We'll be at SXSW the week of 10/03/14, so if it's more quiet than usual here, that's why! Check out our Twitter
for updates from Austin.
SXSW 2014 preview coverage
| SXSW 2013 | Sound City 2013 | Great Escape 2013
Don't forget to like There Goes the Fear on Facebook
and follow us on Twitter
! ~TGTF HQ x
Waylayers are like a cool ice bath in the searing heat of Austin, Texas. This London based synth-pop four-piece feel incredibly fresh, as they engulf you in their delightfully chipper electronica beats. Dripping with a subtle sense of euphoria their new track ‘Medicine’ has the kind of hook deserving of top chart billing – especially seeing as everyone is getting a bit bored of being told how bloody happy Pharrell is.
We get it, Pharrell – it’s the absolute tits being you – now fuck off, will you?
In a completely positive fashion, frontman Harry Lee’s vocals remind me of Chris Martin of Coldplay*, inoffensive and unobtrusive whilst wholly compelling in the same chords. The chorus of ‘Medicine’ feels extremely ‘80s and works as an atmosphere builder perfectly. The final 20 seconds of the single seems like it’s dragged directly from the end of a Rick Astley song.
Nostalgia aside, you can immediately imagine this pulsing from speakers as you wade through a sea of dry ice. In tandem with their earlier EP, Waylayers are certainly an interesting prospect for your perusal at SXSW. They’re the kind of cute British boys, ala Two Door Cinema Club (also three band members) who you can imagine the American population will adore.
With that in mind, Saturday the 15th of March at 9 in the evening at Icenhauer’s is a showcase sure to have the industry crawling with their grubby mitts all over this three-piece.
*I really like old Coldplay and I REALLY dislike new Coldplay.
By Mary Chang
on Friday, 7th March 2014 at 12:00 pm
The meteorological start of spring is only 2 weeks off now, but Sheffield indie band High Hazels are already looking much further ahead. To summer. Last Friday, the group revealed new song ‘Summer Rain’, to feature on an upcoming EP with Heist or Hit Records, whom they signed with last summer.
Like previous single ‘Hearts Are Breaking’ (review here, video here), this new one features what might just become High Hazels’ trademark, guitars sounding echoey – and therefore plaintive in their loneliness – accompanied by frontman James Leesley’s melancholy yet surprising bright vocals. Yet the overall feel is noticeably softer. The lyrics this time were penned by bass guitarist Paul Barlow, and reading the words out as if poetry are as powerful as hearing them in the song. The refrain of “I was sleeping while you were letting our love slide / I was sleeping and I dreamt of you with another” comes across strong with Leesley’s buoyant vocal, yet the actual lyrics suggest the abject helplessness as the only outcome when your imagination runs wild with the thought of the one you love(d) belonging to someone else.
Imagination is a good word to use in describing ‘Summer Rain’, as the imagery Barlow takes you through is quite gorgeous despite the very real pain of the protagonist. The summer rain falls on a window pane, seemingly uncaring about the love that has “waned”, as the voice of the song is in disbelief, “love has waned / I never thought I’d see it change”. He imagines his lover swimming in a stream with another man, then recalls what how their love (or quite possibly also the woman herself) was so beautiful, “jewels are scattered all around / I’ve forgot just how they shined”, but he’s tortured by this faceless man who has taken his place.
The nail in the coffin? “I was sleeping and you walked away turned your back, lover.” So sad. How did our protagonist get here? I’m not entirely sure and I think that’s a question for Barlow in person one day, but getting here is a beautiful, beautiful journey.
The new release from Sheffield’s High Hazels, the ‘In the Half Light’ EP, will be released on the 7th of April on Heist or Hit Records and will be available on limited edition 10″ and also digitally. The group will be supporting The Crookes on their April UK tour and also at their homecoming show on the 31st of May.
American indie rockers The Districts have just announced their debut tour of the UK, including a headline show at Sebright Arms in London and a handful of festival appearances in May. Tickets for the Sebright Arms show go tomorrow, Friday the 7th of March, at 9 AM.
