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King Charles / February 2015 UK/Irish Tour

 
By on Thursday, 6th November 2014 at 8:30 am
 

In the same style as in April 2013, true gentleman singer/songwriter King Charles will be playing a gig in the UK each and every night in February 2015. All the details are shown in the graphic from his Facebook page below. Tickets to this tour go on sale tomorrow, Friday the 7th of November, at 9 AM.

 

The BBC at Glastonbury 2014 (Sunday): King Charles playing ‘Brightest Lights’ at the John Peel Stage

 
By on Monday, 30th June 2014 at 7:00 pm
 

Wherever you were this weekend, whether you were at Worthy Farm or not, us here at TGTF have you covered when it comes to Glastonbury 2014. The dedicated people they are, the folks at the BBC have been working all hours during the festival and feeding us live coverage as it becomes available. What does this mean for you? We’ll be passing along all the best bits to you, our faithful readers.

What can we say about King Charles? He’s a refined gentleman seemingly from another time. And he’s got epic hair. Watch him perform the uplifting ‘Brightest Lights’ at the John Peel Stage Sunday at Glastonbury 2014 below.

For more of the BBC’s Glastonbury coverage online, head this way. Stay tuned for more videos from Glasto 2014 right here on TGTF.

[youtube]http://www.youtube.com/watch?v=G9pbUuRwgec[/youtube]

 

Preview: Live at Leeds Festival 2014

 
By on Friday, 2nd May 2014 at 1:00 pm
 

Live at Leeds is one of the most intense examples of one of the most intense of gig-going events: the one-dayer. Leeds boasts more than its fair share of fine venues, and Live at Leeds brings them together under one banner for 12 hours of fine new music. Your brave correspondent has attempted to listen to every one of the over 200 artists on offer – and failed. Therefore here’s a list of what stands out as a possible way to negotiate the myriad of combinations.

The Brudenell Social Club has a strong offer all day. We Were Evergreen (3 pm) trade in Parisian twee-pop blended with indie tunes: a fine, summery start. And after that, because the Brudenell has two stages, it’s one band after the other, every half hour. No time to even visit the bar. Dive In are from Glastonbury and offer chiming melodies and a voice uncannily similar to Brian Molko, if he was full of happy pills. Coasts have the nerve to call their latest single ‘A Rush Of Blood’ – and although there is a touch of Coldplay in some of their soaring choruses, they’re unlikely to be confused with the London behemoth: there’s a nice discordant solo in ‘Stay’, and ‘Wallow’ is almost like Bastille with big guitars. A mixed bag then, but certainly one worth assessing live.

[youtube]http://www.youtube.com/watch?v=68yQl4VRiBQ[/youtube]

Jarbird bring some admirably minimalist electronica overlaid with a lot of twisted, vocodered singing. And with a song called ‘More Bad Celebrity Poetry’ betraying a humourous cynicism, what’s not to like? Happyness, despite being from London, bring sunshine-on-a-string Americana – ‘It’s on You’ properly chugs like the Lemonheads, chock full of classic melodies and a college-rock slacker sensibility; ‘Montreal Rock Band Somewhere’ is a slow-burner, with a lazy bassline sketching out a groove and slurred vocals about drawing letters on one’s person. As you do. Woman’s Hour are a bit like a cross between Wild Beasts and The xx – which gives them a lot to live up to. They sound capable of it. With their debut album coming in July, now is a great time to check them out.

[youtube]http://www.youtube.com/watch?v=ZS5paNae-ss[/youtube]

From smooth electropop to guitars – both Creases and Primitive Parts supply lo-fi riffing and retro rock ‘n’ roll beats. Primitive Parts clearly have one or two Graham Coxon records in their collection. Onwards: I can’t stop playing ‘Hiroshima’, a fine example of orchestral pop from Norway’s Highasakite. Ingrid Helene Håvik’s vocals are stunning, framed beautifully by the delicate instrumentation.

[youtube]http://www.youtube.com/watch?v=KLQqTaSg-nI[/youtube]

The 8 pm hour provides a dilemma – whether to make the 10-minute walk to The Packhorse to catch TGTF favourites The Orielles; perhaps a taxi ride to the Belgrave Music Hall to see the suave chamber delights of New York’s San Fermin, coming over all Tindersticks and Hem; or to stay at the Brudenell for an increasingly noisy night, kicking off with Montreal’s hard-riffing duo Solids. Indeed, the picture of where to be and what to hear becomes increasingly distant and hazy as the night draws in. Several hotly-tipped acts will have already been missed: Courtney Barnett, Flyte, Arthur Beatrice, and the headliners are either heavy-ish (Pulled Apart By Horses, Catfish And The Bottlemen (pictured at top), The Hold Steady), or poppy-ish (Clean Bandit, King Charles). Leeds’ very own I Like Trains set up a homecoming gig at Leeds Town Hall, celebrating 10 years in the biz.

