SXSW 2018: Wednesday afternoon with fantastic female artists at the AloftLive and Single Lock showcases – 14th March 2018

By on Tuesday, 10th April 2018 at 2:00 pm
 

After starting my Wednesday at SXSW 2018 with a keynote speech by Lyor Cohen at the Austin Convention Center, I decided it was time for both some fresh air and some music. With that in mind, I headed to the Aloft Austin Downtown hotel, which played host to a full showcase of female artists, sponsored by Aloft Hotels and Universal Music Group. The lineup included several artists on my “must see” list, and the breezy but intimate patio lounge proved an ideal venue for both listening and taking photos.

Liza Anne internal

Nashville alt-rock singer/songwriter Liza Anne came to Austin hot on the heels of her latest LP release ‘Fine But Dying’, which came out on the 9th of March via Arts & Crafts. As you might glean from the title, the songs on ‘Fine But Dying’ aren’t exactly upbeat, their lyrics dealing with such heavy topics as love, patriarchy, and mental illness. But in live performance Liza Anne didn’t shy away from even their most angst-ridden moments, addressing them with dark humour and unflinching candor. She gave a fiercely memorable performance of several of the new tracks on the Aloft stage, including ‘Closest to Me’ and ‘Small Talks’.

Natalie Prass internal

Richmond, VA native and Spacebomb Music associate Natalie Prass came on next to play songs from her upcoming sophomore album ‘The Future and the Past’, due out on the first of June via ATO. I’d seen her live previously, both at SXSW 2015 and in Tucson later that same year. In the three-year interim, Prass has written not one but two album’s worth of songs, one of which she scrapped in favour of what would become ‘The Future and the Past’. Prass gave a charmingly relaxed set here, with the new songs sounding remarkably jazzy and fresh in the cool breeze on the Aloft stage. We’ve already featured the new album’s first single ‘Short Court Style’; you can have a listen to the recently released and singularly appropriate track ‘Sisters’ just below.

Tank and the Bangas internal

New Orleans soul/spoken word group Tank and the Bangas are led by singer and poet Tarriona Ball, whose deliberately unassuming stage presence masks a sharp lyrical precision and an almost hypnotic vocal style. Backed by fellow vocalist Anjelika Joseph and a full band of instrumentalists, Ball had her audience enraptured from the first moments of the set to the very last. I’m not sure the visceral power of this kind of music can ever really be captured on recording, but if you have the chance to see Tank and the Bangas live, don’t miss it. My favourite track in their set was ‘Rollercoasters’, which you can hear in this live video from American public radio station WXPN’s World Cafe.

The remainder of the Aloft Live lineup included British singers Jade Bird and Bishop Briggs, both of whom I was (fine but) dying to see, but I took a rain check for the moment, knowing I’d have chances to catch them later in the week. At the moment, I had a long walk ahead of me, across to the east side of downtown, for the Single Lock Records showcase and Nashville folk rock songwriter Erin Rae. While the stage at Weather Up, which played host to Single Lock that day, was decidedly less glamourous than the one at Aloft, the songwriting on display was nonetheless strong. Rae appeared with a sparse band of two members, whom she admitted to having “borrowed” for the afternoon from fellow Nashville singer Tristen, to play songs from her upcoming album ‘Putting on Airs’. Rae’s wistful singing voice on the title track from that record, and especially on recent single ‘Can’t Cut Loose’, made a poignant and lasting impression as the afternoon sun began to fade into evening.

Erin Rae internal

Tags: , , , , , , , , , , , , , , ,

Leave Your Response

* Name, Email, Comment are Required
 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us

Privacy Policy