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Bombay Bicycle Club / December 2014 UK Tour

 
By on Wednesday, 20th August 2014 at 8:00 am
 

Update: due to increased demand, a second Manchester Apollo date has been added 03/09/2014 for the 8th of December.

Rounding off a summer full of festival dates, North London quartet Bombay Bicycle Club have just announced the details of their largest ever UK tour, including a show at London’s Earls Court on the 13th of December. According to the band’s press release, “this tour is not only their biggest in terms of venue, but also in terms of sound” and will feature “an expanded live line-up to cater to the ever-increasing range and complexity of their songs”.

Support on these tour dates will come from Peace and Sivu. Tickets go on sale Thursday the 21st of August at 9 AM, except for the London date, which is on sale now.

Wednesday 3rd December 2014 – Leicester De Montfort Hall
Thursday 4th December 2014 – Plymouth Pavilions
Friday 5th December 2014 – Bournemouth BIC Solent Hall
Sunday 7th December 2014 – Manchester Apollo (sold out)
Monday 8th December 2014 – Manchester Apollo (added 03/09/2014)
Wednesday 10th December 2014 – Wolverhampton Civic Hall
Thursday 11th December 2014 – Edinburgh Usher Hall
Friday 12th December 2014 – Newcastle Academy
Saturday 13th December 2014 – London Earls Court

 

Interview: Van McCann of Catfish and the Bottlemen at Kendal Calling 2014

 
By on Tuesday, 19th August 2014 at 11:00 am
 

One only has to spend a handful of minutes in the presence of Catfish and the Bottlemen’s slight lead singer and head honcho Van McCann to be exposed to a masterclass in extrovert charm. Everyone he passes gets a smile and a friendly “Hello, how’re you doing?”, no matter whether they’re a fellow big-name musician or simply an anonymous scribe tapping away on a keyboard that he happens to be walking past. That it’s all done with such genuine humility and joie de vivre makes the experience utterly compelling – a quality that feeds back into the band’s live performance. Politicians could learn a thing or two from him about making friends and influencing people.

TGTF caught up with McCann just an hour or so before his band’s performance at Kendal Calling 2014, which would pack the Calling Out tent to such an extent that people were spilling out of its sides, braving torrential rain and a sloppy mudbath to catch a glimpse of who are sure to be one of 2015’s big headline acts in the making.

I was looking forward to seeing you last weekend at Deer Shed – why didn’t that work out?
I know mate, tell me about it. We’ve had a really bad 2 weeks. We missed Tramlines in Sheffield as well, which is one of my favourite festivals in the world. I know the promoter quite well, he gave us our first ever gig in Sheffield and I was so gutted – we never let people down.

You’re well known for doing a lot of hard work though so I suppose at some point the pressure must tell a little bit.
It was nice because everyone understood because they know that we’re that kind of band who love gigging – I hate being in the studio, I hate being anywhere else except live so it ruined me to miss them but honestly, if you knew the stuff going on – it was terrible.

I guess everyone knew you wouldn’t just do that on a whim.
It’s alright now, we’re back, and I feel good, I’m excited.

So TGTF first caught up with you at the Communion gig in London last year…
That might have been the day we got signed – I think it was, in fact. That Communion show – you were probably thinking, “where’s this band come from”, which wasn’t the case at all – we’d been playing to empty rooms all our lives, playing acoustic gigs for money, coming from nothing. So to be able to come off the dole, onto a deal, it was mad.

We played T in the Park the other week, and I was nearly crying! You know singers are supposed to be cool onstage, well, I came offstage thinking, “That gig was amazing but I’ve just ruined any credibility I’ve ever had!” I was trying to sing the songs, but I couldn’t because I was laughing my head off. We started playing ‘Kathleen’ and everyone was bouncing and singing and I literally couldn’t get my words out because I was so overwhelmed by it. Yeah, it blows me away. My Dad brought me up very much based around live music, I’d go to see people like Van Morrison and be genuinely blown away, so when I can see a crowd doing that for us it’s unreal to me, man!

There’s always a moment at festivals when it all comes together and the tears well up, but for it to happen in front of so many people must make it even more special.
It’s just mad, a really good feeling. When I went to see Oasis at Heaton Park, I remember thinking it feels like everyone in Manchester is going to the same place – as if Jesus had come back – everyone would go to the same place. It used to be everyone was thinking about Jesus, and everyone there was thinking about Oasis. It’s just the feeling of 1,000 or 2,000 people being in a tent, going, we’re going to see Catfish, we’re going to see Catfish! I love it, it’s the best feeling in the world.

