, I got to see and hear her play a full set, including her immediately catchy and irresistibly quirky recent hit ‘Lottery’. That single, as well as Bird’s previous EP ‘Something American’, are both out now on Glassnote and come highly recommended. Her feisty set tangibly raised the energy level at this otherwise low-key brunch, sending a flutter of excitement through the sleepy Friday afternoon crowd.

Davie internal

Capitalising deftly on that momentum, Los Angeles r&b singer Davie took the stage next with a set of soulful and uplifting songs that harkened back to Paul Thorn’s earlier gospel sounds, but ultimately went in a very different musical direction. Davie’s smooth, sweet voice is perfectly suited to this style of singing, and his songs are a celebration in vocal form, not to be missed if gospel r&b is your groove. You can find the video for his recent single ‘Faith’ right here.

The Marias internal

Next up were self-described “psychedelic soul” band The Marías, who combined elements of jazz, world music, and modern classical composition into a very inviting overall sound, perfect for a swanky event like this one. Their aesthetic was somehow both intellectual and sensual at the same time, as evidenced by the hazy synth-based aura of ‘Only in My Dreams.’

Samson internal

The final performer on the BMI / AT&T Acoustic Brunch was Montreal singer/songwriter Sampson, whose astonishingly common stage moniker makes her near impossible to find on social media. Nevertheless, she rounded out the event with a haunting set of solo songs from her debut LP ‘Dark Sky Nights’, including ‘Born in the North’ which aptly reflects the quality of having been written “literally alone in the dark.” Sampson, along with the other artists on the day’s lineup, is featured in BMI’s video roundup of the Acoustic Brunch, which you can view just below.

Lo Moon internal

Though the Austin sunshine was beautiful on Friday afternoon, I did eventually have to head inside, specifically to the Convention Center. I stopped first at the Radio Day Stage, where Los Angeles band Lo Moon were on the bill. Though the indoor stage and afternoon audience were somewhat more subdued than the Pandora showcase where I saw them last year, Lo Moon sounded sharp and crystal clear, playing atmospheric, synth-laced songs from their recent self-titled debut LP. Watch their performance of ‘The Right Thing’ just below, courtesy of WUFV Public Radio.

David Fricke talk

One of the featured sessions at the Convention Center that afternoon was a panel discussion called ‘From CBGB to the World: A Downtown Diaspora’, featuring Talking Heads members Chris Frantz and Tina Weymouth, producers and solo artist Chris Stamey, visual artist Richard Lloyd, and photographer Julia Gorton. Loosely moderated by Rolling Stone senior editor David Fricke, the conversation was rather unstructured, but deliberately so, in an attempt to reimagine the downtown New York scene of the late 1970s, the epitome of gritty rock ‘n’ roll style. Most interesting to me were the candid snapshots displayed on the large screen at the front of the room, taken by Gorton in the early days of her career, which captured the essence of the time and place from an up-close and personal perspective.

Nikki Lane internal

From there, I headed back to the Radio Day Stage to catch one more showcase before closing out the afternoon. The final act for my Friday afternoon was American country singer/songwriter Nikki Lane, whom I’d previously heard only in passing. A bit of after the fact listening revealed that her third album ‘Highway Queen’ is both rebellious and achingly relatable in its examination of lost love. Have a listen to its sultry and unapologetically country-styled title track below.

At this point in the late afternoon, I needed some time to regroup in anticipation of a busy Friday evening schedule. Keep an eye on TGTF for my recap of Friday night’s events at SXSW 2018 coming soon.

 

TGTF Guide to SXSW 2018: best bets among American artists showcasing at this year’s SXSW

 
By on Wednesday, 28th February 2018 at 12:00 pm
 

Header photo: Nathaniel Rateliff and the Night Sweats by Brantley Gutierrez

As you might expect with an American music festival, SXSW is typically heavy on American showcasing artists, and SXSW 2018 won’t be any different. This year’s music festival lineup features a load of big names that you’ve probably heard before, along with a few new ones that, if they’re not familiar already, likely will become so very soon.

Our ongoing preview coverage of SXSW 2018 has already highlighted a few up-and-coming artists on the showcase schedule, including grunge rock band Bully and alt-country singer Courtney Marie Andrews. Perhaps the most intriguing of these is elusive Los Angeles alt-rock trio Lo Moon, who made mild waves with their SXSW appearance last year. I expect them to make a bigger splash this time around, on the strength of their just released self-titled LP, which includes new track ‘Wonderful Life’.

Among the major players heading to SXSW 2018 are a handful of TGTF alums who have broken through to mainstream success. We first covered songwriter Nathaniel Rateliff way back in 2011, but the course of his career dramatically changed in 2015, when he convened a new band called the Night Sweats and released their hit self-titled album. Nathaniel Rateliff and the Night Sweats have recently announced a brand new LP called ‘Tearing at the Seams’, which is due for release just before SXSW on the 9th of March and features lead track ‘You Worry Me’.

North Carolina alt-pop duo Sylvan Esso previewed songs from their 2017 album ‘What Now’ at a surprise SXSW 2016 show; their appearance this year could once again herald new music on the horizon. Austin native David Ramirez wasn’t in top form when I saw him at SXSW 2017, but he may be in better shape this year, playing songs from his beautiful recent album ‘We’re Not Going Anywhere’, which he has toured extensively since its release. SXSW 2015 showcasing artist Natalie Prass has just announced a brand new album ‘The Future and The Past’ due out on the 1st of June; she will presumably highlight its soul-tinged single ‘Short Court Style’ on her showcases in Austin next month.

