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TGTF Guide to SXSW 2017: Northern England artists showcasing at this year’s SXSW

 
By on Wednesday, 1st March 2017 at 11:00 am
 

For so many years and continuing on to this day, the North of England has always been a hot bed for new musical talent. Today’s installment of the TGTF Guide to SXSW 2017. will introduce you to 12 acts from ‘oop norf’, some may you have already heard of or heard on the radio, some you may have not. Except where noted, the summaries below were written by our Northern Irish correspondent based in Derry, Adam McCourt, who also went to uni in Leeds. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

All We Are – pop / Liverpool
Liverpudlian trio All We Are describe themselves on Facebook as “The Bee Gees on diazepam”. The description is not far off, as they showcase similarities in vocal textures and harmonies, but with more downtempo and wavy grooves. Although they are based in Liverpool, none of the members actually hail from there. Bassist Guro Gikling is from Norway, Rich O’Flynn from Ireland is on drums and Luis Santos from Brazil plays guitar, making them probably the most multinational band to attend SXSW from this side of the Atlantic. Their self-titled debut album, released back in 2015, is available now. FFO: Warpaint, Wild Beasts, Django Django [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=_s6Sx4POl3k[/youtube]

Autobahn – punk / Leeds
Five-piece post-punk outfit from Leeds, Autobahn are Northern and proud of it. From depressing song titles to their screechy guitar tones, Autobahn’s music depicts the gloomy industrialisation of Northern England almost perfectly. Autobahn’s debut album ‘Dissemble’ was released in the summer of 2015 and contains all of the above, as well as Johnson’s honest lyrics and droning vocal melodies. [Their Facebook suggests a new album is done and dusted. We wait with baited breath. – Ed.] FFO: Joy Division, Bauhaus [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=9D7XJ5HXXQs[/youtube]

False Advertising – rock / Manchester
False Advertising (pictured at top) are a self-proclaimed “twisted power-grunge” trio from Manchester. The female-fronted band create a perfect blend of dreamy guitar melodies and equally light-hearted vocal melodies against fuzzy guitar tones and a driving rhythm section. Fronted by Jen Hingley on guitar and vocals, backed by Josh Sellers on bass and Chris Warr on drums, their self-titled debut album was released in September 2015, and an EP titled ‘Brainless’ followed in 2016. FFO: Cheatahs, Nirvana

[youtube]https://www.youtube.com/watch?v=qNIyVEXC47Y[/youtube]

Findlay – blues / pop / London via Manchester
You can take the girl out of the North, but you can’t take the North out of the girl. Case in point: Natalie Rose Findlay, who goes by her surname just like fellow Mancunian-born Morrissey, doesn’t really give a monkey’s. We’ve seen her charismatic performances at festivals before, and we imagine her rough around the edges style, in line with the ever-burgeoning lo-fi rock scene both in America and the UK, will be just the ticket in Austin. FFO: The Kills, PJ Harvey (Mary Chang)

To read our past coverage of Findlay here on TGTF, go here.

Fizzy Blood – punk / Leeds
Since forming in 2014, Heavy rock five-piece from Leeds Fizzy Blood have made major strides with their huge in-your-face riffs, melodic vocal melodies and insanely energetic live shows. They released their debut EP ‘Feast’ on 22nd of June 2015 and have since amassed under their belt a vast number of international shows and tours alongside acts such as Allusondrugs, Sun Club, The Virginmarys and punk icons The Dead Kennedys, as well as appearing at top UK festivals Download, Live at Leeds and Sound City. FFO: Queens of the Stone Age, Allusondrugs, Pulled Apart By Horses

[youtube]https://www.youtube.com/watch?v=TlhuzoMmL4s[/youtube]

Her’s – pop / Liverpool
Outsiders from outsider towns, Stephen Fitzpatrick from Barrow in Furness and Audun Laading from Kristiansand, Norway, met whilst at university in Liverpool. They instantly connected over a “love of peculiar, sardonic humour and wide eyed observations”, according to their Facebook bio. Hmm. Any way you slice it, the duo present a loveable blend of dream pop that seems to transport any listener to the seaside towns from which they individually hail from. FFO: Mac Demarco, Beach Boys

