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Great Escape 2018: Day 3 Roundup (Part 1)

 
By on Thursday, 7th June 2018 at 2:00 pm
 

Before I’d even set foot in the country, I had already received loads of band recommendations from friends and industry folk alike on who to see at The Great Escape 2018. Many of them named artists I’d already seen, in Australia at BIGSOUND 2017, past SXSWs or elsewhere. I reminded them that the whole point of me coming out all the way from America was music discovery and finding new talent to spread the word on. My Saturday at The Great Escape 2018 ended up being a mix of new and old favourites, in some cases showing me that something familiar to me in a previous form could be made new, or at least different to what I had been accustomed to. In case you’ve forgotten already, the 19th of May 2018 was also the day of Prince Harry’s wedding to American actress Meghan Markle. Being in Brighton to focus on music discovery while all that faff was going on at Windsor Castle was actually a godsend. (And no, cousins, I didn’t buy you a commemorative plate when I was in London, stop asking.)

Like Friday, I began my day again on Saturday at the decent hour of noon. Having studied classical piano at a young age, I can appreciate the value of a classical music education. Michael Aston was formerly the keyboardist of C Duncan’s live band; the two of them had met when they were studying at the Royal Conservatoire of Scotland in Glasgow. The Brighton-based Aston has his own solo project now, Knightstown, which Aston described to me is driven by his desire to create and to write songs.

Knightstown Saturday the Great Escape 2018 3

Live, Aston is joined by Matthew Hodson on beats and electronics, who looked awfully familiar to me. How’s this for spooky: 3 years ago when I was in Brighton last, I was sat in St. George’s Church for the Erased Tapes showcase and I struck up a geeky conversation about Rival Consoles with the bloke next to me. Yup, you guessed it, the guy was Hodson. Everything happens for a reason and when it’s supposed to. While the rest of the non-music-caring country were watching the wedding, Aston and Hodson were hard at work, opening the FatCat Records showcase at One Church. With Aston’s floaty falsetto and piano representing the old garde and synths and beats for the new, Knightstown is the beautiful symbiosis between the two. The music is equal parts reverential and inventive, exemplified by singles ‘First Cry’ and ‘Charlatan’. I’m looking forward to hearing a debut album in the future.

Of the many suggestions I received from BBC Scotland’s Vic Galloway that turned into a tip of my own, I still had Vistas left to see in Brighton. The big crowd at the Hope and Ruin was proof I wasn’t the only one eager to hear the group from Edinburgh play. The guys themselves were very excited, ready to launch their newest single ‘Tigerblood’ the following Friday. For some reason, I just couldn’t get into their music, their guitars sounding tinny and lacklustre. Maybe I was standing in the wrong place? I’ll give them another chance somewhere else in the future, hopefully in a place where I can actually breathe. I’d like to see if they sound better in Scotland…

Indoor Pets Saturday the Great Escape 2018 2

A last-minute addition to the Alternative Escape line-up were indie rockers Indoor Pets (formerly Get Inuit) at a teeny, boiling upstairs room. (Starting to notice a trend here?) They were special guests on the echochamp and DICE showcase at the Western pub. This was my first chance to see them after the announcement that they’d signed to Wichita Recordings. I haven’t gotten around to tagging all my old articles here on TGTF on them with their new name, so you’re going to have to bear with me a bit longer on that. With the triumphant confidence that comes with after signing with a label (maybe I just imagined that?), the band were in fine form, blasting out ‘Barbituates’ and ‘Pro Procrastinator’ with a fury I don’t think I’ve seen from them before. Is that the triumphant confidence that comes with after signing with a label, or did I just imagine that?

Indoor Pets Saturday the Great Escape 2018 3

I try to avoid the Prince Albert venue space like the plague because every time I’ve been there during The Great Escape, it’s been sardine city. The only real place I feel comfortable is by the entrance to the room, which turned out to be a good location. I’ve seen Slow Club a few times live and feeling like that act may have run its artistic course, I thought I’d see Rebecca Taylor as Self Esteem. Why not, right? Right before her set, she’s standing next to me by the door, moaning aloud that she’s worried about how she’s going to get back onstage. She’s a polite Northerner, after all. Bless. I told her to “get in there, honey” and push people out of the way if she has to if they don’t recognise her. Add “moral support to acts” under “guitar minder” in the festivals skills section of my CV.

