Looking for previews and reviews of SXSW 2019? Right this way.

SXSW 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | Live at Leeds 2016 | 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2018 | 2015 | 2013 | 2012

Don't forget to like There Goes the Fear on Facebook and follow us on Twitter!

Bands to Watch #408: Declan Welsh and the Decadent West

 
By on Thursday, 5th July 2018 at 12:00 pm
 

Confidence and charisma, if you are born with them, are two things that come in handy if you want to be a public figure. How you choose to use them, well, ladies and gents, that’s another story. East Kilbride’s Declan Welsh decided to use his gifts to write political poetry and songs and taking things one step further – and I guess as you do in a satellite town of Glasgow – formed a band with his hometown mates. The alliteratively named Declan Welsh and the Decadent West, one of top tips for this year’s May city festival season, appeared in May at The Great Escape 2018, where I was able to see the Scots in action at the Green Door Store Friday night, whipping the punters into a frenzy. No wonder this band has already become a hot commodity on the Glasgow live circuit.

Early on, it became clear to bloggers’ ears that Welsh would not shy from controversy and that he marched to the beat of a different drummer. A socialist drummer, you might say. Not afraid to get on his proverbial soapbox to deliver the searing ‘Nazi Boys’, he subsequently had to defend the Neelam Khan Vela-directed video with “We created two minutes and 20 second long piece of art, with a director whose main aim was to provoke a response.” Prior to showcasing in Brighton, they self-released their debut EP ‘All My Dreams Are Dull’, which featured several exemplary, jarring tracks demonstrating Welsh’s wit and desire to write about topics not usually talked about in polite company or merely all too often swept under the rug. ‘No Pasaran’, like ‘Nazi Boys’ before it, serves up another reminder to fight oppression at all costs. ‘Do What You Want’ promotes celebrates gender fluidity, which Welsh explained at the set I saw at the Great Escape as a call for more understanding and acceptance with the ultimate goal of love winning out.

I reckon the upbeat-sounding single ‘Lull’ will probably draw in the most new fans this summer festival season. Listen a little closer, and you’ll hear Welsh’s accurate depiction of the anxiety of youth in the lyrics. He explained the single to Louder Than War last month: “‘Lull’ is about self-doubt, it’s about the futility of existence, it’s about making art, trying to leave a mark, being lazy, delusions of grandeur. It’s basically about the fact that all of us are trying hard to find meaning, and about how some of us choose making stuff as that meaning. It’s then about how making stuff is about making an impact, being remembered, but about how that pressure can be destructive and drive people who make stuff to tie how good their stuff is with how worthwhile they are. It’s a bit grim, really, which is why we tried to make the tune a bit more upbeat. I quite like that juxtaposition, somber lyrics and an upbeat melody.”

While exploiting this kind of juxtaposition to get more listeners is nothing new in popular music, it’s great that an up-and-coming band is doing more than simply make a great big noise. Hang on this link for the future, as I suspect we’ll be writing much more about Declan Welsh and the Decadent West in days to come.

 

Great Escape 2018: Day 2 Roundup (Part 2)

 
By on Wednesday, 6th June 2018 at 2:00 pm
 

It was good to take a breather with my friends the Orielles because I was about to embark on the hardest walking period lined up in my Great Escape 2018 schedule. Thanks to Google Maps, the walks I took were more picturesque and slightly less bad than I had expected. Discovering a leafy, pedestrian-only lane on the way to the Green Door Store made walking up and back down down to the sea a total of four times made me forgot how much my feet were burning. Almost.

I was eager to see Declan Welsh and the Decadent West in action. While there’s been a proliferation of politically-minded punk bands in England, if the same thing is happening in Scotland, I’ve clearly missed it. Like my good friend Matt Abbott, East Kilbride’s Welsh is a poet at heart, having taken up the causes of socialism and supporting Labour’s Jeremy Corbyn. Just as one might expect, he began their set alone with a poem dripping with emotion and vitriol. Welsh later made the audience laugh with his best attempts in Spanish language delivered with a Scottish accent before he and his band launched into ‘No Pasaran’. Introducing the LGBT and sexual liberation anthem ‘Do What You Want’ as “a sex-positive song”, Welsh sent the audience into a bit of an amusing tizzy, the tune beginning slowly before becoming a wailing guitar number.

Declan Welsh and the Decadent West Friday the Great Escape 2018 2

Coincidentally, the next act I would see was also Scottish. I noticed this year’s Great Escape Festival was largely devoid of electronic acts. If this trend continues, it makes me less likely to attend in the future. ONR. (pronounced “honour”), Robert Shields with this band, was on the top of my list of acts to see at SXSW 2018 (see preview here), so when he cancelled his band’s appearances last minute, disappointment doesn’t even begin to cover it. When I saw ONR. added to the BBC Introducing bill Friday night, it felt like a reprieve. Back down at the Old Ship Hotel, a mass exodus from its upstairs Paginini Ballroom followed the set by the showcase opener Leicestershire soul singer Mahalia, spilling out onto Ship Street. Yes, I arrived too early. No way was I going to miss this.

