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Hard Working Class Heroes Festival 2017: Saturday Roundup

 
By on Thursday, 19th October 2017 at 2:00 pm
 

Catch up on Rebecca’s Friday night coverage of Hard Working Class Heroes 2017 by following this link.

On Saturday evening, we were pretty excited to see some of the acts that we had lined up on our schedule, as well as to try out Dublin’s newest music venue, The Underground. But first, we hit The Grand Social, following what seemed like a rabbit warren of corridors before we reached the music venue at the rear of the pub. We first saw the peach-haired ROE (pictured above), the 18-year old from Derry, known to her mum as Roisin Donald. Two standouts were ‘Fake Ur Death’, the track she released at the start of the year, and another that she talked about writing a track about her grandfather’s dementia, which she sang passionately and emotionally. Multi-instrumentalist ROE created a range of sound with her guitar and by looping rhythms and is certainly a unique talent to watch out for.

The Underground was next on our list, where we caught the end of Cinema’s set. I was pleased to find we’d not missed out on Peter Fleming’s most well-known track, the ethereal ‘Floating’. I’d heard it what seemed like a hundred times before but had never known who sang it. Cinema is a great chilled out electropop act for fans of celestial, airy tunes.

Kilnamana were up next at The Underground, which despite being a seriously cramped venue had an incredible vibe. It was also the act’s first Irish show. The duo are clearly in love with performing their music, dancing along throughout the set. I’m pretty sure they were also using a theremin; I’d never seen that particular instrument used on stage before, especially not laced with hypnotic synth sounds. Highlights were Miguel Garcia Soler swaying to the music, and Enda Gallery playing his flute into a microphone, while distorting the sound.

We briefly caught ROCSTRONG at Tramline, the venue that we’d fallen in love with the night before. A confident and charismatic performer, he instructed the audience to split into two halves, and chant phrases back to him when he pointed the microphone in their direction, but did seem put out by the some members of the audience choosing to sit down for the set.

Finally, we headed back to Workman’s to check out Bitch Falcon. I must admit, we chose this band purely on name alone, and they definitely aren’t the type of act that I would usually see. We ended up really enjoying their heavy, autotuned, intense set, with lead singer Lizzie Fitzpatrick headbanging away like the coolest front woman in town. The crowd were also delighted to see the band, and we could barely move as we stood watching the performance, being jostled around by the bopping crowd. [Catch all our past coverage on Bitch Falcon through here. – Ed.]

Hard Working Class Heroes is one of those festivals that not only allows you to see some fantastic acts, but also enables you to check out some of the fantastic venues that the city has to offer. For a relative newcomer as myself, it was particularly enjoyable, and I’m already looking forward to next year.

 

Hard Working Class Heroes Festival 2017: Friday Roundup

 
By on Wednesday, 18th October 2017 at 2:00 pm
 

This year, the Hard Working Class Heroes Festival based in Dublin turned 15 years old. After starting back in 2003, it has since grown from an event at a single venue to a highly anticipated and buzzing music event, including live performances from a wide range of artists and a music conference.

As we made our way to the Workman’s Club to collect our tickets on Friday, we seemed to come across a busker or musician on every street corner, particularly on the bustling Grafton Street and by the famous Molly Malone statue. It was a reminder that Dublin truly is a city alive with music.

With our passes and lanyards in hand, we headed to the first venue of the night, the brightly painted Tara Building, where we saw the first couple of tracks performed by the teenage troubadour Curtis Walsh. Singing about themes and experiences seemingly beyond his young age (he’s a mere 16 years old), Walsh stood on stage armed with just his guitar and belted out the tracks ‘Drunken Love’ and ‘Bury the Hatchet’. Jake Bugg or Ed Sheeran.

Next we made our way to Tramline, the cool new underground venue and bar on Hawkins Street. Here we saw Erica Cody (pictured at top) perform onstage with her band. With vocals reminiscent of Dua Lipa or Zara Larsson, Cody was a commanding and confident presence onstage. After performing a few of her own tracks, including the single released earlier this year ‘Addicted’, she talked about her how influenced she had been by ‘90s r&b, evidenced by her great cover of the iconic ‘Pony’ by Ginuwine. She was all in all a great performer and had a set filled with funky hooks and electric guitars aplenty.

