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(SXSW 2019 flavoured!) Live Gig Video: Joshua Burnside shares acoustic version of ‘Desert Wine’, set to short video clips from his phone

 
By on Wednesday, 13th February 2019 at 4:00 pm
 

I wasn’t sure where to put this video on TGTF, as it doesn’t fit neatly into any of our normal feature type. Since we often put acoustic live versions in the Live Gig Video section, I’ve decided to stick this here. Now that I’ve got your attention, I’ll tell you more about the video. We all have photos and videos that we’ve taken randomly and saved on our phones, right? But how many of us actually do anything useful – or creative – with them? Northern Irish singer/songwriter Joshua Burnside had been collecting video clips, taking the advice to do so from his friend and fellow artist Emily McIlwaine.

To celebrate the recent release of a new album, he has set one of the album tracks to a collection of his video clips. ‘Wear Bluebells in Your Hat If You’re Goin’ That Way’, available now from Quiet Arch Records, is a 2019 updated version of the 2017 Northern Irish Music Prize winner’s 2013 EP ‘If You’re Going That Way’, which had only five tracks. The ‘Wear Bluebells…’ version now is 10 tracks strong, including an acoustic single version of the previously released studio version of ‘Desert Wine’. Watch and listen to the new version of the song below. Joshua Burnside is scheduled to perform next month at SXSW 2019; to date, his only official appearance on the official SXSW schedule is on Friday night, 15 March, at the Victorian Room at the Driskill. All of our coverage on TGTF on Burnside can be accessed through here.

 

Album Review: Joshua Burnside – All Round the Light Said EP

 
By on Monday, 2nd July 2018 at 12:00 pm
 

Joshua Burnside All Round the Light Said album coverThese days, you have two pretty clear options on the kind of music you can listen to: true escapist fare of little intellectual consequence to take your mind away from what’s going outside your door, or songs with a conscience and enough meat on the bones to make you contemplate where you or the world has gone wrong. One is neither better than the other, but as time passes, I know which kind can console me now. Northern Irish alt-folk singer/songwriter Joshua Burnside’s latest release, the ‘All Round the Light Said’ EP, falls in the second category, and its title alone leads to some heavy questions. What is the light? Is it benevolent? Are we meant to be going towards it? While Burnside’s EP may not hold all the answers, it follows nicely from his Northern Ireland Music Prize-winning debut album ‘Ephrata’ from last year and its political and emotional content framed by South American rhythms.

The EP begins with previously unveiled single ‘A Man of High Renown’, a lumbering waltz of air organ and accordion oozing Irishness. A gay and catchy melody belies the song’s dark lyrical content as the song feels like one of those films where you’re bounced between terrible events of the past and present day. At the song’s core is a struggle between the powerful and the weak. You’re left wondering if wrongs have been righted; perhaps that was the intention, to leave it as a cliffhanger? The accompanying video sees Burnside on accordion, being accompanied by dancers because, well, everyone knows the Irish are famous for their music and their dancing, right? The split screen accomplishes the same thing as the lyrics, juxtaposing locations of old and new Belfast.

‘Rearranged’ can be viewed another exercise in looking back, while also looking forward to see how far one has come or what’s up ahead. Or not. Burnside’s own technophobic tendencies have translated into a meandering guitar melody and a warbly vocal delivery. These feel like are good parallels to the noodley thoughts in your head of anxiety. ‘Northern Winds’ is a song in two acts, the first a more conventional folk song. About halfway through, a gentle drumbeat is accompanied by trumpet and banjo. The tempo speeds up and so does the overall volume as Burnside’s voice turns more insistent, referencing Oscar Wilde’s short story The Happy Prince, itself a study of compassion and sacrifice. Long a staple of Burnside’s live show and recorded in analogue, it’s interesting it immediately precedes ‘Paul’, a much more experimental number with unusual percussion, disorted organ notes and synth effects. While an obvious strength of Burnside’s is his Americana-style songwriting, the way ‘All Round the Light’ concludes suggests a future more experimental direction that would be even more intriguing.

