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Kendal Calling 2014: Day 1 Roundup

 
By on Monday, 18th August 2014 at 2:00 pm
 

Kendal Calling 2014 was wet, windy and wild, but that didn’t stop it being one of the finest weekends of the festival calendar.

Anyone considering a trip to the Lake District at any time of the year would be well advised to anticipate bad weather, as Kendal Calling 2014 demonstrated all too well. At times, revellers were treated to a rendition of the classic “four seasons in one day”: heavy rain, followed by strong winds, then a glimpse of blue sky and sunshine before the rain returned again. Rinse and repeat.

Some people had grokked that it was raining and muddy and wore wellies and raincoats. Others appeared not to notice, sporting flimsy trainers and T-shirts that were soon overwhelmed by the weather. Those who were either already insane or induced to be so by the party atmosphere positively relished the conditions, to the extent of indulging in mud-diving, mud-fighting and indeed, mud-hugging. On this evidence, anyone who tells you rain spoils a festival needs to have a rethink.

In between the mud-love there happened to be some music. Kendal has within its modestly-sized site a plethora of stages: the commercial-biased Main Stage, the new indie bands on the Calling Out stage, the pretty Woodlands stage, in addition to hosting longtime external collaborators Chai Wallahs and Riot Jazz. The compact nature of the site – you’re never more than 10 minutes away from the other side – means it carries a significant advantage over mega-festivals where it feels like one spends most of the day trudging from one far-flung stage to the next.

The big news this year was the opening of the main arena on Thursday night, for the benefit of those who paid a bit extra for early entry. And who better to get the place rocking than everyone’s favourite funk ‘n’ soul (and friend to TGTF) DJ Craig Charles? In truth, technically, he’s no better than the chap in your local boozer spinning the silver discs of a Saturday night – there’s little attempt at anything fancy like beatmatching – but what Charles lacks in technical skill he far more than makes up for with sheer unbridled enthusiasm, standing up on the desk, exhorting the crowd into further frenzies of funk-induced revelry, his set heavy with classic soul and climaxing with a Dimitri From Paris’ remix of Michael Jackson’s ‘I Want You Back’ by which time a random gaggle of lucky punters had been invited up on stage, dancing with DJ Charles in various states of inebriation and undress. The party had well and truly started.

Kendal’s campsites are true melting pots of those brave souls who risk staying up beyond the witching hour to for the simple pleasures of shared song and story… and beer and whisky. If you don’t want to be kept awake by a tone-deaf rendition of ‘Wonderwall’ at 3 AM, then the quiet camping area is a must. Never fear, your correspondent was on hand to ensure that at the very least the guitar was properly tuned – no mean feat at such a late hour. After so much anticipation, Friday morning couldn’t dawn soon enough, and after such a fine prelude, it had finally arrived.

Stay tuned for more coverage from Martin on this year’s Kendal Calling coming soon on TGTF.

 

Preview: Deer Shed Festival 2013 (Part 2)

 
By on Thursday, 27th June 2013 at 9:00 am
 

We’ve already previewed the extensive small- and big-kid friendly activities available at Deer Shed Festival 2013, but what of the music? Featuring full 2 days of music (Friday evening, Saturday all day, and Sunday afternoon), and a smattering of stages, this isn’t your run-of-the-mill enormo-fest, and is all the better for it. The entire card is quality, but here we run down some of the highlights of Deer Shed 2013’s music offering…

Friday night sees a clash-tastic triumvirate of triumphant talent. Edinburgh festival favourites Tubular Bells For Two take over the In The Dock stage all night – for those who haven’t heard, TBFT are Aussies Daniel Holdsworth and Aidan Roberts, who have taken it upon themselves to recreate Mike Oldfield’s multi-layered masterpiece Tubular Bells in its entirety, complete with a home-made set of the eponymous melodic percussion. An inspired booking, and a rare opportunity to catch TBFT in the fresh air.

Gaz Coombes proved with his diverse work with Supergrass that he’s one of the finest songwriters of his generation; his solo album ‘Here Come The Bombs’ superbly reinforced that reputation. He’s just put out a new double-A single: ‘One of These Days’ is a typically bittersweet string-enhanced 4 minutes of slow-burning goodness, marking an intriguing move into gentle electronica stylings; ‘Break the Silence’ is a more upbeat synth-led stomper with hints of Supergrass’ superb 2004 orphan release ‘Kiss Of Life’. Which all bodes well for the second album which is rumoured for imminent release.

In a fairer world, Gaz Coombes would be the highlight of the evening. But if Coombes’ star is still developing, Edwyn Collins’ is a full-on supernova. There’s no need to go over the old ground of his medical history (if you need the details, see here), suffice to say that Collins’ personal story is as remarkable as his music. His 2010 LP ‘Losing Sleep’ gathered my Writer’s Choice for a Mercury nomination that year; this year’s release ‘Understated’ continues his output of smart pop-soul, hinting obliquely at his trials, but mostly simply affirming the human condition in matchless, witty style. A true legend, revered warmly by industry and fans alike, and a great way to wrap up Friday night at Deer Shed.

Saturday afternoon is folky and soulful. Tynesiders and Craig Charles favourites Smoove and Turrell (John Turrell is the male voice of Charles’ Fantasy Funk Band) are perfectly timed to get the crowd into a groove; Zervas and Pepper soundtrack dreams of shimmering open plains and dusty roadhouses; To Kill a King purvey that keening, yearning folk-rock sound that has such broad appeal these days that will surely make them a highlight of the day for many.