We next headed back to the Workman’s Club, where we saw perhaps the most captivating act of the weekend, BIMM Dublin graduates The Fontaines [not to be confused with Los Angeles sibling-led group of the same name – Ed.]. Musically Buzzcocks-esque while also reminiscent of The Vaccines and The Hives, it was difficult to keep your eyes off their frontman Grian Chatten, who was swaying about onstage and staring intensely out into the audience like he was the only person in the room. Opening with ‘Rocket to Russia’, an old-school rock ‘n’ roll-sounding number, other highlights were the two recently released tracks ‘Hurricane Laughter’, which the band closed their set with, and ‘Winter in the Sun’, with brilliant lyrics like “I want to feel it winter in the sun / I wanna feel my soul coming undone”. Definitely one of those bands that you’ll want to see live.

After The Fontaines, we stuck around for a short while to catch the start of Other Creatures’ set, which was a much more mellow affair than the riotous act that had come before. The Dublin trio opened with ‘Luxembourg’, which was released as a single earlier this year. Subdued and cool, the trio’s songs are somewhat haunting and edgy, emphasised even more by their lead singer’s unique vocals.

I’d seen Loah (Sallay Matu Garnett) before at the RTE Choice Music Prize show in March, so I knew her performance would be a good one. She features on Bantum’s excellent track ‘Take It’ and on Friday evening, she was on at Tramline. There is something about the underground venue and its hazy lighting that created a fantastic vibe, Loah’s smooth, deep vocals suiting the cool environment. She was clearly having a great time onstage and comfortable as she performed and danced. Garnett talked about how she was from Crumlin, as well as her Sierra Leonean roots, singing in a language from Sierra Leone on ‘Cortège’ (Sherbro and Mende according to her YouTube account page). EP title track ‘This Heart’ is gentle yet powerful, summed up Garnett’s self-described genre ‘ArtSoul’. She finished the set with final track ‘Nothing’, which she described as being about “total destruction of the ego”. [She also appeared at SXSW 2017; catch all our coverage on the Irish/Sierra Leonean soul singer here. –Ed.]

After Loah, we stuck around for the headliner of the night. Dublin-based singer, rapper and poet Jafaris performed before a packed-out audience, telling the crowd with a hopeful tone, “I hope you guys connect with me”. Standout tracks from his set were ‘Love Dies’ and ‘If You Love Me’, which sum up the young songwriter’s chilled-out hip hop/pop style. Jafaris is sure one for fans of Frank Ocean.

Stay tuned for Becky’s review of Saturday night’s showcasing artists at Hard Working Class Heroes 2017, posting here on TGTF tomorrow.

 

Hard Working Class Heroes 2016: Day 3 evening roundup (part 2)

 
By on Thursday, 20th October 2016 at 3:00 pm
 

To read the first half of my Saturday evening at Hard Working Class Heroes, follow this link. To have at your fingertips the entire HWCH 2016 archive here on TGTF, go here.

Tiz McNamara (Dublin via Cork) @ Tengu Downstairs

Tiz McNamara HWCH 2016 2

Joined by his bandmates from his hometown of Cork, Tiz McNamara built on the strength of his relaxed afternoon show at Urban Picnic with his evening performance. Dressed in a flowy white shirt (channeling Jesus, a higher power or Sting, perhaps?), he looked like he could have been performing in the Caribbean. But the subject matter of his songs are on a more everyman level. Admittedly, some of his songs were of the more melancholic, sad variety. But they’re a joy to hear in McNamara’s voice, in the way that sometimes you want to hear a song that will break your heart, because your heart’s been broken before and yet somehow, you’ve survived.

Despite the two being probably around the same age, McNamara strikes me as a more grown-up version of Lewis Watson: clearly lovely, lovable and writing songs that are entirely relatable. ‘I Hope You Know’ was a standout of both his acoustic afternoon and with band evening sets and showed great potential as a breakout singer/songwriter.

