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Great Escape 2018 Interview: Hollow Coves

 
By on Tuesday, 5th June 2018 at 11:00 am
 

As mentioned in a few of my roundups from The Great Escape 2018, nearly all the afternoon showcases I attended were rammed. This included Sound Australia’s takeover of both the downstairs main room and the upstairs Studio Bar spaces at Komedia on Gardner Street. Like a dolt, I forgot, again, that we had to enter through the back entrance of the building to get to the live performances.

In case you haven’t been able to enjoy a past Sound Gallery event at SXSW, The Great Escape or at another event, let me explain to you the general premise. The acts who perform are generally on the lighter, more acoustic side of things than hard rock or electronic. Attendance was high at both stages of Sound Gallery by the time I arrived, but I was lucky enough to be present for most of Hollow Coves’ set upstairs, sneaking around people and making it to second row from down the front. What I’ve branded as their style of music, ‘ethereal rock’, easily mesmerised the assembled crowd, the duo’s harmonies sounding gorgeous, even angelic. Hailing from Brisbane and The Gold Coast, the sea is important to them, so it’s not surprising they’ve written a gorgeous number called ‘Coastline’, which you can enjoy in an acoustic form below.

We hear stories all the time from artists who say they’ve been writing music all their lives and music is the only profession they’d ever consider. The reality is that so many musicians you may not have heard about had other successful careers before luck or happenstance intervened. Ryan Henderson and Matt Carins’ previous professions were both quite far off from music: Henderson was a civil engineer and Carins was a carpenter. So how did two guys from very different professional spheres meet in the first place? “It was a mutual friend [who introduced us]”, Henderson explains. “I’d been playing music at home and recording a few things. Matt had been doing the same in a similar genre. A friend of mine showed me his music, and I didn’t know anyone in the local area that I live who was doing that sort of music, so I started chatting with him. We got together and had a jam, and it just worked. We wrote some songs, and it just went from there!”

Hollow Coves Thursday The Great Escape 2018
Hollow Coves performing at Sound Gallery, Komedia Studio Bar, 17th May 2018

“We had no expectations, really”, Carins interjects. “We were just doing it for [our own] enjoyment. Put it on SoundCloud.” He claps his hands and grins. “And then went travelling!” I ask him where they’ve been travelling and which places they’ve loved the most. To my surprise, he says, “we’ve actually done more travel overseas [than in Australia]. We’ve only really done the East Coast of Australia. We’re going back at the end of July to start a tour in August, so we’ll be seeing more of Australia then.” During their set, the pair mentioned they would be going to Plymouth, about 350 kilometres east of Brighton on the south coast of England, to record. “We’re going to aim for an album, but sometimes things don’t work out in the studio. It’s definitely going to be an EP or an album”, says Carins. “We’re going to do 10 new tracks.”

I have to ask, why Plymouth of all places? In all my 12 visits to the UK, I’ve still not made it anywhere in the West side of the Britain, including Wales. It sounds like from Henderson that their management are pretty great and open to their ideas. “Our manager said to us, ‘who are your influences, what are some albums that you like the production on?’ We sent him a bunch of albums, and they came back to us with, ‘we’ve been talking to a few of the producers of the albums you mentioned, and this guy in England is interested in working with you. He actually came to Australia and we got to meet him over there. He was such a nice guy, and he plays drums and bass. Before we even mentioned that we don’t play drums and bass, he said, ‘I love playing on the records I produce’, so it was the perfect fit, really.” The producer in question is Chris Bond, Ben Howard’s producer and former bandmate; they’re both big fans of Howard’s work (“Ben Howard’s earlier stuff”, Carins clarifies). “We recorded our latest song ‘Ran Away’ with him late last year, and it went really, really well. We’re super excited.”

It’s still really early days for Hollow Coves. But judging from the rapturous reception they received at their first performance at The Great Escape 2018, the future looks as bright for Henderson and Carins, just as the sunlight gleams and smiles upon on the Northeast of Australia. I wish them the best.

