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Video of the Moment #1671: Tim Wheeler

 
By on Saturday, 8th November 2014 at 10:00 am
 

Often when songwriters address subject matter that is deeply personal to them, the language in their lyrics becomes either overly metaphorical or cryptically vague. Not so in the case of Tim Wheeler, whose debut solo album (outside his duties as frontman of Ash) deals with the loss of his father to dementia. The album, titled ‘Lost Domain’, is due out this Monday, the 10th of November, and will include the lyrically direct and emotionally poignant track ‘Vigil’, featured below.

Speaking of the album as a whole, Wheeler says, “After losing my father to dementia, I felt the need to personally do something to fight Alzheimer’s. My friend Neil Hannon from The Divine Comedy’s father also has Alzheimer’s, so we put on a concert in Belfast in November 2011 with The Divine Comedy, The Undertones and Ash to raise funds and awareness for the Alzheimer’s Society. Since then I’ve had close links with The Alzheimer’s Society and this year was involved with the Dementia Friends campaign. I’m proud to continue to support them and raise more awareness with the album ‘Lost Domain’”. Wheeler just finished playing a short list of live dates in support of the new album.

[youtube]http://youtu.be/HCwNLeS_lcU[/youtube]

 

Tim Wheeler / November 2014 UK Tour

 
By on Wednesday, 10th September 2014 at 8:00 am
 

Tim Wheeler, perhaps best known as the frontman of veteran Northern Irish band Ash, has announced a short list of UK tour dates to support his upcoming first-ever solo album ‘Lost Domain’ on Sony Red.

Set for release on the 3rd of November, the album is a tribute to Wheeler’s father, whom Wheeler recently lost to dementia. A portion of the album’s sale proceeds will be donated to The Alzheimer’s Society. VIP tickets for the following shows are available now via Wheeler’s PledgeMusic campaign. General admission tickets for the London and Manchester dates are also available now.

Tuesday 4th November 2014 – London Bush Hall
Wednesday 5th November 2014 – Manchester Deaf Institute
Thursday 6th November 2014 – Glasgow ABC
Friday 7th November 2014 – Belfast Oh Yeah Centre

 

SXSW 2013: Final Impressions

 
By on Friday, 5th April 2013 at 1:00 pm
 

So after spending a full week in Austin for SXSW 2013, I thought it would be nice to do a summary post to reflect on the experience the second time around…

My SXSW by the numbers:
I saw 41 different bands/acts in total, some multiple times. The bands I saw the most were the Crookes and Kodaline, both 3 times.

I managed an average of 5 hours of sleep per night. Not really all that bad. I learned from last year to make sure I got as much rest as possible.

I saw shows at 8 venues that I’d not previously stepped foot in.

I rode a pedicab 3 times (versus zero times in 2012) and all the drivers were amazing. Note to all attendees: pay these people a little bit more – they’re hiking you up hills and over long distances while sweating their arses off in the Austin heat. A special mention goes out to Andrew who drove me all the way home Thursday night after I’d just about given up on finding a taxi and was ready to cry. He was a total sweetheart!

Unforgettable (good) moments of the week:
Learning that David Baldwin of the Dig is affectionately nicknamed “Baldy”, but it has nothing to do with the status of his hair follicles.

Accidentally running into Rhydian Dafydd of the Joy Formidable at a sushi bar and having lunch together to talk about the industry and such. I found out he’s a Dutch Uncles fan!

Finding out Adam Kane of Cave Painting and Dan Croll were schoolmates in this interview.

Jon McClure of Reverend and the Makers tried to hide his beer between his legs so the Austin police wouldn’t confiscate it during our interview Wednesday afternoon outside Latitude 30. Unfortunately, despite his great pains, it didn’t work.

Getting a genuine Stetson trilby gratis Thursday afternoon at Blackheart for knowing about British bands playing at SXSW. About time I got rewarded for all these random things I have in my brain…

Finding a kindred cider mate in Kris Harris of Story Books during our interview there.

Getting a ride back into the centre of town on the Joy Formidable‘s bus after watching them gig at the Fender stage and do an autograph session at Waterloo Records (photo at top).

Being recognised by Kodaline‘s tour manager at the Hype Hotel Thursday night before they played for the last time at SXSW. (Honourable mention: getting singled out and pointed by guitarist Lynval Golding of the Specials at the same showcase.)

Unforgettable (bad) moments of the week:
Being treated like cattle outside Stubb’s Tuesday night. I’m not likely to return.

