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Live Gig Video: Fatherson share ‘Making Waves’ from upcoming third album ‘Sum of All Your Parts’

 
By on Tuesday, 26th June 2018 at 4:00 pm
 

Scottish trio Fatherson have a new album out this autumn. To preview the upcoming LP, they’ve unveiled ‘Making Waves’, which shows a definite change in direction for the Scots. Frontman, guitarist and famous beard owner Ross Leighton explained the song “defined how the album would sound” and it being a “heart on your sleeve slacker tune with a tonne of groove.” Slacker is right: the guitars are loud on this new song, and with the muscle of the track, it’s no wonder that when it came time to present the song to the public, they would use a physical way to convey its feeling. In the video, the three-piece are performing the song indoors, accompanied by an interpretative dancer. Watch the video below. ‘Making Waves’ will appear the band’s third studio album ‘Sum of All Your Parts’, which will drop on the 14th of September on Easy Life Records. To read our past coverage on Fatherson, come through.

 

Live Review: Ciaran Lavery with Dustin Furlow at Jammin’ Java, Vienna, VA – 21st June 2018

 
By on Monday, 25th June 2018 at 2:00 pm
 

It isn’t too often that I attend a seated show. As some of you know, Carrie is the singer/songwriter wonk on staff, not me. I’m used to standing in front of loud amps for whichever pop, rock or electronic gig I’ve chosen for the night. I felt pretty much out of my element, but perhaps this is me turning over a new leaf. Are laidback coffee shop gigs in my future? Have I ::cough:: gone soft? I’ll chew on that thought another time.

I arrived just as American Dustin Furlow began his set. He’s from Virginia Beach, pretty much on the opposite side of the state, but of course not as far as the Northern Irish headliner had to travel. Furlow is an award-winning singer/songwriter, billed as one of the most accomplished in Southeastern Virginia. Something that is nigh impossible to reproduce as other club shows is that gentle, priceless intimacy between artist and fan in a place like this. There’d be a sense of awkwardness in those clubs from both parties if a story like Furlow’s about his drunk on bourbon, shirtless father floating in water, the inspiration for ‘Cherokee Lake’, was told from the stage. And yet, when the story is told at Jammin’ Java, it is a touching tale.

Dustin Furlow Jammin Java 2018

I admit to writing off most singer/songwriters if the melodies and lyrics they offer are weak. What became clear through the two instrumentals in the set alone is that Furlow is a virtuoso on acoustic guitar, something rare and not applauded in popular music these days. Watching his fingers dance across the fretboard was pretty incredible, and this is coming from someone who gave up on guitar because remembering the chords was too hard. When he sang, a surprisingly soulful voice came out on songs like ‘Evergreen’ from his 2017 EP ‘Solo’ or a jaunty cover of the Lindsey Buckingham-centric Fleetwood Mac foot-stomper ‘Big Love’ to close out his set.

TGTF have had wonderful opportunities to cover Northern Ireland’s Ciaran Lavery the last few years, mostly around his appearances during SXSW 2016 and 2017. I wonder why the alt-folk troubadour from the village of Aghagallon isn’t a household name yet like Frank Turner. For me, there are two things that make Lavery stand out head and shoulders above everyone else: his emotional, honest lyrics delivered in a gorgeous Irish brogue. Pretension doesn’t exist in his songwriting, as each tune shows Lavery’s heart on his sleeve.

Ciaran Lavery Jammin Java 2018

Early on, he impressed with the rawness of social anxiety chronicled in ‘Shame’ on his 2013 debut LP ‘Not Nearly Dark’. This past spring, he released ‘Sweet Decay’, his third studio album; at this show, he described how writing with others and having to worry about their opinions as an uncomfortable situation. You couldn’t hear this at all in the a cappella version of the title track he delivered stood in front of us, all in white as a model of vulnerability with aplomb. Lavery’s piano cover of The National’s ‘Bloodbuzz Ohio’ was an unexpected triumph, finally making the song palatable to me. ‘Wicked Teeth’, a song about going to the dentist (allegedly!), comes across sweetly, revisiting the theme of vulnerability and combining it with love and desire.

Between songs, he seemed entirely relaxed, as if he was giving us a performance in his front room for his best mates. When he asked if anyone in the crowd wasn’t from DC, an audience member yelled, “Dublin!” Lavery chided him with, “you know, I recently played there and with my whole band, you didn’t have to come this far!” Laughter. His story about his trip on Aer Lingus to the States and his difficulty in using their thin, tiny provided blanket was relatable to those of us who have attempted this during a transatlantic flight. Good-natured snufflings abounded. This is a down-to-earth guy with an honest heart and eager to talk to strangers in bars. If you’re lucky enough to live in one of the North American towns he has left on his tour of our continent through the start of July, spend an evening being spellbound by him and his music. He plays tonight at the Horseshoe Tavern in Toronto.

