Looking for previews and reviews of SXSW 2019? Right this way.

SXSW 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | Live at Leeds 2016 | 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2018 | 2015 | 2013 | 2012

Don't forget to like There Goes the Fear on Facebook and follow us on Twitter!

BIGSOUND 2017: Day 1 Roundup (Part 3)

 
By on Thursday, 21st September 2017 at 2:00 pm
 

In the South East region of Queensland, Brisbane is the centre of the universe during BIGSOUND 2017, of course. There were loads of acts from the city but there were those from lesser-known towns, too. Apparently unbeknownst to me until I arrived, it turns out Queensland is cowboy country in Australia. Rockhampton, a city known for beef production from the more northerly region of Fitzroy, has spawned the band Pandamic who were to be the last band I’d see at The Zoo. I’m sure it helps their profile that they’re signed to Aussie stars Dune Rats’ own Ratbag Records. Although they class themselves as punks, there’s a honky tonk flavour crossed with pop to their music that made them sound entirely different from everyone else I heard at BIGSOUND.

Pandamic Tuesday night at BIGSOUND 2017

From there, it was off to the Foundry on Wickham Street. With its multiple levels, it felt distinctly chic, and what else would you expect from a place considered one of Brisbane’s coolest bars? I was there to see Adrian Mauro, aka Machine Age, a Brissy transplant from the Great Barrier Reef jumping off point of Cairns. As those of you who read my pieces regularly know, one-man bands don’t put me off, I adore them, especially if electronic bands are involved. Live, Mauro is joined by a drummer, which added additional pomp and oomph to his sound.


Machine Age Tuesday night at BIGSOUND 2017

Like fellow BIGSOUND showcasing act Evan Klar, Mauro started his musical career behind the scenes in supporting more conventional rock acts and this project is the realization of his own creativity. Utilising industrial beats like electronic greats like Gary Numan and pairing them with screeches of electric guitar and his own emotional vocals, together it all sounds brilliant.

Turning my attention to the harder side of the festival proceedings, I headed to the unabashed centre of hard rock during this year’s BIGSOUND. Crowbar has a satisfying underground vibe and sporting a wall and a metal barrier that surely had tales to tell. I suppose Melbourne’s Belle Haven could be considered one of the more established acts performing during the festival, having released their second album ‘You, Me, and Everything In Between’ this past summer…er…Australia’s winter.

Belle Haven Tuesday night at BIGSOUND 2017

The band’s energy, shown as they blasted away tunes to their devoted, head-banging fans, was undeniable and infectious. Their set was sweaty and frantic but highly enjoyable. But probably what will stick with me was frontman David De La Hoz’s inspiring words on mental illness and recovery. For those who assume hard rock is simply made to create a racket and devoid of meaning, these words were a reminder that for many, hard rock is a different mode of emotional expression.


Karl S. Williams Tuesday night at BIGSOUND 2017

Taken in by their performance, I lingered longer at Belle Haven’s set than I had originally meant to, which led to me booking it and catching only a few precious bars of locals WAAX at The Brightside’s outdoor stage. At a loose end, I retraced my steps to Laruche, having been shut out of Didirri’s set earlier. Like Belle Haven before him, the long-haired and hatted Karl S. Williams used his particular genre – roots rock – to express his feelings. He brought the house down with a guttural voice any gospel choir would hold close to its bosom. Close your eyes, and you could swear you were on the Mississippi Delta, not Brisbane.

To go further back in time, I stopped in at Black Bear Lodge to satisfy my curiosity of Slow Dancer. Simon Okely is the kind of songwriter you wouldn’t expect to survive in times like these. Perhaps we can blame (bless?) Fremantle, on the other side of Australia near Perth, to allow such an artist like him to blossom? Imagine my surprise finding out from my research on him that he used to play guitar in another Melburnian act I like, the more conventionally indie rock Oh Mercy.


Slow Dancer Tuesday night at BIGSOUND 2017

With Slow Dancer, he’s consciously chosen to a simpler, more retro sound that’s oddly mesmerising because it’s oh so different to everything out there right now. Do I sound like I am repeating myself? Maybe I am, because the acts I wanted to see at BIGSOUND were those not content to sit still in the already drawn up genre boxes and conventional moulds of the music industry. He’s already been picked up on NPR’s radar, so he must be doing something right.