 

Great Escape 2018: Day 1 Roundup (Part 1)

 
By on Thursday, 31st May 2018 at 2:00 pm
 

It can’t be emphasised enough that the festival gods really smiled down on The Great Escape 2018 earlier this month. While in Washington, DC, my friends back home were suffering under torrential rains, I was by the sea in picture-perfect Brighton and never once did I have to break out the brolly. (Wasn’t so lucky the following Friday in Newcastle.) For anyone who has been soaked to the bone during The Great Escape in past years, you understand how this year’s impossibly good weather was incredible luck.

While the sunny skies did wonders for everyone’s mood and probably helped the sales of off-licence, takeaway liquor, friend and former writer Braden and I mused if the good weather could have adversely affected foot traffic and turnout to the both the official Great Escape and its sister event The Alternative Escape. As the weekend wore on, it seemed that with the long queues and huge crowds everywhere I went, there were plenty of music lovers in town to make this concern feel nonexistent. You’d have thought performances priot to the noon hour would be sparsely attended, but you would be wrong. Must be that early May sunrise in England!

Model Society Thursday The Great Escape The Alternative Escape 2018

London’s Model Society were already in full swing by the time I arrived at East Street Tap, host of the End of the Trail Records / Amazing Radio showcase. John and I knew this place in its previous incarnation as The Fishbowl. Their energy so early in the day was admirable, but I didn’t hear anything particularly exciting that would set their music apart from their indie peers. I was waiting for the act who would follow, Dan Lyons, who performed with a full band Saturday night at SXSW 2018.

Dan Lyons Thursday The Great Escape The Alternative Escape 2018

Lyons advertised it as a stripped back set, to be accompanied only by his guitar and his backing singer, bandmate and partner Freya. While his set in Austin came across as full-bodied blues, this barer version of Dan Lyons live was an entirely different experience. ‘Special People’ delivered in a deadpan makes you wonder how serious Lyons is being about people watching, or if he’s simply being cheeky. We were also treated to his upcoming single ‘Gargoyle’, which is currently only listenable if you happen to tune into a radio programme playing it. Everyone else, you’ll have to wait until it drops on the 22nd of June.

I thought I had gotten a good jumpstart on the acts following my in-person coverage of BIGSOUND 2017 in Australia last September and SXSW 2018 in March. But I can say now that I feel like there’s so much that I missed on at The Great Escape this year. There was the ever-present issue of clashes, of course, but the lack of separate lines for wristband and badge holders at many venues meant press could show up at a venue, only to be disappointed. Like at BIGSOUND 2017, I was thwarted again from seeing Hatchie properly on Thursday afternoon, but my personal setback could be viewed in a positive way: Sounds Australia’s Sound Gallery, taking up both the main Komedia venue space and its Studio Bar, were rammed all afternoon.

Hollow Coves Thursday The Great Escape 2018

When I made it back up to the Laines from East Street, I was only able to get into the Studio Bar. But with some luck, I managed to get reasonably close up to Hollow Coves. They’re a folk duo whose members are from Brisbane and The Gold Coast. This is a case where looks can be deceiving: they kind of look like smiley, yet unassuming builders. One of them is actually a carpenter, so I wasn’t that far off. At their simplest, I’d describe them as ethereal folk but interestingly, they also use synths on some tracks, taking folk songcraft and pairing it with electronic beats for a more 21st century flavour. I can get behind that! Their gorgeous music, including songs ‘Coastline’ and ‘Home’, took me back to my visit to Brisbane last year, when I took in the city’s very California-like climate and beauty.

On the other side of the Old Steine Gardens and back down closer to the sea is the Latest Music Bar, which hosted the Horizons / Gorwelion showcases Thursday and Friday afternoon. Even with rushing after an interview with Hollow Coves, I couldn’t make it in time before hyped Welsh act Boy Azooga finished. Drat. Cutting any further losses, I headed down to Patterns, Fender UK’s venue for the entire Great Escape, for a unique afternoon.

