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Video of the Moment #2369: Annabel Allum

 
By on Tuesday, 30th May 2017 at 6:00 pm
 

The title of alt-rock singer/songwriter Annabel Allum‘s current single is enough to make sprogs go limp in the stomach and knees. The latest from Surrey artist who showcased at SXSW 2017 a little over 2 months ago is called ‘Eat Greens’, and its promo features plenty of nutritious, chlorophyll-packed, leafy vegetables. Yes, you read that right. As you might suspect, it’s a bit tongue and cheek about the great debate in one’s head of doing what you want and doing what’s perceived by society as ‘right’. After a while, there’s only so much of wheatgrass shakes and lettuce leaves shoved in your face one can take, am I right? Everyone comes to a breaking point, and I’m sorry to say that yes, there was definitely some leeks and peas that were harmed in the making of this video.

The grunge-y ode appears on Allum’s upcoming ‘All That For What’ EP, which is out on the 30th of June on Killing Moon. If you want to join in on the fun of the EP release party at London Shacklewell Arms on the 5th of July, you can do so here. To read more from our growing archive on Annabel Allum here on TGTF, follow this link.

[youtube]https://www.youtube.com/watch?v=iKIG2aByRIc[/youtube]

 

Live at Leeds 2017 Preview: editor Mary’s best band bets

 
By on Wednesday, 19th April 2017 at 11:00 am
 

Please note: as we always recommend in all of TGTF’s festival previews, the information we post here on Live at Leeds 2017 is current at the time of posting. We strongly encourage you to check in at the Live at Leeds 2017 official Web site closer to the start of the event to confirm venues and set times. Wristbands for the event in Leeds on Saturday the 29th of April are still available at the bargain price of £32.50 plus handling if purchased online; VIP tickets are sold out. More information on where you can purchase your tickets in person or online is available here.

SXSW 2017 alums: Here’s a list of artists we either saw last month in Austin who we enjoyed AND/OR we previewed ahead of the festival -AND- will also be appearing at Live at Leeds in 2 Saturdays’ time. For your convenience, I’ve listed them in order of appearance on the day so you can slot them into your growing schedule. The best of the best are marked with an asterisk. (*)

LIFE (2:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents]) *
Ten Tonnes (2:00 PM, Chapel) *
Airways (3:00 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Jade Bird (4:30 PM, Faversham Patio)
Annabel Allum (5:00 PM, Social)
Be Charlotte (5:00 PM, Faversham)
IDLES (7:15 PM, Key Club [DORK Stage])
She Drew the Gun (8:00 PM, Wardrobe)
Temples (8:00 PM, Church)
Lewis Watson (8:15 PM, Holy Trinity Church [Clash Stage])
The Academic (9:00 PM, Lending Room [WTGR Stage]) *
Dream Wife (9:00 PM, Brudenell Social Club [DIY Stage])
Slaves (9:00 PM, Academy)
Flamingods (9:45 PM, Leeds Beckett Union Stage 2 [Dr. Martens Presents])
Rag‘n’Bone Man (9:45 PM, Leeds University Union Refectory)
The Big Moon (10:00 PM, Brudenell Social Club [DIY Stage])
GURR (10:45 PM, Brudenell Social Club Games Room [DIY Neu Stage])
AJ Tracey (11:00 PM, Faversham)
Let’s Eat Grandma (11:00 PM, Chapel)

To add to the best 3 from above and round things out to a even 10 acts, here are an additional 7 I recommend from the fantastic Live at Leeds 2017 schedule:

The Gallery (Wakefield; 12:00 PM, Lending Room [WTGR Stage])
Wakefield is, of course, famous for being the birthplace The Cribs. But the Jarmans should probably get used to sharing the city with another band. The jangly guitars of The Gallery, reminiscent of Arctic Monkeys before they turned into Queens of the Stone Age, will take you back to the simpler times of British indie.

Wyvern Lingo (Wicklow, Ireland; 1:00 PM, Nation of Shopkeepers)
While already deemed national treasures in their country, most people outside Ireland have only heard of Wyvern Lingo from their association with Irish megastar Hozier, their members Karen and Caoimhe providing him backing vocals at live shows and the group supporting him on UK and Irish tours. Imagine the Staves if they’d gone pop and r&b.

