Looking for previews and reviews of SXSW 2019? Right this way.

SXSW 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | Live at Leeds 2016 | 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2018 | 2015 | 2013 | 2012

Don't forget to like There Goes the Fear on Facebook and follow us on Twitter!

LeeFest Presents: The Neverland 2016 Roundup

 
By on Friday, 5th August 2016 at 2:00 pm
 

When you think of Neverland, you consider the following synonymous: timelessness, youthful vigour and a certain transcendence. In the middle of a forest in Kent, near Edenbridge, Neverland became a reality through the help of Lee and his homegrown festival Leefest 2016. Though the weather was not quite ideal upon first landing, it was far from an issue. The moment you wandered into the main arena, it was clear the only thing that would stop a good time being had would be those adult thoughts that should’ve been, at this point, relegated to the outside world. Neverland’s sole purpose over these 3 days was to be a vehicle for your removal from society and instead to provide you a good time.

Split into three main sections, The Neverwoods (main arena), Mermaids Lagoon (rave central) and Skull Ridge (rock city), you were never far from some form of entertainment. The introductory day, Thursday, saw the smallest of the lineup but definitely the strongest. With only Tootles Circus, your average festival tent, operating as a stage, all four acts were nice and accessible. Peluche and Loyle Carner eased the gaining crowd in, but it was the main attractions of Everything Everything and Ghostpoet (pictured at top) who garnered in the big numbers. With Everything Everything, they perfectly stoked the crowd’s fire and brought their unique blend of rapturous choruses and genre bending music. Conversely, Ghostpoet gave the tent a dark atmosphere with his blend of hip-hop-cum-rock-assault.

Friday brought forth the first full day affair, with Peluche once again kicking proceedings off, but this time on the main stage, aka the ‘Bangerang’ stage. The overall setup of the main arena was easily navigated but with the two stages being centrally located, sound spill was inevitable. Fortunately this didn’t happen frequently, though it’s a dangerous game to play. Highlights from the second day included Corey Fox-Fardell and his brand of songwriter electro melding, which was a particularly pleasant listen whilst grazing in front of the Bangerang stage. Little Simz proved why she is one to watch in the UK hip-hop game, leading the enthusiastic crowd through numerous chants as she dominated the beats surrounding her. In a similar fashion, Roots Manuva brought domineering and commanding beats that just reinforced the entire notion behind LeeFest: you can be who you want, and listen to what you want, as long as you have a good time. Rockers, hip-hoppers and the like were all moving and shaking to the sounds that flowed from the Bangerang stage.

Current London-based pop troubadour Oscar provided his blend of melodic darling instrumentation and baritone vocals. One thing’s for sure, you can’t not have a good time at an Oscar show, no matter the crowd size or venue. Dinosaur Pile-Up sat on top of the kingdom of chaos and noise after a headlining set at the Hook Rock stage in the Skull Ridge. It’s was a venue reminiscent of small clubs, where the noise cascades from all orifices and you’re able to lose yourself in the darkness amongst your other perspiring peers. Barrelling through their grunge/punk hybrid hits, the volume was overbearing at the front. We recommend you watch from a safe distance if you’re stupid enough to forget ear protection (a particular note to self).

The final day started off in stereotypical British style, with grey clouds and intermittent rain, but this didn’t affect the atmosphere. Hannah Lou Clark was a particular highlight: sans band, she used both her pure talents and an iPod to create a wonderfully relaxed and charming environment. Everybody’s favourite indie twosome We Are Scientists provided a particularly raucous set that included singer Keith Murray venturing deep into the crowd during ‘Textbook’, where he proceeded to enlist the help of a particularly fluorescent orange Poseidon who was amongst the crowd. Following these shenanigans was current electro-indie darling Shura, having released her debut album ‘Nothing’s Real’ in July. Delivering a captivating set that never failed to both strike you emotively and melodically, the biggest draw of Shura live is the fact she is clearly there because of the sheer love and devotion for her art. She knows what she likes to dance to and fortunately, we do too.

Originally announced to take place on the Thursday, after a mishap with the programs and the cat being let out of the bag early, the not-so-secret secret set from Frank Carter & The Rattlesnakes Saturday evening was the perfect climax to this weekend of escapism and release. The pure fury that comes with any Frank Carter show is cathartic enough to make sure you leave with a weightlessness, one that can only be achieved by taking part in both a circle pit and storming the stage, two things this fortunate writer was seen doing.

