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The Great Escape 2018 Preview: editor Mary’s best band bets

 
By on Tuesday, 8th May 2018 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on The Great Escape 2018 taking place next week is current at the time of posting. We strongly encourage you to check in at the festival’s official Web site closer to the start of the event to confirm venues and set times. Three-day wristbands for the event in Brighton 17-19 May are still available at the price of £70 plus handling if purchased online; delegate passes that include both access to the daytime industry convention and all music showcases are available at the price of £275 plus handling. More information on where you can purchase your tickets in person or online is available from The Great Escape official Web site. If you’d like to read my previous, more general preview of The Great Escape, it’s through here.

As mentioned in part 1 of my Live at Leeds best bets preview, and alluded to in part 2 as well, there are quite a few acts that appeared this past weekend at Live at Leeds and/or Liverpool Sound City that will also be appearing next week at the Great Escape in Brighton.

Bad Sounds (Friday 11:15 PM, Horatio’s)
Black Futures (Thursday, 9:15 PM, Green Door Store)
Boy Azooga (Thursday, 12:00 PM, Latest Music Bar; 2:00 PM, Dr. Martens stage; 9:15 PM, Patterns upstairs)
Cassia (Friday, 12:45 AM, The Hope and Ruin)
Hollow Coves (Thursday, 12:45 PM, Komedia Studio Bar and 10:15 PM, The Old Courtroom)
Knightstown (Saturday, 12:15 PM, One Church)
Lady Bird (Friday, 2:15 PM, Dr. Martens stage and 10:15 PM, The Walrus)
Rascalton (Thursday, 1:00 PM, Horatio’s [Showcasing Scotland stage]; Friday, 10:15 PM, Green Door Store)
SHEAFS (Saturday, 8:45 PM, The Hope and Ruin)
The Ninth Wave (Thursday, 3:30 PM, Horatio’s [Showcasing Scotland stage]; Friday, 9:30 PM, The Haunt; Saturday, 10:15 PM, Marine Room [Harbour Hotel])
The Orielles (Thursday, 2:30 PM, Beach House and 9:00 PM, Horatio’s)
Tors (Friday, 6:45 PM, St. Mary’s Church)
Vistas (Saturday, 2:30 PM, The Hope and Ruin)
whenyoung (Thursday, 6:30 PM, The Haunt)
Zapatilla (Thursday, 10:15 PM, The Walrus)

SXSW 2018 (or earlier) alums: Here’s a list of artists we either saw in March in Austin (or even in previous years) who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at the Great Escape. They’re sorted by alphabetical order, as some of the acts who are bigger draws are appearing more than once, so organising the list by first appearance may not necessarily be useful to you.

All Our Exes Live in Texas (Thursday, 12:10 PM, Komedia [Aussie BBQ stage]; Thursday, 10:15 PM, Latest Music Bar)
Dermot Kennedy (Thursday, 9:00 PM, Wagner Hall; Friday, 4:00 PM, Beach Club; Friday, 10:00 PM, Sallis Benney Theatre)
Dream Wife (Thursday, 8:45 PM, Beach Club)
Her’s (Friday, 1:00 PM, Beach House; Friday, 10:15 PM, Horatio’s)
IDLES (Thursday 10:00 PM, Beach Club)
Jealous of the Birds (Thursday, 9:15 PM, Bau Wow; Friday, 2:00 PM, Jubilee Square)
Jerry Williams (Thursday, 7:45 PM, Hope and Ruin; Saturday, 12:30 PM, Komedia Studio Bar)
Joshua Burnside (Friday, 1:30 PM, Sticky Mike’s Frog Bar [Output Belfast stage]; Saturday, 12:15 PM, Latest Music Bar)
Let’s Eat Grandma (Friday, 9:15 PM, The Old Market)
Lo Moon (Friday, 8:30 PM, Coalition)
Mansionair (Thursday, 9:15 PM, Komedia)
ONR (Friday, 8:30 PM, Paganini Ballroom at the Old Ship Hotel [BBC Introducing stage])
Pale Waves (Thursday, 7:00 PM, Wagner Hall; Thursday, 11:00 PM, Horatio’s)
Rachel K Collier (Friday, 12:20 PM, Latest Music Bar [Horizons / Gorwelion showcase)
Sam Fender (Friday, 2:30 PM, Patterns upstairs; Friday, 8:00 PM, Sallis Benney Theatre; Saturday, 1:30 PM, Komedia Studio Bar)
Stella Donnelly (Thursday, 8:15 PM, Komedia; Friday, 7:45 PM, Unitarian Church; Saturday, 1:20 PM, Dr. Martens stage)
Superorganism (Friday, 10:15 PM, The Old Market)
Ten Tonnes (Friday, 6:30 PM, Coalition; Friday, 10:45 PM, Paginini Ballroom at the Old Ship Hotel [BBC Introducing stage])
The Homesick (Friday, 2:30 PM, Komedia Studio Bar; Saturday, 10:15 PM, Green Door Store)
The Spook School (Thursday, 12:15 PM, Horatio’s [Showcasing Scotland stage]; Saturday, 8:30 PM Sticky Mike’s Frog Bar)
TOUTS (Thursday, 8:15 PM, Patterns upstairs; Friday, 3:30 PM, Sticky Mike’s Frog Bar)

