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SXSW 2018 Interview: Harry Pane

 
By on Wednesday, 18th July 2018 at 11:00 am
 

My final interview of the SXSW 2018 music festival was with English singer/songwriter Harry Pane, who played a mellow late Saturday afternoon showcase at the Hilton Austin hotel’s Cannon and Bell Lounge as part of SXSW’s Second Play Stage series. Pane played a relaxed set in this acoustic setting and even engaged in some friendly banter with the intimate crowd between songs, which encouraged me to approach him for a quick chat after he finished playing.

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This performance at The Hilton marked Pane’s final show of SXSW 2018, and he seemed happy to take time for an interview after a busy week of gigging in Austin. “I did six [shows], overall. But they were kind of stretched out enough that it was enjoyable instead of just, like, an endurance test.” His shows included an official showcase at Stephen F’s Bar, as well as a set at one of my favourite Austin venues, The Tiniest Bar in Texas, and a radio performance for KSGR, where he peformed alongside fellow English songwriter and TGTF alum Frank Turner. “I [had done] a songwriting workshop with him and his band, who are really, really nice people”, Pane said of Turner. “He was on the KGSR show too, and he very kindly mentioned my name and gave me a shout out, which was really good.”

This year was not Pane’s first experience at SXSW. He played the festival once before, back in 2016, and that experience allowed him to come into SXSW 2018 with clearer expectations. “I kind of went in blind to that one, and I had one showcase. Didn’t really know what it was about or what I was doing”, Pane remembers. “This time around, two years later, I’ve done a few more things, worked a little harder. I feel this one’s been way more beneficial, and a lot more fun, actually.”

As a fully independent artist, Pane appeared in Austin without a band or entourage in tow, which made the small Second Stage venues a near-perfect fit for him. “I have a double bass player at home, and I’m trying to sort of slowly build a band, put it together. But at the moment it’s just me, on my own.” When I asked about label support, Pane demurred. “I’m not in a position to even talk about labels. I’m with AWAL, who are an amazing support for independent musicians.” AWAL is billed as “Kobalt‘s unique alternative to the traditional music label”, offering services to independent musicians who want to maintain control and flexibility. Pane continued, again very frankly, “If it came to the crunch, I do think that they would look after you way more and take less money off you.”

We also talked about the unique challenges of recording music as an independent artist, and Pane discussed them candidly in terms of his own current experience. “My last EPs that I did, I recorded with Dani Castelar, who worked with Paolo Nutini and other people that I really like.” He laughed, “I’m name-dropping now . . . But it’s really good, because we’ve got a really good friendship now, and I’ve got this kind of understanding with him where I record with a guy in London, on a cheap rate, and I send my stuff over to him, and he mixes it. He tweaks it and polishes it. This is a way I can afford it at the moment.”

Releasing singles, rather than full albums or even EPs, is Pane’s current way of keeping his name and his music afloat in the vast milieu of singer/songwriters. “At the moment I’m feeling like that’s working more, at my stage, to release song by song. I released the EP last year, [‘The Wild Winds’] and it was beneficial for the single, the leading song of that, but the other songs kind of got wasted within that EP, they got sort of lost.”

At the time of this interview, Pane had freshly released a new single called ‘Beautiful Life’. When I asked about forthcoming releases, Pane confessed, “I’ve got some songs in the pipeline, but nothing quite ready yet.” However, he has been keeping busy in the interim. This Friday, the 20th of July, Pane will release a new single titled ‘MacArthur Park’. While no preview of the track is yet available, you can pre-save ‘MacArthur Park’ on Spotify and iTunes now.

Harry Pane is scheduled to appear onstage at Penn Fest in Buckinghamshire on the 21st of July and at the Towersey Festival in Oxfordshire on the 27th of August. You can find a full listing of Pane’s live appearances on his official Web site. TGTF’s previous coverage of Harry Pane is collected here.

 

SXSW 2018: Wrapping up with a final conference session and Saturday evening showcases – 17th March 2018

 
By on Thursday, 3rd May 2018 at 2:00 pm
 

Editor Mary and I started our final day at SXSW 2018 with a leisurely brunch, but we both had a full schedule of options for Saturday afternoon and evening. (You can read Mary’s Saturday recaps here and here.) I decided in the moment to play the day by ear, and my rather uncharacteristic spontaneity paid off in the form of several new-to-me acts, which I very much enjoyed.

