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Single Review: Woodes – Change My Mind

 
By on Monday, 16th July 2018 at 12:00 pm
 

The Melbourne, Australia-based singer/songwriter and producer Woodes began the new year with the release of second EP ‘Golden Hour’, the follow-up to her highly praised 2016 self-titled debut EP. More recently, the indie artist has been showcasing her talent in newly released single ‘Change My Mind’. Considering her previous work has been endorsed by streaming giant Spotify and caught the attention of scream queen Emma Roberts, the single has a lot to live up to.

Just as the lyrics suggest (“caught me by surprise…”), the opening verse does indeed surprise you after the gentle and atmospheric intro. Woodes’ vocals burst into the song accompanied by a syncopated, lo-fi drumbeat. Her signature vocals are immediately the star of the show, surely a production choice: it is a good one. Her vocal tone defines Woodes from other female indie artists such as LP or Sigrid. Characterised by a perfect mix of soft and staccato inflections, her vocals shine past all elements of the accompaniment. The lead vocals have been enriched by several layers of backing vocals that dip in and out of the song, echoing the lyrics. The placement of the backing vocals and the reverb effects that have been put on them have created a dream-like effect, these effects are reflected by numerous synths in the heavily-layered choruses. This dreamy, silky smooth texture brings out the richer tones in Woodes’ vocals, contrasting earlier tracks like ‘Origami’.

The lyrics present a fresh take on the basic theme of relationships, focusing on one that is past its best by date. There is a sense of female empowerment in the chorus where Woodes sings, “You could go and change my mind”, leaving the hard work of fixing a relationship to her partner. How refreshing. Although Woodes doesn’t opt for the copout ‘my heart is broken’ route that so many artists do when writing about love, there is a need for melodic and lyrical growth in ‘Change My Mind’ that she does not fulfill. As if in parallel, the lyrics, melody and accompaniment remain fairly unchanged throughout, and although these elements are all well-written, they become flat and need a change-up. Maybe the addition of a bridge with a little excitement in it could resolve this? However, even as is, Woodes has met her own high standards on ‘Change Your Mind’ and produced a worthy track.

8/10

Woodes’ new single ‘Change My Mind’ is out now. To read TGTF’s past coverage on Woodes, go here.

 

Single Review: SG Lewis feat. Clairo – Better

 
By on Wednesday, 11th July 2018 at 12:00 pm
 

SG Lewis is not your garden-variety DJ. Probably the best description I’ve read on him is from this i-D article from last year, penned by former Heartbreaks singer Matthew Whitehouse, no less: “bit like if Bon Iver had gone to university in Liverpool and discovered club culture through a night out at Chibuku.” Though he is most famous through high-profile collaborations with soul singer Ray BLK, rapper Dave and decidedly not urban at all singer/songwriter and friend JP Cooper, it should be noted that Lewis is no slouch in the songwriting department. He’s a producer who when given the task of coming up with a tune, he gives as much thought to the nuts and bolts of the songwriting as he does to the production needed to make it a dance floor banger.

Last week, he released new single ‘Better’, which stars the topline lyrics and voice of Clairo, a 19-year old Bostonian YouTube sensation. The two had a chance meeting in Los Angeles to write together and the rest, as they say, is history. The pop song is a true 21st century creation: Lewis was quick to give credit on Facebook to his two cosongwriters, Montreal via Vancouver Juno-winning beat producer Pomo and guitarist Danny McKinnon. The song is pure summer, full of handclaps and the production remarkably simple on purpose, as Lewis explains, “I kept the beat unquantized from the jam as I felt like it gave the record an old disco feel.”