A last minute change in my schedule led me to Golden Vessel’s only BIGSOUND appearance at The TBC Club, which I later learned to be the hot place in town for electronic producers and DJs to cut their teeth on and gain experience early on in their careers. Whether it was a poor sound mix, a too slow tempo, jet lag, something bad I ate or the strange vanilla scent wafting through the air at The TBC – I honestly think it was the latter; what a weird choice for a dance club! – I started to feel nauseous and had to call it a night. Still, 11 bands in the can. Not bad at all for my first night at BIGSOUND 2017.

 

TGTF X BIGSOUND 2017 Playlist: Editor Mary’s best bets (A-M)

 
By on Thursday, 24th August 2017 at 11:00 am
 

Regular readers of TGTF are familiar with our ‘best bets’ lists that we post here before most music festivals. I think it makes the astounding long list of acts scheduled to perform at an event a bit more manageable for you. Then, the onus is on us to listen to everyone and make our personal recommendations for must-see acts at the festival. In the case of BIGSOUND 2017, set to take place the first full week of September in the Fortitude Valley of Brisbane, Australia, their list of performers is over 150 acts long.

Compared to preparation for UK, Irish, and American events, the list proved especially daunting to me, seeing that my knowledge and indeed, mere awareness of up-and-coming and established Australian acts, many who haven’t been heard outside of the country, is quite limited. However, I used the opportunity to familiarise myself with the sound and style of every single act scheduled to appear in Brisbane 5-8 September, knowing that we could see many of them next year at SXSW 2018. This is the first of two best bets posts, this one featuring the first dozen of acts that have so far wowed me on record alone. Some of them were also part of the previously posted playlist with a focus on showcasing bands from Brisbane. You can listen to the Brisbane acts playlist and read the associated feature back here.

I’m looking at my coming over for my first BIGSOUND as TGTF’s opportunity to truly get stuck into the Australian music scene, and I’m very excited. If there are any Aussies out there who have further recommendations on who I should see, Tweet me @theprintedword, and I’ll see what I can do about adding the band to my schedule. For now, here’s 12 of the 24 acts I’ve chosen as best bets for this year’s BIGSOUND. A playlist with all 24 acts is at the bottom of this post.

Ariela Jacobs (Melbourne; singer/songwriter / pop)
The popularity of Lucy Rose proves that there’s still a market for vulnerable, honest female songwriters. Ariela Jacobs falls into this category, with a sweet voice and impressive vocal range, plus plenty of ambition. This Victoria-based songstress has so far released two EPs (2014’s ‘This’ and 2016’s ‘Yesteryear’) and has more new music on the way.

[youtube]https://www.youtube.com/watch?v=bzPtphh6POE[/youtube]

Braille Face (Melbourne; electronic / experimental)
Getting VICE’s attention ain’t easy, but not everyone is Jordan White. In 2015, the prolific White recorded an album a month, which must have changed his outlook on what it means to be an artist. Soulful vocals accompanied by an interesting mélange of electronics, sometimes smooth, sometimes crunchy. Yes.

[youtube]https://www.youtube.com/watch?v=lQ1ZV78XIU4[/youtube]

Cub Sport (Brisbane; synthpop)
Synthpop purveyors Cub Sport have been media for their music, as well as their social views. Two of their members came out gay last year and announced they were in a relationship. Naturally, their truth and what they stand for is important to them and in their latest single and video for ‘O Lord’, frontman Tim Nelson confronts the complicated feelings of love and loss that erupt from moments of second-guessing happiness.

[youtube]https://www.youtube.com/watch?v=wGHUXd177oc[/youtube]

Daggy Man (Brisbane; singer/songwriter / folk)
Daggy Man is the stage name of Thomas Calder, former frontman of the band The Trouble with Templeton, who I incidentally saw the last time I visited Australia. As mentioned then, Calder has a voice like Teitur’s and is a great songwriter of tunes folky and fragile.

