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Video of the Moment #2908: IDER

 
By on Wednesday, 7th November 2018 at 6:00 pm
 

There was a whole lot of buzz around good friends and rhythmic pop duo IDER at SXSW 2018. They had recently signed to Glassnote Records and loads of folks were interested in seeing them perform Saturday night at the BBC Radio 1 and the UK’s Department of International Trade-sponsored showcase at the British Music Embassy. IDER’s debut album is slated for release in 2019, and they’ve released another preview of the upcoming LP. ‘Mirror’ in its promo video form is presented in a split screen, with Megan Markwick and Lily Somerville spending time apart in the two halves of the screen before being reunited at its conclusion. Watch the video for ‘Mirror’ below. For more on this intriguing duo here on TGTF, use this link.

 

SXSW 2018: an editor’s final surprises and wows in Austin – 17th March 2018 (Part 2)

 
By on Thursday, 5th April 2018 at 2:00 pm
 

For the first time all week, I didn’t have a plan at the start to my evening. I had some tentative ideas but then decided I should probably queue for Latitude 30, as I had been locked out of the press allocation of the SXxpress passes for Saturday night. Both Carrie and I have seen daunting queues outside the venue in past years but this year, the British Music Embassy didn’t seem as big of a draw. Friday night’s rap-focussed night headlined by SXSW 2016 showcasing artist AJ Tracey had trouble getting foot traffic in, they ended up opening it up to the public. I was surprised that I was able to get in and in plenty of time ahead of the start of Superorganism’s set. There’s been huge buzz around these supposed ‘aliens’ and so they were more of a curiosity to me than anything else. This evening was sponsored by BBC Radio 1 and the UK’s Department of International Trade (formerly UK Trade and Investment).

Superorganism Saturday at SXSW 2018

In reality, the band hail from varied locations as New Zealand, South Korea, and Lancashire, while being led by the teenaged American via Japan Orono Noguchi. As a friend of mine with me that night quipped, “they’re like a mad version of The Go! Team!” Hard to argue with that logic. Their schtick is to act like they’re not from this planet, from the funny raincoats they start their set with, to pretending they don’t know what Teddy Grahams are. I didn’t find them as funny and avant-garde as advertised. I have trouble stomaching young kids swearing and witnessing Noguchi do this as part of her stage patter just came across as uncomfortable. I can see the pop appeal of their weird songs: they’re easy to sing along to, and who doesn’t think dancing shrimp are cute? But is this a project that has legs? Clearly, Domino Records think so, they put out their debut album last year. They’re appearing at the Great Escape in May, and I’m just happy I can say I’ve already seen them and leave that show in Brighton to their crazy fans.

I hung in there so I could watch girl duo IDER, recent signees to Glassnote Records. IDER were invited to showcase at SXSW last year; we previewed them then and I was so disappointed they didn’t come out to Austin. A year of tightening their sound and live performance led to this week in Austin where they performed at show after show and did so with smiles on their faces. Their last chance to impress was at this BBC Radio 1 and Department of International Trade showcase at the British Music Embassy.


IDER Saturday at SXSW 2018

Megan Markwick and Lily Somerville certainly didn’t look like they’d been put through the SXSW wringer. Beginning their set with an arresting a capella duet, it seemed they were eager to prove that their voices could stand on their own and without electronic augmentation. Like their many shows in Austin before it, this one was full up and proof that word had gotten around about their talent. There’s nowhere for them to go but up from here.

Uncomfortable by the sardine situation at Latitude 30, I said goodbye to my friend, extricated myself from the crowd and walked on to my next destination on 6th Street, fully expecting to be to have arrived during a changeover. Returning to the Velveeta Room for a second timethat week, I was pleasantly surprised to be able to catch the latter half of Margate singer/songwriter Dan Lyons’ set. As regular readers of TGTF know, the singer/songwriter genre is Carrie’s forte, not mine. I find that after a while, these artists start to blur in sound and in my mind. Don’t sing to me from atop a stool. Others may think you’re cool, but I’ll just be bored. I’d rather rock out.