LIFE – punk / Hull
Considering all the crap that’s happening in the world today, sometimes you need a release valve. You need music you can listen to, to get your aggressions out. LIFE, hailing from the East Yorkshire riverside town whose most famous musical export has been The Housemartins, are clearly here to put Hull back on the British rock map. Incisive lyrics backed by punishing rock guitars? Yes, please. Oh, and if you needed any convincing, they also wrote a protest song unveiled on the day of that Cheeto’s inauguration. Check. FFO: The Clash, their recent tourmates Slaves (Mary Chang)

[youtube]https://www.youtube.com/watch?v=Qh62UUMBtQE[/youtube]

Menace Beach – alt-rock / Leeds
Menace Beach are an alt-rock act from Leeds, mainly made up of core members Ryan Needham and Liza Violet; the rest is somewhat of a revolving line-up. Menace Beach’s debut album ‘Ratworld’ was released in January 2015, which was followed up by the ‘Super Transporterreum’ EP in the same year and last month’s ‘Lemon Memory’, reviewed by our Rebecca here. FFO: Pulled Apart By Horses, The Jesus and Mary Chain [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

Read all of our past coverage on TGTF on Menace Beach through here.

[youtube]https://www.youtube.com/watch?v=y8wHP56Dyzo[/youtube]

She Drew the Gun – singer/songwriter / The Wirral
From the banks of the Mersey in a small peninsula called The Wirral is where fuzz pop four-piece She Drew the Gun reside. Formed and fronted by singer/songwriter Louisa Roach, the band offer dark, fuzz-filled pop topped with delightful and emotive vocals. She Drew the Gun have received continuous support from BBC Radio 6 Music after their debut album ‘Memories of the Future’ was named ‘Album of the Day’ upon its release last April 2016. FFO: Big Deal, Julia Jacklin, Lucy Rose

Trudy and the Romance – pop / Liverpool
This Liverpool trio were formerly known as simply ‘Trudy’ and ‘Trudy Sings The Blues’ before settling on the poetic Trudy and the Romance. Oliver Taylor (vocals/guitar), Lewis Rollinson (bass) and Brad Mullins (drums) together produce raucous, guitar-driven indie pop with Hollywood-tinged vocal melodies that will simultaneously tug on the heartstrings and tap on the funny bone. FFO: Mac DeMarco, Tame Impala, Beach Boys [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=YpcdhEQdWtg[/youtube]

VANT – protest rock/punk / London via Seaham
London via Seaham band VANT have been slaving away in the industry since their formation in 2014. The protest rock group, led by Mattie Vant, have garnered attention after appearing as support for Royal Blood, as well as touring with DIY Magazine’s NEU tour. They’ve already hit a dizzying array of festivals, including Dot to Dot, Reading and Leeds, Glastonbury, 2000 Trees and Fuji Rock Festival in Japan, as well as racked up plays of their numerous singles anointed as Annie Mac’s ‘Hottest Record in the World’. Their debut album ‘Dumb Blood’ is out now; you can read our Steven’s review of last year’s ‘Karma Seeker’ EP through here. FFO: Otherkin, Palma Violets

Read our past coverage on VANT here.

[youtube]https://www.youtube.com/watch?v=coeO8HWHjoc[/youtube]

The Vryll Society – rock / Liverpool
Expect the unexpected from The Vryll Society. With a sound that touches on different facets of classic, psychedelic and prog rock, the Liverpudlian quintet present a body of work sure to keep any listener on their toes. Fuzz-infused rock led mainly by the rhythm section of Lloyd Shearer on bass and Benjamin Robinson on drums with lots of decorative guitar flourishes from Ryan Ellis and Lewis McGuinness, all topped by Michael Ellis’ catchy, melodic vocals, The Vryll Society stimulate both the mind and soul with their music. FFO: Tame Impala, The Wytches, Honeyblood

Read our past coverage on TGTF on The Vyrll Society through here.

