Reading 2016: Friday Roundup

By on Tuesday, 30th August 2016 at 2:00 pm
 

It’s that time of year again, when British youths have their GCSE results and they all descend upon either the city of Reading, or its Northern counterpart for this weekend, Leeds. Reading and Leeds festivals are a coming of age experience for the UK’s youth, and they use this opportunity to let go. Luckily for them, Reading and Leeds always have a lineup that fits this criteria, and this year is no different.

The Friday at Reading was opened by Frank Turner & The Sleeping Souls on the main stage, which is the perfect way to kick off any festival. No-one encapsulates what a festival atmosphere should sound like more so than Turner, with his acoustic blend of heartfelt tales and punk rock ethos. The shining sun only cemented this feeling and for the rest of the day.

Frank Carter & The Rattlesnakes once again proved that festivals really are their thing. Being the first time he’d come to play the main stage at Reading, Carter made sure to make the most of this opportunity by making his way into the crowd, then leading around over 100 members of the audience on a chase around the sound desk and back again. Carter is never one to disappoint, and he did more than deliver this time.

Over on the Festival Republic stage, The Sherlocks and their soon-to-be tour mates Blaenavon both delivered fantastic sets that were met with great reception by the packed out tent, both revelling in the afternoon crowds’ welcome. At the same time, grime supergroup Boy Better Know were on the main stage proving why grime is currently one of the UK’s most promising and domineering genres. Flames included.

CHVRCHES took to the main stage as the sun began to set, and their performance could not have gone on at a more apt moment. Being the third time the band had played the festival, yet the first time on the “big boy/girl stage” as singer Lauren Mayberry put it, it was a moment that was enjoyed and surely to be remembered by both fans and band. The crowd by this point were fully into their weekend fun, so the reception CHVRCHES got was joyous and enthralled. Their early single ‘The Mother We Share’ ended the set on a particularly highest of highs.

Continuing the main stage festivities, Disclosure absolutely dominated the capacity crowd, drawing the largest crowd of the day so far. With a set filled with floor fillers and anthems, they were the perfect warm-up for what was to come from co-headliners Foals. At the same time, at The Pit tent, American rockers Thrice gave a performance that was heartfelt and connected with the modest audience like no other did during all Friday.

Being the Reading leg of the twin festivals, Foals were the final headliner on the first night. Even before they took to the stage, this was bound to be a momentous occasion for the Oxfordians, surely an act you should simply not miss out on when given the chance. It’s worth noting that Sunday’s co-headliners at Reading were Biffy Clyro, who first made their way to the upper echelons of the lineup back in 2013, proving that it’s not a feat that happens just once. Foals debut Reading headline slot not only delivered, but completely proved they’ve rightly earned their place as top billing at one of the countries most sought after slots.

From their early position as indie newcomers with their debut ‘Antidotes’ back in 2008 to now headlining Reading festival, Foals have been on a continuous meteoric rise. A set that included ‘Cassius’, a rare treat in their UK headline set after being removed from constant rotation back in 2010, along with fan favourites ‘Inhaler’ and ‘What Went Down’, it was a moment in history for the Foals timeline, and they made sure that it was remembered that way. Ending with ‘Two Steps, Twice’, for which co-headliners Disclosure also made an appearance, along with pyrotechnics, crowd surfing and fans’ complete devotion, this was Foals’ moment. They seized it, ran with it, and now the future is theirs. In the now immortalised words of frontman Yannis Phillippakis, it was “pretty fucking magic”.

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