Dan Lyons Saturday at SXSW 2018 4

There is a dark edge to Lyons’ songwriting, a world of blown smoke rings, psych and blues and Laurel Canyon harmonies with his bandmate and partner Freya. The songs are Something tells me he’d get along with Stephen Duffy and they’d have a laugh, like I had described New Pope at Hard Working Class Heroes 2016 should go drinking with Dylan and Tom Waits. Lyons was previously the drummer for Fat White Family in a previous life, so it’s nice to see an artist coming from behind the skins to do his own thing.

The label ‘synthpop’ LYLO have been given hasn’t done them any favours. I know what I think synthpop sounds like, and there are legends of the genre like my beloved Duran Duran and OMD that tend to used as examples. The Glaswegian band go far beyond the basic synthpop mould by having a saxophone player – seriously, what synthpop band do YOU know has a saxophonist? – and their cool attitude oozing from every pore.

LYLO Saturday at SXSW 2018

You remember Gerry Rafferty’s ‘Baker Street’, right? Recall that Rafferty was Scottish and this hipness is buried there in their DNA. On ‘Turn My Jacket’, there’s a lot going on, but it’s a happy kind of organised chaos. I found my head bopping to the beat and cheering on these lads. I cracked up as I watched the legs of their keyboardist move around as if they had a mind of their own. Mind you, this was all happening while his hands were at attention on the keys. I guess even he can’t control himself when he gets swept up in the rhythm?

What better way to finish out my SXSW 2018 than with a band that I’d discovered while listening through all the bands from the Continent, poised to find the next big band out of Europe. Moonlight Breakfast, who I’d previewed in the Music Bloggers Guide to SXSW 2018, were appearing at Friends. They were prepared: they had brought their own lighting and projection screens on which they could run their own visuals. These may not sound like much and possibly unnecessary at a dive like Friends. But taken together, they made their show stand out as a professional presentation from nearly all the others I’d seen all week. World class. I would like to think that the place was packed because people had heard about them through my write-up and word has spread fast.

Moonlight Breakfast Saturday at SXSW 2018

Make no mistake, ‘professional’ doesn’t mean stuffy. Like LYLO before them, they had a secret weapon in the form of the clarinet that their drummer ‘Bazooka’ played on ‘I Feel Like Dancing’, and to huge audience cheers. The bounce of singles ‘Time’ and ‘Shout’ made them irrepressible and so catchy, you could feel the energy building in the room. Singer Christie sang with a megaphone and with a huge grin on her face. She knew they’d done good. On the final night of SXSW, you couldn’t ask for a better high note. Fans were fighting over who would buy them drinks after their performance. I smiled to myself as I skipped out the front door of the bar. My job here is done.

I went back to the hotel to start packing for the trip back home and to mentally prepare for the difficult return to my normal life. Seeing Moonlight Breakfast wow a crowd like that was another reminder, like many reminders that week, that TGTF and my writing and opinion here makes a difference. I know for myself that although I can’t be that singer I wanted to be when I was a little girl, the next best thing I can do is to help that girl (or guy) with the same dream. Dream big, laugh, love. Goodnight, SXSW 2018.

For more of my photos from Saturday at SXSW 2018, visit my Flickr.

 

Video of the Moment #2753: IDER

 
By on Friday, 8th December 2017 at 6:00 pm
 

Megan Markwick and Lily Somerville, better known as IDER, have a new video out this week. The roommates have now unveiled their co-directed promo for ‘Body Love’, which includes an inside look of the flat they shared where, as they say, the magic happens. That is, the magic that is the ladies making demos in their bedrooms. The song itself is a revelation, as their voices harmonise wonderfully, as if you’re being let in on a little secret, and a quite poppy one at that. Watch the video for ‘Body Love’ below. The duo will be performing at London Rich Mix on the 27th of March 2018. For more coverage on IDER on TGTF, go here.

 

Video of the Moment #2456: IDER

 
By on Friday, 20th October 2017 at 6:00 pm
 

IDER are Megan Markwick and Lily Somerville, two women who met during a music course at the University of Falmouth 5 years ago. They started making music and living together and have never looked back since. They were given a shout to SXSW 2017; sadly, they didn’t attend, but I choose to believe that they’re just practising and plotting just the right time to launch their musical assault on unsuspecting America. They’ll be showing off their talents at shows over the next 2 months as main support for Ibeyi, another strong female duo. Two headline shows of their own this month at London Archspace on the 25th and 26th October are already sold out.

