SXSW 2016 is just around the corner! Our ongoing preview coverage is through here.
| 2013 | 2012 | Live at Leeds 2015 | 2014
Sound City 2015 | 2014 | 2013 | 2012 | Great Escape 2015 | 2013 | 2012
Don't forget to like There Goes the Fear on Facebook and follow us on Twitter!
By Mary Chang
on Thursday, 18th December 2014 at 4:00 pm
Just released today as a live video from The Boatshed Sessions is this from Model Aeroplanes performing ‘Whatever Dress Suits You Better’. The Dundee filmed this in a tent at Inverness event Belladrum Festival 2014 in August. Enjoy it below.
The more! aspect of this post: also included below is a stream of the band’s current single ‘Club Low’, which I was remiss to have not posted earlier. The energetic track has already gotten over 56,000 streams on Soundcloud, which is pretty amazing! Read all our past coverage on MA here.
Florence and Machine, Major Lazer and alt-J are among the first acts confirmed for Flow Festival 2015.
Held in Finland’s capital Helsinki, the 12th Flow Festival will take place between 14-16 August 2015 and is set to showcase a range of local and international talent. Other artists confirmed for the 3-day festival include Flying Lotus, Todd Terje, Run the Jewels, Future Islands and Foxygen.
Headliner Florence and the Machine are currently in the studio recording the follow-up to the critically acclaimed album ‘Ceremonials’. In addition to Flow Festival, the indie rock band are also set to headline Oya Festival in Norway, as well as making appearances at Hurricane (Germany) and Rock Werchter (Belgium). Florence and the Machine has yet to announce any UK dates for 2015 (at the time of writing, at least).
Major Lazer is the dancehall electro project from American producer Diplo. Their hits include ‘Get Free’ (ft. Amber Coffman), ‘All My Love’ (ft. Ariana Grande) and ‘Pon De Floor’ (which was famously sampled by Beyonce in ‘Run The World (Girls)’).
Meanwhile, alt-J, who received the prestigious Mercury Prize in 2012 with their album ‘An Awesome Wave’, are set to perform in Finland for the first time. The indie rockers recently announced that they would be performing at New York’s 18,200 capacity Madison Square Garden in March 2015.
Flow Festival takes place at the disused Suvilahti power station, which is just a short walk from the centre of Helsinki. Last year, the festival attracted over 60,000 people, with over 150 artists performing. Such acts included the likes of Of Monsters and Men, Kendrick Lamar and Disclosure.
Tickets for Flow Festival 2015 are on sale now, and cost €159 (approximately £130) for the three days. Further artists are expected to be added to the line-up in early 2015. You can find out more about Flow Festival on the official Web site.
Round and round the big festival headliner roundabout goes. Will it be Muse? Unlikely, give it another few years. Foo Fighters? I’d bet good money this is going to happen. Blink-182? Bit early! Metallica? Yeah, why not! They’ve not released anything as a band proper since 2008’s ‘Death Magnetic’!
Upon the announcement, what did Lars Ulrich have to say about playing Reading and Leeds for the fourth time? “We are practically the house band.” You’re not wrong, Lars.
Now, I’m not saying the announcement of undeniably the greatest thrash metal band touring at the moment is a bad thing. But it does seem that these big ticket festivals are becoming overly reliant on a select group of supergroups, rotating the same headliners and introducing a new name to the melting pot oh so infrequently. Queens of the Stone Age and Paramore joined the top table patriarchy last year through their co-headline slot. But really the first time a band reached the line-up summit was Biffy Clyro in 2013. Their headline set at Reading and Leeds last year raised the bar, showing exactly what a band who have been lifted to the top of the bill can achieve with the proverbial wind of change in their sails.
Fast-forward to 2015 and we have, as mentioned by Mr Ulrich, Metallica topping the bill for the fourth time. You know what you get from the Americans, which I can pay testament to after Sonisphere earlier this year. You get a headline set full of flair, personality and tunes. They slayed Glastonbury and left egg on many a head with their superb showmanship. It’s an even safer booking for Reading and Leeds, as heavy metal tends to go down far more favourably in front of 100,000 16- and 17-year olds off their heads on warm Kopparberg and MDMA, compared to 200,000 woolly liberals stoned off their heads stumbling around a farm. Nobody can deny that when the opening riffs of ‘Master of Puppets’ drops, the tweens and the hardcores will all unite in throwing some horns. It’s a no brainer.
As for the rest of the first announcement, the most enticing has to be the return of Jamie T. ‘Carry on the Grudge’ dropped in September of this year and encapsulated everything any fan of the 28-year old poet wanted. The tunes were the kind which burrowed their way into your cerebral cortex and didn’t budge. The South London-born singer-songwriter went away and evolved forward and I can see Richfield Avenue going absolutely mental for him.
As for the rest, Wilkinson is one of those bookings which will appeal to the Snapchat generation, much in the same way Macklemore and Ryan Lewis did last year. For me, I feel it’s not the way I would like to see the festival going.
But I also understand that an event like Reading and Leeds needs to sell tickets.
To purchase basic weekend tickets for Reading Festival 2015, go here, where the price currently stands at £205 plus fees. For tickets to its more northern counterpart Leeds Festival 2015 offered at the same price, head this way.
Uproar. There’d be upper-middle class uproar in the streets of Soho if Worthy Farm were to be ditched in favour of a new location for the yearly Glasto bash. People would be throwing down their bowls in cereal bars and tossing their £4.50 mini-paninis in the air in Starbucks. Imagine Reading shifting itself from Richfield Avenue, or Download departing from Donington: it just wouldn’t be on.
