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TGTF Guide to SXSW 2017: this year’s conference programming on Activism and the Arts

 
By on Friday, 10th March 2017 at 2:00 pm
 

If you follow any of your favourite musicians on Twitter or Facebook, you might have seen them post to social media about causes that are near and dear to their hearts. Many artists, like recent SXSW alumnae Natalie Prass and Lissie, go a step further and elect to donate proceeds from their work to charitable causes, contributing to both fundraising and awareness. Conference programming at SXSW 2017 has taken notice of this kind of artist activism, recruiting an eclectic variety of speakers and panelists to highlight the trend.

For a bit of background, the SXSW 2017 Music Conference and Festival officially begins on Monday the 13th of March but the Interactive and Film portions of SXSW start ahead of the weekend on Friday the 10th. The intersection among the three conferences, where participants from all three disciplines come together, is known as Convergence. One of the seven Convergence tracks at this year’s SXSW is titled Social Impact, and its conference sessions are intended to “highlight innovative ideas from the creative industries that are contributing to a better, more equitable world.”

Cecile Richards press photo

On Friday the 10th of March, Planned Parenthood Federation of America president Cecile Richards and Tumblr founder and CEO David Karp will start the Social Impact proceedings what will likely be a heavily attended conference session called ‘Activism, Allyship and Where We Go from Here’. Another popular choice will likely be ‘The Celebrity (Activist) Industrial Complex’ on the 13th of March, in which panelists Anne Helen Peterson of BuzzFeed, Elisa Kreisinger of Refinery 29 and Glen Weldon of NPR will tackle the question: “Do celebrities have a responsibility to use their power and privilege for good?”

Two sessions more specific to music activism will happen on Wednesday the 15th of March. ‘Creating For a Cause: Music for Action & Awareness’ will “discuss currencies and methods of giving to communities, organisations and nonprofits”, as well as building philanthropic partnerships and creating cause awareness. In a session on the ‘Healing Power of Music’, Chris Funk of The Decemberists will join a panel which focuses on delivering music therapy alongside medical services to hospitals and vulnerable patient populations.

Chris Funk press photo

Under the auspices of the Music Conference proper, sessions in both the Music Industry and Music Influencers tracks take aim at artist activism. In the aptly-titled Talk 20 session ‘Artivism’ on the 17th of March, artist, educator and activist Malcolm London will engage audiences by sharing original poetry and discussing his work with community arts organisations and social movements. Management teams for Usher and Panic! At the Disco will appear on the panel ‘Cause Marketing for Musicians in 2017’, scheduled for the 16th of March, where they “will share how entertainers are building measurable support for amazing charities while growing their brand affinity.” Extravagant Records founder Weldon Angelos, joined by rapper Snoop Dogg and attorneys Vikrant Reddy and Mark Holden, will comprise a panel titled ‘Artist to Advocate: Fighting for Criminal Justice’ on the 18th of March. Angelos will talk with members of the music community gathered in Austin about his unjust prison sentence for a minor drug crime and will also discuss “how artists can work together to achieve lasting reform.”

Weldon Angelos press photo

Activism and the arts have evolved from a fringe concept to one of the key components of conference programming at SXSW 2017. Given the current political climate here in America, we expect to see a variety of in-person examples of social activism during the music conference and festival in Austin next week. Keep an eye on TGTF for our ongoing coverage; as always, any information we bring to you about SXSW 2017 is subject to change. You can stay up-to-date on the official SXSW schedule by clicking here.

 

TGTF Guide to SXSW 2017: Welsh artists showcasing at this year’s SXSW

 
By on Friday, 10th March 2017 at 11:00 am
 

Wales may be small in size, but they are a proud country never short of praise and support of their musical artists. BBC Radio 1 presenter Huw Stephens is quick to promote his countrymen and women, and I am sure he’s pleased with all five of the artists to showcase this year at SXSW 2017. The summaries of acts below were written by Rebecca Clayton and Steven Loftin. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

