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James Vincent McMorrow / October 2016 UK/Irish Tour

 
By on Monday, 15th August 2016 at 9:00 am
 

Irish singer/songwriter James Vincent McMorrow will be releasing his next album ‘We Move’, his third, on the 2nd of September. McMorrow has indicated that the new release will be significantly different than its predecessors, including 2014’s acclaimed ‘Post Tropical’. He explained in this beautifully heartfelt Facebook post in July that ‘We Move’ is a reflection of his grappling with self-confidence and being honest in his music. To have a taste of the new material, he has shared the promo video for lead single ‘Rising Water’, which you can watch at the bottom of this post.

McMorrow will be following the album release with tour dates in Ireland and the UK in October. Tickets are on sale now. Grab ‘We Move’ for your very own at the start of September on Believe Recordings. For more on his music and performances on TGTF, go here.

Wednesday 5th October 2016 – Galway Black Box
Friday 7th October 2016 – Dublin National Stadium
Monday 10th October 2016 – Glasgow ABC
Tuesday 11th October 2016 – Manchester Albert Hall
Wednesday 12th October 2016 – Bristol Colston Hall
Thursday 13th October 2016 – Leeds Town Hall
Saturday 15th October 2016 – Gateshead Sage
Monday 17th October 2016 – London Roundhouse

[youtube]https://www.youtube.com/watch?v=G3pmbuZYF2Y[/youtube]

 

Single Review: James Vincent McMorrow – How to Waste a Moment

 
By on Friday, 14th August 2015 at 12:00 pm
 

Dublin singer/songwriter James Vincent McMorrow has recently unveiled two new tracks in the aftermath of his recent album ‘Post Tropical’, which came out early in 2014. ‘Post Tropical’ was a departure from McMorrow’s early acoustic folk style, delving into synthesised sounds and deconstruction of form to create a more ambient, reflective sort of mood. His two newly shared songs represent the threshold of another change, drawing a line between the ‘Post Tropical’ period and the next phase of McMorrow’s songwriting journey.

The first of the new songs is a stripped back version of a track from ‘Post Tropical’ called ‘Gold’. The original version was more rhythmic and energetic, with a dramatic brass interlude building intensity behind McMorrow’s strained falsetto vocals. The new solo version is slow and comparatively anti-climactic, evolving gradually rather than deliberately developing toward a final conclusion.

McMorrow’s lyrics are abstract and full of vague imagery, which works better with the contrast of the more intentional original arrangement. The solo version is aimless and uncertain but still somehow apropros as McMorrow slurs into its final statement, “time isn’t the only power now”. The song is currently available as an .aif file for free by clicking the download (down arrow) button on the upper right hand corner of the SoundCloud widget below.

McMorrow’s new single release ‘How To Waste A Moment’ has more momentum and is more immediately tangible, beginning straight away with a hypnotic rhythmic figure and a purposeful vocal delivery. McMorrow’s breathy falsetto still obscures his words somewhat, but he has helpfully posted the lyrics on his Soundcloud, along with the track itself and a description of how the song came about. The key statement, in my mind, comes at the end of his description: “I recorded it with tempo because life to me is tempo, it’s rarely slow. This song is the connect from where I was, to where I’m going to be very soon.”

Fans of the hazy, deliberately indistinct musical style of Bon Iver will find much to like in these two tracks, as they most likely did on hearing ‘Post Tropical’. I myself am more interested in McMorrow’s new tempo-driven direction, and I look forward to hearing where this might lead him in the near future.

7/10

James Vincent McMorrow’s new single ‘How to Waste a Moment’ is out now on Believe Recordings. Previous TGTF coverage of James Vincent McMorrow is right back this way.