These are just a few examples of why Liverpool Sound City 2015 will undeniably the most important year in the festival’s history. The festival is moving from the established inner city in and around Wolstenholme Square, where it has grown and evolved, to the Bramley Moore Dock. It’s a move that Sound City CEO Dave Pichilingi says aids in “our goal year on year being to evolve, grow, challenge, inspire, surprise and delight.”
It did surprise me, there’s no doubting that. As in its 2014 guise, the festival seemed to work a charm, with the tightly knotted interlocking streets of Liverpool city centre providing a maze for punters to stumble through on the way to the next new band they wanted to watch. The decision to ditch the old locations may have been assisted by the old area to soon lose one of its most charming venues, The Kazimier, and alongside this, TGTF favourite The Kazimier Gardens, two of the most atmospheric and chilled venues that the festival had to offer in its old guise.
So barring a location change, what else are the Sound City crew throwing our way to entice us to Liverpool? Well, the most recent headliner announced is bound to draw fans of all demographics to Liverpool. Even if they haven’t released a solid record since ‘At War with the Mystics’, The Flaming Lips (pictured at top) will arrive in Liverpool with one of the most notoriously fun live shows in tow for Saturday night. Frontman Wayne Coyne, who’s known to ride the crowd at the start of gigs in a zorb, is the kind of focal point who will sell tickets on the site of their name on the bill.
The festivals Web site also says, “the site change also opens Sound City up to bigger artists, the first being the legendary Belle and Sebastian, who will play on the historic Liverpool waterfront backed by a full orchestra.” Now after bearing witness to the power of some of Liverpool Sound City’s special sets – including a rousing performance by Noah and the Whale playing inside the Anglican cathedral with the rest of the TGTF crew in 2013, the prospect of the legendary group backed by an entire symphonic orchestra, to close out the event even, is enough to have me chomping at the bit.
So with only two announcements so far to sink ones teeth into, even in its new location the festival looks almost certain to be another success. The only question is, with two bonafide indie legends topping the bill, who have they got up their sleeves for the opening Friday? Most of the announcements have been a huge, welcome surprise. Who Friday’s headliner are is anyone’s guess, but I for one can’t wait to find out.
Photo above amen from Martin’s coverage of Kendal Calling 2014
The long, sunny days of summer festivals are now fading into distant memories. But behind the scenes things are moving apace. Autumn is the time where festivals are awarded their baubles – most toilets per head, gloopiest mud, highest concentration of dreadlocks per square mile, that sort of thing. And planning for 2015 is already under way. For those of us pining for those heady days and nights, here’s a quick update of the state of play for some of TGTF’s favourite events as we head towards the season before the season of festival season 2015. Or something.
There’s a new record for Glastonbury ticket sales, many of which sold out before they were even released, leading keen industry observers, and many physicists, to further speculate about the invention of time travel devices in the not so distant future. Which would also explain Radio 4’s spookily accurate racing tips this week. Critics of such a theory point out that surely a time travel device could be put to better use than simply jumping the queue for festival tickets. Which is a fair point, although consider involvement of Britain’s favourite pin-up physicist, Brian Cox – it all starts to make sense. If D:Ream feature on Glasto’s bill next year, the hypothesis will be considered proven.
Everyone’s favourite non-mainstream mainstream festival, Kendal Calling has been nominated for four awards at the “prestigious” UK Festival Awards. They won Best Medium Sized Festival last year, and considering this year it was only a bit bigger, they’ve got a good shot at winning again. Suede’s performance is nominated for Best Headline Performance, which it was, at least for this correspondent. I’m not so sure about Best Toilets though – cubicles with no toilet paper or sanitiser within the first hour of the festival are hardly best practice. Mr A. Loos needs to do better. They’re also nominated for Best Family Festival, which brings us neatly to…
Deer Shed Festival
Never ones to rest on their laurels, Deer Shed have announced an expanded site and an expanded time-frame, introducing Sunday night camping for the very first time. Just like every other festival then, although the lack of Sunday camping has long been an attraction for parents wanting to get their kids (and, for that matter, themselves) in a comfortable bed at a reasonable hour for school on Monday morning. It’s back to the past for the first band announcement, which sees Dave Gedge’s Yorkshire indie pioneers The Wedding Present back for their first gig since headlining the first ever Shed. Early bird tickets are on sale today, Friday the 10th of October, at the bargainacious price of £89, so don’t delay if you like punky indie on the hottest North Yorkshire weekend of the year.
PS The Wedding Present are releasing several of their back catalogue recordings as multi-disc sets this October. With previously unreleased audio, TV footage, and ‘ephermera’, these will be for completists only. It’s nice to know there are still some out there.
Liverpool Sound City
And finally… Sound City have opened the application process for bands wishing to play the event in 2015. So for any readers with an unrequited passion to play at a world-renowned career-launching industry event, get your applications in without delay. You can’t fare any worse than Willy Moon.
By Mary Chang
on Friday, 3rd October 2014 at 4:00 pm
It’s Friday, so I thought, why not post something fun and dancey to get you in the mood for the weekend? Oxford’s Glass Animals have released another live video from their exemplary performance at London Meltdown Festival back in June. In August, we posted the film of ‘Black Mambo’ from the night filmed by cinematographer Georgio Testi. This time, it’s of their upcoming single ‘Hazey’, which will be released on the 13th of October, smack dab in the middle of their next UK tour.
Glass Animals are currently in America, finishing up a tour with sold out shows in San Francisco tonight, followed by back to back sold out gigs in Los Angeles over the weekend. Their next UK tour begins next Friday, the 10th of October, at Liverpool Magnet; tickets to the tour are on sale now except for London Oval, which has sold out. The band also announced this week a new UK tour for March 2015, with tickets on sale now. The new tour includes their largest show to date at London Shepherds Bush Empire on Tuesday the 10th of March; the band promises they have “some cool plans for that one.” Quite tempting…