Uncluttered and with this old school feel, your ears naturally focus on Clairo’s vibe-y vocals and the spare backbeat that effortlessly accompanies her. The lyrics are from well trod on, but always welcome pop territory: Clairo sings of unrequited, or at least thwarted love. As I’m sure some of you know, this kind of love can be difficult to accept, especially when you know it can never be, even if all you want is to be close to someone you care about: “I know it isn’t right / you creep into the night / maybe you want a friend / maybe not in this life / why is it so hard, hard to please you / all I wanted was you in the room”. ‘Better’ may not be the flashiest pop entry of 2018, but it’s wonderful proof that songwriting is more important than all the bells and whistles in the world.

8.5/10

‘Better’ by SG Lewis and featuring the vocal talents of Clairo, is out now on PMR / Virgin EMI. Back in April, Lewis released ‘Dusk’, six tracks that represent the first part of a three-part album. Stay tuned for ‘Dark’ and ‘Dawn’ to follow later this year.

 

Single Review / Essay: William Doyle – Millersdale

 
By on Monday, 9th July 2018 at 12:00 pm
 

Back in 2015, William Doyle released his second album under the nom de plume East India Youth. The emotional, electronic bliss of ‘Culture of Volume’, which dropped on XL Recordings a short time after his showcasing at SXSW 2015, was one of my top 5 albums of the year. North American, European and UK tours to support the album followed, but then Doyle announced in March 2016 that he was ditching the East India Youth project altogether. He disappeared for a time, re-emerging later that year to release ‘the dream derealised’, a collection of nine mostly instrumental, self-described “abstract and lo-fi pieces”, with all of the album’s profits going to mental health charity Mind.

In an article with The Line of Best Fit, Doyle explained, “I’m releasing them now as a cathartic measure, and as a message for others who may be going through difficult times themselves…What I told myself at the time, what I can tell you now: You are not in danger. You are not going insane. You are not alone.” The detachment from reality that results from derealisation, also known as depersonalization disorder, often occurs with or is triggered by other mental health problems such as anxiety and depression. Read more about it here at Psychology Today. As brave as this public acknowledgment and support of mental health was, it wasn’t a one-off. Doyle has spoken at a number of events since with his first-hand knowledge of the hard slog artists go through while living out their dream vocation and the mental health problems that come as a consequence of participating in an all too often unforgiving industry. He is also working with the NHS to develop a “a mental healthcare ‘package’ that can be bought by labels and written into record deals.” Things may be moving slowly towards healthier musicians’ lives, sure, but there is reason to be optimistic, if cautiously.

Following the death of his father, he was uprooted to a Southern residential development called South Millers Dale in Hampshire. The overly ordered, cookie-cutter style of the neighbourhood was in direct opposition from the traumatic incident that led him to the new environment. As he wrote a few days ago on his Facebook page, “It was a stark change of scenery, and a strange environment for a 13 year old to process loss and experience grief. Something about the modern suburb’s artificiality, with its planned and plotted nature and its winding, serpentine roads, seemed to jar when overlaid with something so human as grief.” Doyle has since relocated several times but had the opportunity to revisit the house 2 years ago, helping him to evoke “the untethered spirit of creativity” that led him to first begin making music in his suburban bedroom as a teenager and dream of a musical career.

New single and 5-minute opus ‘Millersdale’ is the next chapter of Doyle’s mental health journey. The euphoric feel of past tracks on the 2014 Mercury Prize-nominated ‘Total Strife Forever’ and ‘Culture of Volume’ is here, along with the unfettered release of free jazz in the intro and at the bridge. His vocals recall the jaw-dropping beauty of those on ‘Carousel’ but this time, they’ve got more oomph, evidence of hope and confidence. The accompanying promo video for the single starring Doyle is a perfect foil to the song. Directed by Sapphire Goss, contrasts are smartly utilised to address the light and the dark, familiarity and disorientation, the seeming humdrum of suburbia and fireworks.

In the new promo photos to go along with the release of ‘Millersdale’, Doyle is no longer dressed in a suit like in the East India Youth days. Instead, he’s in tailored khaki from head to toe, looking like he’s about to go on safari. The suburban David Attenborough, perhaps? Maybe, maybe not. The most important things to William Doyle these days is having control over his art and not chasing anyone else’s schedule or measures of success. And like for all my friends in this pressure cooker of a business, above all, I hope he’s happy.

