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Video of the Moment #2827: Let’s Eat Grandma

 
By on Friday, 20th April 2018 at 6:00 pm
 

Norwich teen duo Let’s Eat Grandma turned quite a few heads 2 years ago with their debut album. ‘I, Gemini’ was released in summer 2016 on Transgressive Records. In February, we shared ‘Hot Pink’, produced by SOPHIE and Faris Badwan of The Horrors. This week, we’ve got another single from the girls, produced by the same folks, ‘It’s Not Just Me’, and its accompanying promo, which you can enjoy below. Both songs will appear on ‘I’m All Ears’, the best friends’ sophomore album that will drop the 29th of June on Transgressive. To catch up on all of our past coverage on Let’s Eat Grandma, follow this link.

 

Video of the Moment #2796: Let’s Eat Grandma

 
By on Monday, 26th February 2018 at 6:00 pm
 

Header photo by Charlotte Patmore

Norwich electro-pop duo Let’s Eat Grandma, aka Rosa Walton and Jenny Hollingworth, have revealed details of their latest single ‘Hot Pink’, a collaboration with producers SOPHIE and Faris Badwan of The Horrors. ‘Hot Pink’ is the first taste of the follow-up to Let’s Eat Grandma’s 2016 debut LP ‘I, Gemini’.

The ‘Hot Pink’ video was directed by Balan Evans and produced by Try Hard. Describing the inspiration behind her visual interpretation, Evans says, “The song had a really strong digital feel, so I wanted to input that into the aesthetic. The image of a tall building with a strong coloured light was something from an old memory that has stayed with me, and it felt like a fun idea, another building block.” The band themselves explain the metaphor behind the video as follows: “We’re trying to navigate through a city where people’s perceptions of reality are becoming more and more distorted in the fear that we’ll end up the same way.” Take a look into Let’s Eat Grandma’s surreal ‘Hot Pink’ cityscape just below.

Just below, you’ll find a list of Let’s Eat Grandma’s upcoming live shows in the UK, starting with a one-off show in March and picking up in mid-April. Tickets for the following shows are available now. TGTF’s previous coverage of Let’s Eat Grandma is back through here.

Thursday 8th March 2018 – London Lightbox
Wednesday 4th April 2018 – Glasgow Stereo
Thursday 5th April 2018 – Newcastle Riverside
Saturday 7th April 2018 – Leeds Belgrave
Sunday 8th April 2018 – Sheffield Plug
Monday 9th April 2018 – Manchester Deaf Institute
Wednesday 11th April 2018 – Birmingham Castle and Falcon
Thursday 12th April 2018 – Cardiff Globe
Friday 13th April 2018 – Bristol Lantern

 

Live at Leeds 2017 Preview: editor Mary’s best band bets

 
By on Wednesday, 19th April 2017 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on Live at Leeds 2017 is current at the time of posting. We strongly encourage you to check in at the Live at Leeds 2017 official Web site closer to the start of the event to confirm venues and set times. Wristbands for the event in Leeds on Saturday the 29th of April are still available at the bargain price of £32.50 plus handling if purchased online; VIP tickets are sold out. More information on where you can purchase your tickets in person or online is available here.

SXSW 2017 alums: Here’s a list of artists we either saw last month in Austin who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at Live at Leeds in 2 Saturdays’ time. For your convenience, I’ve listed them in order of appearance on the day so you can slot them into your growing schedule. The best of the best are marked with an asterisk. (*)

LIFE (2:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents]) *
Ten Tonnes (2:00 PM, Chapel) *
Airways (3:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Jade Bird (4:30 PM, Faversham Patio)
Annabel Allum (5:00 PM, Social)
Be Charlotte (5:00 PM, Faversham)
IDLES (7:15 PM, Key Club [DORK Stage])
She Drew the Gun (8:00 PM, Wardrobe)
Temples (8:00 PM, Church)
Lewis Watson (8:15 PM, Holy Trinity Church [Clash Stage])
The Academic (9:00 PM, Lending Room [WTGR Stage]) *
Dream Wife (9:00 PM, Brudenell Social Club [DIY Stage])
Slaves (9:00 PM, Academy)
Flamingods (9:45 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Rag‘n’Bone Man (9:45 PM, Leeds University Union Refectory)
The Big Moon (10:00 PM, Brudenell Social Club [DIY Stage])
GURR (10:45 PM, Brudenell Social Club Games Room [DIY Neu Stage])
AJ Tracey (11:00 PM, Faversham)
Let’s Eat Grandma (11:00 PM, Chapel)

To add to the best 3 from above and round things out to a even 10 acts, here are an additional 7 I recommend from the fantastic Live at Leeds 2017 schedule:

The Gallery (Wakefield; 12:00 PM, Lending Room [WTGR Stage])
Wakefield is, of course, famous for being the birthplace The Cribs. But the Jarmans should probably get used to sharing the city with another band. The jangly guitars of The Gallery, reminiscent of Arctic Monkeys before they turned into Queens of the Stone Age, will take you back to the simpler times of British indie.