Among other past TGTF mentions on the SXSW 2018 list are Nashville singer/songwriter Liza Anne, who will release her new album ‘Fine But Dying’ on the 9th of March and Milwaukee quartet Field Report, whose new album ‘Summertime Songs’ is previewed in the stream of ‘Never Look Back’ just below. Fellow Nashville singer Tristen and Philadelphia duo Vita and the Woolf, both acts we’ve coincidentally covered in conjunction with Irish alt-rockers Bell X1, also made the showcase list for this year’s festival in Austin, along with New York’s Sunflower Bean, who showcased at SXSW 2016, and L.A. rock band Warbly Jets, who made an appearance at SXSW last year.

American artists new to TGTF include Albert Hammond, Jr. of The Strokes fame, and Buck Meek of alt-rock band Big Thief, neither of whom we’ve seen in a solo capacity before. Satellite radio listeners here in the U.S. might already be familiar with Mt. Joy and NoMBe, who have both been featured on SiriusXM Alt-Nation, while public radio devotees will no doubt have heard Portland singer/songwriter Haley Heynderickx and New Orleans funk/soul group Tank and the Bangas on NPR.

For dedicated indie fans, a pair of duo acts, Denver’s Tennis and Baltimore’s Wye Oak have made the SXSW shout list, along with the always eccentric Okkervil River. In the heavily represented Americana category, sure winners include a trio of Nashville acts: singer/songwriter Nikki Lane, country rock trio Liz Cooper and the Stampede and veteran country/bluegrass collective Old Crow Medicine Show.

Please note: all information we bring you about SXSW 2018 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook or official Web site for details of any non-official SXSW appearances.

 

(SXSW 2018 flavoured!) Video of the Moment #2777: Lo Moon

 
By on Monday, 29th January 2018 at 6:00 pm
 

Los Angeles trio Lo Moon will be releasing their self-titled debut next month, just ahead of their return to Austin for SXSW 2018 in mid-March. ‘Lo Moon’ is scheduled for release on the 23rd of February on Columbia Records. Just a few days ago, they revealed another promo video from the upcoming LP, single ‘Real Love’, not to be confused with the Beatles and Clean Bandit songs that have come before. The promo is by English video director Sophie Muller, famous for her past video collaborations with Beyonce, Coldplay and one of my favourite videos ever, Annie Lennox’s ‘Walking on Broken Glass’ starring Hugh Laurie.

The group’s frontman Matt Lowell describes their working together: “The ‘Real Love’ video combines my two life long loves. Skating and music. We talked about doing a video on ice while we were making the album and Sophie got really excited about it after hearing the song. She’s always been one of our favorite directors and it was absolutely amazing working with her.” A skating-themed video seems pretty appropriate with the Winter Olympics going on, too, doesn’t it? Watch the mostly monochromatic video below. Read our past coverage on Lo Moon on TGTF through this link, including Carrie’s live coverage of them at SXSW 2017 through here.

 

(SXSW 2018 flavoured!) Video of the Moment #2767: Lo Moon

 
By on Friday, 12th January 2018 at 6:00 pm
 

Elusive alt-rock trio Lo Moon are crawling slowly out of their self-created shell, cleverly prolonging the anxious anticipation of their forthcoming debut LP release. The band’s latest teaser for the album is a new promo video for ‘Real Love’, designed by visual artist Lizzie Nanut. Nanut’s visual representation of ‘Real Love’ is in perfect synchrony with the song itself, contrasting a sharply graphic base layer with subtle changes in tone and colour. Sonically, vocalist Matt Lowell’s cool, distant verse melodies are underlaid by a deeply resonating bass groove. Slick guitar and keyboard lines add dynamic and dramatic overtones to the song’s chorus: “when it’s real, real love, you try to fix it but it’s never enough.”

Lo Moon will be releasing their self-titled debut album on the 23rd of February on Columbia Records. The Los Angeles based trio is scheduled to appear in Austin this March at SXSW 2018. You can read TGTF’s previous coverage of Lo Moon, including a live review from SXSW 2017, by clicking here.

 

Single Review: Lo Moon – Thorns

 
By on Thursday, 19th October 2017 at 12:00 pm
 

Header photo by Marcus Haney

Up-and-coming Los Angeles alt-rock trio Lo Moon are set to begin their UK tour supporting London Grammar this week. To mark the occasion, they have unveiled another stunning new single titled ‘Thorns’. ‘Thorns’ follows hot on the heels of Lo Moon’s recent promo video for ‘This is It’, which we featured as a Video of the Moment #2449 last week.

Despite its rather prickly title, ‘Thorns’ displays a softer, more subdued facet of Lo Moon’s typically edgy and angular sound. It’s noticeably less reliant on sharp dynamic contrast than ‘This is It’, aiming instead to capture a mood of calm introspection and stillness. Its lyrics are strikingly minimal, comprising only two brief verses and a simple, softly whispered refrain: “no one can love you, no one can love you the same / I’ll always want you, I’ll always want you this way / we’ll learn to outgrow the thorns on the rose”. Yet Lo Moon’s expansive musical arrangement of ‘Thorns’ is no less emotionally dramatic, evolving slowly and deliberately over the song’s 5-minute length. Ambient and gentle at the start, with subtle keyboard and percussion effects, the track picks up some rhythmic momentum and intensity with added layers behind the repeated chorus, and the jazz-tinged brass arrangement in the instrumental interlude is delightfully smooth and sweet.

The band themselves describe ‘Thorns’ as having “had a life of its own from day one.” They have written more extensively about the recording process for ‘Thorns’ in the Our Road section of their official Web site, which you can read by clicking here. We’ve had no word yet on Lo Moon’s impending debut LP release, but ‘Thorns’ is out now on Columbia Records, along with ‘This Is It’ and early single ‘Loveless’. You can find TGTF’s past coverage of Lo Moon, including a live review from SXSW 2017, collected back here.

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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