Matt Maltese (London; 2:00 PM, Wardrobe)
It took Morrissey a while to be anointed the title ‘The Pope of Mope’. That said, given the current state of world affairs, it stands to reason that there should rightly be more artists coming out and telling it like it is without sugarcoating it. Piano playing Matt Maltese is one of them, coming out with the sweepingly beautiful ‘As the World Caves In’ to convey his despair. Seriously, close your eyes, and you could swear you’re hearing The Moz.

The Wandering Hearts (London; 3:15 PM, Holy Trinity Church [Clash Stage])
A stark contrast to all the indie and pop acts at this year’s Live at Leeds are The Wandering Hearts, an Americana / alt-country group from the big smoke. Recent signees to Decca Records, the band will provide a welcome midday set different from nearly everyone else invited to this event, with their lush harmonies smartly picked guitar.

Paris Youth Foundation (Liverpool; 5:00 PM, Oporto)
The return of Ride to the record shops this year proves the washy guitar wall of sound era isn’t over. Liverpudlians Paris Youth Foundation takes this and does one better by adding synthpop to the mix, lending an anthemic feel to their tracks. Having released their debut album late last year, this is still early days for them, but I reckon now is time to get on the bandwagon.

Tender Central (Devon; 5:15 PM, Holy Trinity Church [Clash Stage])
India Bourne is a Devon-born, classically trained cellist who now goes by the stage name Tender Central. It’s a good description of her sound, which takes full advantage of her ethereal vocals and her careful crafting of an equally evocative, all-enveloping soundscape. Take a moment and consider the thought of seeing such music being performed in a church. Got it?

The Pale White (Newcastle; 5:30 PM, Church)
While Patrick Carney is busy remoulding his girlfriend Michelle Branch, now is an excellent time to discover the band who will dethrone the Black Keys when they aren’t paying attention. While we can’t be sure their successors will be Newcastle’s The Pale White, their brand of down and dirty blues rock is a suitable North East alternative to that of Southampton’s Band of Skulls.

 

SXSW 2017: the Killing Moon / ReverbNation / Metro showcase (part 2) and BBC Radio 1 / PRS for Music / PPL showcase – 14th March 2017

 
By on Tuesday, 28th March 2017 at 5:00 pm
 

Upon my return to Scratchouse for the second half of the evening, I was pleased to see that Manningtree’s SuperGlu were proving their reception Monday night at the British Music Embassy wasn’t sheer dumb luck. (And if you missed the first half of my Tuesday evening, you can read it back here.) While the room at the indoor stage was certainly smaller than that of Latitude 30, SuperGlu proved they could draw a big, not to mention animated and engaged crowd without the promotional muscle of the BME.

Interestingly and somewhat headscratchingly, Killing Moon, ReverbNation and London newspaper Metro chose to put the quieter acts for their Tuesday night showcase on the backyard stage at Scratchouse. I guess they thought people who would coming out to the backyard would want to sit on the benches? Folk rocker Reuben Bidez is originally from Atlanta, but a relocation to Nashville appears to have done him good, according to American Songwriter. TGTF readers know this kind of music isn’t my bailiwick but rather up Carrie’s alley, so we’ll be sure to keep an eye on Bidez’s progress in his new locale going forward.

[youtube]https://www.youtube.com/watch?v=F9eFQzHG2tg[/youtube]

As part of our TGTF Guide to SXSW 2017 previewing acts from the South of England, Steven described Guildford’s Annabel Allum as a free spirit, one who “refuses to be pigeonholed or adhering to any kind of fad.” While I was keen on seeing Allum live, as it happens all too often at SXSW, it’s difficult to focus on a single musician when so much stuff is going on around you, in the venues nearby and with the buzz of chatter of punters who aren’t paying attention to who’s on stage. Under the eerie glow of lights on the backyard stage and wearing a flowy blouse, I got the feeling like Mt. Wolf earlier in the evening that a conventional club atmosphere (or even a coffee shop?) would have done Allum more favours.

