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Preview: Liverpool Sound City 2018

 
By on Monday, 19th February 2018 at 11:00 am
 

The newest installment of Liverpool Sound City will see the Merseyside event split the difference between its physically isolating docklands location with open air stages of the last 3 years and its spiritual origins as a city festival. The festivities of Sound City 2018 will move to multiple venues in the Baltic Triangle, an excellent decision in my opinion, and will take place the first May bank holiday, 5-6 May. A few weeks ago, the festival announced their lineup, but I’ve only now gotten around to taking a closer look at all the names. It’s pretty awe-inspiring.

Aussie alt-rockers DMA’s (pictured at top), who wowed me and many other punters at SXSW 2016, are no strangers to UK festivals, having already made the rounds the last 2 years. They’ll have travelled a long way for the honour of headlining Saturday night, so I’m expecting them to pull out all the stops. The Sydneysiders are gearing up to release new album ‘For Now’ on the 27th of April, before appearing in Liverpool. Birmingham’s Peace, Sunday night’s headline act, will be celebrating the release of new album ‘Kindness is the New Rock and Roll’ 2 days prior on Ignition Records. Check out the video for ‘From Under Liquid Glass’ from the LP below; the newest album taster from the band, ‘Power’, can be streamed on Spotify. For mainstream rock fans, their performance will no doubt be a wonderful way to cap off a bank holiday weekend. Incidentally, in case you missed it, Peace have also been announced as co-headliner at Live at Leeds 2018 the day before. They’re on equal footing at that event in North Yorkshire with Liverpool’s own Circa Waves, who are oddly and conspicuously missing from the Sound City lineup.

Upon closer inspection of the rest of the festival poster, many names will be familiar to you TGTF readers. IDLES (England), Picture This (Ireland), Billie Marten (England), Airways (England), The Academic (Ireland) and Indoor Pets (England; formerly Get Inuit) have all had their own closeups at past SXSWs. Dermot Kennedy (Ireland), Sam Fender (England), Husky Loops (London via Bologna), Otzeki (England), The RPMs (England) and Superorganism (their members hailing from several different European countries) will have their chance to shine in Austin next month ahead of appearing at this year’s Sound City. Other amazing acts scheduled to appear include The Orielles, who we discovered at the 2013 edition of Sound City and who just released their debut album ‘Silver Dollar Moment’ last Friday on Heavenly Recordings; Baxter Dury; Black Honey; JAWS; Matt Maltese and Paris Youth Foundation.

Of course, there are so many other bands performing at the event and even more yet to be announced. Now that Sound City have smartly reconsidered their format, turning it back into a club-centric festival, the 2018 edition is the perfect opportunity to visit one of the best music cities in the UK and discover some new favourites. Single day tickets to Liverpool Sound City are available for £29.50. For £55, you can snag a weekend ticket. Get your official tickets through this link. To read all of our coverage on Liverpool Sound City from past years, go here.

 

Preview: Live at Leeds 2018

 
By on Tuesday, 19th December 2017 at 11:00 am
 

While on my recent birthday trip to blighty, I visited Leeds and remembered with great fondness my first visit to the city. It was for the 2015 edition of Live at Leeds. Now that after 3 years Liverpool Sound City appears to be in perpetuity as a docklands-focussed event no longer centred on its lovely city, it falls to Live at Leeds to provide the sole Northern festival to celebrate its city’s many music venues.

Next year’s event will take place on Saturday, the 5th of May during the first bank holiday of the month. Here we are, having not even reached Christmas yet, and the event organisers have already announced a wonderful slew of tantalising artists scheduled to appear. Birmingham psych rockers Peace occupy real estate at the top of the event bill, alongside Liverpool’s Circa Waves. The Horrors, who returned this year with ‘V’ (reviewed by Steven here), are also scheduled to appear, as are British Sea Power and LAL 2016 alums Anteros, Blaenavon and Spring King.

