Looking for previews and reviews of SXSW 2019? Right this way.

SXSW 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | Live at Leeds 2016 | 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2018 | 2015 | 2013 | 2012

Don't forget to like There Goes the Fear on Facebook and follow us on Twitter!

(Alternative Escape and Liverpool Sound City flavoured!) Video of the Moment #791: Stealing Sheep

 
By on Thursday, 10th May 2012 at 6:00 pm
 

Stealing Sheep‘s new charming DIY video below is for ‘Shut Eye’, a single taken from their forthcoming debut album ” to be released in August in Heavenly Recordings. The single will be released on the 28th of May in 7″ and digital formats and will be backed with exclusive track ‘We Like The Dark’.

The trio will be performing at the free Something Nothing and Republic of Music showcase at Marwood Coffee House this Saturday (12 May; read more about it here), as well as in their hometown of Liverpool at Sound City from 21.00-21.30 on Thursday the 17th of May at the Red Bull Studios Live at the Garage. For a taste of their live performance, read Martin’s write-up of their support slot for Field Music back in February here.

[youtube]http://www.youtube.com/watch?v=zeUEUT2NtG0[/youtube]

 

(Great Escape and Liverpool Sound City 2012 flavoured!) Bands to Watch #243: Django Django

 
By on Wednesday, 9th May 2012 at 12:00 pm
 

You’re probably wondering why it’s taken us so long to cover Django Django officially. I already had an inkling they were going to be a big deal after their self-titled debut album came out at the end of January, following on the strength of the very poppy and very infectious ‘Default’. However, it wasn’t until I caught them at the Vic Galloway-curated SMIA night at Easy Tiger Patio on the Wednesday of this year’s SXSW that I felt had a better informed opinion of the band. Now that I have that, I feel comfortable talking about them with some level of authority. That and I figured it wasn’t worth fighting with everyone else over the last 3 months, every other outlet that was anointing them just solely based on ‘Default’ that they were the best thing since sliced bread. So here goes…

[youtube]http://www.youtube.com/watch?v=DDjpOrlfh0Y[/youtube]

The basics: they met at art college in Edinburgh but didn’t actually get together until later, and in London; they’re not named after Django Reinhardt but ‘Son of Django’, a rave record that caught the attention of singer Vincent Neff, who turned his back on a probably lucrative and successful architecture career; Neff is from Northern Ireland (Templegrove, Derry to be exact), a tidbit gleaned out of an interview he did with RTE 2fm’s Jenny Huston at SXSW; ginger drummer David Maclean acts as their producer. Got all that?

I’d now like to dispel the ‘psychedelic’ label. While there’s a definite detached air of cool pervading their music, I think ‘psychedelic’ is a too simple genre for Django Django. The psychedelic age back in the ’60s is probably best remembered for stoned hippies, smelling of hash and going round with their flower power, and the music of the times, which seemed to be made by slightly better looking, better dressed musicians who were also under the influence. What seems to be forgotten is that even with the drug haze that hung in the air, there were some really lovely harmonies that came out of the period, typified best by bands like the Byrds, Crosby Stills and Nash, and later on the Eagles. The harmonies on ‘Django Django’ make this album transcend any other pop album; there’s a richness just on the vocals alone that have few real competitors in the music market today.

But it’s not just the harmonies that shine on this fine debut. The music, which is rhythmic and wholly engaging at times, mesmerising and beguiling at others, sometimes fights with the vocals for centre stage on this album. In other cases, I’d say this is not a good situation of the two halves of a song being at odds with each other. But instead, Django Django plays the lyrics off the music and vice versa, creating a mini-world with each song. Take for example, ‘Storm’ (video below), their latest single that was on this past Monday. Yes, it’s psychedelic looking with its bright colours and unfocused images, but forget that for a moment.

[youtube]http://www.youtube.com/watch?v=Ny67ABAGKh4[/youtube]

Listen to the beginning rhythms right from the start. Hypnotising. There’s a verse that goes “you are made / of complex sums / I’m counting all my fingers now I’m down to my thumbs” – it’s witty in the droll funny way Morrissey did it with the Smiths, but Django Django have the benefit of an even more earworm-y melody. ‘Waveforms’ follows a similar rhythmic path, though the vocals lift off from the ground to reach the heavens, with admittedly a trippy lyric of “and you wanna know why / all the rivers run dry / when I see you again / I see the look in your eyes…”, before heading back into percussion land, bouncing in such a way you’d have to be dead not to bop your head around and chair dance. Incredible, memorable pop. Good stuff.

What I hope you take from this piece that Django Django is far, far more than just ‘Default’. You’d be doing yourself a grave disservice if you didn’t check our their debut album, which is guaranteed to be an album everyone will be talking about in years in come, as well as appearing on top albums of 2012 lists. They’re not just psychedelic. They’re timeless.

Catch Django Django at the Great Escape on Thursday 10 May at the Pavilion Theatre at 23.45 and Friday 11 May at 22.15 at Blind Tiger as part of the Fly Magazine showcase. They will also appear at the Red Bull Studios Live at the Garage at Liverpool Sound City on Thursday 17 May at 23.30.

 

Update: The Great Escape 2012

 
By on Friday, 27th April 2012 at 9:00 am
 

Don’t really fancy the unbearable heat of Austin, Texas? Perhaps a great British summer holiday at some kind of seaside resort for your musical holiday needs? Don’t you be looking at Blackpool, don’t peek at Clethorpes and for your own sake, avoid Skeggy at all costs and head on down to Brighton sharpish. Oh and lucky you, you’ve arrived on the week of possibly the UK’s reply to America’s South By Southwest, the Great Escape.