Casi – pop / Bangor
A young singer/songwriter originally from Bangor, Wales, Casi Wyn is currently based in London. Casi grew up speaking her mother tongue of Welsh and hearing traditional music, before getting into pop music in her teens, which probably explains the melding of eerie vocals and electropop rhythms in her music. Last year, Casi released her entrancing single ‘Lion’, an ethereal and moving track that showcases Casi’s angelic vocals and her evocative song writing. Since then she’s also shared ‘Golden Age Thinking’ and this year’s ‘The Beast’ via her label Chess Club Records. (Rebecca Clayton)

[youtube]https://www.youtube.com/watch?v=873g5wS7ltM[/youtube]

Chain of Flowers – post-punk / Cardiff
A surprisingly great modern take on post-punk. Choruses thick with reverb and longing lyrics, Chain of Flowers are definitely a band worth a listen. They recently released their self-titled debut LP that should go straight on your list of must listens. I mean, come on, they’re named after a The Cure song, right? (Steven Loftin)

Dan Bettridge – singer/songwriter / Ogmore-by-Sea
With a voice older than his years, Dan Bettridge is the soulful folk singer from the small village of Ogmore-by-Sea in Wales. Bettridge, who has been playing guitar from an early age, first appeared on the scene in 2013 when he released the EP ‘Hunter’s Heart’. He is currently working on his debut album. He rereleased his single ‘Rosie Darling’ last year, a gentle, country sounding number, and ‘Third Eye Blind’ back in 2015, a bluesy, soulful track that transports you out of your own skin and onto the neon-lit streets that Bettridge sings about. (Rebecca Clayton) [We’ve been informed that sadly, Dan Bettridge will not be joining us in Austin. – Ed.]

[youtube]https://www.youtube.com/watch?v=4UYER_GK6bc[/youtube]

Meilyr Jones singer/songwriter / Aberystwyth
Exactly what Jarvis Cocker and Morrissey’s love child would sound like, and this isn’t a bad thing believe it or not. The optimism of a young Cocker, with the yearning howl of an in-his-prime Moz. Lyrical structure that puts most novelists to shame, ‘How To Recognise Art’ is, well, a work of art. He also won the Welsh Music Prize in 2016, if that tempts you further. (Steven Loftin)

The Sandinistas – punk / Tredegar
A Welsh band named after a Clash album? Count us in. Having only released their debut single last year, The Sandinistas are gaining some serious momentum already. When you listen to the adrenaline-inducing riot of their single aptly titled ‘Ready To Blow’, you can see why. Get on this band. Now. [They’ve also already been championed by Fred Perry, who have been rarely wrong in spotting potential. – Ed.] (Steven Loftin)

[youtube]https://www.youtube.com/watch?v=Ik74yCjG7S4[/youtube]

 

TGTF Guide to SXSW 2017: this year’s conference programming on Music Cities

 
By on Thursday, 9th March 2017 at 3:00 pm
 

The idea of developing so-called “music cities” became popular in the music industry following Sound Diplomacy Music Cities Conventions in Brighton and Washington, DC in 2015. Our own editor Mary attended the Music Cities Convention in DC that year and was impressed by the breadth of expertise among the convention attendees, as well as their universal dedication to keeping music alive and well at the community level.

Though Austin certainly already fits the definition of a music city, the SXSW Music Conference picked up on the idea in 2016 with a pair of conference sessions, ‘How To Build A Music City’ and ‘Why Every Music City Should Have A Night Mayor’ specifically geared toward further development of music cities in America. The sessions examined the roles and interactions between “musicians, entrepreneurs, and innovators” and city government representatives in encouraging curation and maintenance of vibrant local music scenes.

PARTYBABY at SXSW 2016

This year’s SXSW Music Conference takes the music cities concept a step or two farther, expanding its offerings on the subject to build upon the foundation laid in last year’s sessions. Two main sessions in the Music Industry track focus directly on building music cities, while a number of other sessions deal with peripherally related topics relevant to supporting music within a city’s infrastructure.

On Thursday the 16th of March, leaders from established music cities will present ‘How To Build A Music City – The Launch’. Their aim is to follow last year’s discussions regarding advocacy and resource management with advice on specific planning processes for building successful music programs and fostering thriving local music communities.

The next day, Friday the 17th of March, expands the music cities concept to a broader global vision, taking on the idea of a vast, worldwide ‘Music Cities Network’. According to the official Conference schedule, “This session will talk necessities, goals, agenda and benefits of a global music cities network. It will focus on knowledge exchange and policy, city development and city marketing.”