::gasps:: Okay, so now that we’ve gotten all those shining stars with loads of potential out of the way, I’m going to focus on five additional acts in this post. I’ve chosen those from the pool of acts appearing at The Great Escape but who did not appear at Live at Leeds last Saturday.

Basement Revolver (indie rock / lo-fi; Hamilton, Canada; 2:15 PM, Green Door Store; 6:15 PM, Patterns upstairs)
One of the upshots of attending The Great Escape is that it has arguably the most international line-up of any emerging music festival in the UK. Female-fronted Basement Revolver is one of a handful of acts having travelled thousands of miles to Brighton, besides the Aussies, of course. Bringing their reverb-heavy guitar chords and the sweet voice of Chrisy Hurn, they’ll have two chances on Thursday to wow Brighton crowds.

CRIMER (synthpop / dance; Switzerland; Thursday, 10:15 PM, Bau Wow; Friday, 1:30 PM, Bau Wow)
You a fan of Depeche Mode’s beats and Dave Gahan’s sultry drawl? I’m gonna put it out there and say you’re gonna love CRIMER from the Continent. The Great Escape blurb presumably supplied by him describes his look as pure boyband, but don’t let his hair parting put you off. Seems a bit strange that they have him on early Friday afternoon (I’d suggest you see him on the Thursday night instead) but hey, maybe he can turn Bau Wow into a sweaty disco before the 2 o’clock hour. Wait and see!

Declan Welsh and the Decadent West (punk; Glasgow; Friday, 12:30 PM, One Church and 7:15 PM, Green Door Store; 9:15 PM, Marine Room [Harbour Hotel])
I think it’s come time in this list to bring in something more subversive. I guess I don’t think of Glasgow as being very punk: perhaps it’s because both times I’ve visited, everyone’s been super nice to me, including the very large man with a very large ginger beard who shared a table with me at Nice and Sleazys. But I digress. Quoting their TGE bio directly, “Donald Trump and Theresa May watch out! The Revolution will be well dressed and speaking in Glaswegian.” RAWR.

Franc Moody (funk / dance; London; Friday, 2:40 PM, Beach House)
Not a guy from France, phew! No, Franc Moody is a London collective bringing da funk and da dance to Brighton’s seaside. Apparently they have been doing this for a while, in so-called ‘infamous’ (::giggles thinking of Three Amigos:: ) warehouse parties in Tottenham. Friday afternoon at TGE is oddly full of dance acts, so I can only hope that no matter what the weather, Franc Moody (and everyone else for that matter) can manage to get bodies bumpin’ before official wine o’clock.

Saint Raymond (pop; Nottingham; Thursday, 3:30 PM, Marine Room [Harbour Hotel])
This singer/songwriter has already been out on the road with the likes of Gabrielle Aplin, Ed Sheeran and HAIM, so it shouldn’t come as much surprise that Callum Burrows’ style of music is firmly in the pop genre. Burrows blends a synth-driven ‘80s sound with feel good pop lyrics. Apparently in the early days back home in Notts, lazy journos compared him to local acts Jake Bugg and Dog is Dead. No more.