Declan McKenna Thursday The Great Escape 2018

Young but politically astute singer/songwriter Declan McKenna had been announced as the stage’s opening special guest shortly before the start of the festival, and his fans filling the Marine Parade venue were super excited as he and a female guitarist live bandmate began with single ‘Humongous’. Despite McKenna’s relative live inexperience, he seemed entirely at ease, his stage patter between songs hilarious. “I can’t play ‘Brazil’ now!” he hissed to the punters shouting for his World Cup-themed hit. “Everyone would leave!” Collective laughter. He ran through several other songs from his debut ‘What Do You Think About the Car?’, including ‘Paracetamol’, ‘The Kids Don’t Want to Come Home’ and ‘Make Me Your Queen’, before launching into the inevitable set closer.

Some of the crowd dispersed after McKenna finished, their spots to replaced to, shall we say, a much older crowd for BBC 6 Music’s Shaun Keaveny’s interview with legendary Smiths guitarist Johnny Marr. I knew this would be an opportunity for Marr to peddle the Fender Jaguar he helped design with the guitar company: at one point, Marr insisted to the crowd that you don’t need so many guitars, his guitar is so great, you only need the one. Hmm, right…I’ll get back to you on that.

Johnny Marr and Shaun Keaveny Thursday The Great Escape 2018

I was happily surprised that the conversation didn’t de-evolve into a boring, gear head kind of talk only accessible to real guitarists. Instead, Keaveny’s humour coupled with Marr’s down to earth nature made for a comfortable interview for both, Marr entertaining us with unexpected guitar interludes that any Smiths fan worth his salt would recognise, including the intro to ‘The Headmaster Ritual’ and the dreamy, yet mournful passes in ‘Last Night I Dreamt Somebody Loved Me’, the latter that he revealed was his favourite Smiths riff of all, written alone on a tour bus, missing his girlfriend.

He described writing melodies on a guitar as “It’s like chasing an angel”. What a beautiful, beautiful image to give us. I’d describe Johnny Marr as having a quiet peace around him: he’s obviously one of the 20th century’s greatest musical heroes, but he’s not throwing his weight around or feels the need to be showy. He’s content with where he is in life and he’s happy making music with “the best electronic machine” to write pop music on. Being that contented and happy: something we can all aspire to.

 

The Great Escape 2018 Preview: editor Mary’s best band bets

 
By on Tuesday, 8th May 2018 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on The Great Escape 2018 taking place next week is current at the time of posting. We strongly encourage you to check in at the festival’s official Web site closer to the start of the event to confirm venues and set times. Three-day wristbands for the event in Brighton 17-19 May are still available at the price of £70 plus handling if purchased online; delegate passes that include both access to the daytime industry convention and all music showcases are available at the price of £275 plus handling. More information on where you can purchase your tickets in person or online is available from The Great Escape official Web site. If you’d like to read my previous, more general preview of The Great Escape, it’s through here.

As mentioned in part 1 of my Live at Leeds best bets preview, and alluded to in part 2 as well, there are quite a few acts that appeared this past weekend at Live at Leeds and/or Liverpool Sound City that will also be appearing next week at the Great Escape in Brighton.