The disappointment of ONR.’s absence in Austin was wiped away, evaporated by the powerful spectacle of this very performance Friday night. Having seen The 1975 here in 2013, right before they hit it big, it’s an important venue to me, a place where British acts play before they become musical giants. You’re inside the Old Ship Hotel, a Grade II-listed building built in 1559, watching a band perform on what is probably a centuries-old stage but with 21st century equipment and lighting. For the bands, it must be like performing in an old church, history speaking from its walls and feeling history being made while onstage. Perhaps I’m being dramatic, but it does feel extraordinarily different to see a band here than any other place in Brighton.

ONR Friday the Great Escape 2018 2

Under a dizzying light display, Shields followed his bandmates out on stage to deliver a commanding performance worthy of the bombastic pop hits he’s written under the ONR. name. The power of the beats and synth-driven instrumentation matched Shields’ booming vocals. 2017 debut single ‘Jericho’ is a masterclass in how to write a pop song: slow burn them with a verse, then knock ‘em up over with the muscle of the chorus. The ONR. set closed out with ‘Five Years Time’, with its anthemic, thunderous choruses. BBC Introducing describes them playing their newest single ‘American Gods’ at the recent Biggest Weekend as “stadium-ready rock”: whatever you want to call it, this is massive stuff. ONR. are currently in America, due to play shows supporting Mondo Cozmo and their own headline shows on both of our coasts over the next fortnight: all the details are through here.

Sticking with the Scottish theme and buoyed by the energy of the ONR. set, your intrepid music editor went back up the hill and back to the Green Door Store for Rascalton, another one of my festival tips. Their style of high-octane, melodic guitar punk was just the ticket, ‘Lust’ being an example of a less than 3-minute long tour de force. Seeing three Scottish acts calling Glasgow (or close) home back to back, it’s heartening to see that there’s no Glasgow ‘scene’ or specific sound, but rather musicians who are committed to writing music their way and aren’t bound by what the often clueless pundits back down in London think is hip now. I’m going to guess one of the band member’s mams was down front, wailing, dancing and waving her arms about and, well, if you can’t get excited about your son’s band doing well, you’re clearly doing it wrong.

Rascalton Friday the Great Escape 2018 2

I didn’t have the luxury of pogoing on my sore feet like her, so it was time to go back down again to the Old Ship, finally getting to see Ten Tonnes. I’d run into him earlier and he’d remembered me earlier from when I interviewed him at the Twix showcase at SXSW 2017. His recent songwriting collaboration with ex-Kaiser Chiefs Nick J. Hodgson on single ‘Lay It On Me’ left me less than enthused on what looks like a more poppy direction.

However, after seeing it live, I think I’m having a change of heart. I watched his fans go absolutely mental, dancing to this very song at the Paginini Ballroom. What do I know, eh? As he and his band performed ‘Silver Heat’ at a frenetic pace, I was transported back to that outdoor stage at Lustre Pearl on the day before the single was released when he performed it alone. The set ended up with the winsome ‘Lucy’ and its “Luc-EE! Oh oh oh oh!”s ringing in my ears. I think I’ll always prefer the more bluesy, rockabilly version of Ethan Barnett, but I will take him and his music however it comes packaged to me,

Ten Tonnes Friday the Great Escape 2018 1

At this point, I’ve been reduced to crawling up the hills of Brighton, this time to make my way to the Hope and Ruin, previously known to me as the Hope. Following queueing outside and watching a belligerent smoker almost get into a fight with one of the bouncers, I’m finally let in. The downstairs area has been turned into a tropical-looking DJ room for the Great Escape, a partly dismantled piano greeting you presumably supposed to pass for high art. Upstairs, I arrived for the last few songs by South Wales post-hardcore (what does that even mean?) band Dream State.

This would be a time when having the knowledge of by either former TGTF rock writers John Fernandez (now at the BBC) or Luke Morton (now at Metal Hammer) would have come in handy. I was reminded reading one time on TWLOHA about how despite the aggro look of the bands and their fans, the hard rock community is, surprisingly, one of inclusion and support. Packed in the room like sardines, you could feel the crowd shift, everyone craning their necks to watch female lead singer CJ roam across the long stage, engaging with fans. While I sincerely wondered how CJ wasn’t ripping her vocal cords as she screamed, her emotion, backed by her bandmantes’ blistering rock was palpable, fans shouting for more. I fully admit screamo and emo et al. aren’t specialties of mine, but any good music critic worth his/her salt knows when they’ve witnessed heart and passion.