After all is said and done, the aforementioned sole purpose of LeeFest was achieved. With pirates and lost boys running around shooting each other with water pistols and climbing aboard the decorative dens around the stages, it was impossible to not get lost in the affair. A festival that catered to both families and those of all ages looking to simply cut loose, the promise this event holds is even grander than its current fasthon. Considering this was Leefest’s largest year yet, the sky’s the limit. And with the lead lost boy at the helm, LeeFest could very well be a major player for years to come.

 

TGTF Guide to SXSW 2015: BBC Introducing and PRS for Music Foundation announce their SXSW 2015 showcase, 18th March 2015

 
By on Thursday, 22nd January 2015 at 11:00 am
 

It’s been a great running tradition that the BBC has hosted a night at massive band showcasing festival South by Southwest in successive years, and in just under 55 days, the Beeb will be making waves with yet another esteemed appearance in Austin! Taking place on the evening of Wednesday, the 18th of March, at the home of the British Music Embassy for the week, Latitude 30 on San Jacinto Boulevard, the event will no doubt give unprecedented attention to the acts chosen to perform on the night, and we here at TGTF are really pleased we’ll be in Austin for the festivities.

Last night on his evening drivetime programme on 6music, Steve Lamacq welcomed his fellow BBC presenter Huw Stephens to announce the line-up for the BBC Introducing night at SXSW 2015, partnering this year with PRS for Music Foundation, who gives their never wavering support to up and coming UK artists and their developing careers. Who will Lammo and Huw be bringing with them to the big dance in Austin in March? Here’s a rundown, in alphabetical order:

Blossoms – Stockport has the distinction of being the birthplace of Delphic and Dutch Uncles (both via Marple). But in 2015, all eyes will be back on the Greater Manchester town and five-piece Blossoms, putting on the psychedelic mantle that became cool again after the success of Temples last year. Will they surpass the Kettering group’s success in Austin in 2014? We’ll have to wait and see. One thing’s for sure, their name should not lead you to assume they’re fragile Northern flowers: check out the swaggery cool of ‘Blow’.

[youtube]https://www.youtube.com/watch?v=dJ5TjID7Hvg[/youtube]

Gengahr – there always seems to be contention on who will be the next great British guitar band. On the current list of hopefuls, London’s Gengahr certainly have their supporters. They aren’t the hit-you-over-the-head loud kind of obvious guitar band, preferring more thoughtful vocals and well thought out melodies that might bleed over to pop territory. Except they’re quite masterful on guitar: have a listen to ‘Powder’.

[youtube]https://www.youtube.com/watch?v=tsXIEt5pG_I[/youtube]

Jack Garratt – in case you were concerned that the epic British beard would not be covered at this year’s SXSW, have a look at Jack Garratt and think again. But that’s beside the point. What’s far more important are Garratt’s piano playing and deep, soulful voice. One wonders if the Austin event could be his jumping off platform to superstardom as it was last year to Ireland’s Hozier.

[youtube]https://www.youtube.com/watch?v=bOWWLytfmnU[/youtube]

Little Simz – it’s probably not a wise thing to ignore Islington’s Simbi Ajikawo. The rapper, who goes by the moniker Little Simz, had her debut EP ‘E.D.G.E’ exclusively premiered on Billboard last summer and has already been noticed by Jay-Z and his crew for her experimental style of rap. And just in case the music thing doesn’t work out, she has acting to fall back on as a vocation: you may remember Ajikawo as the character Meleka in a few episodes of E4’s Youngers.

[youtube]https://www.youtube.com/watch?v=uCD67ve9G1c[/youtube]

SOAK – we’re not entirely sure why Derry teenager Bridie Monds-Watson goes by the stage name of SOAK. Her highly acclaimed EP in 2013 was titled ‘Sea Creatures’, so maybe she feels some kind of affinity to the sea and water? What we do know for sure: she’s got an achingly sweet voice, she recently signed to Rough Trade and her debut album for them is expected later this year. Stay tuned for more news on her in the coming months.

[youtube]https://www.youtube.com/watch?v=TXL-SSnCoHo[/youtube]

Spring King – with a new promo video just uploaded to their YouTube channel 2 days before Huw Stephens’ big announcement, something tells you Manchester garage rockers Spring King are just raring to go to Austin. The aforementioned promo, for the song ‘Not Me, Not Now’, was filmed when the band were in New York City last October for the other biggie American emerging music festival CMJ. Will the prior experience playing for American audiences help them in Austin? We shall see.

[youtube]https://www.youtube.com/watch?v=lBKL4AuvsAk[/youtube]

To read the official announcement from BBC Introducing, go here.

We here at TGTF will be bringing you even more preview coverage of SXSW 2015 in the coming weeks leading up to the big week in Austin in March. To catch up on any of our past reporting or if you want to keep an eye on our coverage as it continues, head this way.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us

Privacy Policy