Bad Sounds (Friday 11:15 PM, Horatio’s)
Black Futures (Thursday, 9:15 PM, Green Door Store)
Boy Azooga (Thursday, 12:00 PM, Latest Music Bar; 2:00 PM, Dr. Martens stage; 9:15 PM, Patterns upstairs)
Cassia (Friday, 12:45 AM, The Hope and Ruin)
Hollow Coves (Thursday, 12:45 PM, Komedia Studio Bar and 10:15 PM, The Old Courtroom)
Knightstown (Saturday, 12:15 PM, One Church)
Lady Bird (Friday, 2:15 PM, Dr. Martens stage and 10:15 PM, The Walrus)
Rascalton (Thursday, 1:00 PM, Horatio’s [Showcasing Scotland stage]; Friday, 10:15 PM, Green Door Store)
SHEAFS (Saturday, 8:45 PM, The Hope and Ruin)
The Ninth Wave (Thursday, 3:30 PM, Horatio’s [Showcasing Scotland stage]; Friday, 9:30 PM, The Haunt; Saturday, 10:15 PM, Marine Room [Harbour Hotel])
The Orielles (Thursday, 2:30 PM, Beach House and 9:00 PM, Horatio’s)
Tors (Friday, 6:45 PM, St. Mary’s Church)
Vistas (Saturday, 2:30 PM, The Hope and Ruin)
whenyoung (Thursday, 6:30 PM, The Haunt)
Zapatilla (Thursday, 10:15 PM, The Walrus)

SXSW 2018 (or earlier) alums: Here’s a list of artists we either saw in March in Austin (or even in previous years) who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at the Great Escape. They’re sorted by alphabetical order, as some of the acts who are bigger draws are appearing more than once, so organising the list by first appearance may not necessarily be useful to you.

All Our Exes Live in Texas (Thursday, 12:10 PM, Komedia [Aussie BBQ stage]; Thursday, 10:15 PM, Latest Music Bar)
Dermot Kennedy (Thursday, 9:00 PM, Wagner Hall; Friday, 4:00 PM, Beach Club; Friday, 10:00 PM, Sallis Benney Theatre)
Dream Wife (Thursday, 8:45 PM, Beach Club)
Her’s (Friday, 1:00 PM, Beach House; Friday, 10:15 PM, Horatio’s)
IDLES (Thursday 10:00 PM, Beach Club)
Jealous of the Birds (Thursday, 9:15 PM, Bau Wow; Friday, 2:00 PM, Jubilee Square)
Jerry Williams (Thursday, 7:45 PM, Hope and Ruin; Saturday, 12:30 PM, Komedia Studio Bar)
Joshua Burnside (Friday, 1:30 PM, Sticky Mike’s Frog Bar [Output Belfast stage]; Saturday, 12:15 PM, Latest Music Bar)
Let’s Eat Grandma (Friday, 9:15 PM, The Old Market)
Lo Moon (Friday, 8:30 PM, Coalition)
Mansionair (Thursday, 9:15 PM, Komedia)
ONR (Friday, 8:30 PM, Paganini Ballroom at the Old Ship Hotel [BBC Introducing stage])
Pale Waves (Thursday, 7:00 PM, Wagner Hall; Thursday, 11:00 PM, Horatio’s)
Rachel K Collier (Friday, 12:20 PM, Latest Music Bar [Horizons / Gorwelion showcase)
Sam Fender (Friday, 2:30 PM, Patterns upstairs; Friday, 8:00 PM, Sallis Benney Theatre; Saturday, 1:30 PM, Komedia Studio Bar)
Stella Donnelly (Thursday, 8:15 PM, Komedia; Friday, 7:45 PM, Unitarian Church; Saturday, 1:20 PM, Dr. Martens stage)
Superorganism (Friday, 10:15 PM, The Old Market)
Ten Tonnes (Friday, 6:30 PM, Coalition; Friday, 10:45 PM, Paginini Ballroom at the Old Ship Hotel [BBC Introducing stage])
The Homesick (Friday, 2:30 PM, Komedia Studio Bar; Saturday, 10:15 PM, Green Door Store)
The Spook School (Thursday, 12:15 PM, Horatio’s [Showcasing Scotland stage]; Saturday, 8:30 PM Sticky Mike’s Frog Bar)
TOUTS (Thursday, 8:15 PM, Patterns upstairs; Friday, 3:30 PM, Sticky Mike’s Frog Bar)

::gasps:: Okay, so now that we’ve gotten all those shining stars with loads of potential out of the way, I’m going to focus on five additional acts in this post. I’ve chosen those from the pool of acts appearing at The Great Escape but who did not appear at Live at Leeds last Saturday.