To close out this week, we have for you from IDER the song ‘Learn to Let Go’, their new single out now and their first for Glassnote Records. The accompanying video is a celebration of dance moves and the feeling of freedom, whether in a bedroom, in a club, in a park, in an abandoned lot…you get the idea. Watch the video for ‘Learn to Let Go’ below. We’ll be keeping our eyes and ears open for additional information of future releases from IDER.

 

TGTF Guide to SXSW 2017: London pop artists showcasing at this year’s SXSW

 
By on Wednesday, 22nd February 2017 at 12:00 pm
 

As you might imagine, London leads the charge with the largest number of artists one city in the UK is sending to SXSW 2017. In this post, we introduce you to the acts from London Town in the genre of pop who received a shout for SXSW this year. The summaries of acts below were written by Rebecca Clayton, Steven Loftin and David Wriglesworth; where noted, some acts have dropped out. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

ESKA
Zimbabwean-born ESKA is best described as an amalgamation of the psyche soul of Minnie Riperton, with the whimsical melodic twists of Kate Bush, arranged into an intoxicating meld for the post-digital age.

Throughout the 2000s, ESKA gained vocal credits on many independent releases, before releasing the ‘Gatekeeper’ EP on her own Earthling Recordings label in 2013. The EP attracted worldwide critical acclaim, with BBC Radio 6’s Giles Peterson describing ESKA as “one of the most important singers in the UK”. ESKA released her self-titled debut album in 2015, which received a nomination for the 2015 Mercury Music Prize. Fast forward 2 years, and ESKA is set to unveil new music from her hugely anticipated follow-up album. (David Wriglesworth) [As of 21/2, ESKA is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=qdObPNAWANw[/youtube]

IDER
Megan Markwick and Lily Somerville are better known as IDER. Since moving in together, the duo worked tirelessly on their project and emerged in April 2016 with their debut track, ‘Sorry’. Within minutes of the track going live on Soundcloud, Sorry received huge support from BBC Radio 1’s Phil Taggart, who labeled IDER as one of his “Future Firsts” on his weekly show. Two months later, IDER released their follow-up track, the vulnerable, yet beautifully balanced ‘Pulse’, which has since received over 1,000,000 streams on Spotify. This was followed by the release of ‘King Ruby’ and ‘Million’.

With only a few live shows under their belt, supporting Conner Youngblood, Tegan and Sara and Samaris in London, IDER have laid low, writing and recording their debut album, which is expected to be released later this year. (David Wriglesworth) [As of 21/2, IDER are no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=kM3MNMrjhFM[/youtube]

The Japanese House
Do you need some melancholic synth pop in your life? Of course you do, it gives life that edge. The Japanese House manages to own this as well as have you begging for me. The fact it’s produced by The 1975‘s Matt Healy should give you a hint as to exactly how good we’re talking here. You can check out the ‘Swim Against The Tide’ EP available now. (Steven Loftin)

Joel Sarakula
Joel Sarakula is an Australian-born, UK-based soulful pop producer and singer-songwriter, who has travelled the world in search of his muse, gazing through his vintage glasses at his ‘70s tinged world.

In 2013, Joel Sarakula released his debut album ‘The Golden Age’. Singles ‘Bohemian’ and ‘I Will Deliver’ received numerous plays across BBC 6 Music, BBC London, XFM, Q Radio and Absolute Radio. Fans didn’t have to wait long for his follow-up, ‘The Imposter’, which hit store shelves in November 2015. This latest album took him to London, Berlin and Sydney, with a host of his musical comrades appearing on the record.

