Single Review: Suede – Barriers

By on Friday, 18th January 2013 at 12:00 pm
 

In many ways, the very fact of having something new to write about Suede is the most remarkable aspect of this review. Despite being the genesis of Britpop made form, and releasing some of the most notable singles of the 1990s (and one genuinely classic album), Suede have described a classic ‘long tail’ career pathway; the almost unnoticed style of their exit as they fizzled out in the cold light of a new millenium in stark contrast to the fanfare that greeted the famous Melody Maker cover from which they gazed as unsigned ingenues.

There has been light on the horizon for those hoping for new Suede material since their reformation concerts in 2010. And now ‘Barriers’ has arrived: the calling-card for a full album entitled ‘Bloodsports’, out in March. But it would be an ardent fan indeed who claimed that their output was consistent, especially towards the twilight years of what must now be called their first career, which means ‘Barriers’ carries a high level of expectation on its shoulders; there’s little point in releasing new material if it simply treads old water.

There’s little cause for concern: ‘Barriers’ ticks all the boxes any longstanding Suede fan could reasonably hope for. After a thudding drum intro, Brett Anderson’s voice soars with a distinctively familiar mixture of delicacy and haughtiness. References to “aniseed kisses and lipstick” traces instantly recall familiar Suede songs of yore (it’s impossible for Anderson to write a lyric without at least one reference to lipstick, cigarettes, gasoline, or some seedy sexual act). Richard Oakes’ guitar does one of its finest impressions of Bernard Butler’s razor-sharp trademark ES-355 tone, itself now more than two decades old. Longtime producer Ed Buller is in the studio chair; it’s a fair assumption that he, above anyone else, is responsible for the instantly recognisable Suede sound to be found here. There’s a singalong call-and-response to play us out, just dying to reverberate around packed concert halls up and down the country.

And that’s it, 3 and a half minutes that tell the world the Suede are back, and sounding just as relevant as ever. There’s no point in hoping for a new ‘Dog Man Star’ – that high-point of Suede’s career will surely never be surpassed – but there’s a good chance that Suede Mark II can do themselves justice with the new material, and perhaps bring a swathe of new fans into the fold who were unlucky enough to be too young to experience them first time around. For the rest of us, it’s time to dust off the black T-shirt and artfully distressed leather jacket, and party like it’s 1994 again.

8/10

Suede’s new single ‘Barriers’ is available now – for free – via this former MP3 of the Day post.

[youtube]http://www.youtube.com/watch?v=8Hhx0gIHiz8[/youtube]

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[…] month Martin reviewed the new Suede single ‘Barriers’; now, here is the promo video for ‘It Starts and Ends with You’, with the band swinging […]

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