Now while SXSW may be the hippenin’, happenin’ place for new music in America, the Great Escape gives you just as good a line-up, for a far better price, right on your doorstep. (Well, sort of, if you don’t live in Brighton.) With artists like Florence and the Machine and Friendly Fires starting their careers off right on Brighton’s shores, it’s not difficult to see why the Great Escape has such a fantastic reputation in the musical community. Ed Sheeran, Katy B and the Vaccines were all some of the *little* artists to play the festival last year and now, well haven’t you heard, they’ve done quite well for themselves.

This year, the headliners are Maximo Park (Thursday 10 May; pictured above), the Temper Trap (Friday 11 May) and Africa Express Sound System (Saturday 12 May). Lower down the bill up and coming talent from the likes of faux nerd rockers Spector, Camden-based rockers Tribes, as well as established bands like Sheffield’s Crookes and Scots We Were Promised Jetpacks. Newly added artists to the line-up include Scroobius Pip’s buddy Dan le Sac, French Films and We Have Band, who released their new album ‘Ternion’ earlier this year.

So if you fancy some exciting new music on the seaside, then pick up a weekend ticket for the bumper price of just £49.50 or a day pass for substantially less. Visit the Great Escape official Web site for details on tickets.

 

(Great Escape and Liverpool Sound City 2012 flavoured!) Bands to Watch #240: The Big Sleep

 
By on Thursday, 26th April 2012 at 12:00 pm
 

Not to be confused with the chain of hotels, the 1946 Howard Hawks film staring Humphrey Bogart, nor any other act of the same name past or present (yeah, there’s plenty of confusion to be had), the Big Sleep are one of New York’s latest exports and they’re of the dark indie rock variety. Their third album launched in America at the end of January and will be out in Europe at the end of the month, but with a huge UK and European tour coming up to promote it, it seems that the Big Sleep are finally going to be making some waves on the venues and festivals of Britain.

It’s atmospheric, it’s powerful, it’s grungy without being grunge.  They’re more Metric than Sonic Youth, more 2:54 than the xx, but they could fit alongside any of the aforementioned, as long as you’re into dark guitar lines. Their sound to date has been a bit on the rough side, but with years under the belt, it seems the act have steadily tuned into exactly the sound they want to create. The promise that came with the last two LPs has a few months to materialize and with ‘Nature Experiments’, it may well do.

The band are hitting up the Great Escape and Liverpool Sound City this year, as well as a host of other UK dates below and there’s no doubt they’ll be bringing a tension-destroying atmosphere with them. In case this still hasn’t sold you, the video for new single ‘Ace’ is also below.

[youtube]http://www.youtube.com/watch?v=Yza-e4rjMpQ[/youtube]

Wednesday 2nd May 2012 – Brighton Hope (Great Escape Festival)
Monday 14th May 2012 – Manchester Castle
Tuesday 15th May 2012 – Glasgow Nice ‘n Sleazys
Wednesday 16th May 2012 – London Camden Barfly
Thursday 17th May 2012 – Liverpool Arts Academy (Liverpool Sound City)

 

(Liverpool Sound City 2012!) Album Review: Clock Opera – Ways to Forget

 
By on Tuesday, 24th April 2012 at 12:00 pm
 

Clock Opera have appeared from relative obscurity, to produce their debut album ‘Ways To Forget,’ a beautifully crafted record. I think – no, I know – that people are going to enjoy it.

From first listen, Clock Opera most definitely occupy that most odious of genres for me, synthy, indie-poppy, squealy, joyous rubbish. Luckily for them and me, they occupy it, and then completely make it their own. They go from piano solos in songs like ‘Belongings’, sounding like they could have been lifted straight from Elbow’s ‘The Seldom Seen Kid’, to jittery soundscapes like in ‘A Piece of String’, where lead singer Guy Connelly does his Guy Garvey impression once again.

First single ‘Belongings’ is a beautifully constructed piece of music: it builds itself to a frenetic conclusion with some truly beautiful piano work then explodes into something brilliant beyond belief. Now, while the record does rely on synths and some electronic composition, it isn’t overwhelmed by such elements. In song ‘Lost Buoys’, the band find a perfect harmony between seamless production and delicate intricacy.

[youtube]http://www.youtube.com/watch?v=EnDqI_F6pnQ[/youtube]

This band have mashed together a lot of sounds and influences on this record. Some bands who try this, for example Animal Collective, are experts at this. Mashups almost always leaves me scratching my head and with an overwhelming sense of confusion, but Clock Opera on this album have got it just right. I feel a bit like Goldilocks tasting the last bowl of porridge after extended listening.

I’ve found an album which goes for it as far as being experimental and creative, doesn’t have a fist-pumping chorus and is quintessentially cool, and at last, I like it. It reminds me of that day I woke up and went ‘Total Life Forever’ by Foals is actually a fantastic album, what kind of crack have I been smoking? I recommend you give this album your time of day, because if you don‘t, well you are doing your ears a disservice. Plus the lead singer sounds like Guy Garvey. How cool is that?

8/10

‘Ways to Forget’, the debut album from Clock Opera, is out now on Island. The band have been confirmed to appear on the TGTF stage at Liverpool Sound City on Friday the 18th of May. More details about the TGTF stage will be released soon.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us