In short, there’s something for everyone, and nobody can see everything, so it’s probably best to go with the flow and not worry too much about it. Or just spend all day at the Brudenell. See you there…

 

King Charles / April 2013 UK Tour

 
By on Monday, 14th January 2013 at 9:30 am
 

King Charles will be playing a gig a night, every night in April. All the dates and locations have been announced…except the one on the 30th, which remains secret. At least for now. Tickets are on sale now for the 1st of April through the 29th of April shows.

 

Interview: King Charles at Reading 2012

 
By on Wednesday, 5th September 2012 at 11:00 am
 

King Charles is one of those men at a festival like Reading 2012 that all you have to do is just have to look at him to make out that he’s not just a regular punter, he’s an artist.

“I am king of a new sound, calling on a new generation towards revolution.”

When an interview starts like that, well, it’s difficult not to realise that we have something special in our midst. Looking like a trustafarian mix between Bob Marley and Jamie T, he’s an interesting prospect when questioned to say the least and that’s just with a look at his special ‘waxed moustache’…

“There are many advantages and disadvantages of having a waxed moustache, of the advantages are you can groom yourself more efficiently; you can get a good height and shape.”

But with the success of debut single ‘Lady Percy’ and the release of his album ‘Love Blood’, confidence is brimming from the moustachioed monarch. His influences are wide ranging, from Adam Ant to Neil Young, and the genres sampled in his debut album are vast in their diversity.

“My musical influences? Well, it started with Bob Dylan, that’s what made me want to be an artist of any description. But then there was country music as well, people like Dolly Parton, because ‘9 to 5’, well, it’s the bomb isn’t it?

“People like The Rolling Stones as well influenced me, so I would say I gathered different influences and tried to make a sort of sound that I could express as big as possible.”

His music is, as I said, as eclectic as anyone could want. And with bands like Animal Collective, Django Django and alt-J taking plaudits left, right and centre, it seems there is no better time to mash genres together. However, with King Charles’ career still in its infancy, it’s understandable that the festival circuit is rather, well, idealistic in his view.

“This is the first time I have even been to Reading Festival, let alone played at it. It’s felt really good so far, I was trying to describe it earlier, but couldn’t! It’s got such a pleasant atmosphere of dreams and there are like so many 15-year old boys that come here that dream of being rock stars and want the life around that.

“Then you come back here and there are so many people living that dream and I just think it’s wicked.”
So with the King living the rock star dream, the question on fans’ lips is, what is up next for the monarch?

“At the end of the year I’m going to tour a lot and then I expect a long part of that I will be promoting my album ‘Love Blood’ as much as possible. Then I really wanna go do Australia and America next year and then I want to come back and do lots of festivals here and in Europe.”

Many thanks to the King himself for taking the time to do this interview and Paul and Chris for sorting this out for us.

 

Standon Calling 2012 Review (Part 2)

 
By on Friday, 17th August 2012 at 2:00 pm
 

Saturday at Standon Calling 2012, and a frozen smoothie gives potentially life-saving succour whilst ensconced in the Little Den, Standon’s kids’ area. A lie-in means baby massage and reggae nursery rhymes were missed; still, the tent is blessed with loads of playthings for little ones and is refuge from the midday rainshower that’s becoming a Standon tradition. But there’s plenty of toys for grown-ups too. Double Negative dark room have set up an example of the rare and elusive dark-tent, and are offering free portrait prints.

As one who has gone no further in analogue photography than home-developing the odd 35 mm film, the opportunity to see every step of the process that would eventually give rise to an A4-sized contact print is too good to pass up. The camera is as tall as a man, and exposes directly onto paper using powerful flash. That paper is developed, and the resulting negative is in turn exposed onto another piece of paper, giving rise to a positive image. One is allowed to agitate the developing trays oneself, and the image which emerges before one’s very eyes is quite magical – no two are the same, and mine came complete with wash marks and my own fingerprint on the border. Super.

Musically, the heart of the festival is the Folk Tent. Showcasing the finest in Anglian rockabilly, acoustic, and the occasional Anglophile American (yes, that’s you I’m talking about, Willy Mason), the vibe was eclectic yet accessible. Worth the entrance fee alone, this stage’s proximity to the pub, the fine lawn outside, and the swimming pool just around the corner meant it displayed the purest Standon vibe all weekend. Highlights include Delerium Tremens, Beans On Toast, Keltrix, Vardo and the Boss, and The Barker Band.