Braden and I were reunited when he joined up with me to watch Cassia (see my tip on them prior to Live at Leeds 2018 through here). As mentioned previously, there were PA issues at the Killing Moon and LAB Records showcase at the Hub that day. The Macclesfield band with huge hype already behind them were due to open that showcase. As you might expect, this show at the Hope and Ruin, their only other appearance they had scheduled in Brighton during the Great Escape, was rammed with their fans disappointed in the earlier set.

Cassia Friday the Great Escape 2018

I’m going to guess that if you’ve heard of Macclesfield, it’s probably because of Joy Division or Peter Crouch. Cassia seem poised to change that. I don’t think anyone would associate the North of England with tropical music, so their brand of trop-pop sets them apart from virtually everyone else, save perhaps London’s Kawala, who were also in town for the Great Escape. With no windows to prove we were actually in Brighton, Cassia’s sunny, guitar-driven tunes brought us to an island paradise we didn’t know we needed. Easy to consume light fare ‘Out of Her Mind’ was perfect to end a long day of walking and bands.

For more of my photos from Friday at the Great Escape 2018, go here.

 

The Great Escape 2018 Preview: editor Mary’s best band bets

 
By on Tuesday, 8th May 2018 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on The Great Escape 2018 taking place next week is current at the time of posting. We strongly encourage you to check in at the festival’s official Web site closer to the start of the event to confirm venues and set times. Three-day wristbands for the event in Brighton 17-19 May are still available at the price of £70 plus handling if purchased online; delegate passes that include both access to the daytime industry convention and all music showcases are available at the price of £275 plus handling. More information on where you can purchase your tickets in person or online is available from The Great Escape official Web site. If you’d like to read my previous, more general preview of The Great Escape, it’s through here.

As mentioned in part 1 of my Live at Leeds best bets preview, and alluded to in part 2 as well, there are quite a few acts that appeared this past weekend at Live at Leeds and/or Liverpool Sound City that will also be appearing next week at the Great Escape in Brighton.

Bad Sounds (Friday 11:15 PM, Horatio’s)
Black Futures (Thursday, 9:15 PM, Green Door Store)
Boy Azooga (Thursday, 12:00 PM, Latest Music Bar; 2:00 PM, Dr. Martens stage; 9:15 PM, Patterns upstairs)
Cassia (Friday, 12:45 AM, The Hope and Ruin)
Hollow Coves (Thursday, 12:45 PM, Komedia Studio Bar and 10:15 PM, The Old Courtroom)
Knightstown (Saturday, 12:15 PM, One Church)
Lady Bird (Friday, 2:15 PM, Dr. Martens stage and 10:15 PM, The Walrus)
Rascalton (Thursday, 1:00 PM, Horatio’s [Showcasing Scotland stage]; Friday, 10:15 PM, Green Door Store)
SHEAFS (Saturday, 8:45 PM, The Hope and Ruin)
The Ninth Wave (Thursday, 3:30 PM, Horatio’s [Showcasing Scotland stage]; Friday, 9:30 PM, The Haunt; Saturday, 10:15 PM, Marine Room [Harbour Hotel])
The Orielles (Thursday, 2:30 PM, Beach House and 9:00 PM, Horatio’s)
Tors (Friday, 6:45 PM, St. Mary’s Church)
Vistas (Saturday, 2:30 PM, The Hope and Ruin)
whenyoung (Thursday, 6:30 PM, The Haunt)
Zapatilla (Thursday, 10:15 PM, The Walrus)

SXSW 2018 (or earlier) alums: Here’s a list of artists we either saw in March in Austin (or even in previous years) who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at the Great Escape. They’re sorted by alphabetical order, as some of the acts who are bigger draws are appearing more than once, so organising the list by first appearance may not necessarily be useful to you.