 

Live at Leeds 2018 Preview: editor Mary’s best band bets (part 2)

 
By on Tuesday, 1st May 2018 at 11:00 am
 

Part 1 of my best bets of Live at Leeds 2018 is through here. Want to read the more general preview of this annual Yorkshire event, which lays out all the big names appearing in Leeds on Saturday? Follow this link.

The Ninth Wave (post-punk; Glasgow; 5:00 PM, Oporto [BBC Introducing West Yorkshire stage])
There is a gothic darkness to the music of The Ninth Wave, not surprising for a band from Glasgow, I suppose. Synths and guitars come together with competing male and female lead vocals for a beguiling combination of power and emotion. While they are compared to bands like Pixies and The Cure and I personally hear White Lies in their music, too, this is a band who are insistent on carving their very own niche in the UK music landscape. NB: The Ninth Wave will appear Sunday at District at Liverpool Sound City and also have appearances each of the 3 days of The Great Escape, including Thursday afternoon at the Showcasing Scotland showcase at Horatio’s.

Cassia (indie rock; Macclesfield; 6:15 PM, Wardrobe [Dr. Martens stage])
Miss the sunny, chirpy sound of Vampire Weekend? Seems odd that the British saviours of this kind of calypso rock would come from the North. Or is it? As a sonic salve to bring themselves and their countrymen out of the grey doldrums that all too often hangs on the northern part of England, Cassia’s music might sound just perfect by the seaside in Brighton. NB: This group will appear at Liverpool Sound City at Hanger 34 on Sunday and at the Hope and Ruin early Saturday morning the 19th of May at The Great Escape.

Vistas (indie rock; Edinburgh; 7:00 PM, Trinity Stage)
Edinburgh’s Vistas name The Strokes and Two Door Cinema Club as major influences, so if you’re into that kind of infectious, melodic indie rock guaranteed to keep your toes tapping, this is the band for you. Tipped by BBC Scotland’s Vic Galloway as a band to watch in 2018, this band from the capital up north are big on hook-filled choruses to fill this year’s summer festivals with joy.
NB: Vistas are scheduled to perform at Constellations at Liverpool Sound City on Sunday the day after Live at Leeds, and they will also perform at The Great Escape on Saturday the 19th of May at the Hope and Ruin.

The Beach (singer/songwriter; London; 7:00 PM, Leeds International Spiegeltent)
The Beach is not a band from London but solo artist George Morgan. Why the stage name? He once dreamed of being a marine biologist, but that was long before he soldiered through London open mike nights with nothing more than a dream. A chance YouTube upload garnered wider attention on the young artist and signing with RCA. Keep an eye on this up-and-coming talent whose vocals range from gentle and emotional to heart-wrenching and epic.

Boy Azooga (indie rock; Cardiff; 8:00 PM, Brudenell Social Club [DIY stage])
Davey Newington was formerly the drummer for Charlotte Church’s Late Night Pop Dungeon, getting to play Glastonbury and other festivals with the young pop prodigy. Now as Boy Azooga, he’s getting the opportunity to put out his own music on Heavenly Recordings and play gigs with a live band of his very own. With seemingly a little bit of everything in rock, plus maracas (!), Boy Azooga will put on an interesting show in Leeds, for sure. NB: The band will also appear Thursday the 17th of May at The Great Escape, playing three shows.

Bad Sounds (hip-pop / soul; Bath; 8:30 PM, Leeds Church [Dork stage])
Most of the Live at Leeds schedule this year is singer/songwriters and the more conventional rock bands, so I’m glad to come across a group like Bad Sounds. Brothers Ewan and Callum Merrett’s contrasting musical preferences have led to their mixture of hip-hop, soul and pop anchored by a beguiling beat. A party-like atmosphere pervades their music, leading to the conclusion that their performances must be a great deal of fun. NB: Bad Sounds appear at the Great Escape on Friday night the 18th of May at Horatio’s.

Indigo Lo (hard rock; Southampton; 9:00 PM, Lending Room)
A few years ago, we covered Southampton heavy hitters Dolomite Minor as they lumbered around the UK with their hard rock. In 2018, they’ve returned, renaming themselves as Indigo Lo. On their debut single under their new name, ‘A World That Turns’, it sounds like they haven’t lost any of their edge. Most excellent news.

