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Great Escape 2018: Day 1 Roundup (Part 2)

 
By on Monday, 4th June 2018 at 2:00 pm
 

Before I headed out to blighty, I joked to my blogger friends that I didn’t think I would be eating dinner any night at The Great Escape 2018. Why? Each night, I had bands on my schedule starting as early as 6 PM. I thought, hm, maybe everyone will be too busy drinking in a pub with their mates or on the beach that the 6 PM shows won’t be busy. WRONG! London via Limerick pop trio whenyoung were playing to a massive crowd at the Haunt, one of the lesser-known venues of The Great Escape. The closest I could get to the stage for this London in Stereo showcase was standing next to the soundboard in the back. Their female-fronted guitar pop was just the thing for many punters in Brighton to start their Thursday night with, many moving and grooving in the Haunt to the band’s infectious melodies. Check out whenyoung’s newest single ‘Heaven on Earth’, released 2 Fridays ago.


There wasn’t far for me to go for my next stop. I’d advise against visiting the gender neutral bathroom stalls at the Arch (like walking into a pitch-black room, seriously) but the venue was serviceable enough for the Clash magazine showcase. Don’t be confused that there are no actual females in the all-male Sea Girls. The Londoners are a band favourite of NME and Huw Stephens of Radio 1 and judging from their merch, they refuse to take themselves seriously (‘Indie Landfill’ is not a phrase from the end of the Noughties I’ve not heard bandied around these days). Like whenyoung before them, they’re firmly in the pop camp, but Sea Girls swing back and forth between anthemic pop and muscular pop/rock. I have to admit that because my musical taste has been going towards the more weird and unusual lately, I wasn’t wowed by their performance, but I can see that with a little luck and the great songs they’ve written so far, they have the potential to gain a massive following very quickly. Watch this space.

Sea Girls Thursday The Great Escape 2018

As I’ve probably mentioned in past Great Escape reports, Brighton is a hilly place. I don’t care how well you think you’ve organised your schedule. At some point, you’re going to have to walk from the lowest point of the seaside back up to the Brighton train station at the top of the hill. (Incidentally, I did this back and forth several times Friday night because, well, sometimes, needs must.) To make things easier on myself, I took it easy up the hill to arrive at the Green Door Store for the last few songs of New York’s Bodega at the Upset magazine showcase. As one might rightly expect, American bands are big draws at a festival like The Great Escape, and there were plenty of folks in the main room at the Green Door, plus those who spilled out into the bar area before it. Knowing that Austin Brown of Parquet Courts produced their upcoming debut album to be released this summer should give you some idea of Bodega’s punky, devil-may-care kind of music. Not my thing, but they might be yours.

Black Futures Thursday The Great Escape 2018
apologies for the quality of this photo; clearly, it’s not my best work, and it didn’t help that it was nearly pitch black during Black Futures’ performance

London duo Black Futures describe themselves on their Facebook as “A no-holds-barred aural assault of Anarchic Electro Psych Punk Noise that is something like Death From Above and the Chemical Brothers’ bastard offspring”. Their recorded sound was intriguing enough for this hard rock and electronic fan to tip them in a preview of Live at Leeds 2018 and The Great Escape. Synths and guitars aplenty arrived on stage, while their mask and hazmat suit-dressed non-musical companions stood guard down front. Naturally, the spectacle caused the audience’s anticipation for the band to build. Programmed beats came in first, then the wailing guitars. Then, a ferocious scream from one of the guys on stage. You didn’t know if you should shake a tail feather or headbang. Me? I opted for the latter.

]Mansionair Thursday The Great Escape 2018

The main problem with the Green Door Store, which has been true every time I’ve visited, is that the place is like being inside a pressure cooker: hot, sweaty and uncomfortable. The upstairs venue space of the nearby Prince Albert is probably the only place worse for someone with claustrophobia, while the Hope and Ruin (formerly the Hope) offers the same level of discomfort. In order to take a breath, I dove for the exit, able to take in the precious fresh air all the way on my walk to Komedia. I couldn’t help myself: I just had to pop in to see Mansionair at one of their many appearances in Britain over the last 6 months. Even though I only saw them play two songs during their set at the ATC Live showcase, it was crystal clear from their closing with single ‘Astronaut (Something About Your Love)’ that they were a huge hit with the Great Escape crowd, their arms to-ing and fro-ing in time to frontman Jack Froggatt’s directions from the stage. The sexiness and baby-making potential of Mansionair’s sound wasn’t lost on punters, as I uncomfortably stood amongst lip-locking couples.

