SXSW 2012: Day 4 – Communion showcase at St. David’s Historic Sanctuary – 16th March 2012

By on Thursday, 5th April 2012 at 2:00 pm
 

While the catchphrase of most returning SXSWers to newbies is “pace yourself”, mine would be “be sure to factor in some downtime”. And “don’t apologise to yourself if your body says to go home”. Before I went to see the Burning Ear showcase on Wednesday afternoon, I stopped into B.D. Riley’s (not knowing I’d return for an interview on Friday, then later for the Music for Ireland showcase) for a lazy pint of Harp and a plate of fish and chips. Sometimes I regret not rushing over to see Lionel Richie at the Moody Theatre on Wednesday, or not extending my gig-going over to Creekside at the Hilton Garden Inn to catch a 1 AM show in the wee hours of Friday morning to see Ed Sheeran. I was just too wiped. So I looked forward to Friday night immensely: hours of Communion Records artists all under one roof, the main room at St. David’s Historic Sanctuary. I even stopped long enough to have a meal at the Roaring Fork on North Congress – some of the best corn bread I’ve ever had, to boot – before sauntering over to the church.

That was when I realized I probably should have arrived early so I could get the correct instructions on how and where to queue. After being directly incorrectly and having stood in the wrong queue for at least a half hour, someone kind finally sorted me out and sent me to the right door…and straight into the main room.

Matt Corby from Sydney, Australia had already begun his set, so I shuffled quietly into an empty spot next to a guy who was studying his iPhone. And then started taking photos with it. With flash. The nerve. I don’t have an DSLR, and unless I’m given specific approval to use flash, I avoid using my flash as much as possible. And here was this guy just snapping away! I guess our pew was too far back for security to notice. I knew nothing about him before seeing him and even know as I’ve been writing this, I had to look up for more information on this bloke: he was a runner-up in an Australian Idol competition, so I guess he’s reasonably well known back home. But boy, when he announced he was going to play ‘Brother’, the crowd let out a big whoop. Guess they know him here too! Below is a free mp3 of his song ‘Winter’ that you can listen to.

The Staves, three sisters from Watford, were second on the bill. They were really disarming, joking about things that had happened to them the last time they had played in Austin, opening for the Civil Wars the previous autumn. Judging from the cheers, many of those people were present, but we could all join in with a giggle as a sister explained that a burly looking man stood up after one song and said (done in an exaggerated Texan accent), “did anyone else cry?” Haha (evidence near the end of the video below). But early in their set, one of them claimed Matt Corby was the devil and warned us, “don’t look into his eyes”. The audience laughed, but I had a “err…” moment, figuring that had to be some inside joke between the sisters and him. ‘Mexico’ had many fans already; new song ‘Tongue Between My Teeth’ was so beautiful in its harmonies, it gave me chills. They ended with the sad yet so beautiful song ‘Winter Trees’. Good work, girls.

[youtube]http://www.youtube.com/watch?v=sPvQhlFcZ-4[/youtube]

Next up is a man who longer needs an introduction in the UK: singer/songwriter Ben Howard. He came with his own cheering section. Seriously. Somehow I ended up in a pew with two Englishwomen and their guys, and the two women made it very clear they were there for Ben Howard, screaming every time he talked in between songs and squealing every time he played the first note of a song on his guitar. Watch ‘Black Flies’ below.

[youtube]http://www.youtube.com/watch?v=4-aeyvHPjxk[/youtube]

Before Ben Howard took the stage, there was a low yet noticeable murmur going through the crowd. I didn’t know what was going on until a teenage girl across the aisle pointed towards the far wall and shouted at her brother, “it’s Mumford and Sons!” And it was – Marcus Mumford, Ben Lovett, Country Winston and Ted Dwane were just chilling out on the side, as if you cheer on their folky friends’ performances. I was so sure that there was going to be a Mumford collaboration at some point during the night but sadly, there was not. The closest we got was an impromptu John Martyn cover performed at the end of Howard’s set, when he invited the Staves and later performer Michael Kiwanuka. I apologise for the quality of the visuals on the video below; the couple in front of me could not decide if they were going to snog (argh), talk (argh) or break away from each other.

[youtube]http://www.youtube.com/watch?v=P2ISY8qyk68[/youtube]

Willy Mason had the unique (dubious?) characteristic that of all the Communion artists performing I this showcase, he was the only American. I’d not heard of him until he had been associated with Communion, so I had mistaken him for an Englishman. He has a Johnny Cash aura about him (“man in black”) but a bit of rough and tumble like the Jim Jones Revue too. The coolest thing about his performance? His drummer’s kit was connected to a strange looking contraption that stood in the middle of the stage, so that whenever the drummer hit something on the kit, something else was set off on the contraption. Sorry to say, I wasn’t moved by his performance at all.

But I was adamant about staying put for the next act. The band I was most excited to see in this showcase was Daughter. As soon as I saw their name on the SXSW bands list, I was ecstatic. And I was not disappointed one bit. Unlike the teasing nature of the Staves earlier, Elena Tonra was so shy and soft-spoken but was adorable in her shyness. “Our name is Daughter. Nice to meet you. This one’s about death.” Laughter from the peanut gallery before they started into ‘Landfill’.

[youtube]http://www.youtube.com/watch?v=UBJEQLDwiJQ[/youtube]

That’s when I just about lost it. I think had I not been in such close proximity to strangers, I would have been a bawling mess on the floor. Through her words, it’s obvious she’s been dumped, she’s been hurt, she’s gotten her heart broken. In the song ‘Love’, she asks the lover that jilted her for some easy skirt, “did she make your heart beat faster than I could? / did she give you what you hoped for? / oh, loveless nights / I hope it made you feel good”. It’s like what they say, a woman scorned… All I can say is…wow. In my top 3 performances at SXSW, for sure.

After that emotional reaction to Daughter, BBC Sound of 2012 winner Michael Kiwanuka was a safe, if not super remarkable choice to watch after. Before he came out onstage, Ben Lovett, dressed to the nines in a debonair suit, gave a short and stirring speech on how appreciative he was of everyone coming to this showcase and their warm responses to all the performers. Kiwanuka was confident, broadly smiling through his short set. (Six songs. SIX SONGS? That’s it???) From the opener of ‘I’m Waiting’ to the song everyone knows him for, ‘I’m Getting Ready’; from ‘Tell Me a Tale’ to set closer ‘Home Again’.

I had a wonderful buzz from the magnificence I heard in that acoustically sound room, but my mind was in a state of relaxation that could not be matched anytime else during all of my time at SXSW. Thank you, Ben Lovett, for putting this showcase together and thank you, bands, for bringing me to an incredible moment of zen in Austin.

More high-res photos can be viewed on my Flickr.

Tags: , , , , , , , , , , , , , , , , , , ,

2 Responses

[…] show the night before, and the mere fact that there are now two Communion showcases instead of just the one last year (starring then unknown in America Ben Howard, Daughter and Michael Kiwanuka) goes to show that the […]

[…] room at St. David’s Historic Sanctuary, located in the same building where I’d seen the Communion showcase in 2012. I was going in that direction for the Dunwells, who Cheryl saw and interviewed in Washington when I […]

Leave Your Response

* Name, Email, Comment are Required
 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

All MP3s are posted with the permission of the artists or their representatives and are for sampling only. Like the music? Buy it.

RSS Feed   RSS Feed  

Learn More About Us