JW Ridley (electronic / lo-fi; London; 9:15 PM, Wardrobe Bar)
Like the name of his single, JW Ridley is ‘Somewhere Else’. Dreamy electronics and dissonant guitar notes frame the singer’s echoey vocals for a kind of sound not easily pigeonholed by genre. While I realise this sort of thing isn’t for everyone, I’m all for pushing artists who aren’t afraid to sound different and do their own thing. Do you, JW Ridley.

Zapatilla (electronic; ?; 10:00 PM, Headrow House [NME stage])
A cloaked, barefoot figure stood in the shadows on a stage and a SoundCloud owned by an electronic producer. That’s all I’ve been able to find on Zapatilla. Of course, mystery begets intrigue, and I’ll be interested to see what exactly is behind this man’s mystique. NB: Zapatilla appears Thursday night the 17th of May at the Walrus during The Great Escape.

Rascalton (garage rock / punk; Glasgow; 11:00 PM, Hyde Park Book Club)
Another entry from Glasgow, another tip of Vic Galloway’s, but this time on the punkier side of things. Rascalton sounds like the name of an anarchic village, where disorder is the rule of the day. While there is a fair level of craziness here, it’s organised, enjoyable chaos, with ample opportunity to headbang or cut shapes, should you choose to do either. NB: Rascalton appear Thursday afternoon the 17th of May at the Showcasing Scotland showcase and also on Friday night the 18th of May at The Great Escape.

And there you have it, ladies and gents. Twenty new acts for you to sink your teeth into as you go forth safely on your musical discovery Saturday night at Live at Leeds. Have a great time!

 

Live at Leeds 2018 Preview: editor Mary’s best band bets (part 1)

 
By on Monday, 30th April 2018 at 11:00 am
 

This year’s Live at Leeds 2018 best bets preview will be longer than past years because a lot of the acts (more than in past years, I reckon!) will also appear at Liverpool Sound City or The Great Escape, or both. As a result, I listened to ever band on the Live at Leeds schedule, then cross-referenced the lists so you, the music discoverer, can find them at another event if applicable. The Great Escape will take place in Brighton in 2 weeks’ time, and I am planning to post a Great Escape-specific best bets that will pick up anyone exemplary that I wouldn’t have written about here if they aren’t appearing in Leeds. Hope that all makes sense! If you’d like to read my previous, more general preview on Live at Leeds 2018, follow this link.

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on Live at Leeds 2018 is current at the time of posting. We strongly encourage you to check in at the Live at Leeds 2018 official Web site closer to the start of the event to confirm venues and set times. Wristbands for the event in Leeds this Saturday, the 5th of May are still available at the bargain price of £36 plus handling if purchased online; early bird and VIP tickets are now sold out. More information on where you can purchase your tickets in person or online is available here.

SXSW 2018 (or earlier) alums: Here’s a list of artists we either saw last month in Austin (or even in previous years) who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at Live at Leeds this coming Saturday. For your convenience, I’ve listed them in order of appearance on the day so you can slot them into your growing schedule.

IDLES (12:00 PM, Wardrobe [Dr. Martens stage])
Superorganism (2:45 PM, Stylus [The Independent stage])
ONR (5:00 PM, Lending Room)
The RPMs (5:00 PM, A Nation of Shopkeepers [Too Many Blogs stage])
Dermot Kennedy (6:00 PM, Academy [Leeds Festival stage])
Sam Fender (6:15 PM, Stylus [The Independent stage])
Stella Donnelly (7:00 PM, Brudenell Social Club [DIY stage])
TOUTS (7:00 PM, A Nation of Shopkeepers [Too Many Blogs stage])
Fizzy Blood (7:15 PM, Key Club)
Spring King (7:15 PM, Leeds Beckett main stage)
Ten Tonnes (7:30 PM, Leeds Church, Dork stage)
Yak (8:30 PM, Wardrobe [Dr. Martens stage])
Blaenavon (8:45 PM, Stylus [The Independent stage])
Her’s (9:00 PM, Brudenell Social Club [DIY stage])
The Vaccines (9:00 PM, Academy [Leeds Festival stage])
Wildwood Kin (9:00 PM, Leeds International Spiegeltent)
The Xcerts (9:30 PM, Key Club)
Pale Waves (11:15 PM, Brudenell Social Club [DIY stage])