Dropping my jumper by accident at Maggie Mae’s Gibson Room Wednesday night after already resituating myself at its rooftop, then getting forced by security to go all the way up, down and around to retrieve it. Lucky I don’t have a walking impediment.

A crazy drunk bloke tried to pick me up on Cesar Chavez Street when I was trying to hail a taxi Thursday night. He said he was going to follow me home. I eventually somehow lost him when we ran into a group of people and I ran. It was terrifying at the time, but now I can laugh about it.

Getting pushed and shoved by kids at the HGTV / Paste showcase at the Stage on Sixth. We know you’re excited for the Zombies. But can you be a little less annoying?

Best quotes of the week:
“Thanks for interviewing us. You’re probably the prettiest person to ever interview us. We usually get interviewed by ugly dudes.” – Emile Mosseri of the Dig after this interview by the river outside Stubb’s. They said they want to start a new side project called “Poppa Squat”. I don’t know if they were joking.

“I like to confuse people!” – Tim Wheeler to me after his solo performance at Monday night’s NI@SXSW showcase (11th March 2013)

“It’s Dan from Bastille, everyone! Cheers mate for coming out.” – Steve Garrigan of Kodaline to Dan and the punters at Wednesday night’s Communion showcase at Maggie Mae’s Rooftop

“Ahh, I see you’ve met the infamous Mary!” – Angela Dorgan of Music from Ireland, warning Girls Names about me outside B.D. Riley’s on Friday morning after our interview (as if this editor needs to come with a warning!)

“We have a very serious question for you, Mary. Why isn’t Washington, DC in Washington state?” – Tom Dakin of the Crookes on behalf of his band, after they played their British Music Embassy / Kilimajaro / PRS for Music slot at Latitude 30 on Friday night (if you were wondering, I set them straight with a story that involved both coasts of our country and the relative locations of myself and my brother, though I’m not sure how well that will stick in their minds.)

“Mary, Mary. You’ve been disowned!” / “But…a 5-string. You can play Korn on that guitar!” – George Waite / Tom Dakin of the Crookes to me the same night, after, perhaps a little too proudly, I showed off a picture of my 5-string ESP. We did some rechristening of guitars in Austin and he’s still yet to provide me a new name for mine.

“Do you fancy a bit of pole dancing later, Kris?” – Andrew Parry of Story Books to bandmate Kris Harris, in reference to and gesturing to Kitty Clementine‘s writhing at the Captiva showcase Saturday afternoon

And with that…that’s my story and I’m sticking with it. See you next year, Austin!

 

SXSW 2013: Pre-Festival Shenanigans with the Dig at Clive Bar and the NI@SXSW showcase at Latitude 30 – 10th and 11th March 2013

 
By on Thursday, 21st March 2013 at 2:00 pm
 

You may think it’s mental showing up a full 2 days before the madness known as SXSW officially begins on a Tuesday, but it was part of my concerted effort to ease myself gently into the maelstrom. That’s the benefit of having been through the craziness at least once before; not only do you not get lost every 5 minutes in Austin, you also have the foresight to take it easy as you can.

I arrived in Austin Sunday afternoon after a very bumpy, turbulence-filled plane ride from California shaken up but undeterred with the upset stomach and the chill in the air. (Not kidding. I must have looked strange wearing my winter coat and hat around town the first 2 nights and I am sure everyone knew I was from the East Coast, but I was freezing!) My first night’s goal was to see Brooklyn’s the Dig play the imgur / Brooklyn Brewery SXSW Interactive party at Clive Bar on Rainey Street, on the far southeast corner of downtown. It should be obvious that any party offering up free booze will translate to a good time, and in this particular case, the good people of the Brooklyn Brewery hosted this night of Brooklyn bands, with punters plied with all the free beer they wanted.

The Dig imgur Brooklyn Brewery party

This night was unusual in the sense that on Sunday before the Music portion of SXSW, the only people in town are Film and Interactive festival attendees, so the vibe was different but cool all the same. Not sure it it was the booze or it was because Interactive was winding down, but the Dig had plenty of fangirls and boys squealing to their music and kicking up their heels to their music. The majority of songs they played were either from 2012’s ‘Midnight Flowers’ or were brand new songs only that night seeing public light of day for the first time, so I felt very special being there for their premiere. The lighting wasn’t great but seeing that it was being supported by imgur, it made sense in the SXSW world that animated images lit up the tent under which they were playing. The next day I also sorted an interview with the band, which we posted on TGTF last week; listen to it here.