Wyvern Lingo (Wicklow, Ireland; 1:00 PM, Nation of Shopkeepers)
While already deemed national treasures in their country, most people outside Ireland have only heard of Wyvern Lingo from their association with Irish megastar Hozier, their members Karen and Caoimhe providing him backing vocals at live shows and the group supporting him on UK and Irish tours. Imagine the Staves if they’d gone pop and r&b.

Matt Maltese (London; 2:00 PM, Wardrobe)
It took Morrissey a while to be anointed the title ‘The Pope of Mope’. That said, given the current state of world affairs, it stands to reason that there should rightly be more artists coming out and telling it like it is without sugarcoating it. Piano playing Matt Maltese is one of them, coming out with the sweepingly beautiful ‘As the World Caves In’ to convey his despair. Seriously, close your eyes, and you could swear you’re hearing The Moz.

The Wandering Hearts (London; 3:15 PM, Holy Trinity Church [Clash Stage])
A stark contrast to all the indie and pop acts at this year’s Live at Leeds are The Wandering Hearts, an Americana / alt-country group from the big smoke. Recent signees to Decca Records, the band will provide a welcome midday set different from nearly everyone else invited to this event, with their lush harmonies smartly picked guitar.

Paris Youth Foundation (Liverpool; 5:00 PM, Oporto)
The return of Ride to the record shops this year proves the washy guitar wall of sound era isn’t over. Liverpudlians Paris Youth Foundation takes this and does one better by adding synthpop to the mix, lending an anthemic feel to their tracks. Having released their debut album late last year, this is still early days for them, but I reckon now is time to get on the bandwagon.

Tender Central (Devon; 5:15 PM, Holy Trinity Church [Clash Stage])
India Bourne is a Devon-born, classically trained cellist who now goes by the stage name Tender Central. It’s a good description of her sound, which takes full advantage of her ethereal vocals and her careful crafting of an equally evocative, all-enveloping soundscape. Take a moment and consider the thought of seeing such music being performed in a church. Got it?

The Pale White (Newcastle; 5:30 PM, Church)
While Patrick Carney is busy remoulding his girlfriend Michelle Branch, now is an excellent time to discover the band who will dethrone the Black Keys when they aren’t paying attention. While we can’t be sure their successors will be Newcastle’s The Pale White, their brand of down and dirty blues rock is a suitable North East alternative to that of Southampton’s Band of Skulls.

 

SXSW 2017: Tuesday night at the British Music Embassy and Blackheart – 14th March 2017

 
By on Thursday, 6th April 2017 at 2:00 pm
 

I started my SXSW 2017 Tuesday evening at Latitude 30 for the BBC Radio 1 / PPL and PRS for Music showcase, emceed by BBC radio presenter Huw Stephens. Stephens himself curated the acts on the night’s British Music Embassy showcase, and he couldn’t have chosen a better act to open the showcase than London art rock trio Dream Wife (pictured in the header photo above) Their music is in-your-face and unapologetically feminine, with songs like ‘Somebody’ and ‘Hey Heartbreaker’ driven by an unrestrained defiance of male-centered societal norms and a bold rebellious streak. In the ever-growing mix of desperate-to-be-taken-seriously female rock bands, Dream Wife doesn’t need to beg for your attention; their combination of raw talent and focused intent simply leaves no room for other alternatives.

SWEAT internal

Sensual dance-rock band SWEAT followed Dream Wife, and they were a somewhat easier listen, in the sense that their hypnotic sensuality didn’t require a lot of thought to invoke swaying hips and waving hands. Their sound was no less intense, but more immediately visceral, bypassing the brain and going for a straight physical response. Lead singer Dante Traynor combined smooth, sexy vocals and serpentine dance moves that could barely be contained on the small Latitude 30 stage.

Lets Eat Grandma internal

The mood changed considerably with the next act, experimental pop duo Let’s Eat Grandma. They were heavily hyped coming into the evening’s set, and Stephens himself was excited to introduce them to the British Music Embassy crowd. Their eclectic mix of vocal harmony, widely varied folk instrumentation, and electronic backbeats is an interesting one on paper, and it should have been a winner in live performance. But following on brilliantly flashy acts like Dream Wife and SWEAT is difficult in the best circumstances, and Let’s Eat Grandma’s more cerebral style ultimately fell a bit flat. Still, they’re one to keep an eye on if your tastes lean toward the more introverted side.