Annabel Allum, Killing Moon, ReverbNation, Metro UK, Scratchouse, Tuesday 14 March 2017

Turning my attention back to the indoor stage at Scratchouse, it was time for Dine Alone Records act Mantra (stylized Måntra, as I understand it for purely legal reasons) to take the stage. Definitely more my speed. Growing up with the music of Led Zeppelin thanks to an older brother who for a time only listened to music designed pummel your eardrums and annoy parents, there will always be a part of me that wishes I could play guitar like Jimmy Page. Mantra are probably the closest these days I’m going to get to Led Zeppelin and one better, they seem to be taking the best of what England’s grand rock tradition of the last 20 years has had to offer into their sound. Namely Muse, or at least before Matt Bellamy went commercial (I haven’t forgotten you getting into bed with Twilight, Matt), too out there and sometimes just plain annoying.

Mantra, Killing Moon, ReverbNation, Metro UK, Scratchouse, Tuesday 14 March 2017

We’ve gone through an unusual period of seeing duos like Drenge, Royal Blood and Slaves prove you don’t need more than two people in a hard rock band. However, my memory goes back far enough to remember a time when rock trios like The Joy Formidable were questioned for their ability to pack in the firepower. There’s no such question in the case of Ealing’s Mantra. This is hard driving, pulse thumping rock for the headbanger, and this is the band who will renew your faith that good, hard rock can still be found in England. Check out my interview with the band in Austin through here.

[youtube]https://www.youtube.com/watch?v=pVGqb9gJnSw[/youtube]

SYKES, Killing Moon, ReverbNation, Metro UK, Scratchouse, Tuesday 14 March 2017

Time for a quick dash back to the backyard for my final band at Scratchouse for the night, SYKES. The band is named for frontwoman Julia Sykes, lead singer and keyboardist for the band. They’ve had an interesting ride so far, having recently appeared at the traditionally hard rocking Warped tour, wowing crowds with their self-described alt-electropop. Sykes, in a Chicago-themed hoodie, was the epitome of composure, and it’s not surprising, given that their band showcased last year in Austin and weren’t suffering from SXSW virgin sensory overload. It’s just too bad that there was a bigger crowd for Sykes’ yearning voice and their buzzy, crunchy synth beats, as this is exactly the kind of band I’d expect SiriusXM’s Alt Nation to pick up on.

[youtube]https://www.youtube.com/watch?v=UVHOAZ6UIAA[/youtube]

We don’t do a lot of writing about hip hop and grime on TGTF because, as I repeated quite a bit in Austin to friends, I just don’t feel comfortable about us writing about it if it’s a genre we don’t know a lot about. Dave, also known as Santan Dave, which explains his otherwise unusual Twitter handle @santandave1, was longlisted for the BBC Sound of 2017, so it was nice to see the BBC put him on the Tuesday night British Music Embassy showcase sponsored by Radio 1, PRS for Music and PPL.

Dave, Radio 1, PRS for Music, PPL showcase, British Music Embassy, Tuesday 14 March 2017

I’ve still got a lot to learn about how this genre is morphing and expanding its reach in the UK. But even without knowing much about this Streatham native, standing there in Latitude 30 as punters looked on silent and in rapt attention, you knew you were witnessing greatness. It must have been a terrifying moment for Dave to perform on such a stage and at such a young age. But he must also have felt incredible validation by the reception he received in Austin.

[youtube]https://www.youtube.com/watch?v=u2H0mXC2Wbs[/youtube]

Kent punk duo Slaves are no stranger to Austin and SXSW, or to TGTF for that matter. As rightly noted by drummer and master of ceremonies Isaac Holman from the stage of Latitude 30, they performed previously and on a Radio 1 showcase in 2014. I got on the Slaves bandwagon pretty late, which was probably for the best, as I refused to be swept up by the hype and wanted to decide for myself if they were an act I wanted to follow. Suffice to say, I finally got on, not so much for their musical prowess than for the sheer fun of their music. Let’s face it: Slaves’ specialty is hard, fast, in your face tunes, whilst also being tongue in cheek. Who else would subject one of their crew to crowdsurfing in a manta ray suit for their ‘art’? And really, how smart was it of Holman it to be wearing a coonskin cap, a symbol of American frontiersman Davy Crockett and a symbol of white entitlement, during this period of unprecedented racial prejudice in our country? I’m going to give him the benefit of the doubt and assume he had no idea.