 

SXSW 2015: Dine Alone Records and Music from Ireland showcases – 18th March 2015

 
By on Thursday, 2nd April 2015 at 10:00 am
 

Wednesday night I made my way down to the Bungalow on Rainey Street for the Dine Alone Records 10th anniversary showcase, which was scheduled to feature two bands I’d previously covered for TGTF, The Dodos and Broncho, as well as Lieutenant, the new side project of Foo Fighters bassist Nate Mendel. I arrived at the Bungalow early enough to work out the logistics of my interview with The Dodos before heading out to the backyard stage area to catch the night’s opening act, Josh Haden’s jazz-tinged alt-rock band Spain.

I wasn’t familiar with Josh Haden or Spain before I saw them at the Bungalow, but a quick internet search reveals that their smooth, soulful sound is at least partially the result of Haden’s background in jazz; he is the son of well-known jazz bassist Charlie Haden. Josh Haden originally formed Spain in the early 1990s and revitalized it with new members in 2007. The band’s latest LP, ‘Sargent Place’ was released on Dine Alone back in November, and their set at the Dine Alone showcase included a fine performance of its lead single ‘The Fighter’, which you can stream below.

[youtube]https://youtu.be/pPwjSmCq608[/youtube]

Vancouver indie pop band Yukon Blonde quickly changed the pace of the evening after Spain’s laid-back set. Their dance-friendly synth and guitar sounds drew a captivated audience under the tents at the Bungalow, almost making us forget that we were still in the middle of the week with their hook-heavy new single ‘Saturday Night’. Just after SXSW, Yukon Blonde hit the road in America and Canada for an opening slot with their Dine Alone labelmates Lieutenant; those shows continue into April.

Yukon Blonde’s energetic set paved the way for San Francisco-based duo The Dodos to take the stage. They clearly had a fair few fans in attendance at SXSW 2015, as the crowd packed in noticeably tighter during their brief soundcheck. After reviewing their latest LP ‘Individ’ and their show at Tucson’s Club Congress in February, I had already come to the conclusion that The Dodos are just one of those bands that you have to see live to get the full effect of their music.

I discussed that opinion briefly with band members Meric Long and Logan Kroeber in my interview with them before their set, but their spectacular performance on the night did more to solidify my estimation than any of their commentary. Knowing that The Dodos create a huge sound between the two of them, I started their set with earplugs firmly in place, but the sound quality and the crisp energy of their performance was so amazing that I ended up removing them just so that I could take it all in. The dance moves featured in The Dodos’ video for ‘Competition’ didn’t make it onto the stage here, but there was plenty of enthusiastic dancing in the crowd when Long and Kroeber played the song.

The Dodos at Dine Alone showcase SXSW 2015

Unfortunately, the crowd at the Bungalow thinned conspicuously after The Dodos finished, leaving only a sparse few fans to watch Lieutenant. Because the live iteration of Lieutenant features Foo Fighters bass player Nate Mendel and Snow Patrol bass player Paul Wilson (both on guitar, ironically enough), I had expected them to draw a larger audience. Lieutenant’s recent album release ‘If I Kill This Thing We’re All Going to Eat for a Week’ is probably best described as understated, and as it turns out, Mendel is an understated frontman in live performance as well. Wilson’s more animated guitar solos, while not exactly flashy, were the highlight of the band’s set at the Bungalow. I suspect that the members of Lieutenant will grow progressively more comfortable in their newly adopted roles as they continue their current American tour with Yukon Blonde.

Nate Mendel at Dine Alone showcase SXSW 2015           Paul Wilson at Dine Alone showcase SXSW 2015

My energy lagged a bit after Lieutenant’s set, and I decided a walk might be in order to help me get a second wind. I left the Bungalow and headed back to 6th Street to see Dine Alone alumnus James Vincent McMorrow, whose first self-titled EP was released in the US on Dine Alone back in 2010.  McMorrow was appearing on the Music from Ireland showcase at Maggie Mae’s Gibson Room, which was already packed to the gills for his set when I arrived. (In fact, it was so crowded that I never met up with Mary, who also made the Music From Ireland show part of her Wednesday night lineup.) Though the Gibson Room audience were clearly enamored with the soulful melancholia of McMorrow’s ‘Post Tropical’ tracks, I found his falsetto to be unintelligible and a bit whiny, much in the vein of Justin Vernon of Bon Iver, whose sound I have never been particularly fond of. In spite of that, McMorrow’s stage presence was shyly endearing and he did pique my interest by testing a couple of new tracks, which he said weren’t yet fully worked out, but which held their own here in acoustic performance.