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Before I set out to hear any live music, I did attend one last conference session at the Austin Convention Center. As a connoisseur of the singer/songwriter genre, I couldn’t pass up University of British Columbia musicologist David Metzer‘s discussion titled ‘Ballads: A History of Emotions in Popular Culture’. Here, Metzer explored the ballad’s changing role in popular music from the 1950s to the present, highlighting listeners’ growing desire “to experience feelings in bigger and bolder ways” and performers’ stylistic tendency to emote in increasingly virtuosic fashion. The presentation was necessarily brief, and Metzer used a simple but effective comparison between Whitney Houston’s iconic performance of ‘I Will Always Love You’ and Dolly Parton’s original version to make his point. True music nerds like myself can find a more expanded discussion in Metzer’s book, ‘The Ballad in American Popular Music: From Elvis to Beyoncé’, which I promptly ordered when I returned home from Austin the next day.

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After a quick walk around the Trade Expo and a celebratory green cocktail for St. Patrick’s Day, Mary and I both had time to check out SXSW’s Second Play Stages, which feature official Showcasing Artists playing acoustic “happy hour” shows in the lounges of downtown Austin hotels. These shows are casual and quite intimate, with small crowds gathered in close and passersby stopping to listen at the fringes. I chose the Hilton’s Cannon & Bell lounge, where English singer/songwriter Harry Pane was playing his final set of the week. Pane was both relaxed and engaging on the small stage, and his songs were candidly emotional in this stripped back setting. His performance of ‘Fletcher Bay’, written after a trip to New Zealand with his late father, was particularly moving. You can have a listen to a similar live performance courtesy of London Live Sessions just below.

After a quick post-show interview with Pane (which will publish on TGTF in the coming days), I headed to Barracuda, whose two stages were hosting the combined Artist Group International and Xtra Mile Recordings showcase. While there would undoubtedly be a larger crowd later in the evening, when British folk-punk artists Skinny Lister and Frank Turner were slated to play the outdoor stage, the mood was mellow in both venues when I arrived for the beginning of the night’s set list.

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First on the outdoor stage was Houston singer/songwriter Brianna Hunt, performing under the moniker Many Rooms. The audience was thin at this point in the evening, and Hunt’s muted demeanor on stage didn’t attract the punters’ attention straightaway, but as her set continued, the fragile beauty of her songs gradually drew focus to the stage. Many Rooms’ debut album ‘There is a Presence Here’ is available now on Other People Records; you can listen to album track ‘which is to say, everything’ just through here.

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Between sets on the outdoor stage, I peeked inside to catch a couple of songs from Allman Brown, who had caught my attention earlier in the week, while I waited to hear English folk singer Non Canon. Non Canon is the mildly pretentious stage name of singer/songwriter Barry Dolan, who describes the term as “anything [that] exists apart from the story we know and love”. His music is true to that description, pairing obscure literary allusions with pop culture references in an odd, but ultimately thought-provoking way. Though his set here was stripped back to voice and guitar, his recordings feature a fuller array of instrumental sounds and unusual harmonic variations, as evidenced in ‘Splinter of the Mind’s Eye’.

The remainder of the Barracuda lineup included The RPMs (who Mary saw the previous afternoon) and Will Varley, as well as the aforementioned Skinny Lister and Frank Turner. As I had seen the latter three recently (Varley and Skinny Lister in February at Phoenix’s Valley Bar, and Turner on Thursday evening), I decided to head to the Parish, which was hosting British indie label Bella Union.

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As we’ve mentioned in the past, Bella Union is a sure bet for high quality songwriting and musicianship, but also for music that is a bit off-the-beaten-path. Their Saturday night showcase at the Parish was no different. I missed indie pop songwriter Ari Roar, but arrived in time to catch American folk duo Field Division. On the surface, this pair, comprised of Evelyn Taylor and Nicholas Frampton, is yet another in a long string of Laurel Canyon-influenced artists, but on closer listening, their powerful lyrics and sharp instrumental arrangements create a deeper and more tangible sonic presence. Keep an eye out for their debut LP ‘Dark Matter Dreams’, which is due for release on the 22nd of June and features the propulsive motion of ‘River in Reverse’.

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More subdued but nonetheless hypnotic, electronic dream pop artist Hilang Child (aka Ed Riman) took the stage next and dazzled the growing audience with his effortless vocals and deftly textured instrumental layers. His carefully crafted soundscapes are replete with splendid dynamic and harmonic colour, which fill in and expand beautifully upon his delicately poetic lyrics. Hilang Child’s standout track ‘Growing Things’ will feature on his upcoming debut LP, which is due out later this year.

Tiny Ruins

New Zealand folk band Tiny Ruins has evolved from the solo work of frontwoman Hollie Fullbrook into a full four-piece ensemble, though they were represented in Austin by only two of their number, Fullbrook and bassist Cass Basil. Their thoughtful folk songs were mesmerising with just the pair of them, but they added another dimension of rhythmic interest when drummer Jim White joined them on stage midway through their set. Tiny Ruins’ third album is due out on Bella Union later this year; in the meantime, take a listen to the subtle yet exquisite ‘Me at the Museum, You in the Wintergardens’, courtesy of Flying Nun Records.