Basement Revolver (indie rock / lo-fi; Hamilton, Canada; 2:15 PM, Green Door Store; 6:15 PM, Patterns upstairs)
One of the upshots of attending The Great Escape is that it has arguably the most international line-up of any emerging music festival in the UK. Female-fronted Basement Revolver is one of a handful of acts having travelled thousands of miles to Brighton, besides the Aussies, of course. Bringing their reverb-heavy guitar chords and the sweet voice of Chrisy Hurn, they’ll have two chances on Thursday to wow Brighton crowds.

CRIMER (synthpop / dance; Switzerland; Thursday, 10:15 PM, Bau Wow; Friday, 1:30 PM, Bau Wow)
You a fan of Depeche Mode’s beats and Dave Gahan’s sultry drawl? I’m gonna put it out there and say you’re gonna love CRIMER from the Continent. The Great Escape blurb presumably supplied by him describes his look as pure boyband, but don’t let his hair parting put you off. Seems a bit strange that they have him on early Friday afternoon (I’d suggest you see him on the Thursday night instead) but hey, maybe he can turn Bau Wow into a sweaty disco before the 2 o’clock hour. Wait and see!

Declan Welsh and the Decadent West (punk; Glasgow; Friday, 12:30 PM, One Church and 7:15 PM, Green Door Store; 9:15 PM, Marine Room [Harbour Hotel])
I think it’s come time in this list to bring in something more subversive. I guess I don’t think of Glasgow as being very punk: perhaps it’s because both times I’ve visited, everyone’s been super nice to me, including the very large man with a very large ginger beard who shared a table with me at Nice and Sleazys. But I digress. Quoting their TGE bio directly, “Donald Trump and Theresa May watch out! The Revolution will be well dressed and speaking in Glaswegian.” RAWR.

Franc Moody (funk / dance; London; Friday, 2:40 PM, Beach House)
Not a guy from France, phew! No, Franc Moody is a London collective bringing da funk and da dance to Brighton’s seaside. Apparently they have been doing this for a while, in so-called ‘infamous’ (::giggles thinking of Three Amigos:: ) warehouse parties in Tottenham. Friday afternoon at TGE is oddly full of dance acts, so I can only hope that no matter what the weather, Franc Moody (and everyone else for that matter) can manage to get bodies bumpin’ before official wine o’clock.

Saint Raymond (pop; Nottingham; Thursday, 3:30 PM, Marine Room [Harbour Hotel])
This singer/songwriter has already been out on the road with the likes of Gabrielle Aplin, Ed Sheeran and HAIM, so it shouldn’t come as much surprise that Callum Burrows’ style of music is firmly in the pop genre. Burrows blends a synth-driven ‘80s sound with feel good pop lyrics. Apparently in the early days back home in Notts, lazy journos compared him to local acts Jake Bugg and Dog is Dead. No more.

 

Live at Leeds 2018 Preview: editor Mary’s best band bets (part 1)

 
By on Monday, 30th April 2018 at 11:00 am
 

This year’s Live at Leeds 2018 best bets preview will be longer than past years because a lot of the acts (more than in past years, I reckon!) will also appear at Liverpool Sound City or The Great Escape, or both. As a result, I listened to ever band on the Live at Leeds schedule, then cross-referenced the lists so you, the music discoverer, can find them at another event if applicable. The Great Escape will take place in Brighton in 2 weeks’ time, and I am planning to post a Great Escape-specific best bets that will pick up anyone exemplary that I wouldn’t have written about here if they aren’t appearing in Leeds. Hope that all makes sense! If you’d like to read my previous, more general preview on Live at Leeds 2018, follow this link.