So was that always your aspiration, to be, you could say, as big as Oasis.
Bigger! Bigger than them. I want to be the biggest thing ever. I don’t see the point in it otherwise, it’s like saying you want to be a professional footballer but you’re happy sitting on the bench at Leeds. Why wouldn’t you want to be the best on the planet? I hope it doesn’t come across as arrogant when I say that, but if I was a bin man, I’d want to be the best bin man. It’s about being the best band we possibly can and getting as many people into us as possible. It’s very much about getting as big as it can possibly get. I love it all, I love everything to do with it. We’ve never been in a band to make music to sell it, we used to give all our CDs away…

I think I got a free CD at the Communion show…
That was the day we had to stop doing it! The day the record label said we need to make money! I hate being in the studio, I hate chart positions and all that stuff, I’m not fussed about any of it – selling out gigs is what I care about, and now they’re selling out – I couldn’t ask for anything more.

Your singles have been pretty well received as well, with Zane Lowe loving them…
Steve Lamacq started all that, and there’s a guy called Jason Carter who gets overlooked from the BBC, he doesn’t get enough credit, he’s been a really important person for this band. Steve Lamacq gave us our first radio play when I was 15! He called me a poetic genius when I was 15 – imagine me going into school the next day, I was like, “Told you!”

So you’re still on an upwards trajectory then – it remains to be seen how far you can go…
That’s the exciting thing – it could all fall apart tomorrow. With the album, I’m so proud of it – in the past, if someone hasn’t liked something, I’ve said, “Well, that’s because we didn’t have enough time to record it”, or whatever, but this album I’m made up with it. I want people to come up to me and say it’s garbage, I want people to feel something from it. It’s dead exciting! I hope that never stops, I hope we never get to the point where it can’t get any bigger, I just want it to get bigger and bigger and bigger, but I want to do it really slowly, because I don’t want to lose that intimacy at gigs – we stay behind after every gig. I don’t like rock stars who are aliens, when you’re wondering what they’re up to backstage. I love it when people tell me “I hate that song, it’s shite!” and we have a good crack about it. It’s really fun.

So, Oasis got to the stage when they made these huge, overblown records, do you think you’ll ever reach that stage?
I hope so. I hope we get the opportunity to make an overblown record. We’re not druggies though, so I don’t think we’ll get into LSD and grow beards and all that shit. But I hope it gets to the size where we get the opportunity to go, “Let’s make a mental record,” but I hope it just keeps getting bigger and bigger so we can keep putting music out for people. We’re not one of those bands who – at the moment anyway – want to change our sound, we just want it to be about the songs.

That’s good, because you make – I don’t want to use the word mainstream – accessible, direct, rock music.
I like the word mainstream though, I’m not afraid of it.

It’s a bit of a dirty word though, isn’t it? Appealing to the masses. But surely that’s the whole point of music?
That’s the thing – when people compare us to bands – I hate being compared to the Strokes or whatever, but I love the Strokes! If you’re comparing us to the Strokes, then go for it! I don’t mind. I don’t mind anything, because we are mainstream! When I write songs, I think “are 60,000 people going to sing this in a field”, whereas other people write songs for themselves and if other people get it then that’s brilliant. But for me I’m thinking like, “is someone going to fall in love with this tune?” or “are people going to have sex in a car to this? Are people going to be bouncing at gigs to this?” I think about all those things. So I’m not scared of being mainstream, I want to be mainstream. People have a go at the Kings Of Leon for selling out – I resent that. They got really annoyed about it, when people got mad at them for writing ‘Sex on Fire. If that song hadn’t been on the radio, Kings Of Leon fans would have been fine about it, but so what? Sell out arenas, man, get as big as you can! If you’re filling 20,000 caps a night, it’s better than doing 200.

You’re bringing pleasure to more people that way.
Music’s about making people happy and positive, it’s not about your ego or ruining your image or anything like that, so we’re not scared of being mainstream. It’s nice that you say that though, I hope we are mainstream. We’re not clever enough or good looking enough to be outside the box. So we’re very much like, while everyone else does the tricky stuff outside the box, we’ll just stay right in the middle of it and try and write really good songs.

There’s a definite lack of pretension in your music.
I think it’s because we’re from nowhere. We didn’t have anything before we got the deal, we were all on the dole and when we got the deal we still paid each other as much as the dole so it felt like we were still on the dole. So we still skimped. I love everything about it – I love interviews, I love these buses [we’re sitting upstairs in a double-decker bus converted into a media centre], we got free pies, man! Pie Minister! I couldn’t afford a pie at one time, and now I’m getting free pies! It’s ace.