Apollo Junction (electropop; Leeds; 12:00 PM, Trinity stage)
This band from North Yorkshire have been knocking around for the last 6 years with their brand of electropop and somehow, I have only discovered them now. Precious little is available online about them but according to this article, they enjoy Yorkshire Tea and fat rascals at Betty’s, which wins them bonus points in my book. Check them out before an A&R stumbles on them and they get whisked off to bigger venues.

The Orielles (garage rock; Halifax; 12:00 PM, Holy Trinity Church, CLASH stage)
We’ve featured The Orielles over the last 5 years on TGTF, so you’re probably wondering why would I include them here. They released their debut album ‘Silver Dollar Moment’ in February on Heavenly Recordings, and the LP has received accolades, including from The Guardian (“this album is a masterclass in how to produce guitar music that feels anything but futile: by making it specific, strange and superior to much of what’s come before.”). We knew them before they was and now you can enjoy them as a special guest at Live at Leeds. NB: They will also be appearing at Liverpool Sound City later on Saturday at the District and The Great Escape in a fortnight’s time, performing twice on Thursday the 17th of May.

SHEAFS (rock; 1:00 PM, Hyde Park Social Club)
The River Sheaf flows through Sheffield, so I’d fathom a guess that this group of Sheffield Hallam University graduates named themselves after it. This is a band with that snotty punk attitude and muscular guitar rock to back it up. They’ve been selling out venues in the UK and across the Continent, and it seems this is merely the beginning for them. NB: They will be performing at The Great Escape Saturday night the 19th of May at Hope and Ruin.

Tors (folk; Devon; 1:00 PM, Chapel)
Changing gears to a more conventional singer/songwriter outfit, my ears happened upon Tors, a quartet from Devon who amIACre miles away from the region’s most famous musical export Muse. Equally adept at a cappella four-part harmony and sweeping, guitar-driven, folky soundscapes ala Fleet Foxes and Goldheart Assembly, they’re for those interested in a slower, yet richer musical experience. NB: Tors appear Friday night the 18th of May at St. Mary’s Church at The Great Escape.

The Snuts (rock; Whitburn, West Lothian; 2:15 PM, Key Club)
I imagine most bands from Scotland are asked if they are from Glasgow or Edinburgh. The Snuts are from Whitburn, West Lothian, smack dab in between the two. I reckon they must favour Glasgow, as they’ve named a song after it that’s already hit over 440,000 streams on Spotify. No wonder: they’ve got that feel good guitar rock vibe going that everyone loves. Well, most everyone, right?

Black Futures (rock / electronic; London; 3:15 PM, Key Club)
Love psych rock? Love electronic? Hate that the two genres are never together in one band? Fear no more. Black Futures from London are a duo that have somehow successfully melded the two, giving each its due. A band after my own heart. NB: Black Futures will appear at the Great Escape Thursday the 17th of May at Green Door Store.

Hollow Coves (folk; Brisbane, Australia; 4:00 PM, Leeds International Spiegeltent)
Folk duo Hollow Coves will be travelling quite a distance for Live at Leeds. They hail from the hometown of BIGSOUND, the picturesque Queensland port city of Brisbane. You can expect angelically beautiful harmonies from the acoustically inclined folk duo. NB: Hollow Coves will appear twice on Thursday the 17th of May at the Great Escape.

Knightstown (electronic; Brighton via Glasgow; 4:00 PM, Headrow House [NME stage])
In a previous life, Michael Aston was a freelance composer and the keyboardist in C Duncan’s live band. Over the last few years, he’s been making music of his own under the name Knightstown. Aston’s swirly, emotional falsetto vocals float over his electronic compositions, drawing him favourable comparisons to Jamie Woon. He’ll provide an atmospheric performance that will be in sharp contrast to most of the other performances in Leeds on Saturday. NB: He will perform Saturday the 19th of May at The Great Escape as part of the FatCat Records showcase.

