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Live Gig Video: Elena Tonra of Daughter performs ‘Tomorrow’ at Bushstock 2012

 
By on Friday, 27th July 2012 at 4:00 pm
 

Last month during Jubilee weekend, Communion Records put on Bushstock 2012, the folk label’s very own 1-day festival. This year we sent Braden to cover the event, and you can read his review of the day’s performances here. But for you on this Friday afternoon, we have a unique performance by Elena Tonra Daughter at TOMS Secret Garden Stage, performing ‘Tomorrow’. Watch it in all its sun-dappled beauty below.

[youtube]http://www.youtube.com/watch?v=D70Ql3IpdrQ[/youtube]

 

Bushstock Festival 2012 Roundup

 
By on Thursday, 14th June 2012 at 2:00 pm
 

If you’re a music fan, there was a good chance you hit a festival on this past Jubilee weekend. There’s options ranging from Dot to Dot to Field Day and in one corner of west London, there’s Communion’s very own Bushstock. Shepherds Bush lays host to a diverse selection of acts in an even more varied selection of venues. Running is borderline mandatory.

Rae Morris opens the day’s music in an incredibly crowded Defector’s Weld pub. Coming out of an increasingly vibrant singer-songwriter scene in Blackpool (of all places!) her endearing and soulful piano music has seen her tour with Bombay Bicycle Club and even be featured on the most recent series of Skins and this afternoon she wins over any doubters. Her powerful voice over slow piano lines on tracks such as ‘Day One’ prove to be a stunning way to start the day.

Not too long after it’s over to the Shepherds Bar, where the lovely folk at Communion are handing out cupcakes to go with the day’s festivities. All this and Juan Zelada is about to take to the stage. A recent favourite of TGTF, Zelada’s friendly, sun-drenched sounds all the way from Spain make those present forget about the ominous looking clouds approaching London. Complete with live band, Juan brightens up everyone’s spirits with his energetic Nutini-esque tunes.

Following him on stage with a similar band set up, but a different way of using it is Ellen and the Escapades. It’s 21st century folk in its most summery form. Happier and fuller sounding than Marling but (thankfully) more reserved than Mumford, it dances delicately on the line of purist and folk-pop to the point that you’d enjoy it at Wimbledon. It’s not hugely exciting or day changing, but for early evening, it’s enough to keep everyone satisfied.

After a quick dash about Shepherds Bush, it’s underground into the converted public toilets of Ginglik. The room smells of incense and is lit by fairy lights. The stage is relatively bright though, as many would if they were covered in this amount of smoke and as Gabriel and the Hounds take to it, the mood changes greatly. The New Yorker’s sound is dark yet uplifting. Think the xx meeting We Are Augustines and you’ve probably not got anything like this band, but the similarities are there for the taking. Nevertheless, its’ dark down here so it’s off to church!

Tonight’s closing trio all come back to back at St. Stephen’s Church. Starting off are Newcastle’s finest in the form of Lanterns on the Lake. The setting is perfect and they do not disappoint. Playing from last year’s debut record ‘Gracious Tide, Take me Home’, they fill the room with a huge sound creating a thick atmosphere of beautiful music. It’s a standout performance of tracks with slow builds and epic climaxes that left many in the crowded church in a borderline state of comatose for the duration of the half hour set.

To follow this was difficult but the Irish spirit of Fionn Regan surely won him admiration from those present as the church descended further into a state of lucid dreams. Whilst Regan never lived up to Lanterns’ incredible sound, his three record back catalogue is enough to keep his strong and yet somehow intricate sounding tracks in check. It’s another performance that lacks the sucker punch, but given the setting, it more than fits the tone.

Closing the night are Communion and Bushstock favourites Daughter. Elena Tonra’s group is one of calm music performed in both a shy and masterful way as from the off there’s attention to detail in every chord. Whilst the equipment may decide to break at will, Daughter pull through with stories of rum nights and friendly conversation. Crowd favourites ‘Run’ and ‘Landfill’ feature early on and suit their placing as they draw a crowd who’ve opted against other choices around the festival in from the rain. The songs of heartbreak and lost days fill the old building as both crowd and band get into the flow of things and the hour long set seems to go far too quickly. As the last few powerful chords of ‘Home’ break through it’s all over and it’s been beautiful. Managing to catch a few minutes of Bastille en route to the train home; TGTF awakens from sleep and dances to ‘Flaws’ before reflecting on a day that seemed a bit like a strange dream. It wasn’t perfect, but it’ll more than do. Take that, Field Day.

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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