Ahead of their trans-Atlantic trip, the band will play at SXSW 2014 next week. Listen to ‘Funeral Beds’, from their self-titled EP, below the tour dates.
Wednesday 30th April 2014 – London Sebright Arms
Saturday 3rd May 2014 – Liverpool Sound City
Sunday 4th May 2014 – Glasgow Stag & Dagger
Monday 5th May 2014 – Manchester Beta All Dayer
Thursday 8th May 2014 – Brighton Great Escape
By Mary Chang
on Tuesday, 4th March 2014 at 12:00 pm
Here in America, we don’t have the BBC. If you switch on your radio here in Washington, most of what you are going to get on the corporate-owned radio stations are same old top 40 mainstream hits every hour. Thanks to the internet, music fans young and old have the opportunity to learn about bands far beyond just what mainstream radio is telling us what we should like, and I think that’s amazing. It’s very important to me that TGTF brings attention to great new music and bands to people of all ages, but probably the most important to educate about good music are the kids. They are the key to music’s enduring future. Without them, we’re destined to a future of major label manufactured Mileys and One Directions, with indie music unsupported and underfunded, dwindling away. But it doesn’t have to be that way.
I come from a very large family (you should see the size of our Thanksgiving get togethers), and one of our most avid readers is my cousin’s daughter. She’s a junior in high school here in the DC area, and because she’s been very interested in what we do at TGTF, I’ve been bringing her to shows with me, and she’s been so eager to learn about new music. I was thinking about her when I started thinking about how I was going to write this Bands to Watch, as the kids in the band in question are around Kara’s age. They might be young, but the more important thing is that they’ve got heart. And from what I’ve heard from them, they’re pretty damn talented too.
The Busker’s Sons are a young rock group from Macclesfield, the town generally most famous as being the birthplace of Ian Curtis and Peter Crouch, though our John thinks of it more recently as the place that birthed the Virginmarys. I used the word “young”, as they’re all in college now, and they only just formed last summer, having met each other in high school, though three of them – singer Alex Briscoe, guitarist Harry Gold and drummer Micah Whadcock – had played in another band before this one.
I hope this doesn’t result in a tidal wave of Tweets in my direction – but it probably will, now that I’ve opened my big mouth – but I found the five-man strong group on Twitter and did some investigating, which led me to their Soundcloud. (Note to new bands: if you aren’t already on Soundcloud and you aren’t using it to your advantage, you’ve lost the plot.) Earlier this year, the band self-released an album, ‘Northern Ignorance’; if I had no idea how old these guys were or where they were from, I’d assume they were 1) older and 2) already signed. Why do I say this? I’ve seen some pretty bad opening bands in my time as a music editor, bands that can’t figure out how to write a proper melody and/or write lyrics that mean something and aren’t just words thrown together without much thought; I’m stood there in front of the stage, wishing I was somewhere else. But somehow The Busker’s Sons have already figured this all out – and winningly – well before they’re even legally allowed to drink. I’m imagining this is same kind of epiphany Martin had discovering The Orielles.
It can be hard to find videos of a new band. When I went looking on YouTube for one of the Busker’s Sons, I found this surprising gem filmed in what I’m sure is some bandmate’s bedroom. Very rarely can us music writers see the evolution of a song from an earlier stage to the recorded version, but you can with ‘Disguise’ by watching the video below, followed by streaming to the album version from the band’s Soundcloud. The track appears on the album but was an earlier song released previously on an EP. It’s good. It’s really good. It got stuck in my head after the second listen.
The ‘Northern Ignorance’ album showcases a variety of styles, which signals to me the band haven’t settled on exactly what direction the Busker’s Sons plan to go in. ‘Bury Your Head in the Sand’ displays a harder edge, with Briscoe channeling Alex Turner and Ian Brown, and the stomping rhythm of ‘Mose’ further proves they could be a rock band versus a pop one. The sweet melody of ‘Over My Shoulder’ will make you think early Beatles, while the guitars of ‘Magazines’, another album standout, morph from the those of early frantic Two Door Cinema Club or Hot Club de Paris into those of the Libertines, then back again. The LP also features two covers, the Beatles’ ‘Come Together’ and Editors‘ ‘Munich’, both of which benefit from Briscoe’s higher register, with the former sounding more comfortably bluesy than the Fabs’ original, if that’s possible.