Walking On Cars at Music From Ireland SXSW 2015

Once again, the audience almost completely vanished after McMorrow’s set, leaving Irish pop band Walking on Cars to play in a nearly empty room to close out the night. It was a pity too, because Walking on Cars play the kind of energetic pop music that could find itself comfortably situated on top 40 radio, given enough of an audience. Indeed, the band broke up their wee-hours-of-the-morning set with a mashup of pop tunes that included 50 Cent’s ‘In Da Club’, Ed Sheeran’s ‘Lego House’, and James Bay’s current hit ‘Hold Back the River’, along with a surprisingly effective cover of Fleetwood Mac’s ‘Dreams’.

Their own recent single ‘Always Be With You’, featured in our SXSW preview of artists from Ireland and Northern Ireland, closed the night on a strong note, even if only a handful of punters were still around to hear it. Keep an eye on TGTF for coverage of Walking on Cars at the full Irish breakfast appearing on TGTF soon.

 

SXSW 2015: BBC barbecue with friends, with no fear of missing out – 19th March 2015

 
By on Monday, 30th March 2015 at 2:00 pm
 

One thing everyone learns at SXSW – and hopefully sooner than later – is to not sweat it when plan A doesn’t work out and you have to go to plan B, or even plan C or D. It is an inevitable fact of a city festival and the size of their smaller hole in the wall type venues (whether you’re in Austin or Brighton for the Great Escape) that if where you want to go is one of the hottest tickets in town, you’ll likely be disappointed. But during SXSW, there is always tonnes more things to do and bands to see, and the beauty of such a large event is that you might just happen upon something brilliant you’d otherwise never have crossed your mind.

The announcement that Danish band Mew were going to play only three shows in Austin seemed to be broadcast on all the music Web sites and blogs ahead of SXSW 2015, and I can’t say that I really was bothered about seeing them. However, as a music editor, it’s sometimes your duty to seek out what the people want to read about, so I had them scribbled down on my Thursday afternoon schedule as part of the Under the Radar magazine showcase at Flamingo Cantina. Wednesday afternoon I chatted with Will Doyle (East India Youth) about the Under the Radar show, as he was playing directly before Mew and headliner Of Montreal; he was quite pleased to be playing the showcase, as it meant he had an automatic in to the event. Curious, we looked up the capacity of the place on my phone, staring at the number with a mixture of marvel and horror: 299. Eep.

Considering how massively hyped the elusive Mew had been even before anyone made it out to Austin, I figured I’d probably be queueing outside all afternoon with no joy, so I decided to give it a pass. Later that night, I ran into a close Glaswegian industry friend (a much bigger, taller person who can hold his own more than I can, I might add) who said he’d made it into the showcase but stayed only for 5 minutes because there were too many people inside the club and he had struggled to breathe. I understand event organisers want to hype things up and purposely cause queues to form via FOMO, but it sounds like this particular event may have been violating safety codes, and I count my lucky stars I didn’t even try to get into it. Our friend Larry Heath, Editor-in-Chief of The AU Review, got into Mew’s third show on Saturday afternoon as part of the Brooklyn Vegan day party, and you can read his thoughts on them here.

But no tears were shed by this editor. I’d been blessed with an invite to the BBC barbecue that afternoon at Old School Bar and Grill, which had some lovely surprise live and acoustic special guests. Due to a mishap with the #17 bus, I arrived too late to catch first act James Vincent McMorrow, who appeared Wednesday night at the Music from Ireland showcase at Maggie Mae’s Gibson Room (I reviewed that showcase here). Apparently Catfish and the Bottlemen were also due to appear on the afternoon’s bill, but they were nowhere to be seen. Another surprise for me was the sense James ‘Chaos and the Calm’ Bay was following me around, as the man and his now famous hat were seen going back and forth across the floor. I think he liked the food?

