SXSW 2015: Cerdd Cymru : Music Wales showcase at Latitude 30 (Part 2) – 17th March 2015

By on Thursday, 26th March 2015 at 4:00 pm
 

Part 1 of my review of the Tuesday night Cerdd Cymru : Music Wales at SXSW 2015, starring Paper Aeroplanes, The People the Poet and East India Youth is here.

Kate Tempest at SXSW 2015, Music Wales

Next up, another 2014 Mercury Prize-nominated artist, but in an entirely different vein. Kate Tempest and her observations on life at its grittiest can stand alone as gripping social commentary in spoken word form, but with Speedy Wunderground label head and producer Dan Carey providing beats to add additional oomph to Tempest’s art, the result is nothing short of brilliant in songs such as the infectious ‘Lonely Daze’ and Steve Lamacq favourite and downbeat mesmeriser ‘Bad Place for a Good Time’. As should be expected, the opinionated Tempest punctuated her set with equally powerful spoken word pieces, reminding all of us to “hold our own” (stay the course and keep your chin up) and to be good to one another with “more empathy, less greed!”

Kate Tempest at SXSW 2015, Music Wales

An aside: Saturday night outside Latitude during the NME/PRS showcase, I found myself stood in the wristband queue with Tempest, Carey and crew and I asked Tempest how she’d been enjoying Austin. She said she’d had a good time but thought it’d been going on for weeks! As she shared a fag with Carey, I commented even with something as simple as sharing fags, the English were more polite with such things. She laughed at this, her blonde curls bouncing at my suggestion; she went on to smile at Carey and excessively called him “love” and “darling” for my benefit. In that moment, I was reminded that despite Tempest’s soaring success, she is like all of us. It gives me hope that the words and love she spreads will serve as inspiration to many.

Shura at SXSW 2015, Music Wales

From one woman, we go to another woman, Manchester’s Shura. If you’re into ‘80s music and New Wave, you can help but think you’ve heard this one before. ‘Indecision’, with its refrain of “you’ve got my love, boy” feels like a throwback to early, lace gloved Madonna, you know, before she thought lesbian kisses and naughty books were de rigueur. You know times have changed when a girl from Manchester comes to SXSW wearing a shirt emblazoned with the Hulk and plays this kind of music, am I right? She also pulled out a cover of Fine Young Cannibals’ ‘She Drives Me Crazy’: not earth-shattering, but interesting enough.

In what would be surely one of the rowdiest, most crowded club shows of SXSW 2015, Catfish and the Bottlemen played under a continuous red light (no Police ‘Roxanne’ jokes, please) to a packed house of fans and industry bods. This makes total sense, given that their UK and North American tours in the first half of 2015 are already sold out, making them a super hot commodity in the business at the moment. Rabid Catfish fans who were likely going to stalk the band all week arrived early to stake their places down the front, while those who arrived not so early grumbled behind them that they were being “rude.” Um, as in all gig situations, you wanna be up front, you get there early, ya dig?

Catfish and the Bottlemen at SXSW 2015, Music Wales

All the hits from their debut album ‘The Balcony’ – ‘Pacifier’, ‘Fallout’, ‘Kathleen’, ‘Cocoon’ – were fired out in rapid succession, with the crowd bouncing to the band’s catchy melodies and frontman Van McCann’s charismatic drawl and yelps. McCann, most likely aware that everyone in Austin was watching them, climbed atop the drum kit at the end, hanging the neck of his guitar precariously off a cable in the ceiling before they left the stage. Truly rock ‘n’ roll, innit?

Last up but certainly not least were Until the Ribbon Breaks, Welsh singer, musician and producer Pete Lawrie-Winfield and his live band. When I saw the now LA-based artist perform and chatted with him last year, I don’t think too many people knew of him or his music. What a difference a year makes: in January, he released debut album ‘A Lesson Unlearnt’, and he’s managed to cement his own fanbase while touring as support for the likes of London Grammar and Run the Jewels (who appear on ‘Revolution Indifference’.

Until the Ribbon Breaks at SXSW 2015, Music Wales

Hearing women behind me howl with delight over his sexy delivery of ‘A Taste of Silver’ and beat-heavy yet passionate ‘Pressure’ was incredible validation of what I already knew in 2014. I think sometimes people forget how important production is and what a talent triple threat artists (those who can sing, play instruments and produce) really are.

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TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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