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Preview: Reading and Leeds 2017

 
By on Thursday, 8th June 2017 at 11:00 am
 

Looking toward the end of summer and the culmination of this year’s festival season which, if you’re a UK citizen, means only one thing. Reading and Leeds Festival, taking place 25-27 August. The mammoth twin fests once again return to the North and South of England, and with a lineup that is going to have you bouncing all the way home on the Monday morning after.

The thing that makes Reading and Leeds so special is the eclectic mix of bands. (Err, bar Glastonbury’s Katy Perry supporting The National: that’s something else entirely.) The stages opt for a core representation, meaning if you head over to the Pit Stage you guaranteed to find a band thrashing the life out of their guitars, as opposed to the BBC Radio 1 Dance Stage where, well, you’re more likely to find some thunderous beats and want to shake a tail feather. The one thing the stages all have in common is you’ll have a bloody good time at whichever you choose.

You’re going to need to bear with me on this one because this year, the line-up is so jam-packed with acts that you can’t miss out on, it’s hard to not just pop the poster up and circle the entire thing. Without a shadow of a doubt, the headliners this year are strong, though Muse could have chosen to take a break from the top slot for a while to give some new blood a chance, to be honest. Kasabian will really making the top of the bill theirs, with a formidable arsenal in the form of their back catalogue that will echo for miles around, especially post-show with all the chanting that follows. The one name on the bill that stands out is none other than Slim Shady himself. Eminem is returning to the UK after a prolonged absence. A man who needs no introduction, his set Saturday will be something you won’t forget for a long time.

Now that the headliners are out of the way, we can get into the gubbins of the lineup, the gems and the up ‘n’ comers. While we don’t have the stage splits yet, here’s who you should keep in mind for when that time arrives, based on the Reading location lineup:

Friday

Start your festival off nice and easy with SXSW 2016 alum Barns Courtney on the Festival Republic Stage. He’ll be spilling some blues rock that should soundtrack the (hopefully) sunny mid-morning perfectly. Of course, with it nearing the end of the festival season by the time we get to the end of August, you should make the most of being able to get a bit silly in a field with your friends, so head to the NME Stage where Chicagoans The Orwells will stir up a riot with their snotty punk attack. Stick around after their set to catch Declan McKenna. The fresh-faced singer/songwriter who also impressed at SXSW 2016 is on his way to becoming the soundtrack for a generation, and what better way to experience that than in a field full of kids who have just finished their exams.

The Pit stage has one of the quickest up ‘n’ comers in the UK rock scene, Puppy, at the early end of the list while heading it up will be Billy Talent, who will instigate a surefire sing-a-long fest. The Festival Republic stage also has Toothless, a majorly strong contender for one of the albums of the year. Ex-Bombay Bicycle Club bassist Ed Nash has created a beautifully coherent indie record that is just as well executed live.

Saturday

Now that you’ll be all warmed up for the festival, and Kasabian have got you well into the spirit of losing all inhibitions from their show the previous night, take that feeling and get involved in the ruckus that’ll be, once again, on the NME stage with Frank Carter and The Rattlesnakes. After his main stage performance last year – quite literally surveying the crowd with one of the longest mic leads we’ve ever seen – all eyes will be on what madness can ensue this year. The main stage has a double run of blood, as in, you get the one-two punch of Scottish indie duo Honeyblood, then pop-punkers Moose Blood.

Also playing the Saturday are Canadians Japandroids who, quite frankly, released one of the records of the year with ‘Near To The Wild Heart…’. They’ll be over on the Festival Republic stage. You can also catch the sweet summery sounds of Glass Animals, Sundara Karma and TGTF favourites Everything Everything all on the NME Stage too. Just prior to seeing Eminem, it’ll be a right throwback to the 90’s and early ’00s with Korn. What a time to be alive, I’m exhausted already.

Sunday

Somewhat a more reserved day, which is quite possibly needed after the assault of the previous 2 days. Kick things off with Fickle Friends on the, you guessed it, NME Stage. More summery sounds that will soothe your assumed titanic hangover. But, since this is it, the last day, go have a riot in the Pit stage with Norwegian punks Slotface. Easily the band of the moment, their long-awaited debut should also be out by then! The main stage has some real treats in the form of UK punk spokes-band VANT, who then lead nicely into the current kings of the UK metal scene Architects.

One name that’s being billed as an apparent exclusive, although it’s appeared on the Glasto lineup is none other than Liam Gallagher. Having completed a recent tour of a few small UK venues where he’s sounded back on top form, including one benefit show for his (and my) beloved Manchester, and is performing some classic Oasis tracks, excitement for his appearance is an understatement. Muse should surely bring a good show: spaceships, drones, lasers, you name it, they’ll probably bring it!

That’s a lot of information to go forth with, but the most important thing to do when experiencing Reading or Leeds Festival is have fun. It’s the blow-out fest, the last of the majors in the UK for the season, and is a beast in its own right.

Tickets are still available for both Reading (here) and Leeds (here).

 

Live Gig Video: Muse release August 2013 performance of ‘Futurism’ from Tokyo Zepp

 
By on Tuesday, 23rd December 2014 at 4:00 pm
 

As a Christmas gift to their fans, Muse have revealed this rare performance of their ‘Origins of Symmetry’ bonus track ‘Futurism’, played at a show in August 2013 at Zepp in Tokyo, Japan. Up to this point, it had been some 10 years since it last had a public airing. It was announced previously that the entire gig at Zepp had been filmed, so Musers can expect a live DVD sometime in the future. For now though, watch the spectacle that is Muse live below. You can also download the performance video from this handy link as well.