Frank Turner at BBC Barbecue, SXSW 2015

Between dining on the complimentary barbecue from venerated Texas meat institution the Salt Lick (which was delicious, thank you BBC and Salt Lick!), I watched amazing sets from now hugely popular singer/songwriter Frank Turner and the soft-spoken young Derry talent SOAK (Bridie Monds-Watson). Turner, who was bouncing from venue to venue all week and seemed to be in his element in this town, explained he was road-testing new material at SXSW and was playing different sets at every show in Austin; I’m sure this revelation delighted fans I met who were following him around all week. From the new song that he introduced with “this is about losing at tennis…again” (‘Love Forty Down’) to his raucous, yet loving tribute to his nan (‘Peggy Sang the Blues’), Turner proved why he’s become such a popular live draw both here in America and in Europe. Carrie interviewed Frank Friday morning in Austin, and her interview will be posted soon here on TGTF.

SOAK, the surprise guest at Monday night’s Creative Belfast showcase at Latitude 30, also captivated punters this afternoon with her gentle yet emotional voice, framed by her acoustic guitar playing. You wouldn’t expect something as placid coming from someone dressed like a skater, but somehow…it works. She now has a deal with Rough Trade, so I know Beggars will certainly help spread her music far and wide.

SOAK at BBC Barbecue, SXSW 2015

I met the lovely Bridie briefly late one night at the British Music Embassy, just as she was thanking Steve Lamacq for all his and BBC Introducing’s support. It was a sweet yet important reminder of how vital these mutualistic relationships and respect are key to our promoting deserving young artists and giving them the help and attention they deserve. Later on, I also helped facilitate the recording of a live BBC 6music session by my friends the Lost Brothers, who appeared on Steve’s radio programme. I take great personal pride in my part of the process, and I think everyone who is anyone in the industry who comes out to a massive event like this at SXSW with the purpose to help support bands should pat themselves on the back!

 

SXSW 2015: bits of BBC Introducing, Music from Ireland and more – 18th March 2015

 
By on Friday, 27th March 2015 at 5:00 pm
 

Given our Web site’s generally UK-directed alignment, it would have been rude not to stop by the BBC Introducing / PRS Foundation night at the start of Wednesday night programming. I’m not really into psych rock, but I had been pleasantly surprised seeing Kettering’s Temples live in DC 6 months after giving them a pass at their high-profile slot on the Saturday night at the British Music Embassy of SXSW 2014. So I decided I was ready to have an open mind about Blossoms, whose songs played on 6music didn’t excite me much. I was very pleased that as a live prospect, the Stockport band are much more engaging.

Blossoms at BBC Introducing PRS for Music at SXSW 2015

Despite their young age (read: too young to drink in America), they’ve got a lot of swagger, and not just for appearances: musically, they’re a very tight unit. As frontmen go, Tom Odgen is a lanky, Pantene-beautiful, long-haired lad, bound to be a pinup on teenage girls’ walls in the very near future, but he also does a good job at commanding the audience. Then again, I’m a sucker for a Mancunian accent; 2 nights later, out in what seemed appropriate for boys from Manchester, sat out in the rare Austin rain, we complimented each other on our accents…

Blossoms at BBC Introducing PRS for Music at SXSW 2015

But the real expert on stage was lead guitarist Josh Dewhurst, whose axe-playing prowess was on full display on the single ‘Cut Me and I’ll Bleed’, among others. The single itself also is a primer on how to construct a radio-friendly pop song, going from a sinister, Scooby Doo-like minor key verse led by Myles Kellock’s keys to more positive chord progressions in the chorus. I had an accidental but entirely enjoyable opportunity to see the Northern lads play again Friday, when they filled in last minute for an absent Ghetts. In short, they won me over, including this possibly unusual tender moment about “the stately homes of England” in ‘Blown Rose’.