The Indigo Project (indie rock; Leeds; 4:00 PM, Stylus [The Independent stage])
I always like a good local band getting the opportunity to showcase at the festival in their own hometown. The Indigo Project are also no strangers to Live at Leeds, having played the event last year. Jangly, bright guitar pop guaranteed to bring a smile to everyone’s face.

whenyoung (pop-punk; London via Limerick, Ireland; 4:00 PM, Brudenell Social Club [DIY stage])
Pop-punk may have been borne out of the Noughties, but it’s still alive and kicking. Female-fronted whenyoung, Irish transplants in the Capital, recall the peppiness of Avril Lavigne while sitting nicely alongside acts like Dream Wife and False Advertising. NB: whenyoung are scheduled to play at the Haunt on Thursday night the 17th of May at the Great Escape.

Lady Bird (punk; Kent; 4:15 PM, Key Club)
Slaves and Drenge got the party going on political punk a few years ago, and the UK has never looked back since. With IDLES and LIFE performing at back to back SXSWs the past 2 years, it seems likely that their buddies from the South East, Lady Bird, will get an invite to Austin soon enough. Signed to fellow Kent natives Slaves’ Girl Fight Records, their future in releasing the kind of informed punk they want is bright. NB: Lady Bird appear at the Great Escape twice on Friday the 18th of May.

Tremors (synthpop; UK/French band based in London; 4:30 PM, Brudenell Social Club Community Room [DIY Neu stage])
Tremors are two Englishmen and a Frenchman from Marseille who somehow came together with the notion that they were going to meld French electropop and New Wave and they were going to do it on their own. So far, they’ve only released a series of singles, including this year’s two heart-pumping tunes, ‘Technicolour’ and ‘Broken Glass’. As an unashamed fan of synthpop in all its guises, Tremors are a unique curiosity worth your time at Live at Leeds.

Stay tuned for the next part of this preview on Live at Leeds 2018. Hopefully tomorrow!

 

Preview: Live at Leeds 2018

 
By on Tuesday, 19th December 2017 at 11:00 am
 

While on my recent birthday trip to blighty, I visited Leeds and remembered with great fondness my first visit to the city. It was for the 2015 edition of Live at Leeds. Now that after 3 years Liverpool Sound City appears to be in perpetuity as a docklands-focussed event no longer centred on its lovely city, it falls to Live at Leeds to provide the sole Northern festival to celebrate its city’s many music venues.

Next year’s event will take place on Saturday, the 5th of May during the first bank holiday of the month. Here we are, having not even reached Christmas yet, and the event organisers have already announced a wonderful slew of tantalising artists scheduled to appear. Birmingham psych rockers Peace occupy real estate at the top of the event bill, alongside Liverpool’s Circa Waves. The Horrors, who returned this year with ‘V’ (reviewed by Steven here), are also scheduled to appear, as are British Sea Power and LAL 2016 alums Anteros, Blaenavon and Spring King.

Festivals are a great time for musicians to road test new material or continue a campaign in support of a new album. Nick J.D. Hodgson will sound familiar: formerly the drummer and primary songwriter of Kaiser Chiefs, he’ll be performing in his hometown prior to the release of his first solo album. FatCat Records signee KNIGHTSTOWN released his self-titled album this autumn and will no doubt be wowing audience with his atmospheric electronic sounds. Aussie surfer poppers Hockey Dad will be returning to blighty for this 1-day festival: they’ll be releasing a new album, ‘Blend Inn’, in February.

This is just a small smattering of artists who will be performing at this exciting event across Leeds city centre next year. Early bird admission tickets to Live at Leeds 2018 are now sold out, but general admission (£39.60) and VIP (£55.00) tickets are still available. For more information about Live at Leeds 2018, visit the event’s official Web site.

 

Live at Leeds 2017 Preview: editor Mary’s best band bets

 
By on Wednesday, 19th April 2017 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on Live at Leeds 2017 is current at the time of posting. We strongly encourage you to check in at the Live at Leeds 2017 official Web site closer to the start of the event to confirm venues and set times. Wristbands for the event in Leeds on Saturday the 29th of April are still available at the bargain price of £32.50 plus handling if purchased online; VIP tickets are sold out. More information on where you can purchase your tickets in person or online is available here.

