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Liverpool Sound City 2014 Interview: The Inkhearts

 
By on Wednesday, 7th May 2014 at 11:00 am
 

The Inkhearts are a band of students from Skelmersdale, which was previously only known to me as the town where Stuart Maconie was a English lit college lecturer before he started working full time for the NME. According to the quartet, the town also has the largest number of roundabouts in the whole country. Who da thunk?

Anyway, I’m sure you’re not wondering about their town’s traffic woes. The youngsters performed as the Label Recordings’ showcase at this year’s Liverpool Sound City, after which I nabbed them for this interview about their relationship with the people who put on the showcase, where they got their band name and what it’s like to get airplay across the whole country. There were so many people watching them, I had to pull the press card (literally) in order to be let into the outdoor Kazimier Gardens venue.

Many thanks for the band to chatting with me after. Below the interview, you can watch the promo video for their current single ‘Keeping Up’.

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Liverpool Sound City 2014 Interview: Model Aeroplanes

 
By on Tuesday, 6th May 2014 at 11:00 am
 

Last Friday at this year’s edition of Liverpool Sound City, I met up with Dundee lads Model Aeroplanes who stopped in town to do a show at the club Heebie Jeebies that night. Listen below to my chat with Ben Buist (bass), Grant Irvine (lead guitar), Kieran Smith (drums) and Rory Fleming-Stewart (lead vocals, guitar) as we talk about growing up in Dundee, the industry around them, their latest single ‘Electricity’ (stream it under the interview) and what’s up next for them (turns out I caught them right before they filmed their first-ever music video!).

Thanks very much to the band for their time, and Paul for setting this interview out in Liverpool for me.

 

Preview: Live at Leeds Festival 2014

 
By on Friday, 2nd May 2014 at 1:00 pm
 

Live at Leeds is one of the most intense examples of one of the most intense of gig-going events: the one-dayer. Leeds boasts more than its fair share of fine venues, and Live at Leeds brings them together under one banner for 12 hours of fine new music. Your brave correspondent has attempted to listen to every one of the over 200 artists on offer – and failed. Therefore here’s a list of what stands out as a possible way to negotiate the myriad of combinations.

The Brudenell Social Club has a strong offer all day. We Were Evergreen (3 pm) trade in Parisian twee-pop blended with indie tunes: a fine, summery start. And after that, because the Brudenell has two stages, it’s one band after the other, every half hour. No time to even visit the bar. Dive In are from Glastonbury and offer chiming melodies and a voice uncannily similar to Brian Molko, if he was full of happy pills. Coasts have the nerve to call their latest single ‘A Rush Of Blood’ – and although there is a touch of Coldplay in some of their soaring choruses, they’re unlikely to be confused with the London behemoth: there’s a nice discordant solo in ‘Stay’, and ‘Wallow’ is almost like Bastille with big guitars. A mixed bag then, but certainly one worth assessing live.

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Jarbird bring some admirably minimalist electronica overlaid with a lot of twisted, vocodered singing. And with a song called ‘More Bad Celebrity Poetry’ betraying a humourous cynicism, what’s not to like? Happyness, despite being from London, bring sunshine-on-a-string Americana – ‘It’s on You’ properly chugs like the Lemonheads, chock full of classic melodies and a college-rock slacker sensibility; ‘Montreal Rock Band Somewhere’ is a slow-burner, with a lazy bassline sketching out a groove and slurred vocals about drawing letters on one’s person. As you do. Woman’s Hour are a bit like a cross between Wild Beasts and The xx – which gives them a lot to live up to. They sound capable of it. With their debut album coming in July, now is a great time to check them out.

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From smooth electropop to guitars – both Creases and Primitive Parts supply lo-fi riffing and retro rock ‘n’ roll beats. Primitive Parts clearly have one or two Graham Coxon records in their collection. Onwards: I can’t stop playing ‘Hiroshima’, a fine example of orchestral pop from Norway’s Highasakite. Ingrid Helene Håvik’s vocals are stunning, framed beautifully by the delicate instrumentation.

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The 8 pm hour provides a dilemma – whether to make the 10-minute walk to The Packhorse to catch TGTF favourites The Orielles; perhaps a taxi ride to the Belgrave Music Hall to see the suave chamber delights of New York’s San Fermin, coming over all Tindersticks and Hem; or to stay at the Brudenell for an increasingly noisy night, kicking off with Montreal’s hard-riffing duo Solids. Indeed, the picture of where to be and what to hear becomes increasingly distant and hazy as the night draws in. Several hotly-tipped acts will have already been missed: Courtney Barnett, Flyte, Arthur Beatrice, and the headliners are either heavy-ish (Pulled Apart By Horses, Catfish And The Bottlemen (pictured at top), The Hold Steady), or poppy-ish (Clean Bandit, King Charles). Leeds’ very own I Like Trains set up a homecoming gig at Leeds Town Hall, celebrating 10 years in the biz.