Festivals are a great time for musicians to road test new material or continue a campaign in support of a new album. Nick J.D. Hodgson will sound familiar: formerly the drummer and primary songwriter of Kaiser Chiefs, he’ll be performing in his hometown prior to the release of his first solo album. FatCat Records signee KNIGHTSTOWN released his self-titled album this autumn and will no doubt be wowing audience with his atmospheric electronic sounds. Aussie surfer poppers Hockey Dad will be returning to blighty for this 1-day festival: they’ll be releasing a new album, ‘Blend Inn’, in February.

This is just a small smattering of artists who will be performing at this exciting event across Leeds city centre next year. Early bird admission tickets to Live at Leeds 2018 are now sold out, but general admission (£39.60) and VIP (£55.00) tickets are still available. For more information about Live at Leeds 2018, visit the event’s official Web site.

 

Peace / January, February and March 2015 UK/Irish Tour

 
By on Wednesday, 19th November 2014 at 9:30 am
 

Birmingham guitar rock band Peace have just revealed the details of their sophomore album ‘Happy People’, due out on Columbia Records on the 9th of February 2015. The new album’s tracklisting will include the singles ‘Money’ and ‘Lost On Me’, which you can preview at the bottom of the page. Along with the album release, the band have announced a list of live dates for early 2015, including a yet-to-be confirmed London show, to follow their December tour dates supporting Bombay Bicycle Club. Tickets for these shows will go on sale tomorrow, Thursday the 20th of November.

For all things Peace on TGTF, head here.

Thursday 15th January 2015 – Liverpool Kazimier
Thursday 22nd January 2015 – Bristol Exchange
Saturday 24th January 2015 – Birmingham Institute Library
Thursday 29th January 2015 – Leeds Brudenell Social Club
Friday 30th January 2015 – Sheffield Queens Social Club
Thursday 5th February 2015 – Nottingham Bodega
Thursday 12th February2015 – Norwich Waterfront Studio
Thursday 5th March 2015 – Newcastle Cluny
Thursday 12th March 2015 – Manchester Deaf Institute
Tuesday 17th March 2015 – Glasgow King Tut’s
Thursday 19th March 2015 – Belfast Empire Music Hall
Friday 20th March 2015 – Dublin Whelan’s
Thursday 26th March 2015 – Brighton Haunt
London TBA

[youtube]http://youtu.be/PnYG2EOFEDU[/youtube]

 

(SXSW 2013 flavoured!) Video of the Moment #1141: Peace

 
By on Friday, 1st March 2013 at 6:00 pm
 

The band that appears to be the populist hope for Britain’s next great guitar band, Birmingham’s Peace is gearing up to appear at SXSW 2013 in 2 weeks’ time, including an appearance at the Windish Agency’s showcase on Wednesday 13 March at Red 7 Patio at 9:30 PM and a set to close out the week’s events at the British Music Embassy’s SXSW home, Latitude 30, on Saturday 16 March (time TBA). (We featured the band in our rock, punk and metal chapter of the TGTF Guide to SXSW 2013 that published in January.) Below is the new video for ‘Follow Baby’, which will appear on the band’s debut album ‘In Love’, dropping on the 25th of March.

[youtube]http://www.youtube.com/watch?v=hkUJXSvWiYE[/youtube]

 

Live Review: NME Awards Tour featuring Django Django, Miles Kane, Palma Violets and Peace at Newcastle Academy – 7th February 2013

 
By on Wednesday, 13th February 2013 at 2:00 pm
 

The NME Awards Tour is a long-established way to kick off the musical year with a quartet of bands that gathered plaudits in the preceding months. This year, we have Brummie style from Peace, noisy London shenanigans from Palma Violets, Liverpudlian swagger from Miles Kane, and sort-of-Scottish art-pop from Django Django. Surely something for everyone, and TGTF was there in Newcastle on opening night to see how things went down.

