SXSW 2016 | 2015
| 2013 | 2012 | Live at Leeds 2016 | 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2015 | 2013 | 2012
Don't forget to like There Goes the Fear on Facebook and follow us on Twitter!
By Mary Chang
on Tuesday, 23rd December 2014 at 4:00 pm
As a Christmas gift to their fans, Muse have revealed this rare performance of their ‘Origins of Symmetry’ bonus track ‘Futurism’, played at a show in August 2013 at Zepp in Tokyo, Japan. Up to this point, it had been some 10 years since it last had a public airing. It was announced previously that the entire gig at Zepp had been filmed, so Musers can expect a live DVD sometime in the future. For now though, watch the spectacle that is Muse live below. You can also download the performance video from this handy link as well.
By Mary Chang
on Saturday, 27th April 2013 at 6:00 pm
If you’ve never thought the two words ‘Muse‘ and ‘mental’ together, think again. Here is their new video for ‘Panic Station’, filmed in Japan and the band wearing…well, I won’t ruin it for you. Watch it below.
Is there any point to the BRITs? Granted, it gives a certain demographic of London teenager the opportunity to sting Daddy for the eye-watering £70 ticket price, no doubt getting stuffed with half-term pizza and fructose syrup before spending three hours squealing loudly at microscopic effigies of their latest tabloid-endorsed musical crushes. But beyond that, does any vestige of musical credibility remain within the unhallowed, chart-obsessed recesses of the BRIT Award psyche?
A swift perusal of the nominations, released yesterday, would indicate: maybe, actually. The usual mega-selling suspects are there: Emeli Sandé, Mumford and Sons, Robbie Williams, Olly Murs. But look a little deeper and could there just be enough respect for the breakthrough, even the underground, so that beyond the face paint and lasers, there’s a bedrock of credibility?
Step forward Richard Hawley, the most unlikely of the entire nomination list, proving that the BRITs aren’t immune to a decent bit of ‘70s-throwback guitar action and heart-on-the-sleeve balladry from a bequiffed Yorkshireman. Plan B also deserves a shout for his unflinching portrayal of council estate life in ‘Ill Manors’, which still deserves to make more of an impact than it has.
Jessie Ware gathers two nods, a fine result for her this early in her career, single-handedly making 2011’s Critic’s Choice Award for her namesake Jessie J look ever more ridiculous. The more listeners turned on to her coolly urban soul, the better. Paloma Faith is also up for two gongs – British Female Solo is fair enough, but British Album of the Year for ‘Fall to Grace’, for a collection significantly worse than her début, is deeply suspect. British Group unoriginally throws up two previous Mercury Prize winners: unlikely media darlings alt-J, and minimalist electro-songsters the xx; Muse are nominated for the ninth (and tenth) time, with Mumford and One Direction predictably making up the numbers. A rum collection, if ever there was one, and despite the disparate yet singular talents of each, hardly a state-of-the-nation statement.
The British Single category is too depressing to analyse deeply. Suffice to say a more turgid collection of middle-of-the-road dross it’s difficult to conceive. Any list containing the execrable ‘Mama Do the Hump’ by Rizzle Kicks deserves to be encased in concrete and dropped into a very deep hole. Thankfully each of the British Breakthrough nominees have something to commend them, though surely Jake Bugg is the most extraordinary of the lot; his compellingly grizzled, world-weary, yet uplifting take on vintage blues in his debut album means he should have no problem in lifting the spotted statue next month.
Ironically, there’s far less to complain about the International (read: American) nominees. Perhaps it’s because we expect the USA to do bigness well, it’s difficult to complain about someone like Bruce Springsteen being nominated, although one wonders just how much pride of place a BRIT award would take on the dashboard of his pickup truck.
As always, it’s good to see producers, the guys behind the desk who really make the music, getting their opportunity to shine, although it seems somewhat unfair that Damon Albarn should be sharing their limelight – hasn’t he had enough of it by now? If the Albarn effect can be resisted, Paul Epworth should walk away with this one, although personally I prefer listening to his sister’s output to his. And what of Amy Winehouse and The Rolling Stones, both nominated, neither deservedly? Stop it, BRITs! Pick people who are more alive!
The 2013 BRITs take place on Wednesday the 20th of February at London’s O2 Arena. TGTF will be reporting, either from the event itself, or from somewhere else in London more interesting. Watch this space.