SXSW 2017 alums: Here’s a list of artists we either saw last month in Austin who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at Live at Leeds in 2 Saturdays’ time. For your convenience, I’ve listed them in order of appearance on the day so you can slot them into your growing schedule. The best of the best are marked with an asterisk. (*)

LIFE (2:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents]) *
Ten Tonnes (2:00 PM, Chapel) *
Airways (3:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Jade Bird (4:30 PM, Faversham Patio)
Annabel Allum (5:00 PM, Social)
Be Charlotte (5:00 PM, Faversham)
IDLES (7:15 PM, Key Club [DORK Stage])
She Drew the Gun (8:00 PM, Wardrobe)
Temples (8:00 PM, Church)
Lewis Watson (8:15 PM, Holy Trinity Church [Clash Stage])
The Academic (9:00 PM, Lending Room [WTGR Stage]) *
Dream Wife (9:00 PM, Brudenell Social Club [DIY Stage])
Slaves (9:00 PM, Academy)
Flamingods (9:45 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Rag‘n’Bone Man (9:45 PM, Leeds University Union Refectory)
The Big Moon (10:00 PM, Brudenell Social Club [DIY Stage])
GURR (10:45 PM, Brudenell Social Club Games Room [DIY Neu Stage])
AJ Tracey (11:00 PM, Faversham)
Let’s Eat Grandma (11:00 PM, Chapel)

To add to the best 3 from above and round things out to a even 10 acts, here are an additional 7 I recommend from the fantastic Live at Leeds 2017 schedule:

The Gallery (Wakefield; 12:00 PM, Lending Room [WTGR Stage])
Wakefield is, of course, famous for being the birthplace The Cribs. But the Jarmans should probably get used to sharing the city with another band. The jangly guitars of The Gallery, reminiscent of Arctic Monkeys before they turned into Queens of the Stone Age, will take you back to the simpler times of British indie.

Wyvern Lingo (Wicklow, Ireland; 1:00 PM, Nation of Shopkeepers)
While already deemed national treasures in their country, most people outside Ireland have only heard of Wyvern Lingo from their association with Irish megastar Hozier, their members Karen and Caoimhe providing him backing vocals at live shows and the group supporting him on UK and Irish tours. Imagine the Staves if they’d gone pop and r&b.

Matt Maltese (London; 2:00 PM, Wardrobe)
It took Morrissey a while to be anointed the title ‘The Pope of Mope’. That said, given the current state of world affairs, it stands to reason that there should rightly be more artists coming out and telling it like it is without sugarcoating it. Piano playing Matt Maltese is one of them, coming out with the sweepingly beautiful ‘As the World Caves In’ to convey his despair. Seriously, close your eyes, and you could swear you’re hearing The Moz.

The Wandering Hearts (London; 3:15 PM, Holy Trinity Church [Clash Stage])
A stark contrast to all the indie and pop acts at this year’s Live at Leeds are The Wandering Hearts, an Americana / alt-country group from the big smoke. Recent signees to Decca Records, the band will provide a welcome midday set different from nearly everyone else invited to this event, with their lush harmonies smartly picked guitar.

Paris Youth Foundation (Liverpool; 5:00 PM, Oporto)
The return of Ride to the record shops this year proves the washy guitar wall of sound era isn’t over. Liverpudlians Paris Youth Foundation takes this and does one better by adding synthpop to the mix, lending an anthemic feel to their tracks. Having released their debut album late last year, this is still early days for them, but I reckon now is time to get on the bandwagon.

Tender Central (Devon; 5:15 PM, Holy Trinity Church [Clash Stage])
India Bourne is a Devon-born, classically trained cellist who now goes by the stage name Tender Central. It’s a good description of her sound, which takes full advantage of her ethereal vocals and her careful crafting of an equally evocative, all-enveloping soundscape. Take a moment and consider the thought of seeing such music being performed in a church. Got it?

The Pale White (Newcastle; 5:30 PM, Church)
While Patrick Carney is busy remoulding his girlfriend Michelle Branch, now is an excellent time to discover the band who will dethrone the Black Keys when they aren’t paying attention. While we can’t be sure their successors will be Newcastle’s The Pale White, their brand of down and dirty blues rock is a suitable North East alternative to that of Southampton’s Band of Skulls.