Elm (Dublin) @ Workman’s Club

Elm HWCH 2016 2

Following their stripped-back performance at the HWCH box office at Filmbase Saturday afternoon, I was excited to see the contrast to Elm’s full five-piece band show that night at the Workman’s Club. They didn’t disappoint me, or anyone else at the club for that matter. They have a loud and large following already built up in Dublin; I felt squished like a sardine down the front for the band to start. Cat-calling for specific members of the band even before they took the stage and then while they were actually on the stage indicated without a doubt that their fans already have strongly associated each of their band members’ individual personalities, as if they were the Beatles or One Direction. I was floored. It feels like Elm have already outgrown an emerging music festival like this and whenever they’re ready to release a debut album, they’ve got legions of fans in Ireland chomping at the bit to buy it.

As for their performance, the band were tight, feeding off the energy of their excited fans. Their self-described “alternative baroque pop”, the instrumentation full of pomp, yet not overwhelming to frontman Dylan Walsh’s powerful vocal delivery, is a winner. Their unique sound is definitely something different to offer the often boring mainstream and I can see both UK and U.S. audiences warming up to their tunes.

Participant (Dublin) @ Tengu Downstairs

Participant HWCH 2016

Steven Tiernan and his ambient project Participant ended my Hard Working Class Heroes 2016 on a rather unusual note. Tiernan himself commented after the festival that no live set he’s done as Participant is ever repeated, as he likes to experiment with what he’s playing with onstage, the songs he’ll play, the loops and samples used, even the song arrangements. He was creating his live sound with a friend performing with him, and to go with a voiceover of a mindfulness seminar. Not exactly what you might expect or want at a Saturday night show, but it seems rather appropriate for my state of mind and what I took from this music festival as a whole.

You’re never going to be able to predict what gems you’ll uncover at Hard Working Class Heroes, but there’s so much to discover here over the 3 days, whether you want to dance, to be touched emotionally, to be challenged, to feel blissfully chill. Open your ears, heart and mind, and you’re sure to find an act (or three) to fall in love with.

 

Hard Working Class Heroes 2016: Day 3 evening roundup (part 1)

 
By on Thursday, 20th October 2016 at 1:00 pm
 

One more evening left to go in my Hard Working Class Heroes 2016 experience, and I was going to grab this opportunity with both hands. With a mix of pop, electronic and even some avant-garde on the docket for the first half of the night, I was ready to take in the artists on my schedule. Catch up on all my HWCH 2016 coverage through this link.

Saramai (County Meath) @ Wigwam

Saramai HWCH 2016

The trio Saramai from County Meath are named after their frontwoman and keyboardist Saramai Leech, who also happens to be the sister of the ginger-headed Oisin of The Lost Brothers. Regardless of origin, family connections in music enthrall me. I really should not be so surprised about talent running through families, especially Irish ones: consider Mary Black, her daughter Róisín O and her son Danny in The Coronas.

However, I was pleasantly surprised that Saramai and her band have a more pop, less folk, yet as polished a presence compared to her brother’s act, effortlessly moving between ballads and more upbeat numbers. It is something special when siblings have their own talents, and at Hard Working Class Heroes, Saramai the band has made clear that their chosen way forward is one expressed through sweeping emotion. They just celebrated the release of a new EP at a launch party last night at Dublin Whelan’s. Check out their new track and new accompanying animated video for ‘Trees’ below.

[youtube]https://www.youtube.com/watch?v=bXUIGPBcy5o[/youtube]

Swords (Dublin) @ Wigwam

Swords HWCH 2016

From a less widely known band, we go on to a band who have been around the block. One wonders if like the Crookes, Swords named themselves after a part of the city most important to them: Swords is a commuter town north of Dublin most famous these days for having spawned Kodaline. Having formed 6 years ago makes them one of the granddaddy bands of this year’s Hard Working Class Heroes, they released their debut EP in 2012 and their debut album ‘Lions & Gold’ in 2013.