[youtube]https://www.youtube.com/watch?v=1xEh96PFxBM[/youtube]

Deadlights (Melbourne; hard rock)
Up to this point reading this, you’re probably wondering when Aussies rock out. Deadlights are a good example of this. Did they name themselves after the terrifying force Stephen King wrote about in It? No matter the source, the name seems to fit the group to a T, as their punishing hardcore style will probably be strong enough to kill something in your line of sight if you listen to them long enough.

[youtube]https://www.youtube.com/watch?v=pqivHwAohTU[/youtube]

Didirri (Melbourne; singer/songwriter / pop)
Time for a moment of chill from a long-haired singer/songwriter, methinks. Didirri is unashamedly a fan of music and times gone by. He even covered the Monkees’ ‘Randy Scouse Git’, which seems like a strange choice for a folk singer, but his a cappella rendition captured the feeling beautifully, and differently. His catchphrase about his own music is “Music for lovers and overthinkers.” so really, how could I refuse?

[youtube]https://www.youtube.com/watch?v=1dlqCrvFjJY[/youtube]

Evan Klar (Melbourne; singer/songwriter / pop)
Staying in the same general genre, we arrive at Evan Klar, who’s had an interesting life already. Having been a session musician in London for both Charli XCX and Alex Metric, he’s experienced that side of things. Now he’s doing music for himself, having already signed a record deal with EMI Music Australia without even have played a single show: yes, really, well, unless you count his appearances last year at unofficial showcases at BIGSOUND. His debut album, which is sure to be full of his catchy pop gems, is expected later this year.

[youtube]https://www.youtube.com/watch?v=PcjrU9PyNho[/youtube]

friendships (Melbourne; drum ‘n’ bass)
Some artists just make music. Some want you to have the whole experience. friendships are a duo combining the elements of sound (Nic Brown) and visual (Misha Grace) to make that happen. While it’s impossible to experience the visual aspect of their performance by simply listening to the music (unless, I guess, you’re hallucinating with or without pharmaceutical aid), the below gives me some idea of what is in store for me in Brisbane.

[youtube]https://www.youtube.com/watch?v=C05u-OWmo2k[/youtube]

Golden Vessel (Brisbane; electronic / pop)
If it’s pop mixed with electronic you’re after, then Max Byrne, aka Golden Vessel, is your man. Think what Disclosure do with pop singers, and imagine Aussie pop singers brought into the mix.

[youtube]https://www.youtube.com/watch?v=TRaqrsEKWaE[/youtube]

Jim Lawrie (Melbourne; singer/songwriter / rock)
Is the world ready for an Australian to unseat Bruce Springsteen? Jim Lawrie is sure as hell trying to do that. Comfortable with the folkier side of rock as he is with an anthemic rock melody, he’s got an engaging voice that works with both.

[youtube]https://www.youtube.com/watch?v=fEe3TJ8W_oE[/youtube]

Maddy Jane (Hobart, Tasmania; singer/songwriter / pop)
triple j are big fans of Maddy Jane’s newest single ‘No Other Way’, putting it and its predecessor ‘Drown It Out’ on regular rotation on the station. Echoes of Jenny Lewis and Liz Phair (in her poppier days, mind) ring out in her catchy, upbeat tunes that range from more straightforward pop to a louder, rockier sound.

[youtube]https://www.youtube.com/watch?v=lyP8wPOmeXQ[/youtube]

Mammals (Sydney; dream pop / electronic)
Sydney singer, producer and multi-instrumentalist Guy Brown are the brains and feelings behind Mammals. Once a composer for advertising and film, he wanted to create for himself again, choosing to go in a direction fusing folk and pop feeling with electronic sounds. The results will pull you in.

[youtube]https://www.youtube.com/watch?v=T1kUEVuDIQw[/youtube]

 

TGTF X BIGSOUND 2017 Playlist: Focus on Showcasing Brisbane Bands

 
By on Thursday, 17th August 2017 at 11:00 am
 

Ahead of my first time at BIGSOUND, I thought it would be a nice gesture to celebrate the city that hosts this fabulous event every year. And what better way is there to pay it forward, then, to shine a light on the artists who call the Queensland capital home?