[youtube]https://www.youtube.com/watch?v=LxDXcg8rx3E[/youtube]

 

Video of the Moment #1761: All We Are

 
By on Wednesday, 11th March 2015 at 6:15 pm
 

Liverpool-based trio All We Are released their self-titled debut album on Domino Records / Double Six last month. Now there’s a promo to go with the funky song ‘Utmost Good’ from the LP. Watch it below.

The band are currently on tour in the UK and Ireland this month. The band will also be supporting Danish band Mew on their UK tour on select dates in May.

[youtube]https://www.youtube.com/watch?v=g1xx4oT9hms[/youtube]

 

All We Are / March 2015 UK/Irish Tour

 
By on Thursday, 4th December 2014 at 9:00 am
 

Liverpool-based trio All We Are have announced a massive European tour for the first three months of 2015, and that includes UK and Irish dates in March. Dates are detailed below, and tickets are on sale now.

The band have also revealed the promo video for ‘Keep Me Alive’, from their self-titled debut album that will be released on the 2nd of February 2015 on Domino Records / Double Six.

Monday 9th March 2015 – Manchester Deaf Institute
Tuesday 10th March 2015 – Brighton Green Door Store
Wednesday 11th March 2015 – London Corsica Studios
Friday 13th March 2015 – Cork Cyprus Avenue
Saturday 14th March 2015 – Dublin Workman’s Club
Tuesday 17th March 2015 – Glasgow Broadcast

[youtube]https://www.youtube.com/watch?v=_s6Sx4POl3k[/youtube]

 

Deer Shed Festival 2014: Day 1 Roundup

 
By on Thursday, 31st July 2014 at 2:00 pm
 

On Saturday the 26th of July, on the occasion of its fifth birthday, Deer Shed Festival finally came of age. I mean no disrespect to Villagers or Darwin Deez, but Johnny Marr is the perfect climax to Saturday night at Deer Shed. He drew a crowd to Baldersby Park’s gently sloping natural auditorium unmatched in both size and enthusiasm than in any previous year. By virtue of writing the music to countless songs that soundtracked the lives of the adults in the crowd when they were young, free, and unencumbered by the offspring who were variously marauding around the site in frenzied glee or asleep in their arms despite the noise, for an hour or so they gave Marr their undivided attention and appreciation as he reeled off one classic after another.

Even though perhaps not as much a household name as his Smithsian lyricist and singer, by virtue of avoiding the latter’s rum pronouncements on vegetarianism, race, and sexuality, and sticking to what he does best – playing decent music – Marr succeeds in a similar, but much larger fashion, to that which Gaz Coombes did the previous year. A combination of life-affirming back catalogue hits, each of which instantly evoke dusty memories of life past, together with new material that easily stands shoulder-to-shoulder with the older stuff, is a recipe for success at Deer Shed Festival. Thusly are memories of the future made.

But Deer Shed Festival is far from being just the Johnny Marr show, and the adventure commenced the previous sultry afternoon. For those that don’t know, Deer Shed festival is held in North Yorkshire, just off the A1 on the way to Thirsk, in the beautiful grounds of Baldersby Park. The unwritten rule of Deer Shed: bring the kids. Even though the music is as good as anywhere, the real focus is on giving children a good time throughout the weekend, so if you’ve an aversion to the little blighters, look elsewhere. If you need an event where the kids are kept amused as Dad moshes down the front, Deer Shed is for you.

After a less-than-arduous 5-minute walk from car park to campsite, silently congratulating oneself for attending an event of a sensible acreage, and a bout of fumbling with canvas and string in the baking hot sunshine, refreshment and musical entertainment are less desired than demanded. Teleman were welcome succour. Comprising three of the admired Pete and the Pirates but swapping jaunty guitars for more considered electronica-enhanced melodies, they mix Erasure’s way with a dramatic synth-pop arc with Belle and Sebastian’s observational twee. All We Are eased the main stage into the late afternoon sunshine with the gentle ebb and flow of their gently atmospheric, shoegaze-influenced pop. Contenders for “The xx imitators of the Year” award, along with Woman’s Hour.