All Our Exes Live in Texas (Thursday, 12:10 PM, Komedia [Aussie BBQ stage]; Thursday, 10:15 PM, Latest Music Bar)
Dermot Kennedy (Thursday, 9:00 PM, Wagner Hall; Friday, 4:00 PM, Beach Club; Friday, 10:00 PM, Sallis Benney Theatre)
Dream Wife (Thursday, 8:45 PM, Beach Club)
Her’s (Friday, 1:00 PM, Beach House; Friday, 10:15 PM, Horatio’s)
IDLES (Thursday 10:00 PM, Beach Club)
Jealous of the Birds (Thursday, 9:15 PM, Bau Wow; Friday, 2:00 PM, Jubilee Square)
Jerry Williams (Thursday, 7:45 PM, Hope and Ruin; Saturday, 12:30 PM, Komedia Studio Bar)
Joshua Burnside (Friday, 1:30 PM, Sticky Mike’s Frog Bar [Output Belfast stage]; Saturday, 12:15 PM, Latest Music Bar)
Let’s Eat Grandma (Friday, 9:15 PM, The Old Market)
Lo Moon (Friday, 8:30 PM, Coalition)
Mansionair (Thursday, 9:15 PM, Komedia)
ONR (Friday, 8:30 PM, Paganini Ballroom at the Old Ship Hotel [BBC Introducing stage])
Pale Waves (Thursday, 7:00 PM, Wagner Hall; Thursday, 11:00 PM, Horatio’s)
Rachel K Collier (Friday, 12:20 PM, Latest Music Bar [Horizons / Gorwelion showcase)
Sam Fender (Friday, 2:30 PM, Patterns upstairs; Friday, 8:00 PM, Sallis Benney Theatre; Saturday, 1:30 PM, Komedia Studio Bar)
Stella Donnelly (Thursday, 8:15 PM, Komedia; Friday, 7:45 PM, Unitarian Church; Saturday, 1:20 PM, Dr. Martens stage)
Superorganism (Friday, 10:15 PM, The Old Market)
Ten Tonnes (Friday, 6:30 PM, Coalition; Friday, 10:45 PM, Paginini Ballroom at the Old Ship Hotel [BBC Introducing stage])
The Homesick (Friday, 2:30 PM, Komedia Studio Bar; Saturday, 10:15 PM, Green Door Store)
The Spook School (Thursday, 12:15 PM, Horatio’s [Showcasing Scotland stage]; Saturday, 8:30 PM Sticky Mike’s Frog Bar)
TOUTS (Thursday, 8:15 PM, Patterns upstairs; Friday, 3:30 PM, Sticky Mike’s Frog Bar)

::gasps:: Okay, so now that we’ve gotten all those shining stars with loads of potential out of the way, I’m going to focus on five additional acts in this post. I’ve chosen those from the pool of acts appearing at The Great Escape but who did not appear at Live at Leeds last Saturday.

Basement Revolver (indie rock / lo-fi; Hamilton, Canada; 2:15 PM, Green Door Store; 6:15 PM, Patterns upstairs)
One of the upshots of attending The Great Escape is that it has arguably the most international line-up of any emerging music festival in the UK. Female-fronted Basement Revolver is one of a handful of acts having travelled thousands of miles to Brighton, besides the Aussies, of course. Bringing their reverb-heavy guitar chords and the sweet voice of Chrisy Hurn, they’ll have two chances on Thursday to wow Brighton crowds.

CRIMER (synthpop / dance; Switzerland; Thursday, 10:15 PM, Bau Wow; Friday, 1:30 PM, Bau Wow)
You a fan of Depeche Mode’s beats and Dave Gahan’s sultry drawl? I’m gonna put it out there and say you’re gonna love CRIMER from the Continent. The Great Escape blurb presumably supplied by him describes his look as pure boyband, but don’t let his hair parting put you off. Seems a bit strange that they have him on early Friday afternoon (I’d suggest you see him on the Thursday night instead) but hey, maybe he can turn Bau Wow into a sweaty disco before the 2 o’clock hour. Wait and see!

Declan Welsh and the Decadent West (punk; Glasgow; Friday, 12:30 PM, One Church and 7:15 PM, Green Door Store; 9:15 PM, Marine Room [Harbour Hotel])
I think it’s come time in this list to bring in something more subversive. I guess I don’t think of Glasgow as being very punk: perhaps it’s because both times I’ve visited, everyone’s been super nice to me, including the very large man with a very large ginger beard who shared a table with me at Nice and Sleazys. But I digress. Quoting their TGE bio directly, “Donald Trump and Theresa May watch out! The Revolution will be well dressed and speaking in Glaswegian.” RAWR.

Franc Moody (funk / dance; London; Friday, 2:40 PM, Beach House)
Not a guy from France, phew! No, Franc Moody is a London collective bringing da funk and da dance to Brighton’s seaside. Apparently they have been doing this for a while, in so-called ‘infamous’ (::giggles thinking of Three Amigos:: ) warehouse parties in Tottenham. Friday afternoon at TGE is oddly full of dance acts, so I can only hope that no matter what the weather, Franc Moody (and everyone else for that matter) can manage to get bodies bumpin’ before official wine o’clock.

Saint Raymond (pop; Nottingham; Thursday, 3:30 PM, Marine Room [Harbour Hotel])
This singer/songwriter has already been out on the road with the likes of Gabrielle Aplin, Ed Sheeran and HAIM, so it shouldn’t come as much surprise that Callum Burrows’ style of music is firmly in the pop genre. Burrows blends a synth-driven ‘80s sound with feel good pop lyrics. Apparently in the early days back home in Notts, lazy journos compared him to local acts Jake Bugg and Dog is Dead. No more.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us

Privacy Policy