7.5/10

William Doyle’s new single ‘Millersdale’ is out now. Stream and/or buy the song and read the lyrics at his Bandcamp. To read our past articles on his previous project East India Youth, go here.

 

Video(s) of the Moment #2865: Bang Bang Romeo

 
By on Friday, 6th July 2018 at 6:00 pm
 

It’s rather a big deal when I see a British band in the very early stages of their career pop up in both U.S. and UK PR emails. It doesn’t happen often, so that means Bang Bang Romeo from Doncaster is already turning A&R heads on both sides of the Atlantic. Ahead of the release of their debut album in October worldwide on Eleven Seven Label Group, they have unveiled the promo video for single ‘Shame on You’. It’s a great showcase for frontwoman Anastasia Walker’s powerful vocals and overall for the band’s upbeat indie persona previously seen on ‘Natural Born Astronaut’. Check out ‘Shame on You’ below, in both promo form and live at Isle of Wight 2 weekends ago.

 

SXSW 2018 Interview: Buck Meek

 
By on Tuesday, 3rd July 2018 at 11:00 am
 

Header photo: Buck Meek, far right, with his band at Luck Reunion during SXSW 2018

If you’re a regular TGTF reader, you might already be familiar with the name of singer/songwriter Buck Meek. We’ve covered Meek before in his role as part of alt-rock band Big Thief, both in live review and previous SXSW coverage. Back in March, during SXSW 2018, Meek came to Austin as a solo artist, to preview his now-released debut LP, which is simply titled ‘Buck Meek.’ I caught a very quick moment with Meek after his set at Willie Nelson’s Luck Reunion to ask him about the new album.

‘Buck Meek’ technically isn’t Meek’s solo debut, following on his previous EP release ‘Heart Was Beat’ from back in 2015. That EP includes the memorable track ‘Sam Bridges’, which he played in a slightly different form in the Revival Tent at Luck than what I remembered from a live performance in Phoenix with Big Thief several years ago. Discussing his set on the day, Meek agreed. “That [song] had a more country feel. I mean, we’re playing it with a slide guitar player today, who kind of mimics the [pedal] steel, and with a country drum beat and everything.”

Having only seen Meek before in the context of Big Thief’s edgy folk rock, I was curious about the more obvious country influence I heard on display in his solo work. “I think there’s influence there”, Meek says. “I grew up in Wimberly, Texas, south of Austin. I grew up listening to, surrounded by country music. So it’s always been, I think, an influence. And to be honest, this set, I catered more towards that feel.”

But many of the songs on ‘Buck Meek’, the album, defy easy classification as straighforward country songs. Musically, the record’s foundational country tone is obfuscated by elements of what Meek describes as “grunge, and punk rock, and more esoteric stuff.” Early single ‘Cannonball!’ has a distinct twang to it, most prominently in Meek’s vocal lines, but its laid-back rhythm section is unmistakabely jazz-tinged, and its electric guitar riff is pure blues rock. ‘Ruby’ is a charmingly elusive, rhythmically complex track which Meek explained to Uproxx as “the suspension in love, when time folds in on itself, when the first instant of meeting cycles through the idiosyncratic friction and ancient affection of years together, which again cycles into infancy and eager fascination — all contained within a sideways glance.”

Thematically, ‘Buck Meek’ touches on a wide array of subject matter, from platonic male friendship (‘Joe By the Book’) to a plane crash in the French Alps (‘Flight 9525’), and an intriguing cast of characters, including a widow named ‘Sue’ and a devoted canine ‘Best Friend.’ In the end, the heart of the album is revealed in final track ‘Fool Me’, a late night country bar classic, with a plaintive piano melody and Meek’s self-deprecating vocal evoking the mild yet persistent yearning of one last slow dance on an otherwise deserted dance floor.