[youtube]https://www.youtube.com/watch?v=9LsMF5WGQ_g[/youtube]

After greeting friends from the Beeb, I was off to see Public Service Broadcasting play at LA promoter School Night!’s show at Red 7’s outdoor patio. I wasn’t about to miss my favourite tweedy chaps play a rare outdoor performance. I would have preferred better lighting – the dark reds and blues projected onto the stage seemed more appropriate for later acts to come Beat Connection and Urban Cone.

Public Service Broadcasting at School Night! at SXSW 2015

But despite the darkness, both their older songs from ‘Inform – Educate – Entertain’ sat well alongside newer ‘The Race for Space’ tracks. “This is a song about an airplane” ‘Spitfire’ was met with audience cheers, as was early ‘The Race for Space’ cut and uber funky number ‘Gagarin’ and 6music favourite ‘Go’. (Catch my interview with J. Willgoose, Esq. of the band here.) I was sad to leave just as ‘Everest’ began his ascent towards its climax, but I had a date with some new Irish friends.

Public Service Broadcasting at School Night! at SXSW 2015

I arrived to Maggie Mae’s Gibson Room in the midst of Meltybrains? mental set for Music from Ireland. Another group of young European lads let loose on the festival environs of Austin, but entirely different results: at one point, everyone in the band jumped off the stage to start a conga line, and their fans were more than willing to join them in the impromptu dance formation. Their thing is masks, having handed out hundreds of lovely spray-painted ones to punters at the Gibson room that night, which was quite the marketing coup. All week, I saw music fans walking around Austin with their mask attached in varying alignments on their heads. You knew immediately they’d been at the Meltybrains? show Wednesday night and had enjoyed it so much, they wanted to help promote the band. Super cool.

Meltybrains? at Music from Ireland at SXSW 2015

The band’s most recent single ‘Donegal’ demonstrates their comfort with mixing up styles and genres, with lyrics in falsetto, atmospheric electronica and compelling beats and percussion, all mixed together, and live, the energy of young Ireland comes through loud and clear through their music. At one point I mused that maybe they were alien Rastafarians.I kind of wish I had arrived earlier to witness more or all of their live set, as I knew I had other obligations Friday afternoon during the full Irish breakfast at B.D. Riley’s and this would be the only time I’d get a chance to see them gig. But of what I did witness, it became abundantly clear that they were one of the top, if not my top band discovery at SXSW 2015. Stay tuned for Carrie’s interviews with both acts at the full Irish breakfast coming soon on TGTF.

Orla Gartland at Music from Ireland at SXSW 2015

Another nomination for my sound of young Ireland is the lovely Orla Gartland, who already had her first headline tour of North America under her belt even before she arrived in Austin. Wide smiles from the lovely ginger lass and her band were the order of the day, as Gartland played a selection of super poppy, super catchy songs from her catalogue that you know will hit the spot for teenager and tweenager crowds that are already stalwarts of Kodaline and The 1975. I think her success is already assured, with upbeat, synthladen numbers like ‘Lonely People’ and ‘Souvenirs’, driven by her clear, confident voice, which were accompanied by the squeals of delight from young fans excited about every one of her songs.

I found myself at a loose end and let’s face it, there will be moments during your SXSW where you physically do not want to move anywhere, especially if you’re stuck in a mob of people and you can’t move anyway. I caught a bit of James Vincent McMorrow, whose headgear could rival James Bay’s for biggest and most annoying hat of the festival. I very rarely enjoy falsetto – it works in Meltybrains? because there is more than just the voice to lead the song – but I found myself completely underwhelmed by his singer/songwriter machinations. Funnily enough, Carrie was somewhere else in the crowd but because the place was so packed, we never ran into each other; despite her affinity for the singer/songwriter genre and her excitement in seeing McMorrow, we came to the same conclusion about his performance.

