Leefest 2016 Interview: Michael Spearman of Everything Everything

By on Tuesday, 2nd August 2016 at 11:00 am
 

“I guess it’s something we’ve had to learn, the learning of having to try and fill the room and when it’s an outdoor space, especially a big stage like The Other Stage [at Glastonbury], you have to sort of throw it to the back and exaggerate things a bit more”. Everything Everything drummer Michael Spearman (second anticlockwise from far right in the header photo) is currently discussing the band’s approach to playing festivals, especially after last year’s triumphant set at Worthy Farm. Spearman continues: “we’re still at that quite nice stage where we do sometimes play arenas with other bands or we play a small show, it keeps it interesting to mix it up. I think in general (singer) Jon’s always kind of adapting what he’s doing, working the space with a certain amount of charisma, which we like, [seeing] that in other bands that we see live. Watching Foals [their recent European tour mates] a lot, touring with them, they’re not stood there looking at their shoes, it’s quite an active engagement”.

Watching Everything Everything live is where you see the nature of their sound come to life. A live show filled with presence and projection, the band have no issue in staking their claim. “It doesn’t feel like we’ve trapped ourselves in to like a corner or anything. In a way, we’ve kind of made it so we can be unexpected, and people cannot necessarily know what they’re going to get from us live or on the record, but on the whole, we feel we’ve got a lot of freedom in these different areas”. This is a natural evolution for bands, especially as they release newer material. Elaborating, Spearman offers, “we’ve done three albums now and people know, for better or worse, what to expect with us a little but and I suppose that’s quite liberating in a way. We’ll also tweak the set list maybe a little bit just to make a slightly more direct engagement because some of the very small intricacies can get lost, kind of like in an arena. So I think we’ll always have our essence to us even if we play a totally different set list, we are who we are”.

Everything Everything performing live at the Low Four Studio launch in Manchester, May 2016
Everything Everything performing live at the Low Four Studio launch
in Manchester, May 2016 (watch here)

The power of Everything Everything has been strengthening since 2010’s ‘Man Alive’. Last year’s ‘Get to Heaven’ showed the band at their most unrelenting, something that Spearman agrees with. “I think the last record in particular, we didn’t want any let up until maybe the last song, and that was quite a conscious thing. The one before that (2013’s ‘Arc’) was a little bit more evenly paced, it had a bit more sort of time to it”. As their sound develops, so does the approach to give a lot more respect for those aspects that might even go unnoticed. “You know the Coen Brothers [film directors], they always talk about directing a film is totally tone management. You can’t have one scene that’s one thing and another that is too far the other way and still have a constant flow. We kind of think about that, not at first, because that’s just let’s write some songs, and then it just starts to crystallise and take some shape and you think ‘okay, we feel we want to have these songs on the record [and] not those songs’, so that we can do this with the record and that’s quite a nice feeling”.

In terms of the next natural progression to more new material, Everything Everything are already at work. with Spearman not revealing too much. “We haven’t really gotten to the lyrics yet, we’ve started writing, it’s coming quite easily, definitely easier than the last time”. Retrospectively, he remembers the process for ‘Get to Heaven’: “the first few months of the last record was a bit of a slog, and we were kind of starting to wonder what we’re doing. Then we had to sort of discard all of the songs that we had and start again, that was quite tough. This time, we kind of want to have fun with it and enjoy ourselves a bit, and so far that’s happening. We’re trying to be a bit more relaxed and easy going and, not to say the lyrics will end up like that, but in terms of the writing process, we’re trying to not put too much pressure on ourselves”.

This week also sees the band take to North America. With a sound such as theirs, Spearman describes the difficulties in translating such extremities to newer shores. “We’re quite specifically British, eccentric sounding, but I think some Americans like that. We’ve maybe made our lives a bit more difficult by being weirder than some bands, but then we wouldn’t feel like we’re not being true to ourselves. To be honest, we have a lot of work to do in America still, and we love going abroad and playing to different people, but we’re not at the same level that we are in the UK. And that’s okay, but it’s just a case of chipping away at it really.”.

If you happen to live on the American side of the pond, you can catch Everything Everything starting tomorrow night in Cambridge, Massachusetts.

Wednesday 3rd August 2016 – The Sinclair – Cambridge, MA
Thursday 4th August 2016 – Music Hall of Williamsburg – Brooklyn, NY
Saturday 6th August 2016 – TIME Festival – Toronto, ON, Canada
Monday 8th August 2016 – U Street Music Hall – Washington, DC

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