8/10

The newest release from Joshua Burnside, the Editor Mary reviews Northern Irish alt-folk singer/songwriter Joshua Burnside’s latest release, the ‘All Round the Light Said’ EP out now on Quiet Arch. EP, is out now on Quiet Arch Records. His next live appearances include UK headline shows at Glasgow Nice N Sleazy on the 10th of July and London Paper Dress Vintage on the 24th, in addition to loads of Irish appearances through the summer. A full list of his live appearances are available on his official Web site. Read through our past coverage on Burnside through this link.

 

SXSW 2018: Friday afternoon at the Full Irish Breakfast and British Music Embassy – 16th March 2018 (Part 1)

 
By on Wednesday, 4th April 2018 at 11:00 am
 

During the week at SXSW, those of us who have day jobs outside of the music industry must check in on occasion on what pays the bills. While I was stuck in our hotel dealing with emails and loose ends, Carrie left early to make our now annual visit to the BMI brunch, so stay tuned for her coverage on the artists who played there at the Four Seasons this year. After getting things in order, I hopped over to B.D. Riley’s for the annual Full Irish Breakfast sponsored by Music From Ireland and First Music Connect, both great friends to TGTF. To my happiness, the place was already full up at noon, requiring quite a bit of jostling and patience to get a bartender’s attention and to find a spot where you could lay out your complimentary breakfast.

Accompanying the free food – with white pudding this year, yes! – were plenty of Irish-born talent raring to go, going nicely with the green décor B.D. Riley’s had already set out ahead of St. Patrick’s Day the next day. Joshua Burnside and his band, who wowed us on the Output Belfast boat ride Tuesday morning, began the day of festivities at the Irish pub. Looking tan in the face (or was that sunburn?), he looked relaxed performing his sixth and final performance in Austin in front of a room of Texan strangers.

Joshua Burnside Friday at SXSW 2018

It’s no wonder why his album ‘Ephrata’ won the Northern Ireland Music Prize in 2017. Burnside’s unique usage of world music influences while maintaining an inherent Irishness through the lilt of his gorgeous voice made the LP released last year unlike anything else. The crowd approved of Burnside and his band’s early yet wonderfully spirited set. A particularly lovely moment was when Burnside went part acoustic for his single from last year, the politically charged and very Northern Irish ‘Red and White Blues’. While its poignant meaning may have been lost on the audience he played it to, the combination of his strong voice accompanied only by acoustic guitar had a quiet beauty, before the rest of his band joined in for added oomph.

The Lost Brothers are Irish, yes. But if you looked at them on the street with their cowboy hats and acoustic guitars, you’d swear they were Americans born and raised in the Wild West. No strangers to SXSW, B.D. Riley’s or Austin for that matter, they took to the stage at the pub with their usual performance aplomb. Whether performing on a boat or in a venue on dry land, the Lost Brothers are the consummate professionals.

The Lost Brothers Friday at SXSW 2018

They arrived in Texas with their latest album effort ‘Halfway Towards a Healing’, recorded in Arizona, and the critical acclaim it has received so far, all deserved. (Read my glowing review of the LP through here.) ‘Echoes in the Wind’, the lead single from the album, came across as effortless, as did more recent single, the sweet, yet humourous ‘More Than I Can Comprehend’ (promo video here).

The third act at the Full Irish breakfast was also ready to put his last SXSW 2018 appearance in the can. Cork’s Talos, who closed out the Music From Ireland showcase at the Velveeta Room the evening previous, was back out with his band and alongside the blinding sunshine streaming in from 6th Street. It was a good thing for musicians from abroad and music fans alike to hide inside B.D. Riley’s for the afternoon: for the first time that week, the mercury reached over 90 degrees Fahrenheit (that’s 32 degrees Celsius plus). The sunny afternoon provided contrast to their performance Thursday night, though the sun or heat didn’t dampen their enthusiasm or Eoin French’s falsetto.