JoJo Abot at SXSW 2016

Also in the Music Industry Track are a handful of sessions focused on more specific aspects of local music culture. On the 15th of March, ‘New Nashville: The Evolution of Music Publishing’ will look to Nashville as an established music city to “give examples of current and past ideas that have shaped the industry; what’s working, what’s not working, and what does the future hold?” A condensed Talk 20 session on that same day titled ‘Music Industry Development for Diverse Communities’ will tackle questions such as “How well do we do at supporting and representing the full spectrum of diversity in our communities?” and “How do we balance championing the artists best positioned to have success in the market with the full diversity of the region we represent?” An even more specialised session on the 17th of March called ‘I Remember That Band: Preserving Local Music’ talks about how local music archives get started, how they impact the music scene, and what kinds of information they can provide about their local communities.

More peripherally, the Touring & Live Experience Track features several panel sessions relevant to music culture in smaller cities. ‘How to Sell Your Event to a City’, on the 15th of March, encourages formation of “positive, mutually beneficial, and long lasting relationships with the host cities and their respective tourism boards and local government, by concentrating on increased local economic growth”. Music festivals, specifically, are addressed under topics such as ‘Rethinking the Future of Music Festivals’ (17th March), ‘Families at Music Festivals’ (16th March), and ‘The Definitive Profile of the Festival Superfan’ (16th March), while community-level events in smaller spaces are discussed in ‘Intimate Spaces: Programming Small Venues’ (16th March) and ‘Saving Small Venues & The Independent Music Scene’ (18th March).

The Spook School at SXSW 2016

With their 2017 programming, the SXSW Music Conference is getting behind Sound Diplomacy and the Music Cities Convention’s overarching goals of “improving urban planning, quality of life, city policy and development strategies through music” and exploring “the role and impact of music across education, employment, community building, placemaking, licensing and regulation.” And after 30 years of playing host to SXSW, what better city is there to illustrate the challenges and successes of cultivating a local music scene than Austin itself?

As always, the SXSW Music conference schedule is subject to change; for complete, updated information on Music Conference tracks at SXSW 2017, consult the official SXSW schedule here.

 

TGTF Guide to SXSW 2017: Scottish artists showcasing at this year’s SXSW

 
By on Thursday, 9th March 2017 at 11:00 am
 

In past years, we have gone through peaks and troughs with respect to the number of Scottish acts who come out to showcase at SXSW. I’m pleased to announce that as of the time of this posting, 13 acts are scheduled to appear at SXSW 2017, the largest number in recent memory. The summaries of acts below were written by Steven Loftin, except where noted. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

Be Charlotte – pop / Dundee
What pop music sounds like when it comes from Dundee: that’s Be Charlotte. You find yourself drawn in by the obviously melodic, yet also cacophonous music, and you stay for the vocals that cut through and have an incredibly strong Scottish accent that for reason enthralls you. Or maybe that’s just me.

[youtube]https://www.youtube.com/watch?v=IoCMTVDW04k[/youtube]

Catholic Action – pop / Glasgow
Catchy indie pop that has an alluring rawness, as if you’re listening to a band in a bedroom rather than a reasonably established DIY band. Their track ‘Rita Ora’ – yep, an ode to Rita Ora – is catchy, swift and poppy. What more could you want?

[youtube]https://www.youtube.com/watch?v=86kSAB23nDY[/youtube]

C. Macleod – singer/songwriter / Stornoway
If I had to fathom a guess, someone with name C. Macleod isn’t looking to make a big splash. Instead, this Stornoway native is all about careful, thoughtful songcraft. A driving, Springsteen-esque feel pervades his debut single ‘Dream’, feeling less loner and more expansive than you’d expect from a native of the Isle of Lewis. FFO: Bruce Springsteen, The National, The War on Drugs (Mary Chang)

[youtube]https://www.youtube.com/watch?v=t2c7UiN8-5E[/youtube]

Elle Exxe – pop / London via Edinburgh
Listed as ‘dirty pop’, that’s definitely the best way to describe Elle Exxe (pictured at top). There’s a distinct edge to her music that doesn’t fall in line with your ‘paint-by-numbers’ pop formula. An attitude that is where Charli XCX should’ve been heading toward, she’ll be a household name by 2018. We called it first. Check out Rebecca’s review of Elle’s debut album ‘Love Fuelled Hate’ from last autumn through here.