I returned to Latitude 30 for the final act of the BBC Introducing / PRS Foundation show, Spring King. If there was something that certainly was not lacking this year at SXSW, it was loud rock music, played fast and raucously. While what they offer is not earth-shattering (watch the BBC filmed video of ‘City’ from this set below), hey have the kind of ethos that the Vaccines had on their first two albums, before they went pop with this year’s single ‘Handsome’. Which one of these up and coming bands are ready to take over the Vaccines’ mantle in that part of the music scene is anyone’s guess, but for sure, Spring King is one option.

[youtube]https://www.youtube.com/watch?v=iVgtVq8HuT4[/youtube]

 

TGTF Guide to SXSW 2015: Artists from Ireland and Northern Ireland showcasing at this year’s SXSW

 
By on Tuesday, 3rd March 2015 at 11:15 am
 

Please note: all information we bring you about SXSW 2015 is to the best of our knowledge when it posts and bands scheduled to appear may be subject to change. To learn when your favourite band is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the band’s Facebook and official Web site for details of any non-official SXSW appearances.

Today’s installment of the TGTF Guide to SXSW 2015 previews showcasing bands from Ireland and Northern Ireland. This year’s acts are predominantly rock-oriented, with a few notable exceptions, including a pair of exceptional singer/songwriters and representation in the festival’s dance and avant garde/experimental categories as well.

All Tvvins (rock) – Dublin-based Conor Adams and Lar Kaye premiered their debut single ‘Thank You’ on Zane Lowe’s BBC Radio 1 show back on the 10th of February. If you missed it, you can hear the relentless energy of the guitar and bass riffs under paired lyrical couplets building slowly to the climactic final lines “I may hate you, I thank you” in this live video recorded for Press Record Asylum Sessions.

[youtube]http://youtu.be/noesFmUw0Wc[/youtube]

BP Fallon (rock) – BP Fallon released his first album ‘Still Legal’ in 2013 with backing band The Bandits. The album came after a lifelong career in the music business, including jobs as a disc jockey, photographer, writer, publicist and manager. Fallon has recently released a new LP ‘Live In Texas’, which includes the single ‘I’m Still Legal’, streaming below.

Buffalo Sunn (rock) – this quintet comprises Daniel Paxton, (songwriter, guitarist and lead vocalist), his brother Conor (bass and pedal steel), Patrick McHugh (guitar and backing vocals), Jimmy Cullen (keyboards and backing vocals) and Donagh O’Brien (drums). The group describe themselves on their Facebook page as “a cosmic reverb rock band”. Their album ‘By The Ocean By The Sea’ was released in Ireland last October, with subsequent release in Germany, Austria, and Switzerland. In the surreal video for ‘By Your Side’, frontman Paxton confronts past, present and future versions of himself.

[youtube]http://youtu.be/LnhKniNclg4[/youtube]

Dott (rock) – the Galway garage pop quartet have recently premiered the video for last year’s featured single ‘Small Pony’ (watch it below). According to their Facebook page, they are currently working on their next studio recording, which will include a track called ‘Beautiful Face’. Perhaps a preview of that song will be on their set list in Austin next month. TGTF coverage from Dott’s appearance at SXSW 2014 can be found here.

[youtube]https://www.youtube.com/watch?v=i1nM6Wb6yUE[/youtube]

Fight Like Apes (pop) – this Dublin-based five-piece are best known for their quirky humour and verbose titles, for example, their last studio album ‘The Body of Christ and the Legs of Tina Turner’. SXSW organisers have filed them under “pop”, but I lean toward the heavier alt-rock label for their sound. Their Facebook page indicates they are planning to release details of an upcoming third album in the near future. In the meantime, have a listen to ‘Jenny Kelly’ below.

[youtube]http://youtu.be/8IQUxXvnZ88[/youtube]

Girl Band (punk) – as far as I can tell, there isn’t a single girl in this band, but so much for truth in advertising. Comprised of Dara Kiely, Daniel Fox, Alan Duggan and Adam Faulkner, this Dublin-based four-piece signed to Rough Trade Records back in December. Melding a hint of blues with their progressive post-punk, Girl Band looks like an upgrade from last year’s heavily-hyped quartet The Strypes.