You might be asking yourself what kind of great music is coming out of down under. Queensland, in the northwestern part of Australia, has been the birthplace of quite a few bands you’ve heard of but perhaps might not have known have come from there. The Go-Betweens and Violent Soho (rock) and Savage Garden and The Veronicas (pop), ring any bells? Going off just those four names, it’s no surprise that there will be strong representatives in both these genres from the Sunshine State.

Sloan Peterson has already caught the eyes and ears of bloggers this side of the Pacific with her in-your-face single ‘Rats’. If you’re interested in shoegazey, slacker rock, Good Boy are your band. I wouldn’t be surprised if they got signed to Heavenly Records at some point soon. SXSW alums The Creases offer up more straightforward rock, but in a bombastic style. In the mood for something for something harder that will make your heartbeat race and make you lift your fists? Check out Driven Fear, The Comfort (male-fronted) and WAAX (female-fronted). Or maybe you want something that’s a little bit different. If so, the funk of Osaka Punch or the WTF-ery of WHALEHOUSE might be more your bag.

As we all know (and some of us lament at times), pop and r&b these days are pretty much intertwined. Depending on who you talk to, this is owing to the rise is popularity of hip-hop. Close your eyes, and the minimalist r&b vibe of Isabel sounds awfully like Lorde. Girl duo OKBADLANDS have perfected a nice blend of pop and soul, demonstrated nicely in new single ‘Mineral’. Aurelia and Miss Blanks are up-and-coming solo artists, the former embracing a more pop backing with an ephemeral vocal, while the latter serves up a more straightforward, beat-driven hip-hop sound. Originally from Fiji, Jesswar is another rapper calling Brisbane home, having already toured with the likes of Lady Leshurr and Akala.Golden Vessel is young producer Max Byrne: essentially, his music is electronic dance but with the addition of singers you’ve heard of like Woodes and now OKBADLANDS, his tracks bridge the gap between more cerebral electronic and pop.

[youtube]https://www.youtube.com/watch?v=wGHUXd177oc[/youtube]

Speaking of electronic music, Australia’s music industry has been absolutely booming in this genre. This proliferation of electronic acts out of Oz required The Aussie BBQ at SXSW 2017 this year to expand to another full afternoon of electronic-specific programming to accommodate all their artists. The soulful, synth-driven pop of Cub Sport will be delectable at BIGSOUND 2017, while the dreaminess of Yoste’s tunes will provide much needed chill. As genres continue to blur year after year, it’s not surprising to see a performer like Machine Age come to the surface. A guitarist not shy to use a “sampler and other gadgets”, he’s able to churn out electronic (‘Don’t Look’) and ‘Chivalry’ (rock) masterpieces.

[youtube]https://www.youtube.com/watch?v=p2ecih4hTn8[/youtube]

Are you into more conventional guy or girl with a guitar setups? Brisbane has those too. The stripped-back, autobiographical style of Emerson Snowe puts him well in the running to becoming the happier and Aussie version of Conor Oberst. Hearing the voice of Clea, it’s unsurprising she counts Laura Marling as one of her influences. His name makes it sound like he would be feel more at home at HWCH, but Sydney transplant Paddy McHugh is an Aussie through and through. Like Frank Turner, his musical roots began in punk, but he’s now a no-holds-barred kind of singer/songwriter. Keen for a richer sound via an act with more band members? The country rock Suicide Swans will fit the bill.

Influential government-funded radio station triple j have also pledged to bring attention to up-and-coming Brisbane acts, selecting three from a pool of local talent. Carmouflage Rose (hip-hop), Holiday Party (pop) and Nice Biscuit (rock) will perform at the triple j Unearthed stage at the venue Oh Hello! The full lineups for triple j’s three nights of music are listed here on Oh Hello!’s Facebook.

Check out the playlist I put together of all these artists below. The artists mentioned in this post and included in the playlist are those who are either from or currently are based in Brisbane and appear on the first or second lists of artists scheduled to perform at BIGSOUND 2017. To read my previous preview post on BIGSOUND 2017, go here.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us

Privacy Policy