[youtube]https://www.youtube.com/watch?v=Dd9si_HbBtI[/youtube]

Happy Meals – synthpop / Glasgow
Lewis Cook and Suzanne Rodden comprise Happy Meals, a disco-leaning synthpop band based in Glasgow. However, it’s important to note that this isn’t disco in the style of Donna Summer or other tunes spun at Studio 54. Their minimalist yet space age-y style of dance, accompanied by Rodden’s vocals sometimes in English, sometimes French, adds to the eclectism. I will bet you that you will hear no-one else like Happy Meals in Austin in March. (Mary Chang)

[youtube]https://www.youtube.com/watch?v=T7tHtbaQN7s[/youtube]

PAWS – punk / Glasgow
Some more of that home bred punk rock. PAWS are another band who are going from strength to strength with a raw, melodic sound. SXSW should see them take Texas by storm, especially after the release of their third full length last year.

Pinact – punk / Glasgow
Back with even more punk for SXSW, Pinact are on the louder and harsher side of the spectrum. Pleasing but still with an edge that means your parents won’t like it, they’re another Scottish band who take the angst that is apparently rife there and execute it like all your favourites do.

[youtube]https://www.youtube.com/watch?v=aSfC_9HrhxQ[/youtube]

The Pooches – pop / Glasgow
Glasgow’s Pooches create some beautiful guitar pop that never fails to leave you satisfied. Releasing their self-titled debut late last year, the band aren’t afraid of sticking out of the crowd with their wry yet upbeat pop sound.

Sam Gellaitry – electronic / Stirling
Already signed to XL Records, a powerhouse of a label in the indie world, Sam Gellaitry knows his way around a beat or two. He takes that urban London feeling, which you may or may not be familiar with, and crafts it into easy listening electronic tracks.

[youtube]https://www.youtube.com/watch?v=o7W4t0ClwDg[/youtube]

Spinning Coin – psych rock / Glasgow
You guessed it, another Glaswegian band. They do it well up in Scotland, birthing bands that craft sounds that somehow give none of the fucks while simultaneously giving them all. Keeping it DIY, they released their debut 7″ last year and have no intentions of stopping there. Not to mention their apparently visceral live show, what’s not to love?

[youtube]https://www.youtube.com/watch?v=wLanmgLzEno[/youtube]

The Spook School – pop / Edinburgh
The kind of band to not take themselves too seriously while ensuring they keep a solid message in their tunes (see: ‘Burn Masculinity’). With a sound that’s a mixture between indie and DIY punk, there’s no bells and whistles, which completely suits their styling down to the ground. [Having appeared at SXSW last year, we sincerely hope this time they bring suncream. -Ed.]

[youtube]https://www.youtube.com/watch?v=uGGj5_7dx0o[/youtube]

The Van T’s – surf rock / Glasgow
Cleverly made up of two twins, Charlotte and Hannah Van Thompson, along with Joanne Forbes and Shaun Hood, The Van T’s are a part of Glasgow’s burgeoning and bustling rock scene. Surf pop/rock ‘n’ roll might not be game changing but it sure is fun. [Sadly, we’ve received word that The Van T’s will not be showcasing in Austin this year. – Ed.]

[youtube]https://www.youtube.com/watch?v=wAe7wJK_SXQ[/youtube]

 

TGTF Guide to SXSW 2017: Feminism at this year’s festival’s forefront

 
By on Wednesday, 8th March 2017 at 3:00 pm
 

Header photo: SXSW 2017 featured conference speaker Nadya Tolokonnikova

Those of you who are regular readers of TGTF, or who faithfully follow our SXSW music festival coverage, will have read our SXSW 2016 article on feminism ahead of last year’s event. Event organisers took a decidedly feminist stance in their planning last year, scheduling both a wide range of feminist conference speakers and an impressive list of female artists on the music showcases. This year’s overview of feminism at SXSW will focus on the music conference, which once again offers an array of feminist-oriented events, including full-length panel discussions, professional meet-ups, and interactive sessions with notable female artists.