Peace NME Awards 2013

One’s heart goes out to Peace: their set began just as the Academy’s doors were opening, meaning the crowd was more stunted than they deserve. Nevertheless, there were whoops and hollers aplenty from a knot of dedicated fans right down the front. And any plaudits coming their way are well-deserved. Peace have a knack of honing in on any particular guitar music sound from the last couple of decades, and brilliantly recreating it as their own. ‘Follow Baby’ is a fine bit of pop-baggy last heard from EMF in the very early ‘90s. ‘Wraith’, shorn of its dubious blaxsploitation visuals is altogether more considered, with its funky guitar chops and enormous singalong chorus revealing a fine almost-love song.

But where Peace really sound most at home is in the unashamed power ballad ‘California Daze’. Sweet, sweeping backing vocals melt into a gentle guitar figure, the drums kick things up a gear about 90 seconds in, and the emotion is unashamed. A true lighters-in-the-air moment, which shows their maturity as songwriters and talent as performers. Perhaps for my sins, in the widescreen guitars and breadth of scope, I was reminded of a young U2. Peace deserve the latter band’s wider recognition, and tonight is a decent step towards achieving that.

Palma Violets
(pictured at top) eschew subtlety in favour of noise, wild abandon, and onstage theatricality. Their sound owes a lot to punk – I’m sure there’s one or two Sex Pistols and Clash records in Sam Fryer’s parents’ record collection. Vocals are artfully tweaked out of tune, instrumentation is simple: a synth organ parping underneath distorted guitars. Fryer and bassist Chilli Jesson have a sweaty bromance going on, mic stands intimately close together, double-headed guitar action never far away. Certainly this is raucous, powerful stuff live, artfully lo-fi (as per the obvious and unnecessary tape noise on their recorded material). Are they the true heirs to the art-punk throne? Until their forthcoming album is properly analysed for the presence of decent songs, the jury is still out, but they’re certainly a fun way to spend half an hour.

Miles Kane NME Awards 2013

As Miles Kane takes the stage, it becomes pretty clear that the crowd is his. Perhaps this is because, as his Wikipedia entry states, he is “very attractive”, or perhaps it’s the glint of his diamanté slippers that prove irresistible. Whatever the cause, the audience are big Kane fans, and he doesn’t disappoint them. Having been in bands since the age of 18, Kane knows a thing or two about throwing an onstage shape – for any young trainee frontmen watching, this was a masterclass in the art of swagger. Kane knows this is his big chance, and has got his pedal pressed hard to the floor. Imagine Liam Gallagher’s vocal sneer, his brother’s guitar technique, Alex Turner’s way with a tune, and Paul Weller’s haircut, and we have Miles Kane – a patchwork dadrock man in leather trousers.

But then again, there’s a big hole right now where all the big beasts used to prowl. So step forward Miles Kane, a pseudo-tribute to them all, to keep the guitar-loving public downloading content for the time being. The fact is, most people know what they like, and like what they know, and what they know is what Miles Kane is offering. If that sounds like damning with faint praise, it isn’t really. Kane is 100% professional, committed, and no box in the rock playbook is left unticked tonight. And, cynicism aside, that’s not an easy feat to pull off.

Django Django NME Awards 2013

And so it’s left to Django Django to top that. And frankly, it’s a little too much of a jarring contrast to really work well, as the Djangos’ artful and considered musings requiring a little too much concentration in comparison with Kane’s balls-to-the-wall rock. Most of the crowd do stick around, although the atmosphere is noticeably more subdued than previously. Perhaps this is all the better to hear the subtleties in the music, of which their multi-layered arrangements are full. There’s the echo of The Beta Band throughout, which can only be a good thing. To their own audience, with the correct support, Django Django would make a lot more sense. As it is, they are a little too cerebral for the headline slot here tonight. Perhaps a less fickle crowd might await them in other parts of the country…

Overall, this is five-star entertainment: four set of deeply professional musicians, playing somewhere around the top of their game. If you want to find out about new bands before everyone else, this is not the event for you. If you’ve not been paying attention over the last 12 months or so, or just can’t be bothered to keep up, a quick trip to the NME Tour every winter should get you right up to speed with where pop music is right now. That would be a pretty good place, then.