Slaves, Radio 1, PRS for Music, PPL showcase, British Music Embassy, Tuesday 14 March 2017

But make no mistake, they’re not animals, Slaves realise what they’re doing and while they’re all for their fans having fun during their shows, they’re also not going to be dicks about it either. Guitarist Laurie Vincent, realising that a circle pit was forming down the front at Latitude 30 in response to their aggressive music, acted quickly and helpfully to direct photographers out of the fray and to the side of the stage so their expensive cameras wouldn’t get destroyed in the melee. ‘Spit It Out’, from last year’s ‘Take Control’ out now on Virgin EMI, was a revelation live, and the crowd were completely up for their punishing show. Mission accomplished. It seems strange to think they’re still playing small clubs here in America but on the other hand, it seems fair. Even though they’re signed to a major in the UK and they’re huge in Europe, they’re having to win over new fans in a new territory, just like everyone else who tries to make a go of it over here.

 

TGTF Guide to SXSW 2017: Southern England artists showcasing at this year’s SXSW

 
By on Friday, 3rd March 2017 at 11:00 am
 

Roll up! Roll up! For today’s TGTF Guide to SXSW 2017, we’re taking the train out of London and into the South East and South West of England to check out the artists there who have received shouts for this year’s big do. Except where noted, the summaries below were written by our Cambridge correspondent Steven Loftin, except where noted. Please note: all information we bring you about SXSW 2017 is to the best of our knowledge when it posts and artists and bands scheduled to appear may be subject to change. To learn when your favourite artist is playing in Austin, we recommend you first consult the official SXSW schedule, then stop by the artist’s Facebook and official Web site for details of any non-official SXSW appearances.

Alice Jemima – pop / Exeter
Super cool and smooth beats twinned with Alice Jemima’s dreamy voice makes for more than a pleasant listen. If anything, you could get lost for days in the musical wonderlands she creates, with a mixture of electronic and instrumentation stylings, if you don’t fall for Alice Jemima, then more fool you.

[youtube]https://www.youtube.com/watch?v=XoEXjFn3CMs[/youtube]

Annabel Allum – rock / Guildford
One of those DIY, totally be yourself types, Annabel Allum refuses to be pigeonholed or adhering to any kind of fad. What she creates is a world of her own, a mixture of punk in its true form, dark indie a la Interpol and a carefree attitude that lends itself to her lyrics. Definitely worth checking out: if you’re not at SXSW, do yourself the favour to have a listen to her at least on Soundcloud.

The Bay Rays – rock / Tunbridge Wells
With a vigour and upbeat swagger, The Bay Rays have a sound that is definitely fit for summer. That said, their lyrical content is often not of quite the same persuasion, often dealing with the idea of homelessness and the bottomless pit that is life. Latest single ‘Satisfaction’ carries all of these traits in spades. After supporting fellow SXSW attendees Slaves last year, The Bay Rays are definitely ones to check out. [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=G3OFkEWdl7Q[/youtube]

Blaenavon – rock / Liphook
Blaenavon are the ultimate example of ‘don’t judge a book by its cover’. You kind of expect guys like them with long hair and sullen looks to either shoegazers or one of the many lo-fi rock groups of late, but they are neither. Their music has a dark edge like a 21st century Nirvana, yet songs like ‘Let’s Pray’ prove they can do pop as well. Their debut album, ’That’s Your Lot’, will be out on the 7th of April, so their time in Austin will allow them to preview their songs in front of a largely American audience and for a second time at SXSW (they came over for the event last year). (Mary Chang)

To catch up on TGTF’s past coverage of Blaenavon, go here.

[youtube]https://www.youtube.com/watch?v=NPyWV_u2sY0[/youtube]

Buggsy – hip-hop / Bristol
It was bands like Massive Attack and Portishead and the sound of trip hop that put South West England city Bristol on the map. Rasta MC Buggsy wants to change that, stood in front to lead the charge of the city’s best rappers. As mentioned yesterday in introducing rapper Safone in the Midlands edition of the TGTF Guide to SXSW 2017, it’s hard for rappers to get attention if they’re not from London. Seeing how big the genre of rap has become over the years at SXSW, he couldn’t have picked a better year to get his time in the spotlight in Austin. (Mary Chang)

[youtube]https://www.youtube.com/watch?v=rLZROAx9XwU[/youtube]

Chad Valley – electronic / Oxford
Mixing beautifully layered vocals with chilled out synth work, Hugo Manuel aka Chad Valley will in no doubt be one to soundtrack to some beautiful Texas afternoons next month. Having released a plethora of singles, two EPs and a couple of albums, Chad Valley is easily racking up quite the impressive discography which he’ll in no doubt showcase expertly in Texas.