Back down closer to the seaside, I stopped in to the basement venue of the Walrus for another act I tipped ahead of Live at Leeds 2018. Who Zapatilla is remains a mystery, his identity cloaked both literally and figuratively. While listening to his music on Spotify made his music seem dancier, the few songs I witnessed live Thursday evening were more subdued and less engaging than I’d hoped.

Zapatilla Thursday The Great Escape 2018

Feeling less than energised from Zapatilla’s set, I thought I might change gears completely and end my night with a bit of singer/songwriter Blanco White. As Carrie wrote previously, Englishman Josh Edwards’ project is infused with Latin-American influences. By the time I figured out where the Unitarian Church was behind all the construction work, I sadly learned the intimate, all-seated venue where I’d previously seen a magical set by Marika Hackman was one in, one out. So much for planning. Feeling slightly defeated, I decided to call it a night.

 

The Great Escape 2018 Preview: editor Mary’s best band bets

 
By on Tuesday, 8th May 2018 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on The Great Escape 2018 taking place next week is current at the time of posting. We strongly encourage you to check in at the festival’s official Web site closer to the start of the event to confirm venues and set times. Three-day wristbands for the event in Brighton 17-19 May are still available at the price of £70 plus handling if purchased online; delegate passes that include both access to the daytime industry convention and all music showcases are available at the price of £275 plus handling. More information on where you can purchase your tickets in person or online is available from The Great Escape official Web site. If you’d like to read my previous, more general preview of The Great Escape, it’s through here.

As mentioned in part 1 of my Live at Leeds best bets preview, and alluded to in part 2 as well, there are quite a few acts that appeared this past weekend at Live at Leeds and/or Liverpool Sound City that will also be appearing next week at the Great Escape in Brighton.

Bad Sounds (Friday 11:15 PM, Horatio’s)
Black Futures (Thursday, 9:15 PM, Green Door Store)
Boy Azooga (Thursday, 12:00 PM, Latest Music Bar; 2:00 PM, Dr. Martens stage; 9:15 PM, Patterns upstairs)
Cassia (Friday, 12:45 AM, The Hope and Ruin)
Hollow Coves (Thursday, 12:45 PM, Komedia Studio Bar and 10:15 PM, The Old Courtroom)
Knightstown (Saturday, 12:15 PM, One Church)
Lady Bird (Friday, 2:15 PM, Dr. Martens stage and 10:15 PM, The Walrus)
Rascalton (Thursday, 1:00 PM, Horatio’s [Showcasing Scotland stage]; Friday, 10:15 PM, Green Door Store)
SHEAFS (Saturday, 8:45 PM, The Hope and Ruin)
The Ninth Wave (Thursday, 3:30 PM, Horatio’s [Showcasing Scotland stage]; Friday, 9:30 PM, The Haunt; Saturday, 10:15 PM, Marine Room [Harbour Hotel])
The Orielles (Thursday, 2:30 PM, Beach House and 9:00 PM, Horatio’s)
Tors (Friday, 6:45 PM, St. Mary’s Church)
Vistas (Saturday, 2:30 PM, The Hope and Ruin)
whenyoung (Thursday, 6:30 PM, The Haunt)
Zapatilla (Thursday, 10:15 PM, The Walrus)

SXSW 2018 (or earlier) alums: Here’s a list of artists we either saw in March in Austin (or even in previous years) who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at the Great Escape. They’re sorted by alphabetical order, as some of the acts who are bigger draws are appearing more than once, so organising the list by first appearance may not necessarily be useful to you.