Talos Friday at SXSW 2018

Friday was the only afternoon at SXSW 2018 I had some free time to spend at the British Music Embassy. And it was a good day for it, as a slice of sticky toffee cheesecake and a bloody Mary awaited me at Latitude 30. I arrived just as most visitors were finishing up their lunch and ready for the first act, The RPMs. Brighton’s brightest prospect in the pop/rock stakes began the afternoon at the Embassy with gusto, blasting out their upbeat tunes with vigour.

The RPMs Friday 4 at SXSW 2018

Although he must have been boiling in his leopard print jacket, lead singer Jack Valero was a great frontman, flashing a winsome smile and showing a youthful exuberance. Under the better lighting of and with the better sound system of Latitude 30, they shone, and plenty of Americans who hadn’t heard of them until that moment started taking notes. I know, because a bunch of people came up to me and asked me to spell their name and for help finding their Facebook. Ha. I was glad to be of service.

Next up on the bill was Natalie Findlay, the Manchester songstress who scorched former writer Martin’s eyes and ears at Liverpool Sound City 2013. Since those days, she’s morphed like a chameleon many times, never staying put in one specific genre. In an otherwise all-male lineup, it was nice to introduce some good ol’ fashioned girl power into the mix and remind the Americans in attendance that there’s great female talent coming out of Britain, too.

Findlay Friday at SXSW 2018

Flyte’s closeup has been a long time coming. We’ve been writing about them for quite a long time; they nabbed the #5 spot in a reader’s poll here at TGTF at the end of 2013. Last year, they released their long-awaited debut album ‘The Loved Ones’, the culmination of years of hard graft. Performing songs from it live in Austin must have tasted so sweet.

Flyte Friday 2 at SXSW 2018

The group from London sounded decidedly different from the acts before them, with a Beatles-esque indie rock edge. While I thought it was unnecessary for them to do a cover (Alvvays’ ‘Marry Me, Archie’), Americans next to me swayed their head to Flyte’s version, stoked in their unexpected selection. Unexpectedly, I found myself at the bar and next to an unlikely fan, or so I thought: folk pop singer/songwriter Lucy Rose stood spellbound watching them play, only stopping to occasionally note to her drinking companion how great Flyte were. Couldn’t have had a nice endorsement, eh?

Dance funk purveyors Le Galaxie were the perfect choice to close out the Full Irish Breakfast at B.D. Riley’s. Led by well-bearded frontman Michael Pope and performing with ex-Fight Like Apes MayKay on occasional vocals, they turned the Irish pub in the late afternoon into an enthralling disco, the thumping of their catchiest tunes reverberating in every molecule in the place.

Le Galaxie Friday at SXSW 2018

I last saw them in the basement of Audio in Brighton (now Patterns) at The Great Escape 2015. Times may have changed but some things stay the same, and thankfully, Le Galaxie is in the latter. It may not have been 5 o’clock yet in Austin, but it was 5 o’clock somewhere, and punters had no problem shaking a tail feather to their songs.

 

SXSW 2018: Tuesday morning brunch with Output Belfast and my first taste of this year’s music conference – 13th March 2018

 
By on Wednesday, 28th March 2018 at 11:00 am
 

Header photo: emcee and organiser Mark Gordon with Touts

Following my frenzied Monday night at SXSW 2018, I started off Tuesday at a slightly more relaxed pace, with my third visit to the Output Belfast Boat Party. The party consists of brunch on a boat, floating down the Colorado River, with entertainment provided by the some of the finest musicians Northern Ireland has to offer. While the brunch and the scenery are always pleasant for this affair, it’s really the high quality of the music that draws me in every year, and Output Belfast didn’t disappoint in 2018.