In short, there’s something for everyone, and nobody can see everything, so it’s probably best to go with the flow and not worry too much about it. Or just spend all day at the Brudenell. See you there…

 

Live Gig Video: Bipolar Sunshine relives SXSW 2014 through Austin behind the scenes documentary

 
By on Wednesday, 16th April 2014 at 4:00 pm
 

I don’t know about you, but in DC this morning, we had sub zero temperatures. So this new documentary-style video via Adio Marchant – better known at the moment under his solo stage name Bipolar Sunshine – from his time at SXSW 2014 couldn’t have come along at a better time. Sun, shades, good tunes…man I miss Austin!

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Live Gig Video: Haim’s entire set at the first weekend of Coachella 2014

 
By on Monday, 14th April 2014 at 4:00 pm
 

Why suffer through the Californian desert heat (not to mention the damage to your wallet) when there are nice people on the internet that film entire sets from Coachella such as this one of Haim this past Friday afternoon? I don’t know if acoustics are to blame, but they don’t sound very good at all. Also, is it just me or do the Haim sisters look like they’re in pain and not actually enjoying performing at the festival? And it’s not just Este suffering as John witnessed at Reading 2013. Watch the whole shebang below.

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Preview: Camden Rocks Festival 2014

 
By on Friday, 11th April 2014 at 3:00 pm
 

Camden Rocks is one of a new breed of urbane festival that has infiltrated the scene across the U.S. and Europe. It requires the special kind of electric setting that can be found in places like Camden and Dublin, or organically grown ala SXSW; the corner of Texas that grew into national new music mecca. On 31 May, 20 venues across the borough will fire up their PAs, and over 200 bands will take to the stage from midday through to the small hours. There’s no mud, no tents and no burst fibreglass urinals. But what it lacks in escapist appeal, it will surely make up for in cultural backdrop and convenience. The Subways are what you might call the conventional headliners, but you can almost guarantee that it will be one of the plethora of lesser known talent that will steal the headlines.

Camden Rocks was conceived as homage to the borough’s staggering influence over the British music scene for the past 50 years. For so long an incubator of fragile new talent – from psychedelia to punk to Britpop – festival promoters have sought to express this diversity with an eclectic line up set across 20 of the town’s famous aural boltholes. It began as a one off, headlined by Pete Doherty and Carl Barat in 2009, and boasted a distinctly London chic, even if its scope was embryonic by comparison.

Resurfacing again in 2013, this year’s line-up is now a leviathan with hundreds of slobbering, stage-hardened heads just waiting to gnaw your face off. Some, like electronic punk rockers Sonic Boom Six, will be returning for another bite after appearing at the festival’s inception, whilst the likes of young guns The Hell will be attempting to muscle in and gain their share of the spoils. And, with festival scene rival Camden Crawl shipped over to Dublin in 2013, the locale will likely be chomping at the bit to host an event that expresses the veracity of the areas musical mythology.

For many, it won’t be headliners The Subways or Reverend and the Makers that are the big draw (although the £25 ticket fee would get you little change from going to see either individually on any other night). It is in the malaise of the lower line-up that the rare stones can be found. Starting at the top, Turbowolf and Orange Goblin will be representing the more traditional end of the hard rock spectrum, whilst Hacktivist’s intense hip hop/metal crossover is sure to compliment the likes of the anarchic Gnarwolves, and slackers Nine Black Alps. Further down the list and there is a thread of uber aggressive noisemakers that can be traced through the likes of Hang the Bastard, Crazy Arm and The Hell – the latter of which are solely responsible for leaving Watford as the wasteland it is today. Even the famous London poseur will be catered for, thanks to Blitz Kids and The Blackout.

It may just be a hyperbole of a standard Camden evening, but when your starting point is the motherland for so many generations of musical genres, the magnification creates a heady brew. It’s on nights like these, when Dr. Martens delve into every dive bar from Dingwalls to Dublin Castle, that you can sense the ghosts of Hendrix, The Rolling Stones, The Clash and Ramones – even Winehouse. On that Saturday in late May, the music of the new generation will do the talking; Camden Rocks has seen to that. But, it’s rare to find a festival at which the talent will be conscious of playing second fiddle to the venue itself.

Tickets and lineup info are available now from the Camden Rocks Web site.

 
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There Goes The Fear is where we tell you about the latest tours, gigs, and music we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like idiots.

The blog is edited by Mary Chang, who is based in Washington DC. She is joined by writers in the UK and America. It was started up by Phil Singer in Bristol, UK.

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