Better even than the music on offer, was the opportunity to chill out on a finely-cut lawn, fake statues scattered about, watching infants both young and old enjoy a couple of days of freedom from statute. Worth its weight in gold. Stealing Sheep, BigKids, King Charles and Field Music were all good value on the main stage, yet nothing could be more exciting than the almost half-hour effort of Mohamed Farah in winning the 10-kilometre run by the fabled country mile. To cries of “Go, Mo!”, and various choruses of “God Save the Queen” and “Rule, Britania”, the sweeping consciousness was one of the triumph of many years’ accumulation of aspiration, perspiration, and inspiration.

There was plenty of parallel perspiration at Revere’s performance at the Cow Shed stage. Singer Stephen Ellis is wrapped up warm in a tightly-buttoned black tunic, and virtually overheats as the set progresses, attacking his lyrics like they were mortal enemies; the string duo of cello and violin add a touch of glamour and depth to the epic tunes – and was that a Mumford up on stage just then? Ellis challenges the audience to respond, clambering onto the barrier and exhorting for all he is worth, and he is rewarded with rapture. The show ends with a note of genuine violence as Ellis smashes his guitar onto the pianist’s keyboard, which goes crashing to the ground – there’s a flash of enmity, then suddenly the stage is empty. If there were medals for intensity, Revere deserve to win gold.

Sunday dawned with the traditional downpour, yet it cleared bright just in time for Lips Choir. A west London group of singing women with no audition policy, this was the perfect Sabbath performance – as spiritual as any denominational service occurring simultaneously up and down the country, with the worship of pop music, rather than God, at its heart. Later there was a dog show, the second run of Standon’s own Olympics, and the highlight of my own weekend, and what put the whole event into perspective: an interview with Hon. Alexander Thomas Trenchard. Should any of our readers be unaware, Standon Calling is held within Standon Lordship, the family seat of 3rd Viscount Hugh Trenchard. Alex is his son and was jailed for 10 months on 3rd February 2011 for defrauding his employer, Tesco, out of £355,000. His parents repaid the money.

Alex expanded upon the story: the 2008 Standon Calling lost money, and he had no other way of paying the most pressing bill – that of security – than by using his company credit card. Several bills proceeded in the same manner, until a full 2 years and countless sleepless nights later, Tesco deigned to check their statements. This was the point Alex was asked to clear his desk, charged with fraud, and sentenced to 30 months at Her Majesty’s pleasure at Milton Keynes jail. After a brief and loving relationship with cellmate Paddy (it cumulated in a clinch summarised by Alex as “a combination of a Judo bout and a Scissor Sisters gig”), Standon Calling 2012 sees the return of the man who conceived the event as a barbeque for friends back in 2001, paying the ultimate price for his ambition. Your intrepid correspondent asked why it took Tesco 2 years to realise what was going on (“They trusted me, and I abused that trust”) – and whether the global grocer offered a plea-bargain event sponsorship deal so he could avoid jail (“I don’t think that would have worked”).

Such sentiment explains everything: the free use of the pool, the superb efforts of those in fancy dress, the willingness of so many to give so much of themselves just to prove that Standon is not simply the pipe dream of one privileged boy, that it can wash its face financially, and come back just as strongly after the ultimate setback. As Alex says, Standon has found its niche, and long may that niche prosper.

The Skints bring their UK street reggae along for a welcome chilled out mid-afternoon skank… Sunday night crescendos with the appearance of Fat Freddy’s Drop. The presence of musicians that have travelled from the opposite side of the globe is testament to the power of music to bring every disparate strand of society together – and the crowd make their appreciation heard.

FFD are essentially a funky vehicle for their brass trio to show off their chops, and that brass trio is essentially a vehicle for Hopepa the infamous bone man – the tracksuited, paunchy trombonist whose impossibly fluid frame skips across the stage, grinding and parping such that the cold reaches of the cosmos can feel his “rambunctious carry-on”. His is the culmination of a decade of hope, and when we pack up and head north in the cold reality of morning, Hopepa is the man who carries our dreams with him.

There is nothing like Standon Calling. It has its quirks, it has its foibles, it has a dedicated following of fans, and it has a deeply passionate team at its heart. I came for one headliner, but I will return in tribute to the place, the people, and the music. Standon on the shoulders of giants, indeed.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

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