[youtube]http://youtu.be/nqxe3NZKYL0[/youtube]

Go Wolf (pop) – Go Wolf will launch a new EP titled ‘Running’ just before their trip to Austin. The release launch will see the Belfast synth-pop quartet play a hometown show on the 6th of March, also featuring TGTF and SXSW alumnus Travis Is A Tourist. You can stream the uptempo title track from Go Wolf’s EP just below.

James Vincent McMorrow (singer/songwriter) – January 2014 saw the release of McMorrow’s album ‘Post Tropical’, which marked a very deliberate change in direction from his previous acoustic folk rock style. The video for the album’s smooth r&b-tinged single ‘Cavalier’ is the first in a three-part series about “the heartbreak of a boy in a small town”.

[vimeo]https://vimeo.com/78293068[/vimeo]

Le Galaxie (dance) – the self-described “grids vs. guitars” quartet have recently signed to Universal Music Ireland and plan to release their next album ‘Le Club’ in April. Recent single ‘Carmen’, streaming below, features vocals by MayKay of the aforementioned Fight Like Apes.

Meltybrains? (avant/experimental) – according to their Facebook page, “Meltybrains? are a 5-piece, experimental, electronic band, based in Dublin, Ireland. Their sound is quite at odds with much of what is on offer from the music scene, yet takes its inspiration from hip-hop, IDM, rock and contemporary classical music, among other things.” Have a listen to their recent single ‘IV’ and judge for yourself.

[youtube]http://youtu.be/E2Dv9qPEGb8[/youtube]

More Than Conquerors (rock) – TGTF recently featured the video for More Than Conquerors’ upcoming single ‘Red’ as a Video of the Moment. The single itself is due for release on the 2nd of March, just as More Than Conquerors begin a brief UK headline tour ahead of their SXSW appearance.

Orla Gartland (pop) – this Dublin-based pop songstress first gained attention by posting videos of cover songs on YouTube. Gartland is currently unsigned to a record label, but her second EP ‘Lonely People’ is available digitally on iTunes and Amazon. In a nod to her humble YouTube beginnings, Gartland solicited fan-submitted clips for the EP’s title track video, which you can watch just below.

[youtube]http://youtu.be/FiKXjTUESPo[/youtube]

Protex (punk) – inspired by The Clash’s historic visit to Belfast in 1977, punk band Protex was originally active in the late 1970’s and early 1980’s, splitting up in 1981 after releasing singles on Good Vibrations, Rough Trade, and Polydor. Original members Aidan Murtagh and David McMaster reformed the band in 2010 after a New York record label unearthed and re-released some of their old Polydor recordings. Protex’s current line up comprises Murtagh (guitar/vocals), Norman Boyd (guitar/backing vocals), John Rossi (bass/backing vocals) and Gordie Walker (drums).

SOAK (singer/songwriter) – Derry native and skateboard enthusiast Bridie Monds-Watson has already been featured as part of editor Mary’s preview of the SXSW 2015 BBC Introducing and PRS for Music Foundation showcase. SOAK’s first EP ‘Blud’ was released last year on Goodbye Records, but she has recently signed to Rough Trade for her first LP release, scheduled for later this year.

[youtube]http://youtu.be/EwmeF9aDy20[/youtube]

Walking On Cars (rock) – the Dingle indie pop quintet signed to Virgin EMI Records last year for the release of their EP ‘Hand In Hand’. They have a busy spring schedule ahead of them, including headline dates in Ireland and the UK in March prior to their trip to America for SXSW. Following is the video for their recent single ‘Always Be With You’.

[youtube]http://youtu.be/dzk9GPpfyv8[/youtube]

We here at TGTF will be bringing you even more preview coverage of SXSW 2015 in the coming weeks leading up to the big week in Austin in March. To catch up on any of our past reporting or if you want to keep an eye on our coverage as it continues, head this way.

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

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