[youtube]http://www.youtube.com/watch?v=pzuJ7G6-10U[/youtube]

Monday was another relatively relaxing day, with few shows going on but really only one showcase I cared to catch. alt-J was playing some showcase on 6th Street and the only reason why I knew this was there a massive queue in the middle of the street and I finally had to stop and ask someone who they were queueing for. (Yawn.) Me? I was headed for the NI@SXSW showcase at Latitude 30. Not sure why they do this but the Northern Irish contingent likes to have a showcase the night before the festival properly begins, so I was glad I was in town to see it. (According to the video above, they do 2 days at SXSW before going on to Nashville.) The line-up had been up in the air for some time and it was not until I arrived at Latitude 30, the home of the British Music Embassy for the week, that I saw the final bill.

Girls Names SXSW 2013

First up was Belfast’s Girls Names. (No, that’s not a mistake, there is no apostrophe in their name. In an interview coming up soon on TGTF, all will be revealed…) How is it possible that I have not heard of this band before? Guh. It is hard for me to describe what they sound like to anyone else because I had such a visceral reaction hearing them for the first time. A little shoegazey, a little Joy Division-y, a little Smiths-esque, with gorgeous, gorgeous guitars. I cannot overstate how amazing their guitars sounded with Cathal Cully’s dreamy vocals. It reminded me why I stepped away from dance in the last couple of months and have been hankering for guitar music again; there is so much artistry that can be made from a person’s hands on the fretboard of a guitar that too few people in the world truly appreciate. One song had plenty of guitar feedback, with Cully walking straight into his amp; it’s not just for Ritzy Bryan anymore, folks! Check out their new album ‘The New Life’, you won’t be disappointed.

Tim Wheeler SXSW 2013

There had been a rumour that Tim Wheeler sans the rest of Ash would be performing. I think everyone had assumed he would headline the night but he didn’t. As expected he played some of Ash’s major hits, but what was more heartwarming was his closing number, in which he covered the Undertones’ ‘Teenage Kicks’, as if he was offering up a love letter to the Northern Irish music scenes of the past. I chatted with him briefly, telling him I barely recognised him without his beard and him wearing a three-piece suit. He replied glibly, “I like to confuse people!”

Girl from Mars
Burn Baby Burn
A Life Less Ordinary
Oh Yeah
Shining Light
Teenage Kicks (Undertones cover)

The Lost Brothers SXSW 2013

The next band were the Lost Brothers, an Irish duo who, according to their Soundcloud, actually met in a library in Liverpool. They look the part of world-weary folk performers, with their long hair and leather outfits, but they are the real deal, straddling that all too fine line between country and western and folk. Their harmonies are peerless, as if they had been separated at birth and reunited by the stars to make music together. At times they could be bluesy in the Johnny Cash way, and other times they were more straight forward folk. When I was small, my mother had a running joke with my father that country and western songs were either about being in love or having a broken heart. In the case of the Lost Brothers, they have both happy and sad songs, but they are all marked by excellent guitar playing and those all too beautiful harmonies.

I did not hang around for Belfast techno purveyors Psycatron; the evening had begun an hour and a half late and I was already flagging. Besides, I needed my strength for the official start of the festival the next morning. I was ready to take whatever Austin and SXSW 2013 would dish out.

 

(Holiday!) Video of the Moment (and more!) #661: Emmy the Great and Tim Wheeler

 
By on Monday, 19th December 2011 at 9:00 am
 

In case you didn’t know, Emma-Lee Moss (better known as Emmy the Great, pictured above) and Tim Wheeler of Ash are now an item. (Well, they’ve been one for a while; I kind of guessed something was going on with these videos of Emmy and Tim circulating the internet as early as 2009. Things are going well, judging from a Tweet exchange we had earlier this year. So I am well pleased for those lovebirds! )

So they made a video for their song ‘Home for the Holidays’. It’s off their holiday themed (of course) album ‘This is Christmas’, released in November on Infectious. I suppose this could have gone cloyingly sugary sweet but Emmy and Tim reined this in and this will be an indie Christmas classic for years to come. They’re also giving away album track ‘Christmas Day (I Wish I was Surfing)’, which I guess everyone in the world is thinking. Except people that live in Hawaii maybe…

[youtube]http://www.youtube.com/watch?v=URCNMEbgd_w[/youtube]

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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