 

TGTF Guide to SXSW 2013: Rock, punk and metal UK artists showcasing at this year’s SXSW

 
By on Tuesday, 15th January 2013 at 11:00 am
 

Please note: all information we bring you about SXSW 2013 is to the best of our knowledge when it posts and bands scheduled to appear may be subject to change.

Carrying on with the genre section of the exclusive TGTF Guide to SXSW 2013 to continue through January each Tuesday, today we’re bringing you the UK bands slated to perform at this year’s SXSW that play rock, punk, metal and every combination in between. (Last week, we brought you the pop and pop hybrid acts list, which you can catch up on here.) Each part of the TGTF Guide to SXSW 2013 is a handy resource if you’re wondering which acts to catch at this year’s marathon week of showcases, parties and secret shows. But I hope it’ll also introduce you to the solo artists and bands you haven’t heard of, because that’s the most exciting thing about SXSW: at any one moment, you could walk into a bar, a club, a hotel, a warehouse, wherever…and you might just discover the next big thing in music.

What do all these acts in the rock / punk / metal genre list have in common besides being from Britain? Powerful guitars, punishing bass and drums and in most cases, vocals worthy of idolatry. How they achieve this differs from act to act, as you will read and see/hear below.

Belligerence (added 10/01/13) – heavy metal from Portsmouth. I’m finding it hard to find information on them, as there’s another band – also metal – from Prague with the same name…

File next to: Biohazard, Clutch, Pantera

The Blackout – Welsh post-hardcore band who have been soldiering on since their formation in 2003. Right, that means they’ve been around a decade. How many other bands, no matter what the genre, still exist after 10 years? They must be doing something right. Their next album, ‘Start the Party’, is scheduled to be out on the 21st of January 2013. We won’t post the name of their sweary big hit, but John mentions it in his day 2 roundup of Leeds Fest 2011.

Brutality Will Prevail – This Cardiff hardcore band had been signed previously to Alex Fitzgerald’s Holy Roar label and are now with Purgatory Records (sensing a theme here?), who this year released their latest album, ‘Scatter the Ashes’. Expect something punishing.

Touring with: Cancer Bats and Empress in March 2013 (maybe now they won’t appear at some of the dates on this previous organised tour, since the middle of it is smack dab during SXSW).

China Rats – Leeds lad rock. Legend has it that thanks to the tour bus of Bat for Lashes breaking down on the way to this year’s Benicassim, the band found themselves headlining the Valencia festival. Is ‘(At Least Those) Kids are Getting Fed’ a commentary on the North East, or a wider problem across Britain?

[youtube]http://www.youtube.com/watch?v=52bv0BorhFM[/youtube]

The Crookes – The Crookes made their SXSW debut in 2011 and when I finally met them in Brighton in May 2012, they were eager to return, so I’m really pleased for them getting another SXSW nod. This time, they’ll have the good time sounds of ‘Hold Fast’ (my top album of 2012) under their belts and I’m sure there will be a gaggle of new American fans of theirs (mostly female?) following their every move. I’ll be catching them as many times as I can, so do come and say hello.

Seeing that I’ve been a fan of theirs since the ‘Dreams of Another Day’ EP in 2010, there is a boatload of Crookes coverage you can read on TGTF, starting here.

[youtube]http://www.youtube.com/watch?v=TppUoY4zpFQ[/youtube]

Crowns – Coming off of their December tour raising awareness of UK homelessness, Cornwall’s Crowns will bring their fun rock ‘n’ roll sound to Austin. I missed their show at the Cornwall Pasty Company at last year’s Great Escape (really kicking myself over this…I mean, come on, that would have been the ultimate party conversation starter, right?) but I’m determined to catch them on American soil.

Read all of our previous Crowns coverage here.