Lost Brothers internal 2

Following brief speeches by organiser and emcee Mark Gordon of Score Draw Music and Lord Mayor of Belfast Nuala MacAllister, the music began with folk duo The Lost Brothers, who had a hand in organising the inaugural Northern Irish boat party back in 2015. They were back in Austin this year with an excellent new record in tow, titled ‘Halfway Towards a Healing’. You can read editor Mary’s review of the album through here.The album was recorded in my adopted hometown of Tucson, and the distinct southwestern desert flavour of the new songs, along with The Lost Brothers’ yearning vocal harmonies, actually made me feel a bit homesick. Midway through their set, the Lost Brothers were joined by Austin musician Ragtime Willie, who had also appeared here back in 2015 and who added the bright tone color of resonator guitar to the muted sonic mix.

Joshua Burnside internal

After a brief stage break, 2017 Northern Irish Music Prize winner Joshua Burnside began his set. As our Adam McCourt reported in his review of the prize-winning album ‘Ephrata’, “the album seems to serve a pivotal point in Burnside’s career, transitioning him from indie folk to a strand of alt-folk that incorporates world music, found sounds, synths and subtle experimentations with techno.” Burnside’s eclectic sound was more rock oriented than I expected in this live performance, where he was accompanied by a brilliant band comprised of drums, bass, and trumpet alongside his own electric guitar.

Touts internal

Lest we in the audience be lulled to sleep as our boat ride drifted from morning into afternoon, the final act on the docket seemed deliberately designed to recharge and revitalise our senses. Derry punk-rock outfit Touts gave off a sullen demeanor that disguised their raw, frenetic energy, and they made more much more exuberant noise than might be expected on a polite brunch cruise. These lads are young and still relatively new on the scene, but in terms of unfiltered potential, I’d put them high on the list of acts to watch from SXSW 2018. Touts also appeared on the BBC Introducing showcase at Latitude 30 on Tuesday night; you can watch part of that performance just below.

After disembarking from the boat, Mary and I parted ways (you can read her Tuesday afternoon recap here), and I headed to the convention center to catch my first conference session of the week. In The Horseshoe: The Roots of Canadian Rock n’ Roll, author David McPherson shared his thoughts on celebrated Toronto music venue The Horseshoe, drawing from his recent book on the topic, titled ‘The Legendary Horseshoe Tavern: A Complete History’.

David McPherson

McPherson was joined by Horseshoe owner and concert promoter Jeff Cohen, who talked about the challenges of maintaining a high quality music venue in an age when so many mid-size venues, notably New York’s CBGB and The Bottom Line, have been forced to shut down. Cohen emphasised his focus on two main factors: his customers and the artists they come to see. Patrons are consistently drawn in by food, drink and the opportunity to interact with other music-loving patrons, while the artists are rewarded with a quality performance opportunity, including full crowds to play for each night. From the sounds of things, the Horseshoe is likely to be a mainstay in the Toronto live music scene for many years to come. If you find yourself in southeastern Canada for whatever reason, it might be worth your time to check the Horseshoe’s schedule of events–chances are one of your new favourite bands will be gracing its stage.

 

TGTF Guide to SXSW 2018: UK singer/songwriters showcasing at this year’s SXSW

 
By on Friday, 9th March 2018 at 11:00 am
 

The list of solo singer/songwriters showcasing at SXSW 2018 is predictably lengthy. Festivals lend themselves easily to the traveling troubadour types: setting up shop with a single person and instrument is easier than carting a full band’s worth of gear around town to play show after show. However, the singer/songwriter genre is becoming increasingly diffuse, as its definition expands to include a wide array of different instrumental and vocal sounds.

The singer/songwriter acts representing the UK at SXSW this year are broad in their stylistic scope, from unassuming acoustic balladeers to rising mainstream pop stars to eclectic avant garde musicians. Many of the acts on this year’s list are artists we at TGTF have covered extensively in the past, including Frank Turner (pictured at top) and Lucy Rose, but there are a number of new-to-us acts on the bill as well. We’ve covered a fair few of those in our (SXSW 2018 flavoured!) Bands to Watch features, including Jade Bird, ONR, Rhys Lewis, Chloe Foy, Allman Brown, C. Macleod, and Sam Fender. Read below for a brief rundown of the remaining UK singer/songwriters heading across the pond to SXSW 2018.