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on Live at Leeds 2018 is current at the time of posting. We strongly encourage you to check in at the Live at Leeds 2018 official Web site closer to the start of the event to confirm venues and set times. Wristbands for the event in Leeds this Saturday, the 5th of May are still available at the bargain price of £36 plus handling if purchased online; early bird and VIP tickets are now sold out. More information on where you can purchase your tickets in person or online is available here.

SXSW 2018 (or earlier) alums: Here’s a list of artists we either saw last month in Austin (or even in previous years) who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at Live at Leeds this coming Saturday. For your convenience, I’ve listed them in order of appearance on the day so you can slot them into your growing schedule.

IDLES (12:00 PM, Wardrobe [Dr. Martens stage])
Superorganism (2:45 PM, Stylus [The Independent stage])
ONR (5:00 PM, Lending Room)
The RPMs (5:00 PM, A Nation of Shopkeepers [Too Many Blogs stage])
Dermot Kennedy (6:00 PM, Academy [Leeds Festival stage])
Sam Fender (6:15 PM, Stylus [The Independent stage])
Stella Donnelly (7:00 PM, Brudenell Social Club [DIY stage])
TOUTS (7:00 PM, A Nation of Shopkeepers [Too Many Blogs stage])
Fizzy Blood (7:15 PM, Key Club)
Spring King (7:15 PM, Leeds Beckett main stage)
Ten Tonnes (7:30 PM, Leeds Church, Dork stage)
Yak (8:30 PM, Wardrobe [Dr. Martens stage])
Blaenavon (8:45 PM, Stylus [The Independent stage])
Her’s (9:00 PM, Brudenell Social Club [DIY stage])
The Vaccines (9:00 PM, Academy [Leeds Festival stage])
Wildwood Kin (9:00 PM, Leeds International Spiegeltent)
The Xcerts (9:30 PM, Key Club)
Pale Waves (11:15 PM, Brudenell Social Club [DIY stage])

Apollo Junction (electropop; Leeds; 12:00 PM, Trinity stage)
This band from North Yorkshire have been knocking around for the last 6 years with their brand of electropop and somehow, I have only discovered them now. Precious little is available online about them but according to this article, they enjoy Yorkshire Tea and fat rascals at Betty’s, which wins them bonus points in my book. Check them out before an A&R stumbles on them and they get whisked off to bigger venues.

The Orielles (garage rock; Halifax; 12:00 PM, Holy Trinity Church, CLASH stage)
We’ve featured The Orielles over the last 5 years on TGTF, so you’re probably wondering why would I include them here. They released their debut album ‘Silver Dollar Moment’ in February on Heavenly Recordings, and the LP has received accolades, including from The Guardian (“this album is a masterclass in how to produce guitar music that feels anything but futile: by making it specific, strange and superior to much of what’s come before.”). We knew them before they was and now you can enjoy them as a special guest at Live at Leeds. NB: They will also be appearing at Liverpool Sound City later on Saturday at the District and The Great Escape in a fortnight’s time, performing twice on Thursday the 17th of May.

SHEAFS (rock; 1:00 PM, Hyde Park Social Club)
The River Sheaf flows through Sheffield, so I’d fathom a guess that this group of Sheffield Hallam University graduates named themselves after it. This is a band with that snotty punk attitude and muscular guitar rock to back it up. They’ve been selling out venues in the UK and across the Continent, and it seems this is merely the beginning for them. NB: They will be performing at The Great Escape Saturday night the 19th of May at Hope and Ruin.

Tors (folk; Devon; 1:00 PM, Chapel)
Changing gears to a more conventional singer/songwriter outfit, my ears happened upon Tors, a quartet from Devon who amIACre miles away from the region’s most famous musical export Muse. Equally adept at a cappella four-part harmony and sweeping, guitar-driven, folky soundscapes ala Fleet Foxes and Goldheart Assembly, they’re for those interested in a slower, yet richer musical experience. NB: Tors appear Friday night the 18th of May at St. Mary’s Church at The Great Escape.