The Enemy – my guess is that the Enemy are to be the younger equivalent of and will act like Kaiser Chiefs at last year’s SXSW: pulling in a good number of fans for their perfectly good but possibly unextraordinary sets in a post-Oasis breakup world. Since they’ve been around for a while (3 albums’ worth) in the UK, they’re not likely to be high on the average UK attendees’ must-see list, but I’ve never seen them before, so if they show up at Stubb’s, I might head on over.

Read our previous Enemy coverage here.

[youtube]http://www.youtube.com/watch?v=lupg5BHzH34[/youtube]

Evans the Death – This band already has a Rolling Stone description (huh?): “This London band mixes post–Smiths jangle and early–grunge sludge, as Katherine Whitaker explores varying shades of bad romance. Her raw emotion blends with slashing, whirling guitars to inject paralysis with weird power.” When you see they’ve been signed to Slumberland Records here in America (‘Allo Darlin’ and the Pains of Being Pure at Heart‘s American home), it all seems to make sense…

Sounds like: the Libertines, if they had a female out in front

[youtube]http://www.youtube.com/watch?v=MX8VcqY8qts[/youtube]

Gallops – why do I feel the need to mention Mogwai every time I hear a proggy band? Wrexham group Gallops aren’t nearly hard enough to warrant the comparison, although with titles like ‘Astaroth’ and ‘Hongliday’ their Blood and Biscuits’ debut ‘ ‘Yours Sincerely, Dr. Hardcore’, you’d not be putting experimental band in the pop box anyhow. (Something interesting I found on the band’s Tumblr: the linked to the Kitsune Maison 11 compilation – didn’t see that coming at all.)

Gallows – they’re punks. They deliver punishing sets at festivals, such as at 2000 Trees last year. And Frank Carter left them in 2011 to start Pure Love. That’s all you really need to know, right?

Hawk Eyes – punishing hard rock from Leeds. Their 2012 album ‘Ideas’ got top marks from Kerrang! and Artrocker so you know where this is going…

[youtube]http://www.youtube.com/watch?v=1szIsuhqcUc[/youtube]

Nik Turner’s Hawkwind – the current incarnation of history’s first space rock groups.

Heaven’s Basement (added 10/01/13) – a hard rock band who has been soldiering on for quite a while (since 2008) and are releasing their debut album, ‘Filthy Empires’, this year. They’ve supported big names like Bon Jovi and Papa Roach, so is this an indicator of their hard rock prowess? We’ll see at this year’s event.

[youtube]http://www.youtube.com/watch?v=kP1u79wSdDY[/youtube]

The Joy Formidable – what can we say about Welsh rock band Joy Formidable that hasn’t already been said? When you’ve been hand-picked by Dave Grohl as the man’s own favourite band right now, calling them “a killer live band”, ’nuff said really, yeah? The other facts that they are truly some of the loveliest people we have met and are always so happy about our coverage of them? That’s just icing on the cake. I’ve seen them several times now but the only time I’ve seen them at SXSW was on a live stream in 2011, which doesn’t really count, so I’m making it a point to catch them this time around.

Read all our previous coverage of the Joy Formidable here.

[youtube]http://www.youtube.com/watch?v=Y_t4s-HX3z0[/youtube]

Kassidy – some have called them the Scottish Kings of Leon, but that’s just lazy journalism. We’ve been following the folky rock hybrid band since their early EPs in 2010, and trust us, they’re way better than the Followills.

[youtube]http://www.youtube.com/watch?v=nMiBIHqeoa4[/youtube]

Read our previous coverage of Kassidy here.

Kill It Kid – wow, I don’t have to write a piece on them, because they placed #10 on our 10 for 2013 list and Martin’s already done for me. Revivalist blues from Bath.

Klaxons – they’ve been around a while. They won a Mercury Prize in 2007 for ‘Myths of the New Future’. Their last album ‘Surfing the Void’ released in 2010 “>has a cat in an astronaut suit on the cover. Sorry, I’m having trouble sounding knowledgeable about Klaxons because I don’t really like them all that much.