 

Live Review: ONR. with CrushnPain at DC9, Washington, DC – 15th June 2018

 
By on Monday, 18th June 2018 at 2:00 pm
 

I’ve said it before, but it bears repeating: now more than ever, if you haven’t got a song that pulls the listener in and keeps their attention for more than 30 seconds, you’re sunk as an artist. On the more positive flipside of that, if you are a good songwriter and can write the kind of compelling song that stays with the listener, this talent will pay off massively in terms of getting your music paid attention to. Singer/songwriter Robert Shields, who now performs under the moniker ONR. (pronounced “honour”), is definitely one of the latter. In various projects and under various guises, he’s been quietly honing his craft, which has led to a major label signing last year, after Capitol Records industry bods heard his particularly strong demos.

It’s still early days for the Dumfries-via-Glasgow Scot and his live band: there are only a handful of ONR. singles out to date. An American tour this month, comprised of support dates with SXSW 2017 breakout American star Mondo Cozmo and their own headline dates, is, then, this continent’s first live taste of what amazing things Shields and co. can do. The support dates were announced first and I assumed I was out of luck, as the closest show to me was New York’s Mercury Lounge and on a Wednesday night. To my great excitement, headline dates were soon added, including a stop at my favourite intimate venue in the city of all, DC9, and late on a Friday night to boot.

CrushnPain Washington 2018 2

Two local acts preceded the Scottish band’s performance. My friend and I were too late to see electronic band Honest Haloway, but we arrived in time to witness one-man band CrushnPain. Looking remarkably like a bespectacled close Irish friend of mine, producer Austin Gallas looks unassuming behind two synths and a remarkably small set of controllers. Don’t judge a book by its cover: I was surprised and happy to enjoy his catchy jungle beats as he threw himself into his music. I bopped my head and moved my body to music that was better than some electronic acts I’ve seen at SXSW and The Great Escape. He rarely sang, but when he did, the vocals were dream pop variety and repetitive. To be fair, dream pop lyrics run a spectrum from ephemeral and intentionally lacking substance to floaty, yet thought-provoking. If he was shooting for the former, mission accomplished.

Recall that the first time I saw ONR. was last month at the massive Paganini Ballroom upstairs at the Old Ship Hotel. It was Friday night at The Great Escape 2018, and a massively promoted BBC Introducing showcase at that. Contrast this reception to ONR.’s shows in America, where Shields is largely unknown and without national backing. I have no doubt the Mondo Cozmo support appearances allowed him and his band the opportunity to win over audiences who might never have found his music in the first place, and these kinds of opportunities are priceless to artists debuting in new territories. The majority of acts from Britain have taken those tentative first steps in the Home of the Brave early on in their careers. Those coming to the headline shows are likely to be the true music discoverers, the open-minded people who click on the Related Artists tab in streaming services and are voracious to check out new artists who aren’t on everyone’s lips yet. These music fans are smaller in number but I’d argue they’re far more important in helping to break new artists than they are ever given credit for.

ONR. Washington June 2018 4

These were the fans who were treated to a full-scale, major club-like show in the 200-capacity DC9 Friday night. As mentioned earlier in this review, there are a precious few ONR. songs released, so I think everyone knew the set would be short. Shields and his band delivered an energetic performance, Shields as animated and bounding across the stage with gusto as he did in Brighton. Quick tempo tunes, including driving single ‘Love in Suburbia’ released on the day of the show (watch the promo video at the bottom of this post) and ‘American Gods’ released in February, gave the band quite a workout. A comparison of these to the slow burner 2017 single ‘Jericho’ highlighted the versatility and power of Shields’ voice.

They closed with ‘5 Years Time’, the combination of the vulnerability of the lyrics with the commanding instrumentation providing the ultimate showcase for the stadium-worthy bombast Shields has built into ONR.’s songs. I’m taking the strength of these early singles and this charismatic performance in DC as reliable indicators that ONR. will become a household name soon enough. Just you wait. Check out my interview with Robert Shields at The Great Escape 2018 through here. More photos from this gig are on my Flickr.

ONR Washington June 2018 1

 

Gill Landry / May and June 2018 English Tour

 
By on Wednesday, 2nd May 2018 at 9:00 am
 

American singer/songwriter Gill Landry will cross the pond for a handful of live dates in England at the start of summer, following on his recent spring tour of the U.S. west coast. Landry is touring his excellent 2017 album ‘Love Rides a Dark Horse’, but as I heard when I attended his show at San Francisco’s Hotel Utah on the 31st of March, he’s including a strong mix of older songs in his live set as well. You can check out a couple of photos from that show just below, and at the bottom of the page, you’ll find a live video performance of one of my favourite older Gill Landry tunes, ‘Dixie’, courtesy of Ditty TV.

Gill Landry internal 1

Gill Landry internal 2

In addition to the following headline shows, Landry will also appear at the Red Rooster Festival in Suffolk on Friday the first of June. Tickets for the following shows are available now. You can read TGTF’s previous coverage of Gill Landry back through here.