Elsewhere, Spring Offensive bring their suave Oxonianisms to the In The Dock Stage. If you like atmospheric, emotive guitar music, and wish you had seen Radiohead live before they released ‘The Bends’, the Spring Offensive are not to be missed. Neither are The Phantom Band, whose sound genuinely defies classification. There’s detailed multi-movemented arrangements, pepperings of atonality, a touch of ‘Green’-era R.E.M., and even the hint of properly heavy guitars on occasion. Very difficult to describe, which means that they’re very clever indeed. Worth being acquainted with beforehand, but will reward the effort live.

Darwin Deez has a lot to live up to – the punditry casually bandy around names like Beck, Prince, and Hendrix whenever he’s mentioned. Yes, Deez displays a loose, carefree obscurantism that Beck would be familiar with, but there’s little evidence of the epic sweep of Prince, or indeed of Hendrix’s Stratocaster majesty. Perhaps his live show will answer the doubters. But most excitingly of all, Saturday night finds The House of Love on the main stage. Surely the most underrated band of the pre-Britpop era, The House of Love’s self-titled meisterwerk contains future echoes of The Stone Roses, James, and both Oasis and Blur, and without whose influence British pop music would surely have taken a different, and undoubtedly inferior, path. Despite such achievements, in comparison with their peers they remain relative unknowns, with founding member Guy Chadwick carving a second career fitting sash windows. The story of the band is no less remarkable than their music, featuring personal acrimony, heavy drug use, mental problems, countless spin-off side projects, and the inevitable ritual burning of banknotes – enough to fill a decent book, one would imagine. Will The House of Love find their final redemption in their reformation and release of new material? Will Deer Shed be where it all finally comes together? One waits with bated breath.

After the excitement of Saturday night, Sunday is wind-down day. The Unthanks bring to life the North-East’s history of heavy industry and hard living with ‘Songs From The Shipyards’, and band-of-the-moment Public Service Broadcasting (who we caught last month in Newcastle) offer a similarly historical yet rather more lighthearted take on this island’s history with their audiovisual tour-de-force. On the main stage, we have chilled-out ambience from AlascA, knowing ensemble wittiness from Moulettes, and the acoustic finale belongs to the avuncular King Creosote, who has a challenge on his hands to match the vertical, punch- and love-drunk ambience of last year’s Cherry Ghost set.

If it had escaped your notice, this is just part of what’s on offer at Deer Shed Festival this year. Take a look at my Part 1 for a roundup of the crazy catalogue of activities to lose yourself in. Tier three tickets are still available from from the official Web site – but probably not for much longer!

 

WIN / CD + Tickets to Craig Charles Christmas Funk and Soul Club Party in Bloomsbury

 
By on Thursday, 6th December 2012 at 8:15 pm
 

Two weekends from now, legendary Red Dwarf actor and venerated 6music radio presenter and DJ Craig Charles will be bringing the hottest tunes to his Christmas Funk and Soul Club Party at Bloomsbury’s Bowling Lanes. Jack Tyson Charles, Craig’s son, will lead his full live band and also scheduled to appear are Sir Funk, Mary Go Round and Otis Waby. Even more special guest Santa will be making an appearance. (Come on now, I’ve got you hooked, right?)

This very special event will take place on Saturday the 15th of December and will also be the official album launch party of Craig’s latest, the first ever Funk and Soul Club Compilation from Freestyle Records featuring music from The Bamboos, The Excitements, T-Bird and The Breaks, Smoove and Turrell, Nostalgia 77, Prince Fatty, Lack of Afro, The Stiff Naked Fools, The Apples, Treva Whateva, Federation of the Disco Pimp and the Haggis Horns among many others.

If this all sounds amazing, have we got an early Crimma treat for you. We’ve got a pair of tickets to the party on the 15th as well as a copy of the album to give away to a lucky UK resident reader. Enter our contest below; contest will close on Saturday (the 8th of December) at noon, so get your entries in ASAP. We’ll pick a winner from all the correct entries. Tickets can also be purchased in advance from Bloomsbury Live at the fair price of £8 pounds each here.

The contest is now closed. The winner will be contacted soon by email.

 

Preview: Soundwave Croatia 2012

 
By on Tuesday, 6th March 2012 at 9:00 am
 

Sometimes you need a summer holiday but also want to the fun and the freedom of a music festival, so what better way to combine the two than a foreign festival. Take a trip this summer (19-23 July) to Tisno, Croatia, for 4 days of live music, boat parties and beautiful beaches at Soundwave Croatia!

And who will you be seeing if you take the flight to Eastern Europe? Already confirmed are the Long Island hip hop masters De La Soul, the indie folkster Fink (pictured above), the mesmerising vocal styles of Ghostpoet and the turntablist troubadour DJ Yoda.

There will be over 50 artists providing the soundtrack to the summer across a range of boat parties, a beach terrace full of DJs and a tiki bar. Showcasing their skills in to the beach bods and body poppers include the BBC 6’s renegade of funk Craig Charles, Asia’s first World DMC champion DJ Kentaro, the elegantly experimental Submotion Orchestra and Metronomy‘s own Olugbenga.

For just £105 + booking fees you can enjoy four days of nothing but sunshine and live music outside of the Eurozone. For more information visit the official Web site and to keep an eye out for further announcements and stage times.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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