‘Buck Meek’ was released on the 18th of May on Austin record label Keeled Scales. Buck Meek will spend the remainder of the summer on tour supporting the release of the album, including the following run of dates in the UK in August. In addition to the shows listed below, Meek will support fellow country artist Courtney Marie Andrews at the Norwich Arts Centre on the 21st of August and at Southampton’s Talking Heads on the 22nd of August. You can find a full listing of Meek’s upcoming live dates on his official Facebook. TGTF’s previous coverage of Buck Meek is collected through here.

Monday 20th August 2018 – Brighton Komedia
Thursday 23rd August 2018 – London Islington
Friday 24th August 2018 – Manchester Gullivers
Sunday 26th August 2018 – Dublin Grand Social
Monday 27th August 2018 – Leeds Brudenell Social Club
Tuesday 28th August 2018 – Glasgow Hug and Pint

 

Album Review: Joshua Burnside – All Round the Light Said EP

 
By on Monday, 2nd July 2018 at 12:00 pm
 

Joshua Burnside All Round the Light Said album coverThese days, you have two pretty clear options on the kind of music you can listen to: true escapist fare of little intellectual consequence to take your mind away from what’s going outside your door, or songs with a conscience and enough meat on the bones to make you contemplate where you or the world has gone wrong. One is neither better than the other, but as time passes, I know which kind can console me now. Northern Irish alt-folk singer/songwriter Joshua Burnside’s latest release, the ‘All Round the Light Said’ EP, falls in the second category, and its title alone leads to some heavy questions. What is the light? Is it benevolent? Are we meant to be going towards it? While Burnside’s EP may not hold all the answers, it follows nicely from his Northern Ireland Music Prize-winning debut album ‘Ephrata’ from last year and its political and emotional content framed by South American rhythms.

The EP begins with previously unveiled single ‘A Man of High Renown’, a lumbering waltz of air organ and accordion oozing Irishness. A gay and catchy melody belies the song’s dark lyrical content as the song feels like one of those films where you’re bounced between terrible events of the past and present day. At the song’s core is a struggle between the powerful and the weak. You’re left wondering if wrongs have been righted; perhaps that was the intention, to leave it as a cliffhanger? The accompanying video sees Burnside on accordion, being accompanied by dancers because, well, everyone knows the Irish are famous for their music and their dancing, right? The split screen accomplishes the same thing as the lyrics, juxtaposing locations of old and new Belfast.

‘Rearranged’ can be viewed another exercise in looking back, while also looking forward to see how far one has come or what’s up ahead. Or not. Burnside’s own technophobic tendencies have translated into a meandering guitar melody and a warbly vocal delivery. These feel like are good parallels to the noodley thoughts in your head of anxiety. ‘Northern Winds’ is a song in two acts, the first a more conventional folk song. About halfway through, a gentle drumbeat is accompanied by trumpet and banjo. The tempo speeds up and so does the overall volume as Burnside’s voice turns more insistent, referencing Oscar Wilde’s short story The Happy Prince, itself a study of compassion and sacrifice. Long a staple of Burnside’s live show and recorded in analogue, it’s interesting it immediately precedes ‘Paul’, a much more experimental number with unusual percussion, disorted organ notes and synth effects. While an obvious strength of Burnside’s is his Americana-style songwriting, the way ‘All Round the Light’ concludes suggests a future more experimental direction that would be even more intriguing.

8/10

The newest release from Joshua Burnside, the Editor Mary reviews Northern Irish alt-folk singer/songwriter Joshua Burnside’s latest release, the ‘All Round the Light Said’ EP out now on Quiet Arch. EP, is out now on Quiet Arch Records. His next live appearances include UK headline shows at Glasgow Nice N Sleazy on the 10th of July and London Paper Dress Vintage on the 24th, in addition to loads of Irish appearances through the summer. A full list of his live appearances are available on his official Web site. Read through our past coverage on Burnside through this link.

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

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