In the Valley Below internal

I took the shift in momentum as my cue to exit the British Music Embassy and head down to Rainey Street’s Blackheart for American duo In the Valley Below. The Blackheart stage perhaps wasn’t ideal for the pair’s atmospheric rock sound to begin with, and technical problems led to their set being significantly delayed. Co-lead singer Angela Gail was clearly rattled by having to cut the setlist short, and she promised a better set at the band’s next gig. But for my money, her vocal interplay with Jeffrey Jacob and the duo’s anthemic rock dynamic were a hit despite the truncated show.

Big Jesus internal

I might not have gone out of my way to hear Atlanta rock band Big Jesus, but they were next on the Blackheart stage, and they rocked the venue to its fullest advantage. Their testosterone-fueled rock, light on lyrical content and heavy on gritty guitar riffs, appealed particularly to the men in the crowd, but I’d be lying if I said I didn’t enjoy it at least a little bit myself.

Odetta Hartman internal

The final artist on my agenda for the evening (or early morning, as it was by this point well past midnight) was eclectic “cowboy soul” singer Odetta Hartmann. To be honest, I’m not exactly sure how to classify her music into a genre. There is a definite folk element, on one hand, with the violin and banjo taking center stage. On the other hand, there is an electronic component that is vaguely similar to acts like Sylvan Esso, but without the sensual dance groove. And Hartmann’s wild vocals defy easy description as well, running the full gamut from yodeling to growling. Maybe it’s best if I let you have a listen for yourselves.

[youtube]https://youtu.be/hXYw5iJKMVo[/youtube]

 

Video of the Moment #2184: Let’s Eat Grandma

 
By on Wednesday, 14th September 2016 at 6:00 pm
 

Norwich teenage duo Let’s Eat Grandma released their debut album ‘I, Gemini’, and they’ve already garnered attention on both sides of the Atlantic. Best friends Rosa Walton and Jenny Hollingworth have already proved in their off-kilter past singles including ‘Deep Six Textbook’ and ‘Eat Shiitake Mushrooms’ that they’re really out there. Latest single taken from ‘I, Gemini’, the cheekily titled ‘Sax in the City’, continues close behind in their footsteps.

The video for the song, too, shows off the pair’s penchant for not following the pack. Director Ben Sommers, who also directed the ‘Eat Shiitake Mushrooms’ promo, had this to say about the making of this new visual:

We intended to keep the video quite lighthearted and playful, with Jenny and Rosa as babies crawling through the busy city landscape – we also wanted to make a subtle comment on social and political issues – the outcome a slight nod to Orwell’s 1984 and how true his novel is seemingly becoming. The baby aspect adds something quite bizarre to the video, I think it echoes the eclectic and psychedelic nature of Let’s Eat Grandma’s sound – but also gestures something worryingly poignant in respect to the world that future generations are growing up in.

The Let’s Eat Grandma girls themselves had this to say about the video: “Just us at our favourite place, wearing our favourite colour, doing what we do best – this is the most real video of Let’s Eat Grandma yet. PS Look out for the rat.” Ha! Watch it below. ‘I, Gemini’ is now available from Transgressive Records.

[youtube]https://www.youtube.com/watch?v=ZAaD5nzI89M[/youtube]

 

Video of the Moment #2104: Let’s Eat Grandma

 
By on Monday, 30th May 2016 at 10:00 am
 

Luminescent Norwich teenage girl duo Let’s Eat Grandma are an intriguing proposition. From the first bars of xylophone in their track ‘Eat Shiitake Mushrooms’, you know you’re in for something a little different. Best friends Rosa Walton and Jenny Hollingworth now have a trippy new video for the song that fits with the weird and wonderful nature of the song, that features that xylophone, organ, mandolin, recorder, and probably a ton of other stuff not so easily identifiable and throws pop and rap together in an interesting melange that just works. Have a watch and listen to the video below, filmed in Wrongs Covert, an ancient woodland site in their hometown.

The debut album from Let’s Eat Grandma, ‘I, Gemini’, is scheduled for release on the 17th of June on Transgressive Records. For more on Let’s Eat Grandma on TGTF, including my coverage of them at Norwich Sound and Vision 2015, go here.

[youtube]https://www.youtube.com/watch?v=ddbnr-YjmMY[/youtube]

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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