Festifeel 2012 Roundup

By on Tuesday, 19th June 2012 at 2:00 pm
 

The Queen has been on the throne for yet another year. This means we all get to go to festivals all weekend and no sooner had Bushstock, Field Day and the Applecart shut their dampened stalls had the Queen of Hoxton opened its doors for a day of frivolities in the name of breast cancer charity Coppafeel and Festifeel.

Dog is Dead: Image by Paul Hudson

The day starts early with a bright atmosphere in the dark basement as Dog is Dead take to the stage. It’s been a busy weekend for the group but they show no signs of fatigue and kick off the festival in winning style. Showing off both their sun-soaked tracks (fan favourite ‘Glockenspiel Song’ is a highlight) as well as their deeper side on set closer ‘Teenage Daughter’ shows they’re real contenders for act of the summer.

Following this come the disappointing ska meets indie Yes Sir Boss. TGTF hopes they have day jobs.  In stark contrast to this however, one lady who we hope doesn’t is rising star Kyla La Grange. Exuding both grace and grunge at the same time, the stylish singer shows she’s far more than an image with a short set of dark pop tracks from her forthcoming debut record. Her set is over far too quickly though, so TGTF goes for a wander about site.

Newton Faulkner

Laid out across three floors, the Queen of Hoxton is a peculiar yet logical place to put a festival. Today there’s a photobooth, popcorn, a huge barbeque and roof garden added to the bar and club aesthetic. A ukulele band roams about playing poorly enacted covers of ’80s tracks. It’s basically a normal festival in a bar! As with all good festivals, Newton Faulkner is present and his set on the roof garden is an enjoyable one. Completely unplugged, Faulkner teaches the crowd surrounding him lines and the tracks build from there. As such, he doesn’t get time to play many, but it’s certainly something to behold whilst the weather holds out.

It’s then back into the darkness for Slow Club. Having two records and preparing a third should make for an interesting set, but when you weight your half hour with zero tracks from the widely celebrated debut and sound shaky on the three new tracks given an outing, it makes for little short of disappointment. Still, ‘Two Cousins’ is always a highlight, so at least it’s not all a letdown.

Slow Club: Image by Paul Hudson

You get used to adjustments after a while but Lianne La Havas’ set being moved into the main bar (in which everyone moves between upstairs and downstairs, also, to the bar) was baffling to say the least, but once those having conversations were shushed and a microphone was found for Havas, her gorgeous tones shone through. The endearing nature of the young singer-songwriter took those assembled into a hushed admiration and the 20minute set ends with smiles all round, none more than Lianne herself.

Then it’s back up into the daunting clouds of the rooftop for two completely unplugged sets. First Jamie N Commons mixes his own material with covers from the likes of Pink Floyd, creating an atmosphere that brings people from the outskirts to sitting on the Astroturf infront of the London troubadour. Second comes one of the strangest, yet most enjoyable few minutes of the weekend as Angus Stone and his band take to the benches and play in a half hushed, half stunned silence. It would have felt like a lullaby had everyone not been stood up. Whatever it was, it was appreciated.

The View, you remember the View right? The band that did that song about jeans. Yeah, the View; they’re next down in the basement. The lighthearted join the ‘lads’ in the crowded space as the Scottish rockers power through 45 minutes without blinking. It’s energetic, but they’ve long lost their appeal. They didn’t even do that one song that everyone knows about jeans! That said, hearing a few hundred singing “the one I love the most has turned into a junkie” brought back some nostalgia in ‘5 Rebecca’.

Just like that, the weekend’s over. The Milk headline but fail to ignite as most people have already left. It’s been the strangest festival TGTF has ever been to, but that’s probably the appeal. Well done Coppafeel, Festifeel 2012 was a success.

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[…] as me reverting to Instagram (I’m not proud) to nestle some photos in with my writing. Click HERE or on Newton Faulkner to see what I had to say about the […]

[…] that their immense touring schedule of late is finally reaping its rewards. Having enjoyed them at Festifeel, Evolution, Camden Crawl and interviewed them all the way back in October 2010, Dog is Dead have […]

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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