Despite only having three band members, it took awhile for them to set up, because they had a lot of gear, including wow, a full xylophone. Sadly, I only got to hear two songs, both sans xylophone, but enough to fully comprehend Diane Anglim’s voice, full of yearning ala Paula Cole, before I had to leave for another venue. Their newest album ‘Tidal Waves’ is scheduled to be out next Friday, the 28th of October.

[youtube]https://www.youtube.com/watch?v=4E9JAGGfVy0[/youtube]

Le Boom (Dublin / Brooklyn) @ Tengu Upstairs

Le Boom HWCH 2016

Interestingly, drummer Aimie of Saramai’s band is one-half of Le Boom. They are a Dublin electronic duo who have also spent some time in the creative musical hub that is Brooklyn. Already garnering loads of attention and hype on both sides of the Atlantic, Le Boom are a no-brainer: clap your hands, move your body to the beat, and give yourself over to the music. Happily, the upstairs at Tengu wasn’t as gross and sweaty as it had been the night before, which meant you could actually enjoy and dance to their infectious beats.

[youtube]https://www.youtube.com/watch?v=vqhwI-rBoWY[/youtube]

Hiva Oa (Belfast) @ Tengu Downstairs

It was then a quick run downstairs to catch the last few precious minutes of Northern Irish band Hiva Oa. I had listened to them on YouTube and been impressed with their confrontational sound that isn’t simply punk. Live, they were loud, drum beats and guitar chords loud. Like Swords’ show earlier, I didn’t a big taste of Hiva Oa, but it was plenty enough to demonstrate to me that this is a band that follows their own (loud) drummer and no-one else. Check out their ‘Mk 2, Pt. 1’ EP released last week.

[youtube]https://www.youtube.com/watch?v=j0pqMgLDnsY[/youtube]

 

Hard Working Class Heroes 2016: Day 3 afternoon roundup (part 2)

 
By on Wednesday, 19th October 2016 at 3:00 pm
 

For the first half of my coverage of Saturday afternoon at Hard Working Heroes 2016’s In the City, go here. For the entire HWCH 2016 archive, use this link instead.

Dammy Ari (Carlow) @ Mary’s Bar

Dammy Ari HWCH 2016

I think the proprietors of Mary’s Bar on Wicklow Street must enjoy a bit of hip-hop. While I missed AikJ there on Friday afternoon owing to convention activities, I wasn’t going to miss an opportunity to visit a bar with my name on it. I wasn’t disappointed. This will have clearly been the only time I’ve ever watched a rapper perform in a bar slash hardware store, so thank you, Hard Working Class Heroes!

I’m not going to pretend that I know all the nuances of hip-hop, so I’m going to review Dammy Ari on his charisma as it came through his words. He describes his artistry like this: “each song is a blank canvas for a new story, with my thousand words painting a vivid picture”. On the particularly arresting ‘Mama’, he summons the strength of his mother to propel him forward (“mama didn’t raise no fool” / “mama taught me to go for the win”). It is difficult not to sound patronising when you don’t mean to be, but as a fellow person of colour who has had to fight tooth and nail for certain opportunities in this life, the subject matter hit home.

While an acoustic setting with nothing but a guitarist accompanying him, the rhyme shone through as one of Dammy Ari’s strengths. The music listed and streaming on his Breaking Tunes page suggests that with further backup, he’s more than capable for a more pop sound, which should interest more than a few labels snooping about.

Elm (Dublin) @ HWCH Box Office (Filmbase)

Elm HWCH 2016

This could have been very odd (the band were literally feet away from the sometimes bustling ticket check-in desk) but somehow it worked. In a three-member configuration from their usual five, the stripped back version of Elm played for an attentive crowd, some of whom including myself watched from the vantage point of a comfy couch directly opposite. They’re quite a compelling presence live, as I witnessed firsthand at their CMW 2016 appearance at the Rivoli at the Music from Ireland showcase there in May.