IDLES – punk / Bristol
If you’ve been wondering if there was a Southern counterpart to socially conscious Midlands group Sleaford Mods, look no further. Blistering Bristolian punks IDLES will be releasing their debut album ‘BRUTALISM’ – yes, they love those capital letters! – on the 10th of March, just a few days shy of the start of SXSW 2017. So you can bet they’ll be eager to unleash their newest tunes on the unsuspecting punters descending on Austin. I also wonder how Mary Berry feels about being namechecked in their single ‘WELL DONE’… (Mary Chang)

[youtube]https://www.youtube.com/watch?v=7Oxqf_15k0w[/youtube]

Lewis Watson – singer/songwriter / Oxford
Oxfordian Lewis Watson has everything you’d expect from a British songwriter: emotive and heart on sleeve lyricism and beautiful compositions. Gearing up to release his second album ‘Midnight’ shortly after SXSW, Watson is steadily building an arsenal of heart.

To read more on TGTF’s past coverage of Lewis Watson, go here.

Muncie Girls – rock / Exeter
Another act breaking through the ranks of British rock, Muncie Girls (pictured at top) are melodic punk at its finest. Though their sound is still currently quite raw, it only helps exude the emotion in their music, and over time this will work itself into a fully embellished. Expect their second album to be released at some point in 2017.

[youtube]https://www.youtube.com/watch?v=mPbTMvDjyHA[/youtube]

SG Lewis – r&b / electronic / Reading
Coming at you with lustrous, thick beats that erupt and pulsate around ghost like vocals, SG Lewis is here to soundtrack your dreary city nights. Having signed to his dream label of PMR (they also represent big names Disclosure and Jessie Ware), SG Lewis looks set to make his mark with electronic music paired with the thinking of a smart singer/songwriter.

[youtube]https://www.youtube.com/watch?v=hfWdOpuNgGw[/youtube]

Slaves – punk / London via Tunbridge Wells
Not really in need of an introduction, punks Slaves are heading back to America to cause more havoc. With their vicious and raw sound that is made to rouse and provoke, they don’t take prisoners. They demand them. You can read editor Mary’s review of their latest album that was
released last September, ‘Take Control’, through here.

[youtube]https://www.youtube.com/watch?v=1wWBeJpFsQs[/youtube]

To check out more of TGTF’s past coverage on Slaves, follow this link.

Sundara Karma – rock / Reading
Having just released one hell of a debut album with ‘Youth Is Only Fun In Retrospect’ in January (reviewed here by Carrie), Sundara Karma are also a part of the new wave of British music that has a saviour like feel to it. If you don’t find yourselves moving and shaking to their sounds then we can’t help you, you’re on your own.

[youtube]https://www.youtube.com/watch?v=3bGs64ipYpU[/youtube]

This is the Kit – folk / Bristol via Paris
In a manner similar to fellow South By attendees Modern English, This is the Kit has a raw and vulnerable indie sound about them. From the brain of Kate Stables and performing under the moniker This is the Kit, she composes each track with her own talents and select friends to build the ideas in her head into these tangible and timeless indie pieces. [Aaron Dessner of the National is a fan, having signed their band to his Brassland label. – Ed.] [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

Wildwood Kin – folk / Exeter
With a name like Wildwood Kin, you can probably imagine what they sound like: delicate, soft folk music that couldn’t squeeze any more emotion or feeling into it even if they tried. The sweet sound of Americana but with English heart, this all-female trio will have you weeping in seconds. [As of 21/2, this act is no longer listed on the SXSW Music Festival schedule.]

[youtube]https://www.youtube.com/watch?v=SPjWuQBaUNo[/youtube]

 
 
 

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There Goes The Fear is where we tell you about the latest music, gigs, and tours we love and think you should too.

We love music that has its heart on its sleeve, tells a story, swims around our head all day or makes us dance like no-one's watching.

TGTF is edited by Mary Chang, who is based in Washington, DC. She is joined by writers in England, America and Ireland. It began as a UK music blog by Phil Singer in 2005.

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