Read our previous coverage on Klaxons here.

Little Barrie – ‘powerhouse’ is a word that seems to be following this Nottingham formed, London transplanted trio. But if you’re going to call Little Barrie a powerhouse trio, then surely you mean to compare to the greats of rock ‘n’ roll.

Sounds like: a more radio-polished Cream or at least a band that came out swinging in the Sixties, not in the Noughties

[vimeo]http://vimeo.com/25333478[/vimeo]

LostAlone – Derby band who have been described as “breathtaking Queen-style harmonies and classic metal bite” and compared to Muse. How is it possible that we’ve never heard about them, then?

[youtube]http://www.youtube.com/watch?v=47rV458G-f4[/youtube]

New Ivory – according to MTV Iggy, these guys from London are the new knights of British indie rock. I am struggling to find a comparison, except maybe they sound like early Arctic Monkeys or Two Door Cinema Club, but not as catchy? (Yeah, I know. Damning with faint praise, aren’t I? Sorry.) Steve Aoki is a fan, having signed them to his Dim Mak Records. I dunno. Maybe they’ll actually sound better in person at SXSW.

[youtube]http://www.youtube.com/watch?v=BHEJaMTQJv8[/youtube]

Orange Goblin (added 10/01/13) – formerly known as Our Haunted Kingdom, on first glance you have to wonder if the new name was for a cuddlier image. So imagine my surprise that this is a heavy metal band! Having put out their first album in 1997, they’re definitely the granddaddies of the rock/metal/punk group, but having changed their sound from stoner/doom to their current more metal sound proves that they aren’t willing to stand in one place musically. A special live album for their devoted, ‘A Eulogy for the Fans’, will be released in March.

Palma Violets – I’ve refrained about writing about Palma Violets from Lambeth, South London, as what I’ve heard from them makes me think of The Vaccines, who came out of an NME promotional campaign firestorm and their #3 placing on the BBC Sound of 2011 poll with loads of fans clamouring to see them at major festivals. It’s 2013 now and look what’s happened: Palma Violets are on the BBC Sound of 2013 longlist. Overhyped band leads to foregone conclusion…appearing as a support act to headliners Django Django on the 2013 NME Awards tour next month sounds like an NME mistake then…

[youtube]http://www.youtube.com/watch?v=poFXWUTEs1k[/youtube]

PAWS – Scottish three-piece banging out tunes in a garage-y, lo-fi style. It should come as no surprise that they have a strong DIY aesthetic, as they’re great fans of bands like Dinosaur Jr and the Pixies, even having a song called ‘Kim Deal’ in their arsenal.

Sounds like: the Cribs or Peace, if they were from far north of the border.

[youtube]http://www.youtube.com/watch?v=MiDEkoPKCkk[/youtube]

Peace – We won’t waste your time here, since the band have already been tipped on the BBC Sound of 2013 poll. Read our previous Peace coverage, including their 10 for 2013 profile (they placed #5 on this last readers’ poll), here.

Peers – 6music’s Tom Robinson was an early supporter of this Reading band in 2010, the year the young band, then all under the age of 18, played the BBC Introducing stage at Reading and Leeds. The unsigned band cite Bombay Bicycle Club as a major influence, and if you squeeze your eyes real tight, you can hear Jack Steadman’s impact on singer Matt Thompson’s vocals.

Savages – dissonant post-punk via an unusual package – four women from London. Is it their anti-establishment stance that attracted the BBC Sound of 2013 tipsters? We’ll never know for sure but I guess imitating Patti Smith and looking sullen are the highest form of flattery? They could have at least smiled for the photos on their Facebook…

Sounds like: trying too hard to be a 21st century Siouxsie and the Banshees

[youtube]http://www.youtube.com/watch?v=6y-cVzbBBQ8[/youtube]

Sharks – usually punk is associated with a lo-fi, scuzzy sound, but this band from Leamington Spa sound remarkably polished, with hybrid punk/pop songs that could have easily slotted in with the music I listened here in America in high school.