All Our Exes Live in Texas (Thursday, 12:10 PM, Komedia [Aussie BBQ stage]; Thursday, 10:15 PM, Latest Music Bar)
Dermot Kennedy (Thursday, 9:00 PM, Wagner Hall; Friday, 4:00 PM, Beach Club; Friday, 10:00 PM, Sallis Benney Theatre)
Dream Wife (Thursday, 8:45 PM, Beach Club)
Her’s (Friday, 1:00 PM, Beach House; Friday, 10:15 PM, Horatio’s)
IDLES (Thursday 10:00 PM, Beach Club)
Jealous of the Birds (Thursday, 9:15 PM, Bau Wow; Friday, 2:00 PM, Jubilee Square)
Jerry Williams (Thursday, 7:45 PM, Hope and Ruin; Saturday, 12:30 PM, Komedia Studio Bar)
Joshua Burnside (Friday, 1:30 PM, Sticky Mike’s Frog Bar [Output Belfast stage]; Saturday, 12:15 PM, Latest Music Bar)
Let’s Eat Grandma (Friday, 9:15 PM, The Old Market)
Lo Moon (Friday, 8:30 PM, Coalition)
Mansionair (Thursday, 9:15 PM, Komedia)
ONR (Friday, 8:30 PM, Paganini Ballroom at the Old Ship Hotel [BBC Introducing stage])
Pale Waves (Thursday, 7:00 PM, Wagner Hall; Thursday, 11:00 PM, Horatio’s)
Rachel K Collier (Friday, 12:20 PM, Latest Music Bar [Horizons / Gorwelion showcase)
Sam Fender (Friday, 2:30 PM, Patterns upstairs; Friday, 8:00 PM, Sallis Benney Theatre; Saturday, 1:30 PM, Komedia Studio Bar)
Stella Donnelly (Thursday, 8:15 PM, Komedia; Friday, 7:45 PM, Unitarian Church; Saturday, 1:20 PM, Dr. Martens stage)
Superorganism (Friday, 10:15 PM, The Old Market)
Ten Tonnes (Friday, 6:30 PM, Coalition; Friday, 10:45 PM, Paginini Ballroom at the Old Ship Hotel [BBC Introducing stage])
The Homesick (Friday, 2:30 PM, Komedia Studio Bar; Saturday, 10:15 PM, Green Door Store)
The Spook School (Thursday, 12:15 PM, Horatio’s [Showcasing Scotland stage]; Saturday, 8:30 PM Sticky Mike’s Frog Bar)
TOUTS (Thursday, 8:15 PM, Patterns upstairs; Friday, 3:30 PM, Sticky Mike’s Frog Bar)

::gasps:: Okay, so now that we’ve gotten all those shining stars with loads of potential out of the way, I’m going to focus on five additional acts in this post. I’ve chosen those from the pool of acts appearing at The Great Escape but who did not appear at Live at Leeds last Saturday.

Basement Revolver (indie rock / lo-fi; Hamilton, Canada; 2:15 PM, Green Door Store; 6:15 PM, Patterns upstairs)
One of the upshots of attending The Great Escape is that it has arguably the most international line-up of any emerging music festival in the UK. Female-fronted Basement Revolver is one of a handful of acts having travelled thousands of miles to Brighton, besides the Aussies, of course. Bringing their reverb-heavy guitar chords and the sweet voice of Chrisy Hurn, they’ll have two chances on Thursday to wow Brighton crowds.

CRIMER (synthpop / dance; Switzerland; Thursday, 10:15 PM, Bau Wow; Friday, 1:30 PM, Bau Wow)
You a fan of Depeche Mode’s beats and Dave Gahan’s sultry drawl? I’m gonna put it out there and say you’re gonna love CRIMER from the Continent. The Great Escape blurb presumably supplied by him describes his look as pure boyband, but don’t let his hair parting put you off. Seems a bit strange that they have him on early Friday afternoon (I’d suggest you see him on the Thursday night instead) but hey, maybe he can turn Bau Wow into a sweaty disco before the 2 o’clock hour. Wait and see!

Declan Welsh and the Decadent West (punk; Glasgow; Friday, 12:30 PM, One Church and 7:15 PM, Green Door Store; 9:15 PM, Marine Room [Harbour Hotel])
I think it’s come time in this list to bring in something more subversive. I guess I don’t think of Glasgow as being very punk: perhaps it’s because both times I’ve visited, everyone’s been super nice to me, including the very large man with a very large ginger beard who shared a table with me at Nice and Sleazys. But I digress. Quoting their TGE bio directly, “Donald Trump and Theresa May watch out! The Revolution will be well dressed and speaking in Glaswegian.” RAWR.

Franc Moody (funk / dance; London; Friday, 2:40 PM, Beach House)
Not a guy from France, phew! No, Franc Moody is a London collective bringing da funk and da dance to Brighton’s seaside. Apparently they have been doing this for a while, in so-called ‘infamous’ (::giggles thinking of Three Amigos:: ) warehouse parties in Tottenham. Friday afternoon at TGE is oddly full of dance acts, so I can only hope that no matter what the weather, Franc Moody (and everyone else for that matter) can manage to get bodies bumpin’ before official wine o’clock.

Saint Raymond (pop; Nottingham; Thursday, 3:30 PM, Marine Room [Harbour Hotel])
This singer/songwriter has already been out on the road with the likes of Gabrielle Aplin, Ed Sheeran and HAIM, so it shouldn’t come as much surprise that Callum Burrows’ style of music is firmly in the pop genre. Burrows blends a synth-driven ‘80s sound with feel good pop lyrics. Apparently in the early days back home in Notts, lazy journos compared him to local acts Jake Bugg and Dog is Dead. No more.

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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