 

Live at Leeds 2016 Roundup (Part 2)

 
By on Thursday, 12th May 2016 at 1:00 pm
 

If you missed the first installment of Rebecca’s roundup of Live at Leeds 2016, you can catch up on it right back here.

Following Mystery Jets at the Academy, I arrived early for Clean Cut Kid’s set at Leeds University Union and caught their soundcheck, which consisted of a stripped back version of ‘Vitamin C’, showcasing Evelyn and Mike Halls’ impeccable vocals. The crowd had already built up before the end of the soundcheck, and I’d bumped into a couple of people on my way in who were looking for the stage and excited to catch the band in action. The set was bookended with the band’s two most popular tracks, opening with ‘Runaway’ and closing with ‘Vitamin C’. From start to finish, it was an indie-pop filled half hour of fun, bright guitar hooks and vibrant vocals, and there was an abundance of dancing, clapping and singing along from the crowd.

[youtube]https://youtu.be/aDnC5oUVht0[/youtube]

I caught Catholic Action at Nation of Shopkeepers, the kooky bunting-trimmed venue in the city’s centre. Catholic Action are one of those bands who sound good on record, and even better live. Their upbeat, pop/indie blend was well suited to Nation of Shopkeepers, which was probably my favourite venue of all that I was able to visit on the day. A friend of mine recently described the band as a “Scottish Weezer”, and after hearing them perform, I can’t say that I disagree. Their set was a standout for me on the day, from the jingling guitars to the clap-inspiring drumbeats and crisp vocals.

[youtube]https://youtu.be/BAl47wdxgS4[/youtube]

Back over at the Brudenell Social Club I arrived partway through Vitamin‘s set. The dreamy indie pop quartet are Leeds locals and were in full-flow by the time I arrived, having drawn in a medium-sized but enthusiastic crowd. Lead singer Jared Laville was decked out in a double denim stonewashed ensemble and was charismatically wooing the crowd. During the final song of the set, the band’s latest single ‘Waterfall’, Laville descended into the crowd, with people reaching out to touch him like he was the messiah of dream pop.

[youtube]https://youtu.be/D7rGP9aoGSY[/youtube]

After Vitamin was Anteros on the Games Room stage across the hall at Brudenell. As with The Velveteens earlier in the day, it took a while for the crowd to build and required prompting from lead singer Laura Hayden to bring the crowd forward. Hayden was vibrant and commanded attention, standing before the crowd with just a microphone in her hand, occasionally bashing a drum. The whole band looked like they were having a great time. Stand out tracks were ‘Breakfast’, the band’s latest single, and their previous singles ‘Fade to Grey’ and self-titled ‘Anteros’, which is such an excellent track and sounds even better live, showing off Hayden’s brilliant voice. The band has created an iridescent variety of wistful indie-pop that’s just edgy enough to avoid being too sweet. Their performance was another standout for me, but I can’t help thinking that they might have benefitted from a stage closer to the city centre that would have drawn in a larger crowd.

[youtube]https://youtu.be/MdENOdnxPkc[/youtube]

The first and only other time I’ve seen We Are Scientists live was in 2010 on the NME stage at Leeds Festival, so I was determined to make it back to Leeds University Union to catch them before I had to leave. I made it to the Union in order to get a decent spot on the stairs, which in hindsight wasn’t the best idea as I was constantly bumped into by people trying to make their way up and down the staircase, struggling against the tide of people that had also decided on the same viewing spot as myself. But the struggle was worth it. From the minute Keith Murray and Chris Cain walked on stage they built up a cheeky back and forth between each other and the audience, with Cain immediately going over to the audience at this side of the stage and shaking hands with members of the audience.

We Are Scientists opened with ‘The Scene is Dead’, before following up with other hits such as ‘Nobody Move, Nobody Get Hurt’ and ‘I Don’t Bite’, and ‘Buckle’, the first single from their latest album ‘Helter Seltzer’, released in April. I had to leave shortly after, but I was happy to have experienced the 20 minutes or so in the band’s presence, which was the cherry on top of an already great day.

[youtube]https://youtu.be/Et9llKBJdEs[/youtube]

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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