Sound like: a grown up Blink-182, or Green Day when they weren’t so political and were still fun

Tall Ships – math rock meets indie rock in an epic way via three high-spirited lads from Brighton. John adored their 2012 opus ‘Everything Touching’ and for a Foals loving nation, it’s a wonder they aren’t bigger in the UK. Foals? Who are they?

Read our previous coverage on Tall Ships here.

[youtube]http://www.youtube.com/watch?v=4JYt3eYDQY0[/youtube]

Tango in the Attic – Scottish band from Glenrothes having Two Door Cinema Club-type guitars with reverb.

File next to: Smith Westerns

[youtube]http://www.youtube.com/watch?v=ke9eHi6Ze_A[/youtube]

Throne – there’s not a lot known about this London band, except that they’re known to ‘level rooms’ with their bad boy riffage when they appear in the Capital. You have been warned.

TOY (added 10/01/13) – psychedelic rock from a band made up of some members for the group Joe Lean and the Jing Jang Jong. I don’t feel like it’s really necessary to write about them, considering nearly every friend of mine rates them quite highly. Not really my thing, but I’m pretty sure they will do well in Austin.

[youtube]http://www.youtube.com/watch?v=dcQ2nXDvWDY[/youtube]

Frank Turner and the Sleeping Souls (added 10/01/13) – I nearly put Frank Turner’s band in the singer/songwriter category, but since his appearances at this year’s SXSW will be louder and more raucous than his solo turn last year at the Xtra Mile Recordings showcase, in the end there was no contest.

We’ve written quite about the man on TGTF, and you can read all of that through here.

Virals – vehicle for Worcester’s Shaun Hencher, who with his live band have most recently supported #5 10 for 2013 band Peace in the UK. Now Hencher’s looking to make a big splash at their American live debut at SXSW.

Sounds like: a cross between Male Bonding, Two Wounded Birds (RIP) and the Vaccines. Get yer sunnies out!

The Virginmarys – Macclesfield will soon be known for more than Ian Curtis, if this trio have anything to say about it. Their sound? Hard rocking, arse-kicking tunes.

File next to: Kasabian, Biffy Clyro

[youtube]http://www.youtube.com/watch?v=V8ehThdbXJs[/youtube]

Wet Nuns – even with quite possibly one of the silliest names for a band ever, Sheffield duo Wet Nuns had a spectacular 2012, getting attention not only for their silly name but their punk crossed with blues schizophrenic sound.

Sounds like: the evil child borne from Band of Skulls and the Black Keys

[youtube]http://www.youtube.com/watch?v=KAe5OFCuLxY[/youtube]

While She Sleeps – is heavy metal more your thing? Then I suppose you should look to Sheffield and a band like While She Sleeps for your jollies. Luke caught them last summer at day 2 of Slam Dunk South.

Young Guns – this band has been around for quite a while, but it wasn’t until summer 2012 that they had an American record deal. Radio-friendly, not too hard rock sound made by youngish, good-looking boys in leather: in short, an American label signing coup.

Read all our previous coverage of Young Guns here.

[youtube]http://www.youtube.com/watch?v=qk3vjIDuy9w[/youtube]

The Zombies – “What’s your name? / Who’s your daddy? / Is he rich like me?” All kidding aside, the Zombies have been around for over 50 years. Fifty effin’ years. They called themselves the Zombies before it was hip to like zombies. Though they’re down to only two original members – Colin Blunstone and Rod Argent – contrary to popular belief, it was they, not Friendly Fires, who put St. Albans on the musical map.

Read Braden’s interview with Colin and Rod from 2 years ago here.

Electronic bands and DJs are up next week. So catch us next Tuesday for the third chapter of the genre section of the TGTF Guide to SXSW 2013!

 
 
 

About Us

There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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