Christopher Rees – We featured Welsh singer Christopher Rees in the TGTF Guide to SXSW 2013, but haven’t heard much from him since that time. He heads to Austin this year with a new Americana album called ‘The Nashville Songs’ in tow. Take a listen to the chilling single ‘I Shiver’, just below.

Dan Bettridge – As we previously mentioned, Bettridge missed out on SXSW 2017, due to visa issues which his management has discussed in detail here. Bettridge will release his debut solo LP ‘Asking for Trouble’ later this year. Along with Rees, Bettridge will be proudly waving the Welsh flag in Austin.

Dan Lyons – Margate alt-pop singer Dan Lyons has spent the past four years primarily as a drummer, but he’s now stepping into the spotlight as a solo songwriter. His single ‘Big Moon’ was released at the end of February on Shaker Records.

The Dunwells – While obviously not a solo act, Leeds rock duo The Dunwells have nevertheless been classified as singer/songwriters at this year’s SXSW. They released a new EP called ‘Colour My Mind’ back in December, which included the track ‘Diamonds’, playing just below.

Elle Exxe – This Scottish pop singer is no stranger to SXSW or to the pages of TGTF. She recently teamed with MAC Cosmetics to promote her latest single ‘Catapult’; watch her exotic visuals in the promo video just below.

Emme Woods – Another Scottish songwriter, Woods’ singing voice belies her youthful 22 years of age. The level of musical sophistication in her single ‘I’ve Been Running’ is also well-beyond what you might expect of a musician so young. Check out the PledgeMusic campaign for her debut EP just through here.

Frank Turner – We’ve covered the indefatigable Mr. Turner and his merry band of Sleeping Souls extensively here at TGTF, including a lovely interview at SXSW 2015. This year, Turner is showcasing his forthcoming seventh studio LP ‘Be More Kind’, due out on the 4th of May via Polydor/ Xtra Mile. We’ll be looking forward to hearing the new songs at SXSW; in the meantime, you can take a listen to the album’s title track just below.

Gaz Coombes – Another artist we’ve featured in live coverage on TGTF, alt-rock songwriter and former Supergrass member Gaz Coombes will travel to Austin with a set of new songs from his forthcoming LP ‘World’s Strongest Man’, due out on the 4th of May.

Harry Pane – This Northamptonshire indie folk singer broke onto the music scene in 2015 and released two EPs, ‘Changing’ and ‘The Wild Winds’, in the following 2 years. He comes to SXSW 2018 with a pair of new singles, ‘Here We Stay’ and ‘Beautiful Life’. Listen to the latter just below.

Hilang Child – Hilang Child is the stage name of half-Welsh, half-Indonesian dream pop songwriter Ed Riman. Currently based in London, Hilang Child has recently signed on with Bella Union for the release of his debut LP, which will include the calmly introspective new single ‘Growing Things’.

Jerry Williams –  This 22-year-old Portsmouth alt-pop songstress has already captured the attention of BBC Radio 1 in the UK and KCRW in America. She has recently collaborated with fashion brand Topshop to market her new single ‘Grab Life’, ahead of her scheduled appearance on the BBC Introducing showcase on the Tuesday night of SXSW.

Jonny 8 Track – Brighton’s Jonny Aitken, aka Jonny 8 Track, is the first UK signing to Austin record label Chicken Ranch Records. His back catalogue includes ‘All America Taught Me’ from back in 2013.

Joshua Burnside – We covered this Northern Irish avant/experimental songwriter last year around the release of his debut album ‘Ephrata’, which won the 2017 Northern Irish Music Prize. Just below, check out the Ryan Vail remix of album track ‘Blood Drive’.

