Great Escape 2015: Day 1 Roundup (Part 2)

By on Wednesday, 20th May 2015 at 2:00 pm
 

Part 1 of my Thursday (day 1) roundup of is this way.

Up front the seafront I went and back to Patterns to check in on some relatively new American friends. Philadelphia band Cold Fronts, who I met last year supporting Chicago’s Empires on their North American tour. At the time, they weren’t known outside of Philly and I had made the suggestion to frontman Craig Almquist that they had a vibe and sounded a lot like the Cribs (one of Almquist’s favourite bands) and to see if they could get in touch with the band to maybe support them one day. So Cold Fronts’ people called the Cribs’ people…and the next thing I hear, Cold Fronts are supporting the Cribs’ New York residency in March 2015 just prior to SXSW. Is that mad or what? See, kids? Dreams do come true. (A sidenote: when Mary Chang suggests you to do something to further along your career, it’s probably a good idea to do It. Because, you know, you might end up supporting the Cribs one day.)

Cold Fronts at Great Escape 2015
Probably one of the biggest regrets I have from the Great Escape 2015 is leaving their set early to run up Brighton’s hill to see another band I’d heard good things about. As I was stood waiting for the Cribs the next night at Wagner Hall, a local musician and his girlfriend who were behind me were telling their other friends, “we saw these guys from America last night, they’re called Cold Fronts, they were amazing. The best part was when the singer got up top of the bar and started dancing!” And I missed that! ::grumble:: This was a sentiment that was repeated in multiple venues I stopped in for the rest of the festival, and I couldn’t help but feel proud to be an American once, knowing a band I like and support won over the Brits at a music festival across the pond.

Cold Fronts at Great Escape 2015
There were two persistent themes throughout my time in Brighton during the Great Escape 2015: queues everywhere and equipment problems at venues. The latter proved problematic twice for my plans for the evening. I left Patterns early to go back up to the Brighthelm Centre in anticipation of catching CLAY, a band from Leeds that sound like a more poppier Jungle on their early track ‘Oxygen’. Unfortunately, like Patterns that afternoon, the venue were facing a major delay in getting things sorted for the evening. I waited for a while, chatting to a fellow American who happened to be visiting London from her graduate school program in music in Valencia, Spain, but then realised my time would be better spent down at the Old Ship Paganini Ballroom, where I assumed I’d be seeing up and comer North West singer/songwriter Adam French. His father befriended one of my American friends in an Irish pub the night before (I wasn’t there because I’d left her to go home and plan out my 3-day schedule – seriously, you can’t make this stuff up).

I arrived to the Paganini Ballroom to much confusion. After making my way to the front of the crowd, the music the band onstage was making didn’t match up to my idea of French, who sounded to my unsympathetic ear like another Ben Howard. No…these guys sound more like Friendly Fires, the first band I’d fallen in love with as a music blogger 6 years ago, crossed with the melodic guitars of Two Door Cinema Club and pop whiffs of The 1975. Interesting…

Lake Malawi at Great Escape 2015
Lake Malawi, fronted by Albert Cerny and his Czech buddies who split their time between Prague and London, I steeled myself based on Cerny’s bouncing around on stage that the music would quickly turn bog standard boring to me the way Bastille’s does, but phew, they didn’t. Incredible vibrancy in the music from Cerny and his mates, and their punters shouted their appreciation for the band, which Cerny himself said he was surprised about – I guess he thought they wouldn’t be well received, but that couldn’t be further from the truth. Their debut EP ‘We Are Making Love Again’ is out on Monday, and expect that – and them – to go stratospheric.

I couldn’t wait around for Adam French after all, because I had a hot date with a man who had so far proved very elusive. astronomyy had been given a shout to SXSW 2015 but turned it down, so I assumed I’d be able to see him live finally at Live at Leeds 2015. Thanks to the HiFi Club being plagued with equipment issues, it was not meant to be, though he amused himself after the incident by checking out the bands at Nation of Shopkeepers, stood behind me while I was photographing Boxed In but was too bashful to say hi (I really don’t bite!) while I had no idea whatsoever.

Whatever happened before meant nothing now though, stood under the overly bright lights of Shooshh’s stage and prepared to be amazed. Shall we say I was not disappointed in the slightest? astronomyy seems to me a master of production and the studio, but from what I have read, he is new to the live scene, so these series of shows and festival appearances this spring are like a baptism by fire. Songs like the upbeat ‘When I’m With U’ feel like the next logical, soulful, more chill progression from my previous love Friendly Fires, maybe if the xx had convinced their former touring buddies that less is actually more. If not readily apparent from listening to his music online, he also plays a mean guitar, which is a surprising fact that makes the live experience the more awesome. It’s kind of like finding out the guy you fancy also knows how to bake cupcakes – ooh.

astronomyy at Great Escape 2015
There is a fragile beauty to the minimalist nature of astronomyy’s music that I find intoxicating. This is not hit you over the head with production kind of r&b (you know who I am talking about), nor is it the kind that turns me off in a second with all of its swearing and awful language (though, okay, there is some occasionally), but to me the vibe is so strong and more important. If you read the lyrics, ‘Nothin On My Mind’ is about finding that perfect love that transports you to another place and time, where nothing else matters. That is a good way of explaining what good music does to a music fan: it takes you away from anything that is hurting you and puts you on a higher, better plane. I don’t know, maybe I have just bored you with my waxing philosophical on astronomyy, but yes, the man’s music does something to me very special and I am looking forward to hearing much more from him.

astronomyy at Great Escape 2015
Maybe I should have called it quits after having a near religious experience with astronomyy at Shooshh, but I thought I should try and shoehorn artists #10 (NYC singer/songwriter duo Jack and Eliza, who I caught just minutes of at Patterns upstairs after leaving Shooshh) and #11 into my Thursday after deciding a very late night set by Belgian electronic artist Mugwump (who would have been #12) at Sticky Mike’s Frog Bar was not in the cards. Tropics, aka Chris Ward, was scheduled to perform at the Prince Albert, whose upstairs performance space I generally avoid because it’s always hot and sweaty and therefore deathly claustrophobic. I don’t have fond memories of seeing my first Great Escape band ever, Francois and the Atlas Mountains, in that room. But a music editor’s work is never done, so in I charged.

Tropics at Great Escape 2015
How Ward was wearing long sleeves and looking so relaxed, I have no idea. I guess he and his band were in the zone. Two women next to me were throwing shapes and not to the rhythm of the songs, so I think it’s safe to say they were very, very drunk. The atmospheric ambient music of Ward, from the sexiness of ‘House of Leaves’ to the soulful ‘Rapture’, demands a captive audience (I think anyway) and while there were plenty of appreciative punters at the Prince Albert, the overall amount of squeezing, pushing and shoving around in that relatively small space distracted me from enjoying Ward’s craft. Suffice to say, I hope I get an opportunity to listen to his music in a much more relaxed way one day when sweat is not pouring down my face and I haven’t been running around for the last 12 hours. One day. Soon. I hope.

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