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Jim White took only a brief hiatus from the stage after Tiny Ruins’ set before returning for his main show as part of avante garde folk-rock duo Xylouris White. Xylouris White finds the virtuosic Australian drummer joining forces with equally skilled Cretan lute player and singer George Xylouris to create a musical experience that is best described as “intense”. Any words I write here will undoubtedly fail to convey the awesome power of their live performance. The unlikely but fluidly-synchronised pair released their third LP ‘Mother’ back in January, and it’s not to be missed for anyone excited by the idea of dynamic jazz-rock-folk fusion.

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The final act on the Bella Union bill, and the final act for me at SXSW 2018 was Ezra Furman, whom I’d seen on Thursday at the Luck Reunion. The late night atmosphere of the Parish on Saturday night was an entirely different context for Furman and his band The Visions, and the dark drama of songs like ‘Suck the Blood from My Wound’ took on a new level of depth and potency in this set. Here, Furman combined his intellectual, heavily metaphorical lyricism with a visceral musicality to create a full gestalt that was somehow greater than the simple sum of its parts. In this regard, he fits in nicely with his Bella Union colleagues, who all made a positive impression on this showcase, and who made my last night in Austin a uniquely memorable one.

 

TGTF Guide to SXSW 2018: UK singer/songwriters showcasing at this year’s SXSW

 
By on Friday, 9th March 2018 at 11:00 am
 

The list of solo singer/songwriters showcasing at SXSW 2018 is predictably lengthy. Festivals lend themselves easily to the traveling troubadour types: setting up shop with a single person and instrument is easier than carting a full band’s worth of gear around town to play show after show. However, the singer/songwriter genre is becoming increasingly diffuse, as its definition expands to include a wide array of different instrumental and vocal sounds.

The singer/songwriter acts representing the UK at SXSW this year are broad in their stylistic scope, from unassuming acoustic balladeers to rising mainstream pop stars to eclectic avant garde musicians. Many of the acts on this year’s list are artists we at TGTF have covered extensively in the past, including Frank Turner (pictured at top) and Lucy Rose, but there are a number of new-to-us acts on the bill as well. We’ve covered a fair few of those in our (SXSW 2018 flavoured!) Bands to Watch features, including Jade Bird, ONR, Rhys Lewis, Chloe Foy, Allman Brown, C. Macleod, and Sam Fender. Read below for a brief rundown of the remaining UK singer/songwriters heading across the pond to SXSW 2018.

Christopher Rees – We featured Welsh singer Christopher Rees in the TGTF Guide to SXSW 2013, but haven’t heard much from him since that time. He heads to Austin this year with a new Americana album called ‘The Nashville Songs’ in tow. Take a listen to the chilling single ‘I Shiver’, just below.

Dan Bettridge – As we previously mentioned, Bettridge missed out on SXSW 2017, due to visa issues which his management has discussed in detail here. Bettridge will release his debut solo LP ‘Asking for Trouble’ later this year. Along with Rees, Bettridge will be proudly waving the Welsh flag in Austin.

Dan Lyons – Margate alt-pop singer Dan Lyons has spent the past four years primarily as a drummer, but he’s now stepping into the spotlight as a solo songwriter. His single ‘Big Moon’ was released at the end of February on Shaker Records.

The Dunwells – While obviously not a solo act, Leeds rock duo The Dunwells have nevertheless been classified as singer/songwriters at this year’s SXSW. They released a new EP called ‘Colour My Mind’ back in December, which included the track ‘Diamonds’, playing just below.

Elle Exxe – This Scottish pop singer is no stranger to SXSW or to the pages of TGTF. She recently teamed with MAC Cosmetics to promote her latest single ‘Catapult’; watch her exotic visuals in the promo video just below.

Emme Woods – Another Scottish songwriter, Woods’ singing voice belies her youthful 22 years of age. The level of musical sophistication in her single ‘I’ve Been Running’ is also well-beyond what you might expect of a musician so young. Check out the PledgeMusic campaign for her debut EP just through here.

Frank Turner – We’ve covered the indefatigable Mr. Turner and his merry band of Sleeping Souls extensively here at TGTF, including a lovely interview at SXSW 2015. This year, Turner is showcasing his forthcoming seventh studio LP ‘Be More Kind’, due out on the 4th of May via Polydor/ Xtra Mile. We’ll be looking forward to hearing the new songs at SXSW; in the meantime, you can take a listen to the album’s title track just below.

Gaz Coombes – Another artist we’ve featured in live coverage on TGTF, alt-rock songwriter and former Supergrass member Gaz Coombes will travel to Austin with a set of new songs from his forthcoming LP ‘World’s Strongest Man’, due out on the 4th of May.