Self Esteem Rebecca Taylor Saturday the Great Escape 2018

Taylor finally got back onstage with her female “staff”, all resplendent in their ‘squirt not pee’ red t-shirts. Her newer, electronically and rhythmically reliant music is so different than what I consider ‘classic’ Slow Club, it’s jarring. I guess it’s been too long since I’ve seen Slow Club, I totally forgot she was a drummer. Her debut single as Self Esteem, ‘Your Wife’, has been described as a I don’t enjoy the sound as much, but I will say that regardless of how you feel about Self Esteem’s songs, you can’t deny they provide a showcase for Rebecca Taylor’s voice, which has been and will always be beautiful. I might come around on her newest project yet.

 

The Great Escape 2018 Preview: editor Mary’s best band bets

 
By on Tuesday, 8th May 2018 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on The Great Escape 2018 taking place next week is current at the time of posting. We strongly encourage you to check in at the festival’s official Web site closer to the start of the event to confirm venues and set times. Three-day wristbands for the event in Brighton 17-19 May are still available at the price of £70 plus handling if purchased online; delegate passes that include both access to the daytime industry convention and all music showcases are available at the price of £275 plus handling. More information on where you can purchase your tickets in person or online is available from The Great Escape official Web site. If you’d like to read my previous, more general preview of The Great Escape, it’s through here.

As mentioned in part 1 of my Live at Leeds best bets preview, and alluded to in part 2 as well, there are quite a few acts that appeared this past weekend at Live at Leeds and/or Liverpool Sound City that will also be appearing next week at the Great Escape in Brighton.

Bad Sounds (Friday 11:15 PM, Horatio’s)
Black Futures (Thursday, 9:15 PM, Green Door Store)
Boy Azooga (Thursday, 12:00 PM, Latest Music Bar; 2:00 PM, Dr. Martens stage; 9:15 PM, Patterns upstairs)
Cassia (Friday, 12:45 AM, The Hope and Ruin)
Hollow Coves (Thursday, 12:45 PM, Komedia Studio Bar and 10:15 PM, The Old Courtroom)
Knightstown (Saturday, 12:15 PM, One Church)
Lady Bird (Friday, 2:15 PM, Dr. Martens stage and 10:15 PM, The Walrus)
Rascalton (Thursday, 1:00 PM, Horatio’s [Showcasing Scotland stage]; Friday, 10:15 PM, Green Door Store)
SHEAFS (Saturday, 8:45 PM, The Hope and Ruin)
The Ninth Wave (Thursday, 3:30 PM, Horatio’s [Showcasing Scotland stage]; Friday, 9:30 PM, The Haunt; Saturday, 10:15 PM, Marine Room [Harbour Hotel])
The Orielles (Thursday, 2:30 PM, Beach House and 9:00 PM, Horatio’s)
Tors (Friday, 6:45 PM, St. Mary’s Church)
Vistas (Saturday, 2:30 PM, The Hope and Ruin)
whenyoung (Thursday, 6:30 PM, The Haunt)
Zapatilla (Thursday, 10:15 PM, The Walrus)

SXSW 2018 (or earlier) alums: Here’s a list of artists we either saw in March in Austin (or even in previous years) who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at the Great Escape. They’re sorted by alphabetical order, as some of the acts who are bigger draws are appearing more than once, so organising the list by first appearance may not necessarily be useful to you.