PINS are impeccable now. Watching them transform from a rickety band of noiseniks just a couple of years ago into today’s whirlwind of glamour and red lipstick is a life-affirming experience. They combine the power of 1970s New York glam-punk rock with an overlaid sweetness of melody and delicacy of touch comparable with any Supremes classic. While the phrase “girl band” has loaded connotations of manufactured, shallow pop nonsense, bands like PINS are doing their best to reclaim it for groups of talented musicians who just happen to be women. Whether or not there’s any great feminist insight is open to debate, but nevertheless, theirs was one of the performances of the weekend.

Next comes the only major misstep of programming of the whole weekend. Just as the sun starts to think about lazily drifting towards the horizon, and the main stage crowd are tucking into their evening meal of organic houmous and vintage prosecco, along come Toy to blast away the early evening reverie. On record, TOY are more considered, melodic, and song-focused, but live they come across as an incessant wall of noise; they’ve got three guitars and they’re going to turn it them all up to 11. ‘Join the Dots’, the title track from their début album, is a case in point – its climax of multi-layered guitars, phased into the next universe, is an undoubtedly viscerally thrilling piece of music, but perhaps not enjoyable if it disturbs little Johnny’s digestion and makes the whole family go scrabbling around for the ear defenders.

It’s not that they’re a bad band. Far from it. In fact, along with Temples, they’re one of the most convincing neo-psych bands in the country right now. But in this instance it’s a case of right band, wrong stage. Various overheard grumbles pay testament, including the old classic, “it’s just noise!” A considerable chunk of the Deer Shed crowd rock up to the main stage auditorium in the morning with their camping chairs and stay there all day, so in a way have little choice as to what they are made to listen to. Whatever is on the main stage influences the enjoyment of the entire site, and the Friday evening slot needs to be something less challenging, a little funkier, to properly match the mood of the audience.

A band on the correct stage are Dan Le Sac vs. Scroobius Pip – they play the tented Lodge stage, so aural participation is distinctly optional – but certainly recommended. Pip’s gently political and moderately sweary diatribes (“that last song had an MF in it, sorry parents!”) combined with Sac’s dubstep-flavoured soundtrack excites many audience members into a display of such extrovert dad-dancing that any child would be excruciatingly embarrassed. The atmosphere in the tent is genuinely charged with enthusiasm; Deer Shed’s first foray into urban/rap/hip-hop is superbly received. More please. In common with several other acts, Pip seems genuinely pleased to have such a diverse range of ages in the audience – officially the most people on shoulders ever at one of their gigs, as children are raised aloft to experience “the man with his head on upside down”.

The main stage headliner is British Sea Power, but inevitably for many parents their slot coincided with trying to settle one or more very excited children to sleep. They sounded great from the campsite. When eventually the kids are settled, the last attraction of Friday is the genius that is Darius Battiwalla accompanying a silent film: this year, The Hunchback Of Notre Dame. It was intended to be The Cabinet Of Dr Caligari but had to be changed for licensing reasons, which would have suited the time travel theme far better, and also the patience of the crowd: Caligari is a mere 67 minutes long, whereas Hunchback is over 2 hours. Whilst I’d happily listen to Battiwalla play over a cornflake advert, that’s a long time to spend watching Lon Cheney gurning, and by the time the film’s impenetrable plot reached its climax, the audience were variously physically uncomfortable or sound asleep. It’s surprising how loud a small boy’s snores can be in the auditorium of a silent film!

Stay tuned for more of Martin’s coverage of Deer Shed coming soon on TGTF.

 

MP3 of the Day (and more!) #577: All We Are

 
By on Monday, 9th July 2012 at 10:00 am
 

All We Are are a trio based in Liverpool but rather interestingly, we learned they are each from different places: Norway, Ireland and Brazil. Self described on their Facebook as “A heady mix of alternative folk and psych tinged pop”, we think you the readers of TGTF just might be intrigued with this three-piece’s song ‘Cardhouse’ that they’re offering up for a listen to and download below. The band have also filmed a video for the song, which should make your Monday morning all that more brighter. Enjoy it all below.

[youtube]http://www.youtube.com/watch?v=Wa3EEgTqg-8[/youtube]

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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