‘Northern Ignorance’? Hardly. While the band cite their local heroes Oasis, The Stone Roses, The Smiths and Joy Division as major influences, they don’t sound like they’re copying any of them. If they can keep on writing gems like these, The Busker’s Sons have a good chance of making a name for themselves and maybe one day, we’ll be writing about them, just like those other legendary bands from Manchester.
By Mary Chang
on Wednesday, 26th February 2014 at 1:00 pm
Please note: all information we bring you about SXSW 2014 is to the best of our knowledge when it posts, and bands scheduled to appear may be subject to change. To learn when your favourite band is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the band’s Facebook and official Web site for details of any non-official SXSW appearances.
British rock and its many facets will be on display at SXSW 2014, judging by the variety of acts been given a shout by the festival this year. In the second installment of the exclusive TGTF Guide to SXSW 2014, we turn to the UK bands that play rock, punk, metal and everything in between, alphabetically N through W. (In case you were wondering, there weren’t any Y or Z bands announced, we weren’t leaving anyone out on purpose!) The first half of the rock list, in case you missed it, is here.
How many UK bands do you know of have already gone on tour in Asia even before their debut album has been released? Not many. Even less when you’ve never heard of said band. So there must be something more about Natives from the New Forest that deserves your attention. They sound entirely unpretentious and (gasp!) just like they’re having a lot of fun too. We don’t know much about them, but we’re guessing there’ll be plenty to say post-SXSW.
New Desert Blues
John writes: “With no sense of pretence, no dramatic unveiling, New Desert Blues have snuck up on my psyche, with the immense track that is ‘Adam’. The five impeccably dressed lads who sounded raw, and ebbed with potential at The Great Escape at The Fishbowl have created something really special with their debut effort.
Refined, and delightfully genuine, New Desert Blues aren’t bursting with youthful exuberance as you’d expect from a group of five less-than-likely lads. They instead emanate a dastardly sense of cool: whether that is in lead singer James Cullen’s ability to pull of the most pretentious of turtlenecks in Brighton sunshine at this year’s Great Escape, is yet to be uncovered.”
All girl group PINS sound more Brooklyn than Manchester in their raucous, fuzzy rock delivery. Admittedly, their complete lack of Y chromosomes sets them apart from all the other UK rock acts at SXSW 2014, but will this – along with their Christmas song getting an exclusive on Urban Outfitters’ Web site – work in their favour, or will they merely be a curiosity?
Public Service Broadcasting
Martin writes: “They take as their inspiration and sampling material that rich vein of mid-century film footage which gloried in the wonder of British achievements, celebrating the majesty of heavy engineering, the valour of daring explorers, and the gritty triumph of war. The band themselves mirror the tone of their subject matter by dressing in tweeds and having names like Wriglesworth; one half-expects the other band members to be called Ginger and Algy, and for them to fly off in Sopwith Camels after the show is over.
Each piece brings to life a particular microcosm of history via clips from vintage newsreels, spanning about 20 years from the early 1940s to the advent of practical colour television in the 1960s. Wartime propaganda is invoked in ‘Dig for Victory’, the distinctive iconography exhorting the populace to self-reliance via growing their own food is writ large across several vintage television sets adapted for digital projection. ‘Spitfire’ uses copious footage from the 1942 film The First Of The Few to honour the achievements of RJ Mitchell, the designer of arguably the most famous aircraft ever built.”
The lone true rock band on the BBC Sound of 2014 longlist, the Brighton duo’s is the UK’s answer to, well, both the Black Keys and Queens of the Stone Age. And they’re ready to unleash their punishing bluesy rock on Austin come March.
