Bingley Music Live: Day 3 Roundup

By on Thursday, 6th October 2011 at 5:35 pm
 

Sunday brings a third day of quality music over to Bingley, a place where most artists will admit they’ve never heard of, and only a few have ever played. Bingley Music Live has really brought big name acts out here and made a name for itself over the last few years and as the third day begins, you get a sense that it’s now an established festival that supports both local and up-and-coming acts as well as the all important ticket selling, fan pleasing headliners.

Having not learnt my lesson from yesterday, I was yet again thwarted by public transport on a Sunday afternoon, but I’m informed that Daley was beautiful to witness in the early afternoon sun. As I arrive at the festival, I’m subject to watching Stereo MCs performing what I’m told were their hits. A long time ago, this band might have been enjoyable live, but as it stands they look like the kind of ageing people that would be in the pool at a Butlins, avoiding their family and doing some sort of swimming aerobics whilst their grandchildren frolic about with rubber inflatables. That song where they say “yeah” a lot was bearable though.

Doing their very best to pick up the pace of things come The Sunshine Underground. A nearly band of lad rock, you can’t help but feel that if Oasis had adopted these guys as openers in their last years, TSU might have made a real go of it. Sadly, however, they’re destined to do their best to liven mid-afternoon crowds with their two albums worth of music. ‘Nobody’s Coming to Save You’ makes the crowds bob, yet nothing aside from their nearly hits from the first album makes people move. Shame.

Eliza Doolittle is up next though. Surely the genuine singalongs can start here? Yes! Finally today, you get polite movement and a genuine festival feeling as ‘Skinny Jeans’, ‘Pack Up’ and even a cover of Kanye West’s ‘Runaway’ make everyone start to smile again (‘Runaway’ actually gets a bigger singalong than most of Doolittle’s tracks, but I’m sure she won’t mind). Even the security make a go of it.

The bands on back to back next are a little dissimilar. With Chase and Status playing their final festival of the season later, The Coral take to a stage that they’re really never going to own and with an attitude that doesn’t appear at all enthusiastic. Even the odd summertime classic leaves the crowds questioning their billing. ‘In The Morning’ doesn’t even feature as the set is filled with their most recent album’s tracks. As enjoyable as the record is, it doesn’t translate on stage. Happily, they do at least play ‘Dreaming of You’ and ‘Pass It On’, which gets everyone warmed up just as they leave.

Twenty minutes later, it’s still light and the crowds are restless. With just two albums under their belt and even a few anthems in the making, Chase and Status’s live shows are more sought after than ever. Coming on to rapturous responses they get straight to it with new single ‘No Problem’. Manic dancing ensues and doesn’t stop for as long as the group play. As the sun goes down and darkness takes over Bingley, the band seem to be reinvigorated as collaboration artists appear on the big screens with huge graphic designs and pre-made videos. Urban music with a rock and roll feel has gained itself a huge reputation these days with everyone from Jay-Z to Pendulum using elements of it in their famously huge sets. Chase and Status bring this along as well and probably do it better than Pendulum do. There’s less annoying on stage talk but still enough to get everyone going. Bringing their main set to a close with ‘Fool Yourself’, it builds up and releases what you’d assume was the last piece of energy in everyone that’s been going all weekend long.

Wrong! Coming back out with ‘Blind Faith’ which features a hyped up Liam Bailey creates an atmosphere of completely blissful pandemonium as the backing track soars over the park and sends everyone home running on the last of their adrenaline. Of course there’s another firework show, but tonight has been all about that Chase and Status show. A fitting close to a genuinely fantastic small festival.

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