Non-profit education and service organisation Women in Music will host a ‘Women in Music Meet Up’ session on Wednesday the 15th of March, providing a place and time to gather people “from across all areas of the music industry who support empowerment, equality, and opportunities for women in music”. The meet up will also offer “an opportunity to learn more about the non-profit organization Women in Music and its community”. Later in the week, on Saturday the 18th of March, members of Women in Music will participate in a full panel session titled ‘Passport to Women in Music: A Global Review’ designed to “explore the similarities and differences in the challenges women face around the world and analyze the ways that men and women are collaborating together to solve these challenges”.

Professional topics within the music industry will be addressed in panel discussions such as ‘A League of Their Own: Success as a Female Entrepreneur’ on the 16th of March, where four female speakers from different specialties within the music industry will talk about “where they are today and what hurdles they faced” to get there. On a more specific subject, another quartet of panelists will tackle issues surrounding “one of the most competitive roles in music” with ‘Women in A&R: Navigating the Stereotypes’ on Friday the 17th of March.

From a performance-related perspective, ‘Safe Space to Rock: Combating Harassment in Music’ on the 17th of March, will comprise a panel of five speakers, including Speedy Ortiz frontwoman Sadie Dupuis, who has appeared at SXSW previously as a showcasing artist and a featured conference speaker, and members of  queer-punk band PWR BTTM, who are scheduled to showcase at this year’s music festival. The session proposes to confront “problems of harassment in the music scene and propose solutions to ensure the music community is a safe, accessible space for people of all genders and sexual orientations”.

Cindy Wilson press photo

(photo credit: Jeremy Ayers and Keith Bennett)

More in-depth artist perspectives on feminism will be provided by a pair of single-speaker sessions with notable female artists. On the 16th of March, a session with Russian conceptual artist and political activist Nadya Tolokonnikova of Pussy Riot will focus on the interrelation of art and activism in her career. The following day, a conversation with singer/songwriter Cindy Wilson (pictured above) of New Wave band The B-52s, will focus on the new musical direction she has taken with recent solo album ‘Change’.

Finally, the music fan viewpoint will be represented in a meta-analytical conference session titled ‘What Young Women Want From Music Festivals’ on the 16th of March. Operating on the premise that “thanks to increased buying power and interest, . . .18-24-year-old women are among the most formative forces behind the evolving music festival landscape”, this four-member panel discussion centers on the implications of growing participation from this demographic group for event producers, festival sponsors and performing artists.

As always, the schedule of events at SXSW 2017 is subject to change. For the most up-to-date information about the entire festival, including the music conference and the lineup of showcasing artists, you can consult the official schedule here. TGTF’s ongoing preview coverage of SXSW 2017 is collected here.

 

TGTF Guide to SXSW 2017: Northern Irish artists showcasing at this year’s SXSW

 
By on Wednesday, 8th March 2017 at 11:00 am
 

The Emerald Isle may be a relatively small island, but there is no denying it is bursting with talent from top to bottom. Yesterday, we introduced you to the seven acts from below that pesky dotted line in the Republic of Ireland proper who will appear at SXSW 2017. Today, our focus is on the seven artists from Eire who carry British passports. The summaries below were written by the newest member of our team and our Northern Irish correspondent based in (London)Derry, Adam McCourt, except where noted. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

Ciaran Lavery – singer/songwriter / Aghagallon
Ciaran Lavery is an Irish singer/songwriter from the small town of Aghagallon in County Antrim. Lavery soared to success after his singles ‘Left for America’ and ‘Shame’ racked up over 29 million plays on Spotify. With the release of his latest live album ‘Live at the Mac’ back in December (read my review here), Lavery has built quite an eclectic discography including 2 studio albums ‘Not Nearly Dark’ (2013) and ‘Let Bad In’ (2016), preceded by the album ‘Sea Legs’ in collaboration with fellow Northern Irish showcaser Ryan Vail (2016) and his debut EP, ‘Koesher’ (2014). FFO: Bob Dylan, Woody Guthrie, Villagers

Read TGTF’s past coverage on Ciaran Lavery through here.