Who should win the British Brits, I reckon?
Male Solo: Richard Hawley
Female Solo: Jessie Ware
Breakthrough: Jake Bugg
Group: One Direction
Single: Alex Clare – ‘Too Close’
Album: Plan B – ‘Ill Manors’
Producer: Paul Epworth
Full list of nominees after the jump.
Continue reading The 2013 BRIT Awards – The Nominees
By Mary Chang
on Wednesday, 12th December 2012 at 4:00 pm
Muse put together this collection of clips from their recent tour of Europe, set to their new single ‘Follow Me’. It’s like ‘The Resistance’, but without the suspense (because we already know what’s going to happen. Watch it below.
By Mary Chang
on Tuesday, 20th November 2012 at 9:00 am
Rock behemoths Muse have announced a short arena tour of England for late May into early June, right before festival season is in full swing. Tickets go on sale this Friday (23 November).
Wednesday 22th May 2013 – London Coventry Ricoh Arena
Saturday 25th May 2013 – London Emirates Stadium
Sunday 26th May 2013 – London Emirates Stadium
Saturday 1st June 2013 – Manchester Etihad Stadium
By Mary Chang
on Friday, 12th October 2012 at 11:00 am
With the 2012 Nobel Prize winners in Medicine and Physiology, Physics and Chemistry announced this week, us here at TGTF thought it would be fitting for some discussion of the best songs that have managed to sneak science into their titles. This year’s Literature and Peace Prize winners have also been announced, but let’s face it. There are way too many tunes that would be appropriate and it’s a lot easier to get peace and love into a song, and music is just another art like literature, innit? So without further adieu…
10. Freelance Whales – ‘Enzymes’ (chemistry)
I’m not sure what this song means. “Turn into the tide / spill out your enzymes”: is that a sexual reference? Or maybe a cleansing of your soul? Not sure. Either way, they start the list with a obviously geeky song title.
9. The Pains of Being Pure at Heart – ‘Twins’ (medicine / physiology)
While it would have been cool to have a song that was literally about the making of twins, this song instead is talking about how people can be perceived as twins as being peas in a pod. Which is the closest you’re going to get outside of genetics. And sheer luck.
8. Everything Everything – ‘Tin (the Manhole)’ (chemistry)
A song with a chemistry title but really about mortality (so could fit in the medicine / physiology group too).
7. Muse – ‘The Resistance’ (physics)
While it’s a stretch with “love is our resistance”, the next line “they keep us apart and they won’t stop breaking us down” actually, rather hilariously, sounds like how in biology, a receptor grabs onto its substrate: made for each other.
6. Maximo Park – ‘Our Velocity’ (physics)
“Never, never try to gauge temperature / when you tend to travel / at such speed / it’s our velocity” – it’s like a physics nerd’s love poem!
5. Tom Williams and the Boat – ‘My Bones’ (medicine / physiology)
Tom Williams effectively harnesses the feelings deep down in one’s bones, the only kind that love lost can engender.
4. The Wombats – ‘Anti-D’ (medicine / physiology)
This is the true story of lead singer Murph’s experience with anti-depressants that didn’t work. It even names citalopram, an actual anti-depressant that physically makes it impossible to cry (“the only tears come from our heads when we concentrate”).
3. Noah and the Whale – ‘Two Atoms in a Molecule’ (chemistry)
Love compared to what happens when two atoms come together to make a molecule? Yes, Charlie Fink *did* go there.
2. Mystery Jets – ‘Serotonin’ (medicine / physiology)
Named after the ‘happy’ neurotransmitter, it’s used effectively here as a way to call out a girl’s name (“Sarah…serotonin…”) and describe the way you feel like when you’re in love. Perfect, really.
1. OMD – ‘Electricity’ (physics)
The song is literally about power, or rather the wasting of it by mankind. Who knew the current flowing through Thomas Edison’s lightbulbs had it going on? And it was the ’80s, so here is a catchy as hell synth melody.
Honourable mention: Thomas Dolby – ‘She Blinded Me with Science’
It’s set in a wacky (no pun intended) mental institution. And come on, there’s an actual scientist – Magnus Pyke – in the video and adding strange interjections into the song. It doesn’t fall into any category but we’d be remiss not mentioning it on this list.