Lion – London alt-rock singer/songwriter Beth Lowen became known as Lion due to the rough and raspy tone of her singing voice. She’s so fresh on the scene that she has yet to officially release any music, and her SXSW 2018 bio links to an amateur video of a live performance at Shepherd’s Bush Empire from back in 2016.

Lucy Rose – We recently featured Rose’s new single ‘All That Fear’ as our (SXSW 2018 flavoured!) Video of the Moment #2801. Rose will be showcasing that single along with her recent album ‘Something’s Changing’ at SXSW. She is also scheduled to speak in a panel session titled ‘It’s a Fan’s World: The Life of Superfans’ on Friday the 16th of March.

Lucy Spraggan – You might remember Manchester songwriter Lucy Spraggan as a former X Factor contestant from back in 2012. Just last year, she released her fourth studio album ‘I Hope You Don’t Mind Me Writing’, on her own label CTRL Records. The LP features the track ‘Fight For It’, streaming just below.

Nilüfer Yanya – This youthful West London songwriter brings a unique sense of irony and bemused detachment to what might otherwise be dismissed as standard indie pop. Her breakthrough single ‘Baby Luv’ is out now on Blue Flowers/ATO Records.

Nina Nesbitt – It’s been a day or two since we heard from Scottish pop songstress Nina Nesbitt, but she is heading to Austin with a potential new album in the works. No details have been shared as of yet, but Nesbitt did recently release a new single written in Nashville, ‘Somebody Special’.

Non Canon – Bristol alt-folk songwriter Non Canon takes his stage name from the idea that “anything described as ‘Non Canon’ exists apart from the story we know and love. A concurrent storyline, a different perspective, the world we experience through someone else’s eyes; familiar but insightful for its new dimension.” He comes to Austin as part of the Xtra Mile Recordings troupe; the label released his debut LP back in 2016.

Only Girl – South East London pop-soul artist Ellen Murphy, known on stage as Only Girl, has recently released a personally poignant new single titled ‘Mountain’, which deals with her husband Jamie McKechnie’s assault and traumatic brain injury, suffered back in 2011. Murphy says of the track, “I wanted the video for ‘Mountain’ to really convey Jamie’s journey through recovery since he suffered the brain injury. I think his story is so inspiring and shows how he really fought for his life against all the odds.” She speaks of her husband as the inspiration for the song: “If I could focus myself on climbing this mountain alongside Jamie, I could force myself to stay strong for him.”

Pete Molinari – Veteran folk and blues songwriter Pete Molinari is one of the few artists appearing at SXSW with nothing new on offer in terms of recorded music. He is set to play the We Are Hear Records showcase on the Tuesday night, alongside the aforementioned Lion.

Will Varley – This Kent singer/songwriter and Xtra Mile Recordings artist will bring his brilliant new album ‘Spirit of Minnie’ to Austin this year, on the heels of an American tour with label mates and fellow SXSW 2018 artists Skinny Lister. We featured the video for album track ‘Seven Days’ back in January; you can listen below to the gentle but poignant ‘Let it Slide’.

Please note that all information we bring you about SXSW 2018 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW 2018 schedule, then stop by the artist’s Facebook or official Web site for details of any non-official SXSW appearances.

 

Video of the Moment #2446: Joshua Burnside

 
By on Monday, 2nd October 2017 at 6:00 pm
 

It’s been a banner year for Northern Irish artist Joshua Burnside. In May, he released his album ‘Ephrata’, out now on Quiet Arch. (You can read our thoughts on it through here.)The LP went on to be nominated for the Northern Irish Music Prize, no small feat to shake a stick at. So the timing seems just right for the unveiling of a new video for ‘Ephrata’. ‘Holllllogram’ features lazy, feel good vocals from both Burnside and Alana Henderson, and it seems fitting to post it just as we’re headed into autumn and bidding summer adieu. Watch the video for ‘Holllllogram’ below. We understand Mr. Burnside will next be heading to Nashville for some recording and reflection, presumably after this coheadline tour with PORTS this month. For more of our coverage on Joshua Burnside here on TGTF, go here.

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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