The Snuts (rock; Whitburn, West Lothian; 2:15 PM, Key Club)
I imagine most bands from Scotland are asked if they are from Glasgow or Edinburgh. The Snuts are from Whitburn, West Lothian, smack dab in between the two. I reckon they must favour Glasgow, as they’ve named a song after it that’s already hit over 440,000 streams on Spotify. No wonder: they’ve got that feel good guitar rock vibe going that everyone loves. Well, most everyone, right?

Black Futures (rock / electronic; London; 3:15 PM, Key Club)
Love psych rock? Love electronic? Hate that the two genres are never together in one band? Fear no more. Black Futures from London are a duo that have somehow successfully melded the two, giving each its due. A band after my own heart. NB: Black Futures will appear at the Great Escape Thursday the 17th of May at Green Door Store.

Hollow Coves (folk; Brisbane, Australia; 4:00 PM, Leeds International Spiegeltent)
Folk duo Hollow Coves will be travelling quite a distance for Live at Leeds. They hail from the hometown of BIGSOUND, the picturesque Queensland port city of Brisbane. You can expect angelically beautiful harmonies from the acoustically inclined folk duo. NB: Hollow Coves will appear twice on Thursday the 17th of May at the Great Escape.

Knightstown (electronic; Brighton via Glasgow; 4:00 PM, Headrow House [NME stage])
In a previous life, Michael Aston was a freelance composer and the keyboardist in C Duncan’s live band. Over the last few years, he’s been making music of his own under the name Knightstown. Aston’s swirly, emotional falsetto vocals float over his electronic compositions, drawing him favourable comparisons to Jamie Woon. He’ll provide an atmospheric performance that will be in sharp contrast to most of the other performances in Leeds on Saturday. NB: He will perform Saturday the 19th of May at The Great Escape as part of the FatCat Records showcase.

The Indigo Project (indie rock; Leeds; 4:00 PM, Stylus [The Independent stage])
I always like a good local band getting the opportunity to showcase at the festival in their own hometown. The Indigo Project are also no strangers to Live at Leeds, having played the event last year. Jangly, bright guitar pop guaranteed to bring a smile to everyone’s face.

whenyoung (pop-punk; London via Limerick, Ireland; 4:00 PM, Brudenell Social Club [DIY stage])
Pop-punk may have been borne out of the Noughties, but it’s still alive and kicking. Female-fronted whenyoung, Irish transplants in the Capital, recall the peppiness of Avril Lavigne while sitting nicely alongside acts like Dream Wife and False Advertising. NB: whenyoung are scheduled to play at the Haunt on Thursday night the 17th of May at the Great Escape.

Lady Bird (punk; Kent; 4:15 PM, Key Club)
Slaves and Drenge got the party going on political punk a few years ago, and the UK has never looked back since. With IDLES and LIFE performing at back to back SXSWs the past 2 years, it seems likely that their buddies from the South East, Lady Bird, will get an invite to Austin soon enough. Signed to fellow Kent natives Slaves’ Girl Fight Records, their future in releasing the kind of informed punk they want is bright. NB: Lady Bird appear at the Great Escape twice on Friday the 18th of May.

Tremors (synthpop; UK/French band based in London; 4:30 PM, Brudenell Social Club Community Room [DIY Neu stage])
Tremors are two Englishmen and a Frenchman from Marseille who somehow came together with the notion that they were going to meld French electropop and New Wave and they were going to do it on their own. So far, they’ve only released a series of singles, including this year’s two heart-pumping tunes, ‘Technicolour’ and ‘Broken Glass’. As an unashamed fan of synthpop in all its guises, Tremors are a unique curiosity worth your time at Live at Leeds.

Stay tuned for the next part of this preview on Live at Leeds 2018. Hopefully tomorrow!

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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