[youtube]https://www.youtube.com/watch?v=UhZRAkWxUF8[/youtube]

Jealous of the Birds – folk/rock / Portadown
Jealous of the Birds is the musical moniker of Naomi Hamilton. Hailing from the wet and windy coastal town of Portadown, Jealous of the Birds channels her surroundings with sweet and chirpy songs. Sticking to the lo-fi indie sound, Hamilton’s debut EP ‘Capricorn’ released in March 2015 gathered much attention from BBC Radio 1’s Huw Stephens and one of Ireland’s longest and most accredited radio stations Across The Line. Her debut album ‘Parma Violets’ was released in May 2016 and just recently, she collaborated with fellow SXSW attendee Ryan Vail on a track entitled ‘Love is a Crow’. FFO: PORTS, Foy Vance, Girls Names

Read TGTF’s past coverage on Jealous of the Birds through here.

[youtube]https://www.youtube.com/watch?v=8rED0XiO93c[/youtube]

New Portals – electronic/pop / Belfast
New Portals (pictured at top) are an electronic/pop duo from Belfast. Husband and wife Michael and Ruth Aicken began as the key members of an alt-folk group called The Jepettos before turning their attention to synth-laden pop tracks, while still keeping the angelic tonal quality of Ruth’s vocals. Since re-establishing as New Portals, the couple have made their mark by releasing a bombardment of seven singles (with five music videos) over their short career of a year. You can check out our holiday feature late last year for their seasonally appropriate single ‘Winter Skin’ through here. FFO: Imagine Dragons, Banks, EMBRZ

[youtube]https://www.youtube.com/watch?v=3ghog_fnSKI[/youtube]

Protex – punk / Belfast
Punk rockers Protex have been in existence as a band longer than many of their fellow Northern Irish acts have been alive. Still, their staying power in the industry is testament to the continued interest – a need – for guitar music that provides a kick in the arse. FFO: Sex Pistols, New York Dolls (Mary Chang)

[youtube]https://www.youtube.com/watch?v=Vj2I-Z0B-oQ[/youtube]

Robocobra Quartet – experimental / Belfast
Probably one of the more interesting Irish acts to head to SXSW is Robocobra Quartet. Formed whilst studying Music Technology at Queens University, Belfast, the band take influence from jazz, hardcore punk and classical music. Their debut album ‘Music for All Occasions’ was released in November lof ast year, and it’s packed with spoken word vocals, squealing saxophone and unexpected improvisation. The band is under the direction of drummer and vocalist Chris Ryan and with Tom Tabori (soprano saxophone), Thibault Barilon (tenor sax, alto saxophone, flute) and as of recently, Ryan Burrowes who replaced Nathan Rogers on bass. FFO: Melt Yourself Down, At The Drive-In, Fugazi

[youtube]https://www.youtube.com/watch?v=N-SfI3WC0iA[/youtube]

Ryan Vail – electronic / Derry
Ryan Vail is a solo electronic composer from Derry. He has been writing, composing and releasing music since 2012, with his debut album ‘For Every Silence’ being released last April. Vail is no stranger to experimentation and genre crossing. He’s known for bringing a whole new sonic picture to the world of electronic/dance music by incorporating elements of folk and classical music with unique recording and composition methods. See Jealous of the Birds’ profile above to read more about their recent single collaboration. FFO: Chet Faker, Ciaran Lavery (see above), Burial, James Blake

[youtube]https://www.youtube.com/watch?v=r_7Xyi9LAq4[/youtube]

Silences – singer/songwriter / alternative / Armagh
Silences began as a musical outlet for singer/songwriter Conchúr White back in 2013. With the addition of White’s cousin Breandán White, and close friends Christopher Harbinson, Michael Keyes and Jonathan Downing, Silences have released 3 critically acclaimed EPs: ‘Nevernames’ (March 2014), ‘Sister Snow’ (October 2014), and ‘Luna’ (April 2016). The Armagh-based five-piece have received considerable support from the likes of Huw Stephens, Annie Mac and Phil Taggart of BBC Radio 1 and Gary Lightbody of Snow Patrol and have appeared at top festivals such as Latitude, The Great Escape and Electric Picnic. FFO: Bon Iver, Jeff Buckley, Death Cab for Cutie, alt-J

Read TGTF’s past coverage on Silences through here.

[youtube]https://www.youtube.com/watch?v=4mgCDoBn3Pg[/youtube]

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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