Joel Sarakula is a regular fixture on the festival and club circuit in the UK, Europe and Australia, having made appearances at Latitude, Glastonbury, The Great Escape, V-ROX Vladivostok and Reeperbahn Festival Hamburg, among others. (David Wriglesworth)

[youtube]https://www.youtube.com/watch?v=PK7_5hJukT8[/youtube]

Kate Nash
Kate Nash is the Harrow-born indie pop singer/songwriter who rocketed to fame in 2007 with her punchy hit ‘Foundations’. Nash went on to release a bunch of other singles from the album ‘Made of Bricks’, including ‘Pumpkin Soup’ and ‘Mouthwash’, that cemented her as a cornerstone of quirky, bright indie pop. In 2013, she shared her third studio album ‘Girl Talk’, which she released independently, saw her head for a punkier direction. Always being outspoken about politics and women’s rights and issues, Nash also worked to prevent the Dakota Access Pipeline last year. She’ll be appearing at SXSW this March, with the follow-up intention of releasing a new album this summer, which she is recording in Los Angeles. Stay tuned… (Rebecca Clayton)

[youtube]https://www.youtube.com/watch?v=yq6Xa6VYWFI[/youtube]

Mt. Wolf
In 2011, an inexperienced Kate Sproule turned down her first-post college job to pursue a music career to form Mt. Wolf (pictured at top), alongside her childhood friend Stevie McMinn and his college mates. The risk paid off as, after only two EPs into their career, Mt. Wolf became established as a signature sound. However, the band announced their decision to split 2 years later, due to creative differences in the band.

After a year’s hiatus, Mt. Wolf reunited with a new line-up as pictured at top, consisting of Sebastian Fox (vocals/guitar), Stevie McMinn (guitar) and Alex Mitchell (drums). The band’s electronic and acoustic elements have earned them comparisons to the likes of London Grammar, Mogwai and Sigur Ros.

The future is looking promising for the band, having received funding from the BPI’s Music Exports Growth Scheme (MEGS), as well as a separate grant from the PRS Foundation. (David Wriglesworth)

[youtube]https://www.youtube.com/watch?v=EyoFMIhcOkg[/youtube]

PIXX
Hannah Rodgers, better known as Pixx, is a young singer/songwriter from Chipstead on the outskirts of London. Born to a music-loving family, Pixx’s creative side was nurtured and encouraged from a young age, with her talent earning her a place at The BRIT School, which also counts Adele, Ella Eyre and the late Amy Winehouse among its alumni.

Inspired by the likes of Bob Dylan, Joni Mitchell and Aphex Twin, Pixx – whose name is adopted from her grandmother’s nickname – released her recording debut ‘Fall In’ in August 2015. This was quickly followed by dreamy, synth-pop tracks ‘Baboo’ and ‘Grip’.

2016 was a busy year for Pixx, as she joined Daughter and Glass Animals on tour as a support act, played at a host of festivals including Latitude and performed at a 4AD showcase in the UK and the U.S. Pixx is currently in the process of finishing her debut album, which is due for release in early 2017. (David Wriglesworth) [As of 21/2, Pixx is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=M4kONnKvqG0[/youtube]

Roses Gabor
Once upon a time, Roses Gabor was working at a bank while working on her music career on evenings and weekends. In 2005 she sang on the Gorillaz track ‘Dare’, and since then she has appeared at a number of the band’s shows and tours to provide vocals, and featured on a number of other artists’ tracks, including SBTRKT’s ‘Pharoahs’ released back in 2011. More recently she’s featured on Basstrack’s funk-inspired ‘Get Your Way’.

In 2012, she released the single ‘Stars’, before releasing a follow-up single ‘Rush’ 2 years later. Gabor’s music is tranquil electro-dance, and features shimmering synth rhythms that show off her svelte vocals. (Rebecca Clayton) [As of 21/2, Roses Gabor is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=d5mNrUEKil4[/youtube]

Sykes
Sykes are a sparkly, electro alt-pop outfit from London, made up of lead singer Julia Sykes, lead guitar/ bass player Kristian Taylor and Will Grid Brown on drums. Unsigned, the band is yet to release an album but they have shared a bunch of singles/EPs since they started writing together. The band has been featured on Radio 1, and they have supported the likes of Bleachers and Charli XCX live, as well as appearing at a number of festivals including Glastonbury.

The band released the popular ‘Gold Dust’ in 2014, garnering attention for the trio. Title track ‘Gold Dust’ is joyful, with a glittering childhood sentimentality to it, and echoes the dreamy alt-pop quality of the band’s music. They also released an EP in 2016, ‘Younger Mind’. (Rebecca Clayton)

[youtube]https://www.youtube.com/watch?v=UVHOAZ6UIAA[/youtube]

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

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