Okay, so here we had singer Dylan, guitarist Aidan and cellist Gary. Pretty standard line-up for a rock band, right? Er, wrong! After Gary fretted about digging a hole in Filmbase’s floor with the pointed end of his cello but was then waved off by Hard Working Class Heroes’ staff, Elm finally began. Dylan Walsh is the kind of frontman you can’t take your eyes off of. The guy just exudes charisma. ‘Concentrate’, whose promo video we featured this summer, is looking likely to be the showpiece of this band’s live performance for many years to come, as it combines Walsh’s powerful vocals that are elegantly accompanied by a maelstrom of instrumentation. In the stripped back form, the vocals become even prominent, showing a different dramatic side to the group. Stay tuned for my review of their full live band performance from Saturday night.

Galants (Dublin) @ Wigwam

Galants HWCH 2016

I think I missed something in translation when I saw Galants close out my Hard Working Class Heroes In the City experience. Watching their promo video for ‘Evergreen’, I think I made a major mistake missing them at the Workman’s Club Saturday night in favour of catching them in the afternoon. Too bad. I wasn’t feeling their sit-down performance in the basement of Wigwam. I wonder now if they were limited in how loud they could be, or maybe they’d just decided they wanted to challenge themselves to do two entirely different shows?

Either way, focus on their usual, harder noise pop ethos when their debut EP is released in November. I just have this feeling a lot of important people will be listening to that EP when it sees the light of day.

[youtube]https://www.youtube.com/watch?v=EQQrCU-1l_Q[/youtube]

 

Hard Working Class Heroes 2016: Day 3 afternoon roundup (part 1)

 
By on Wednesday, 19th October 2016 at 1:00 pm
 

I have no idea how I woke up with no hangover whatsoever Saturday morning at Hard Working Class Heroes. Guess I ordered quality booze? By the way, many thanks to the fine folks at the Woollen Mills for a raspberry whiskey sour. With what else but Jameson’s?

Ella Naseeb (Dublin) @ Winding Stair Bookshop

Ella Naseeb HWCH 2016

Maybe this emerging music festival in Dublin was just the ticket to help me distinguish and indeed, appreciate better the solo singer/songwriter and in a way that Carrie’s ear already can do. It was back in the saddle again for me on the third and final day of Hard Working Class Heroes In the City, this time starting at the Winding Stair bookshop to watch BIMM Dublin student Ella Naseeb. Naseeb’s voice has the advantage of avoiding the usual too sweet-sounding pitch of female voices, instead bridging the distance between those singers and, say, a Stevie Nicks or Natalie Merchant. Singing about ‘Real Life’ might be too serious for major labels but such a song coming from someone so young shows surprising maturity.

[youtube]https://www.youtube.com/watch?v=AlHhWOoUQTk[/youtube]

Paul Creane (Wexford) @ Irish Design Shop

Paul Creane HWCH 2016

Then it was off to the Irish Design Shop for a brief peek and listen to Paul Creane’s set. Reminding me of our former head photographer Martin and Steve Mason too somewhat with his facial hair, the self-described alt-country artist looked at home stood with his guitar, his voice reverberating off the walls of the small shop. With vocals gruff yet powerful, it isn’t too hard to imagine Creane writing a mainstream anthem one day. As the frontman of Paul Creane and the Changing Band, he’s released two albums over the last 5 years to much acclaim. A solo album ‘One Trick Blue’ is purported on the way, which should perk up ears not just in Ireland but to country and folk fans beyond.

Tiz McNamara (Dublin via Cork) @ Urban Picnic

Tiz McNamara HWCH 2016

If there was someone at Hard Working Class Heroes with the most compelling life story (at least of those I managed to hear), Tiz McNamara’s would be it. Originally from Cork but now living in Dublin to truly make a go of the music business. Prior to this move, McNamara studied at LIPA with the intention of becoming a professional drummer, but following an accident with a keyboard (long story short: the keyboard won), he almost got his foot amputated after the fateful incident. As he described it with a sigh at his evening show later that night at Tengu Downstairs, it was his Irish mammy who convinced the doctors in Liverpool to try and save his foot instead of completely writing it off.

Unable to use a kick drum anymore, he was given an ultimatum by LIPA: either withdraw from his studies or take up a new instrument. So McNamara took up guitar. While I realise this isn’t like having cancer or something life-threatening, it has obviously affected the way he approaches life and his songwriting, adding a tinge of the fatalistic and melancholy to his music.

 
 
 

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