Cheryl writes: “Playing what they have dubbed ‘medieval Scottish rock’, Saor Patrol – which translates as ‘freedom guard’ in Scottish Gaelic – kicks up the amperage on other traditional folk music. Not content to stick with the 100% traditional sound, these guys add a grinding guitar to pull it just this side of modern. Completely instrumental, the combination of this driving guitar overlaid with a bagpipe melody is just different enough from traditional bagpipe bands to turn heads.”
Read the rest of Cheryl’s Band to Watch on Saor Patrol here.
Save Your Breath
Cheryl writes: “There probably wasn’t a lot to do on a Saturday night in the port city of Newport in the south of Wales. Friends Ben Griffiths and Tom Owens solved the boredom by forming a band that eventually was fleshed out to become Save Your Breath. Taking their pop punk sensibilities from the likes of Green Day and their ilk, they forged their sound from the grit of the life around them. What must have started out as a lark between school chums, titles like ‘Not in the Mood for Kiwi’ and ‘Holy Shit, Fortune Teller Miracle Fish!’ show up on their first album, they have matured enough to temper their weird song titles but still have energetic, aggressive tunes worthy of a listen.”
For more on Save Your Breath, read the rest of Cheryl’s Band to Watch on them here.
Garage punky duo from Kent have already made a big noise in London and on tour with fellow SXSW 2014-ers Drenge for their punishing live set. Not much else to say except if you like punk, you better start planning your SXSW schedule around these guys, because I think it’s pretty assured their sets will be rammed.
Kind of poppy, kind of rocky, kind of surf-y. Not terribly cerebral, but hey, this is the kind of music I expect Best Coast fans to enjoy (and there are a lot of those).
Syd Arthur – there is no man named “Syd Arthur”. No, they’re a psych rock band with a wink wink, nudge nudge hippie name, and the players all with long, unkempt hair. “Greatly inspired by the sonic pioneers of the late 60s and early 70s, they have patiently learned how to engineer, produce and mix themselves, using an innovative hybrid of analogue and digital techniques.”
Teeth of the Sea
Instrumental proggy guitars plus synths band with their latest album, ‘Master’ (2013), receiving rave reviews across the board for its inventiveness. Their live shows have received similar plaudits, so if you’re into this kind of music, they’re unmissable in Austin.
Like your punk as well as your melodies? Described often as “noisy”, “happy” and “joyous”, Chichester’s Traams, then, are for you.
We Were Promised Jetpacks
The Scottish band’s cult popularity in the States was on a high in 2012 when the band appeared at SXSW last, but after being off the radar for quite a while, they’ve just released a live album ‘E Rey Live In Philadelphia’ and will be looking to solidify their standing stateside.
Carrie writes: London alt-rockers Wolf Alice are likely to bring in new fans from all corners at their SXSW shows. Their sound is a hybrid of styles, a slightly unsettling middle ground among cerebral indie folk, bright garage pop, and murky grunge rock…The band’s own lyric, from the title track ‘Blush’ might actually be the best description of their overall sound: “Punch drunk, dumbstruck, potluck, happy, happy.”
Ben writes: “These Brighton based psych surfers take a battered base of shoegazing garage rock, douses it with B-movie psychedelia, throws on a lighter and watches it blacken into a ghastly yet basely expressive lump of carbon. The far out three piece had a degree of success with two singles on Hate Hate Hate Records, before announcing their switch to Heavenly Recordings with the release of Afree digital download ‘Gravedweller’”.
Keep it here on TGTF for more in the TGTF Guide to SXSW 2014, coming soon!
By Mary Chang
on Tuesday, 25th February 2014 at 3:00 pm
Those lovable American jokey rockers We Are Scientists are releasing their fifth album ‘TV En Français’ on Monday on 100% Records. But before that, they want you to hear it! Stream the album below, but for the full experience, we encourage you to visit the band’s official Web site.
If you like what you hear, support them and buy it, which you can do through the band’s store. Catch the band live in the UK in March; all the details are here. Supports for this your will be TGTF friends The Heartbreaks and Great Escape 2013 buzz band Superfood.
height="450" width="100%" frameborder="no" scrolling="no">
Page 1 of 39123456...1020...»Last »