(SXSW 2014 flavoured!) Bands to Watch #290: Catfish and the Bottlemen

By on Wednesday, 5th February 2014 at 1:00 pm
 

Update 11/02/14: sadly, we have been informed that Catfish and the Bottlemen will not be appearing at SXSW 2014.

Are Catfish and the Bottlemen actually at all cool? Granted, Van McCann has the best real frontman’s name this side of W. Axl Rose, and their hair ‘n’ leather jacket visual aesthetic is certainly a reliable if a little well-worn trope. But their music – straight ahead melodic guitar-rock, as popularised by (whisper it) Stereophonics, Oasis in the early days (when they were good), and trans-Atlantic superstars Foo Fighters – it’s a far cry from that nebulous, effete je ne sais quoi style that usually sets the blogosphere alight.

The thing is, they’re such desperately good fun that any doubts about their hipster status fade under a wave of multitudinous guitars, big rock drums and McCann’s insistent, stadium-ready voice. When TGTF last caught Catfish at a Communion night at Notting Hill Arts Club in March 2013, there were no doubts about their demeanour, but the occasional quibble about their songwriting chops and the production levels of their recorded material. It is with great pleasure, then, that we can confidently declare that their recent trifecta of releases calmly assuages such doubts.

Latest single ‘Pacifier’ has a chorus that could smelt iron, insistent guitar figures throughout, a very effective dynamic and a brilliant ending. ‘Rango’ exemplifies the loud-quiet-loud genre, but confidently takes what it needs and leaves, as opposed to displaying a crutch-like dependence on such a familiar structure. The insistent result throughout their latest material is a band that would sound right at home on a big stage, working through the rock playbook without a hint of irony. Given that the genre’s mainstream profile has arguably shrunken in recent years, perhaps encouraged by tongue-in-cheek acts such as The Darkness, it’s refreshing to hear a band dive right in without any sense of selfconsciousness.

No, they’re not cool. But they rock.

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF was edited by Mary Chang, based in Washington, DC.

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