It sounds like you’re really enjoying it.
I couldn’t be happier. It’s the time of my life. But it’s nice that people like you have seen us that long ago because I’ve been doing interviews lately where they’re asking “so you’ve just blown out of nowhere, last week?” You would have seen us about 2 years ago [in reality it was 18 months ago, but neither of us were exactly sure at the time]. My Dad was there that day. He used to have to drive us everywhere, and we sacked him and he got really offended. He drove us to Germany non-stop, for 16 hours or something, and we had to sack him or I thought he’d die in our presence. So I had to sack him before I killed him!

And with that, our time is up with Van McCann. Who wants to be bigger than Oasis, isn’t afraid of being mainstream, and loves a good pie, especially if they’re free. Their gig later on is one of the highlights of the festival, and McCann’s charm works wonders on the sodden crowd, warming them through with an unexpected Rod Stewart singalong. Only 18 short months since we last saw them, not only are Catfish And The Bottlemen on the list of British guitar bands, they’re not far off the top of it right now. Give it a bit more time, and unlikely as it seems, Van McCann might be closer to achieving his dream than you might think.

 

Kendal Calling 2014: Day 1 Roundup

 
By on Monday, 18th August 2014 at 2:00 pm
 

Kendal Calling 2014 was wet, windy and wild, but that didn’t stop it being one of the finest weekends of the festival calendar.

Anyone considering a trip to the Lake District at any time of the year would be well advised to anticipate bad weather, as Kendal Calling 2014 demonstrated all too well. At times, revellers were treated to a rendition of the classic “four seasons in one day”: heavy rain, followed by strong winds, then a glimpse of blue sky and sunshine before the rain returned again. Rinse and repeat.

Some people had grokked that it was raining and muddy and wore wellies and raincoats. Others appeared not to notice, sporting flimsy trainers and T-shirts that were soon overwhelmed by the weather. Those who were either already insane or induced to be so by the party atmosphere positively relished the conditions, to the extent of indulging in mud-diving, mud-fighting and indeed, mud-hugging. On this evidence, anyone who tells you rain spoils a festival needs to have a rethink.

In between the mud-love there happened to be some music. Kendal has within its modestly-sized site a plethora of stages: the commercial-biased Main Stage, the new indie bands on the Calling Out stage, the pretty Woodlands stage, in addition to hosting longtime external collaborators Chai Wallahs and Riot Jazz. The compact nature of the site – you’re never more than 10 minutes away from the other side – means it carries a significant advantage over mega-festivals where it feels like one spends most of the day trudging from one far-flung stage to the next.

The big news this year was the opening of the main arena on Thursday night, for the benefit of those who paid a bit extra for early entry. And who better to get the place rocking than everyone’s favourite funk ‘n’ soul (and friend to TGTF) DJ Craig Charles? In truth, technically, he’s no better than the chap in your local boozer spinning the silver discs of a Saturday night – there’s little attempt at anything fancy like beatmatching – but what Charles lacks in technical skill he far more than makes up for with sheer unbridled enthusiasm, standing up on the desk, exhorting the crowd into further frenzies of funk-induced revelry, his set heavy with classic soul and climaxing with a Dimitri From Paris’ remix of Michael Jackson’s ‘I Want You Back’ by which time a random gaggle of lucky punters had been invited up on stage, dancing with DJ Charles in various states of inebriation and undress. The party had well and truly started.

Kendal’s campsites are true melting pots of those brave souls who risk staying up beyond the witching hour to for the simple pleasures of shared song and story… and beer and whisky. If you don’t want to be kept awake by a tone-deaf rendition of ‘Wonderwall’ at 3 AM, then the quiet camping area is a must. Never fear, your correspondent was on hand to ensure that at the very least the guitar was properly tuned – no mean feat at such a late hour. After so much anticipation, Friday morning couldn’t dawn soon enough, and after such a fine prelude, it had finally arrived.

Stay tuned for more coverage from Martin on this year’s Kendal Calling coming soon on TGTF.

 

Eliza and the Bear / September and October 2014 UK Tour

 
By on Monday, 18th August 2014 at 9:00 am
 

Eliza and the Bear are set to embark on a lengthy UK tour starting in just over a month, in support of their recent EP ‘Light It Up’. You can find the video for the upbeat EP track ‘It Gets Cold’ below the tour date listing. Tickets for the following shows are available now.

Check out TGTF’s earlier coverage of Eliza and the Bear here.