Harry Pane – This Northamptonshire indie folk singer broke onto the music scene in 2015 and released two EPs, ‘Changing’ and ‘The Wild Winds’, in the following 2 years. He comes to SXSW 2018 with a pair of new singles, ‘Here We Stay’ and ‘Beautiful Life’. Listen to the latter just below.

Hilang Child – Hilang Child is the stage name of half-Welsh, half-Indonesian dream pop songwriter Ed Riman. Currently based in London, Hilang Child has recently signed on with Bella Union for the release of his debut LP, which will include the calmly introspective new single ‘Growing Things’.

Jerry Williams –  This 22-year-old Portsmouth alt-pop songstress has already captured the attention of BBC Radio 1 in the UK and KCRW in America. She has recently collaborated with fashion brand Topshop to market her new single ‘Grab Life’, ahead of her scheduled appearance on the BBC Introducing showcase on the Tuesday night of SXSW.

Jonny 8 Track – Brighton’s Jonny Aitken, aka Jonny 8 Track, is the first UK signing to Austin record label Chicken Ranch Records. His back catalogue includes ‘All America Taught Me’ from back in 2013.

Joshua Burnside – We covered this Northern Irish avant/experimental songwriter last year around the release of his debut album ‘Ephrata’, which won the 2017 Northern Irish Music Prize. Just below, check out the Ryan Vail remix of album track ‘Blood Drive’.

Lion – London alt-rock singer/songwriter Beth Lowen became known as Lion due to the rough and raspy tone of her singing voice. She’s so fresh on the scene that she has yet to officially release any music, and her SXSW 2018 bio links to an amateur video of a live performance at Shepherd’s Bush Empire from back in 2016.

Lucy Rose – We recently featured Rose’s new single ‘All That Fear’ as our (SXSW 2018 flavoured!) Video of the Moment #2801. Rose will be showcasing that single along with her recent album ‘Something’s Changing’ at SXSW. She is also scheduled to speak in a panel session titled ‘It’s a Fan’s World: The Life of Superfans’ on Friday the 16th of March.

Lucy Spraggan – You might remember Manchester songwriter Lucy Spraggan as a former X Factor contestant from back in 2012. Just last year, she released her fourth studio album ‘I Hope You Don’t Mind Me Writing’, on her own label CTRL Records. The LP features the track ‘Fight For It’, streaming just below.

Nilüfer Yanya – This youthful West London songwriter brings a unique sense of irony and bemused detachment to what might otherwise be dismissed as standard indie pop. Her breakthrough single ‘Baby Luv’ is out now on Blue Flowers/ATO Records.

Nina Nesbitt – It’s been a day or two since we heard from Scottish pop songstress Nina Nesbitt, but she is heading to Austin with a potential new album in the works. No details have been shared as of yet, but Nesbitt did recently release a new single written in Nashville, ‘Somebody Special’.

Non Canon – Bristol alt-folk songwriter Non Canon takes his stage name from the idea that “anything described as ‘Non Canon’ exists apart from the story we know and love. A concurrent storyline, a different perspective, the world we experience through someone else’s eyes; familiar but insightful for its new dimension.” He comes to Austin as part of the Xtra Mile Recordings troupe; the label released his debut LP back in 2016.

Only Girl – South East London pop-soul artist Ellen Murphy, known on stage as Only Girl, has recently released a personally poignant new single titled ‘Mountain’, which deals with her husband Jamie McKechnie’s assault and traumatic brain injury, suffered back in 2011. Murphy says of the track, “I wanted the video for ‘Mountain’ to really convey Jamie’s journey through recovery since he suffered the brain injury. I think his story is so inspiring and shows how he really fought for his life against all the odds.” She speaks of her husband as the inspiration for the song: “If I could focus myself on climbing this mountain alongside Jamie, I could force myself to stay strong for him.”

Pete Molinari – Veteran folk and blues songwriter Pete Molinari is one of the few artists appearing at SXSW with nothing new on offer in terms of recorded music. He is set to play the We Are Hear Records showcase on the Tuesday night, alongside the aforementioned Lion.

Will Varley – This Kent singer/songwriter and Xtra Mile Recordings artist will bring his brilliant new album ‘Spirit of Minnie’ to Austin this year, on the heels of an American tour with label mates and fellow SXSW 2018 artists Skinny Lister. We featured the video for album track ‘Seven Days’ back in January; you can listen below to the gentle but poignant ‘Let it Slide’.

Please note that all information we bring you about SXSW 2018 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW 2018 schedule, then stop by the artist’s Facebook or official Web site for details of any non-official SXSW appearances.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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