All Our Exes Live in Texas (Thursday, 12:10 PM, Komedia [Aussie BBQ stage]; Thursday, 10:15 PM, Latest Music Bar)
Dermot Kennedy (Thursday, 9:00 PM, Wagner Hall; Friday, 4:00 PM, Beach Club; Friday, 10:00 PM, Sallis Benney Theatre)
Dream Wife (Thursday, 8:45 PM, Beach Club)
Her’s (Friday, 1:00 PM, Beach House; Friday, 10:15 PM, Horatio’s)
IDLES (Thursday 10:00 PM, Beach Club)
Jealous of the Birds (Thursday, 9:15 PM, Bau Wow; Friday, 2:00 PM, Jubilee Square)
Jerry Williams (Thursday, 7:45 PM, Hope and Ruin; Saturday, 12:30 PM, Komedia Studio Bar)
Joshua Burnside (Friday, 1:30 PM, Sticky Mike’s Frog Bar [Output Belfast stage]; Saturday, 12:15 PM, Latest Music Bar)
Let’s Eat Grandma (Friday, 9:15 PM, The Old Market)
Lo Moon (Friday, 8:30 PM, Coalition)
Mansionair (Thursday, 9:15 PM, Komedia)
ONR (Friday, 8:30 PM, Paganini Ballroom at the Old Ship Hotel [BBC Introducing stage])
Pale Waves (Thursday, 7:00 PM, Wagner Hall; Thursday, 11:00 PM, Horatio’s)
Rachel K Collier (Friday, 12:20 PM, Latest Music Bar [Horizons / Gorwelion showcase)
Sam Fender (Friday, 2:30 PM, Patterns upstairs; Friday, 8:00 PM, Sallis Benney Theatre; Saturday, 1:30 PM, Komedia Studio Bar)
Stella Donnelly (Thursday, 8:15 PM, Komedia; Friday, 7:45 PM, Unitarian Church; Saturday, 1:20 PM, Dr. Martens stage)
Superorganism (Friday, 10:15 PM, The Old Market)
Ten Tonnes (Friday, 6:30 PM, Coalition; Friday, 10:45 PM, Paginini Ballroom at the Old Ship Hotel [BBC Introducing stage])
The Homesick (Friday, 2:30 PM, Komedia Studio Bar; Saturday, 10:15 PM, Green Door Store)
The Spook School (Thursday, 12:15 PM, Horatio’s [Showcasing Scotland stage]; Saturday, 8:30 PM Sticky Mike’s Frog Bar)
TOUTS (Thursday, 8:15 PM, Patterns upstairs; Friday, 3:30 PM, Sticky Mike’s Frog Bar)

::gasps:: Okay, so now that we’ve gotten all those shining stars with loads of potential out of the way, I’m going to focus on five additional acts in this post. I’ve chosen those from the pool of acts appearing at The Great Escape but who did not appear at Live at Leeds last Saturday.

Basement Revolver (indie rock / lo-fi; Hamilton, Canada; 2:15 PM, Green Door Store; 6:15 PM, Patterns upstairs)
One of the upshots of attending The Great Escape is that it has arguably the most international line-up of any emerging music festival in the UK. Female-fronted Basement Revolver is one of a handful of acts having travelled thousands of miles to Brighton, besides the Aussies, of course. Bringing their reverb-heavy guitar chords and the sweet voice of Chrisy Hurn, they’ll have two chances on Thursday to wow Brighton crowds.

CRIMER (synthpop / dance; Switzerland; Thursday, 10:15 PM, Bau Wow; Friday, 1:30 PM, Bau Wow)
You a fan of Depeche Mode’s beats and Dave Gahan’s sultry drawl? I’m gonna put it out there and say you’re gonna love CRIMER from the Continent. The Great Escape blurb presumably supplied by him describes his look as pure boyband, but don’t let his hair parting put you off. Seems a bit strange that they have him on early Friday afternoon (I’d suggest you see him on the Thursday night instead) but hey, maybe he can turn Bau Wow into a sweaty disco before the 2 o’clock hour. Wait and see!

Declan Welsh and the Decadent West (punk; Glasgow; Friday, 12:30 PM, One Church and 7:15 PM, Green Door Store; 9:15 PM, Marine Room [Harbour Hotel])
I think it’s come time in this list to bring in something more subversive. I guess I don’t think of Glasgow as being very punk: perhaps it’s because both times I’ve visited, everyone’s been super nice to me, including the very large man with a very large ginger beard who shared a table with me at Nice and Sleazys. But I digress. Quoting their TGE bio directly, “Donald Trump and Theresa May watch out! The Revolution will be well dressed and speaking in Glaswegian.” RAWR.

Franc Moody (funk / dance; London; Friday, 2:40 PM, Beach House)
Not a guy from France, phew! No, Franc Moody is a London collective bringing da funk and da dance to Brighton’s seaside. Apparently they have been doing this for a while, in so-called ‘infamous’ (::giggles thinking of Three Amigos:: ) warehouse parties in Tottenham. Friday afternoon at TGE is oddly full of dance acts, so I can only hope that no matter what the weather, Franc Moody (and everyone else for that matter) can manage to get bodies bumpin’ before official wine o’clock.

Saint Raymond (pop; Nottingham; Thursday, 3:30 PM, Marine Room [Harbour Hotel])
This singer/songwriter has already been out on the road with the likes of Gabrielle Aplin, Ed Sheeran and HAIM, so it shouldn’t come as much surprise that Callum Burrows’ style of music is firmly in the pop genre. Burrows blends a synth-driven ‘80s sound with feel good pop lyrics. Apparently in the early days back home in Notts, lazy journos compared him to local acts Jake Bugg and Dog is Dead. No more.

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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