Friday 19th September 2014 – Brighton Haunt
Wednesday 24th September 2014 – Cardiff Clwb lfor Bach
Thursday 25th September 2014 – Bristol Fleece
Friday 26th September 2014 – Bedford Esquires
Monday 29th September 2014 – Oxford Academy
Tuesday 30th September 2014 – Nottingham Bodega
Thursday 2nd October 2014 – Sheffield Leadmill
Friday 3rd October 2014 – Stoke-On-Trent Sugarmill
Saturday 4th October 2014 – Liverpool East Village Arts Club
Monday 6th October 2014 – Manchester Ruby Lounge
Tuesday 7th October 2014 – Edinburgh Electric Circus
Wednesday 8th October 2014 – Glasgow King Tut’s
Thursday 9th October 2014 – Aberdeen Lemon Tree
Friday 10th October 2014 – Dundee Buskers
Sunday 12th October 2014 – Leeds Cockpit 2
Tuesday 14th October 2014 – Birmingham Academy
Wednesday 15th October 2014 – Leicester Scholars Bar
Thursday 16th October 2014 – London Islington Academy

[youtube]http://youtu.be/wR1Kvw0IQUQ[/youtube]

 

Deer Shed Festival 2014: Day 3 Roundup

 
By on Friday, 15th August 2014 at 2:00 pm
 

No review of Deer Shed would be complete without mentioning the various extra-musical activities available for the under-16s. And where to begin? Perhaps on Sunday, when the musical offerings are relatively modest, to help the crowd wind down, and to let the kids’ activities, rather than the adults’, prevail. There was shaker-making (sadly not to the soundtrack of Oasis’ ‘Shakermaker’), badge-making and flag-making. There was a real-life yellow submarine, which hosted any number of interactive workshops. There was actual jousting, on horseback and everything. There was a beach. For the older ones, there were electronics projects, Minecraft, soldering for girls and the mildly disturbing Tedroids. There was hula hooping, swingball and lots and lots of bubbles. Best of all, the famous enormous cardboard boxes were there to age-independent glee, hand-decorated and constructed into elaborate, surreal, child-sized cities. It’s impossible to imagine a more perfect child-friendly festival experience. And by virtue of the new-for-2014 Obelisk stage and bar, subtly located in a nook behind the kids’ tents, Dad can sneak off for a quick premium ale without too much fuss.

As Sunday drew to a close, and tired children napped in homebound cars, thoughts turned to Deer Shed’s short but happy history, and where it might go in the future. The site has been subtly rearranged every year, but seems to be settling in its current format for now. There’s no doubt that the essential details have been resolved – the stage names and locations, the excellent food outlets, the plentiful camping areas – all satisfyingly top quality. The big question for this writer is – where will the music policy head in the future? The good news is Deer Shed has its finger firmly on the pulse of the zeitgeist, unfailingly booking acts just as their careers are taking off, so it’s as good a place as any to work out who next year’s big names will be as any.

However, various online hints suggest that the curators enjoy their guitar music, particularly around the punk/new-wave spectrum, and whilst those genres are an essential part of festival programming, this year seemed more guitar-oriented than last, and that’s perhaps something of a shame. Sac ‘n’ Pip demonstrated that there’s a powerful appetite for a bit of urban music in the Yorkshire countryside, so more of that please. There’s loads of scope for more country, dance-funk, electronica and after-hours ambient. And not to mention that Saturday night headliner… I wonder what Jarvis Cocker is doing this time next year?

And sticking with the Js, why not Just Jack, Jon Allen and John Shuttleworth? Keep the guitar bands in the tents, and funk up the main stage. The truth is, however, Deer Shed could stick on a couple of buskers for half the bill (or, goodness forfend, The Lancashire Hotpots) and still people would flock to it. Because there’s something about the atmosphere, the site and the families, which remains unmatched anywhere in festivaldom. And I’m willing to wager that for 99% of the audience at Deer Shed, that’s what keeps them coming back year after year. Here’s to Deer Shed’s 6th birthday.

 

Professor Green / November and December 2014 UK Tour

 
By on Friday, 15th August 2014 at 9:00 am
 

Rap crossover artist Professor Green has announced plans for a winter tour to follow the release of his third studio album ‘Growing Up in Public’ on the 22nd of September. The first single from that album will be ‘Lullaby’, featuring vocals from American singer/songwriter Tori Kelly. The single is scheduled for release on the 15th of September, but you can preview it below the tour date listing. Tickets for the following shows are available now.

Friday 28th November 2014 – Glasgow ABC
Saturday 29th November 2014 – Newcastle Academy
Monday 1st December 2014 – Liverpool Academy
Tuesday 2nd Dec 2014 – Carlisle Sands Centre
Wednesday 3rd December 2014 – Nottingham Rock City
Friday 5th December 2014 – Manchester Academy
Saturday 6th December 2014 – Birmingham Academy
Sunday 7th December 2014 – Norwich UEA
Tuesday 9th December 2014 –Bristol Academy
Wednesday 10th December 2014 – Bournemouth Academy
Thursday 11th December 2014 – London Roundhouse

[youtube]https://www.youtube.com/watch?v=9rHiLAdMmss[/youtube]

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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