 

Video of the Moment #1192: Muse

 
By on Saturday, 27th April 2013 at 6:00 pm
 

If you’ve never thought the two words ‘Muse‘ and ‘mental’ together, think again. Here is their new video for ‘Panic Station’, filmed in Japan and the band wearing…well, I won’t ruin it for you. Watch it below.

 

The 2013 BRIT Awards – The Nominees

 
By on Friday, 11th January 2013 at 4:37 pm
 

Is there any point to the BRITs? Granted, it gives a certain demographic of London teenager the opportunity to sting Daddy for the eye-watering £70 ticket price, no doubt getting stuffed with half-term pizza and fructose syrup before spending three hours squealing loudly at microscopic effigies of their latest tabloid-endorsed musical crushes. But beyond that, does any vestige of musical credibility remain within the unhallowed, chart-obsessed recesses of the BRIT Award psyche?

A swift perusal of the nominations, released yesterday, would indicate: maybe, actually. The usual mega-selling suspects are there: Emeli Sandé, Mumford and Sons, Robbie Williams, Olly Murs. But look a little deeper and could there just be enough respect for the breakthrough, even the underground, so that beyond the face paint and lasers, there’s a bedrock of credibility?

Step forward Richard Hawley, the most unlikely of the entire nomination list, proving that the BRITs aren’t immune to a decent bit of ‘70s-throwback guitar action and heart-on-the-sleeve balladry from a bequiffed Yorkshireman. Plan B also deserves a shout for his unflinching portrayal of council estate life in ‘Ill Manors’, which still deserves to make more of an impact than it has.

Jessie Ware gathers two nods, a fine result for her this early in her career, single-handedly making 2011’s Critic’s Choice Award for her namesake Jessie J look ever more ridiculous. The more listeners turned on to her coolly urban soul, the better. Paloma Faith is also up for two gongs – British Female Solo is fair enough, but British Album of the Year for ‘Fall to Grace’, for a collection significantly worse than her début, is deeply suspect. British Group unoriginally throws up two previous Mercury Prize winners: unlikely media darlings alt-J, and minimalist electro-songsters the xx; Muse are nominated for the ninth (and tenth) time, with Mumford and One Direction predictably making up the numbers. A rum collection, if ever there was one, and despite the disparate yet singular talents of each, hardly a state-of-the-nation statement.

The British Single category is too depressing to analyse deeply. Suffice to say a more turgid collection of middle-of-the-road dross it’s difficult to conceive. Any list containing the execrable ‘Mama Do the Hump’ by Rizzle Kicks deserves to be encased in concrete and dropped into a very deep hole. Thankfully each of the British Breakthrough nominees have something to commend them, though surely Jake Bugg is the most extraordinary of the lot; his compellingly grizzled, world-weary, yet uplifting take on vintage blues in his debut album means he should have no problem in lifting the spotted statue next month.

Ironically, there’s far less to complain about the International (read: American) nominees. Perhaps it’s because we expect the USA to do bigness well, it’s difficult to complain about someone like Bruce Springsteen being nominated, although one wonders just how much pride of place a BRIT award would take on the dashboard of his pickup truck.

As always, it’s good to see producers, the guys behind the desk who really make the music, getting their opportunity to shine, although it seems somewhat unfair that Damon Albarn should be sharing their limelight – hasn’t he had enough of it by now? If the Albarn effect can be resisted, Paul Epworth should walk away with this one, although personally I prefer listening to his sister’s output to his. And what of Amy Winehouse and The Rolling Stones, both nominated, neither deservedly? Stop it, BRITs! Pick people who are more alive!

The 2013 BRITs take place on Wednesday the 20th of February at London’s O2 Arena. TGTF will be reporting, either from the event itself, or from somewhere else in London more interesting. Watch this space.

Who should win the British Brits, I reckon?

Male Solo: Richard Hawley
Female Solo: Jessie Ware
Breakthrough: Jake Bugg
Group: One Direction
Single: Alex Clare – ‘Too Close’
Album: Plan B – ‘Ill Manors’
Live: Coldplay
Producer: Paul Epworth

Full list of nominees after the jump.
Continue reading The 2013 BRIT Awards – The Nominees

 

Live Gig Video: Muse shares European tour clips, set to new single ‘Follow Me’

 
By on Wednesday, 12th December 2012 at 4:00 pm
 

Muse put together this collection of clips from their recent tour of Europe, set to their new single ‘Follow Me’. It’s like ‘The Resistance’, but without the suspense (because we already know what’s going to happen. Watch it below.

 

Muse / May and June 2013 English Tour

 
By on Tuesday, 20th November 2012 at 9:00 am
 

Rock behemoths Muse have announced a short arena tour of England for late May into early June, right before festival season is in full swing. Tickets go on sale this Friday (23 November).

Wednesday 22th May 2013 – London Coventry Ricoh Arena
Saturday 25th May 2013 – London Emirates Stadium
Sunday 26th May 2013 – London Emirates Stadium
Saturday 1st June 2013 – Manchester Etihad Stadium

 
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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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