Thursday 31st May 2018 – York Crescent Community Venue
Sunday 3rd June 2018 – Middlesborough Westgarth Social Club
Monday 4th June 2018 – London Old Queens Head
Tuesday 5th June 2018 – Brighton Brunswick Pub

 

In the Post #160: Ben Howard announces his new album ‘Noonday Dream’ with first single ‘A Boat to an Island on the Wall’

 
By on Monday, 9th April 2018 at 12:00 pm
 

If you follow Ben Howard‘s social media, you might have noticed a quiet but mysterious breeze blowing around his internet persona recently. That soft breeze became a full blown wind last Wednesday, as Howard announced the impending release of ‘Noonday Dream’, his first solo album in 4 years, which follows his breathtaking 2014 album ‘I Forget Where We Were’. Howard hasn’t been entirely idle in the interim, releasing an EP and a full long player last year with his side project A Blaze of Feather.

Howard has previewed ‘Noonday Dream’ with lead single ‘A Boat to an Island on the Wall’, which received its first radio play last Wednesday on BBC Radio 1 with Annie Mac. In the accompanying interview with the DJ legend, Howard himself described the song as “a bit of a patchwork quilt”. He went on to briefly explain the song’s birth and evolution over time: “It went through a lot of different lives, this one, and I think you can sort of tell.”

Indeed, the song’s soundscape moves through palpable stages over the course of its 7-minute duration, starting with an a harsh, synthetic intro and progressing to a lighter acoustic backdrop under Howard’s softly intoned vocals. The entire recording has a broad, airy quality, in contrast to some of the heavier tones he’s taken in the past, and distant voices in the background suggest a vast sense of open space. About halfway through the track, layers of percussion and keyboards add light and color to the sonic palette, and the texture thickens dramatically with the introduction of a dark guitar melody near the end.

Produced by Howard himself and recorded at various locations in England and France, ‘A Boat to an Island on the Wall’ sounds like not only a continuation of what Howard did on ‘I Forget Where We Were’, but an even further extension of that atmospheric neo-folk sound. Lyrically the new song is as evocative and elusive as Howard has ever been in his writing, but musically he extends well beyond his acoustic folk rock beginnings. Take a listen to ‘A Boat to an Island off the Wall’ via Spotify at the bottom of this post.

8.5/10

‘Noonday Dream’ is due out on the 1st of June on Island Records. Just after the album’s release, Howard will play the below list of live dates in the UK. Listen back to Ben Howard’s interview with Annie Mac on BBC Radio 1 and the song’s first play through here; the stream will be available for the next 24 days. find TGTF’s past coverage of Ben Howard back through here.

Wednesday 13th June 2018 – London Hammersmith Apollo
Thursday 14th June 2018 – London Hammersmith Apollo
Thursday 28th June 2018 – Edinburgh Playhouse
Friday 29th June 2018 – Manchester Albert Hall
Saturday 30th June 2018 – Cornwall Eden Sessions

 

Charles Watson / May and June 2018 UK Tour

 
By on Monday, 12th February 2018 at 9:00 am
 

Newly established as a solo artist, Charles Watson (also known here at TGTF as part of indie pop duo Slow Club) has announced a list of UK headline shows to follow the upcoming release of his debut LP ‘Now That I’m a River’. The album is due out on the 18th of May via Moshi Moshi. Watson’s headline tour will begin the following evening at Ramsgate Music Hall and extend through the first part of June.

Along with the tour announcement, Watson has also unveiled a new promo video for the surprisingly groovy album track ‘Abandoned Buick’.  Directed by Jacob Wyatt and Alistair Baines and produced by RND Media, the promo is simple in design and has the same lo-fi vibe as the song itself. Watson, for his part, is equally low-key in his commentary. “Although the new video for ‘Abandoned Buick’ may at first appear to be just some clever camera work, a clapped-out Mercedes and deceptive shots of my manager wearing exactly the same jacket as me,” he quips, “it is, in fact, evidence that I have successfully achieved my life long goal of having a touring clone”.

You can watch the video for ‘Abandoned Buick’ just below the tour date listing. Tickets for the following shows are available now. And ICYMI, our review of ‘No Fanfare’, the first single from ‘Now That I’m a River’, is right back this way.

Saturday 19th May 2018 – Ramsgate Music Hall
Monday 21st May 2018 – Cambridge Portland Arms
Tuesday 22nd May 2018 – Bristol Louisiana
Wednesday 23rd May 2018 – Cardiff Clwb Ifor Bach
Thursday 24th May 2018 – Exeter Phoenix
Saturday 26th May 2018 – London LSO St Luke’s
Sunday 27th May 2018 – Middlesbrough Westgarth Social Club
Tuesday 29th May 2018 – Leeds Brudenell Social Club
Wednesday 30th May 2018 – Birmingham Hare & Hounds
Thursday 31st May 2018 – Manchester Soup Kitchen
Friday 1st June 2018 – Glasgow Hug and Pint
Saturday 2nd June 2018 – Sheffield Picture House Social

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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